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Feature Stories

Tutorial - Getting That Film Look

by Brian Peterson
Shooting video to look like film

Coming of Age... Videotape Decks Enter Their Golden Years

by James DeRuvo
In the days of olde, a videotape deck was an important member of your video editing arsenal. Believe it or not, it is still an essential tool for many editing situations.

Alakazam! The Magic Bag of Tricks

by Michael Reff
Just like every good magician has a bag of tricks, so should every great videographer.

Editing Software Buyer's Guide 2008

by Heath McKnight
Finding the right tool to edit your masterpieces

The Divine Proportion
Balancing the Golden Rule

by James Williams
Nature created it; visual artists follow it. Using aesthetically-pleasing framing creatively draws your viewer into your shot composition.

Choosing Your Direction: Progressive or Interlaced

by Michael Reff
A great director once asked, "To Interlace or not to Interlace? That is the Question. Whether ‘tis nobler in the mind to capture slings and arrows of sporting events clearly, or to make beautiful film-like pictures against a sea of blur..."

Departments

In box

by The Editors
readers' letters

New Gear

by Charles Fulton
hot off the presses
Cover Image

July 2008
Table of Contents

Columns

Distribution
Finding Your Target Market

by Peter Biesterfeld
The internet has turned traditional business models upside down. This includes the market relationship between sellers and buyers.

Lighting
Lighting Gels

by Robert G. Nulph, Ph.D.
You're ready with 3-point lighting or a soft-light and mood setting. But ... hum... what's missing? How about some red and blue on that dull white scene?

Viewfinder

by Matthew York
Footage

Save As:
15 Quick Tips to Videotaping Fireworks

by Jennifer O'Rourke
Shooting great firework footage is more than pointing the camera into the sky. The less light you have, the harder it is to focus or capture an image that isn't underexposed or overly grainy. Throw in a fireworks scene that changes from dark to light within nanoseconds, and your camera will need a lot of help from its human counterpart. Let's start with the gear, then go to the technical, setup and finally the techniques.

Editing:
Fix It in Post

by Morgan Paar
If a director, cinematographer, producer or uncle of the movie studio mogul tells you, "no worries... we'll fix it in post," tell them, "well, sure, we can... but it'll cost you."

Audio
Boom Op 101

by Hal Robertson
The boom mic is the go-to microphone of choice for most television shows, documentaries and major motion pictures.

Test Bench