Broadcast

Pre-Production
Production
- Audio
  - Microphones
    - Placement
    - Microphones
  - Sound Design
- Cinematography
  - Composition
  - Format
    - TV Format
    - 16:9
    - 4:3
  - Camera Angles
  - Camera Movement
    - Pan
    - Tilt
    - Pedestal Up
    - Pedestal Down
    - Zoom In
    - Zoom Out
    - Dolly In
    - Dolly Out
    - Trucking
    - Arc
  - Shot Types
  - Continuity
  - Camcorder Controls
  - Camcorder Care
- Directing
- Lighting
  - Light Types
  - On-Camera
  - Spot
  - Design
    - High Key
    - Low Key
    - Chiaroscuro
    - Rembrandt
    - Cameo
    - Ambient
    - 3-Point
  - Flood
  - Soft
  - Key
  - Fill
  - Rim
  - Background
  - Practical
  - Outdoor
  - Night Lighting
- Art
  - sets
  - costumes
  - make-up
    - Hair
  - props
- Effects and Stunts
  - Horror
  - Blood Effects
  - Green Screen
  - Pyrotechnics
Post Production
Distribution
Technology
Business
Theory
- History
  - Film
  - Video
- Genre
  - Comedy
    - Parody
  - Drama
    - Film Noir
    - Mystery
  - Action
    - Crime
    - Buddy Movie
  - Documentary
    - Cinema Verite
    - Travel
  - Instructional
    - How To
  - Event
    - Wedding
    - Sports
Profiles
Product Reviews
- Capture Cards
  - FireWire
  - Analog
  - USB
  - SDI / HDSDI
  - HDMI
  - Audio
- Digital Camcorder Reviews
  - Canon
  - Hitachi
  - JVC
  - Panasonic
  - Samsung
  - Sanyo
  - Sony
  - Sharp
  - Fisher
- Computers
  - Apple
  - Windows
  - Linux
  - Amiga
  - SGI
  - Turnkey
- Microphones
- Video Mixers
  - Analog
  - Digital
  - FireWire/USB
- Lights
- Audio Mixers
  - Analog
  - AES/Digital
- Software
  - Compositing & Effects
  - Editing
    - Final Cut Pro
    - Adobe Premiere
    - Avid
    - Pinnacle
    - Ulead
    - Canopus
    - Media 100
    - NewTek
    - Sony Vegas
    - iMovie
  - Sound
  - DVD Authoring
  - Scheduling, Script, Storyboard
  - Audio
  - Plugins and Filters
  - Utilities
  - DVD Authoring
  - Animation
- Monitors
  - crt
  - lcd
  - plasma
  - dlp
  - HD/SD
- Tripods and Camera Supports
- Speakers
- Bags
- Scopes and Diagnostic Equipment
- Headphones
- Storage Solutions
- VTR's & VCR's
  - HDV
  - DVCPRO/HD
  - DV / DVCAM
  - Hi 8mm/ 8mm
  - Betacam SP/digi/sx/imx
  - M2
  - 3/4â��
  - 1â��
  - DVHS
  - VHS-SVHS
  - Digital S
  - HDCAM
  - Betamax
  - DAT
  - Reel to Reel
  - Cassette
  - XDCAM
  - P2
- CD/DVD/Blu-ray Disc Authoring
  - DVD Players
  - DVD Recorders
  - DVD Duplicators
  - CD Players
  - CD Recorders
  - CD Duplicators
  - Blu-ray Players
  - Blu-ray Recorders
  - Blu-ray Duplicators
- Blank Media
- Hard Disks
  - External
  - Internal
  - External RAID
  - RAID controller
  - DLT
- Cables and Connectors
- Music SFX libraries
- Audio Mixers
- Stock Footage
- Lenses and Adapters

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Why Broadcasters Want YOUR Camcorder Footage

April, 1998

by Julie DeForest

The camcorder is making our view of the world much more personal as it has redefined television entertainment and news. Now broadcasters can't get enoughof your videos.