When we create video, we are telling stories, and this is the essence of the craft. With all of the complexities of video production, it is easy for the focus to shift away from storytelling. We often pay too much attention to equipment, technique or crewmembers, while neglecting the story.
Why would we want to concentrate on white when we shoot in color? Because incandescent, fluorescent and sunlight differ a lot, proving that white isn't always white.
A guide to which DVD mass-production option works best for you. You've burned a master disc of your pièce de résistance and are ready to ship it all over. Just one problem: you have only one disc, and burning hundreds by yourself isn't feasible. Or is it? Both duplication services and home-use duplicators create the same outcome, so which one should you go with? This article will arm you with the information you need to choose the option that works best for you, so you can tackle your next big project with ease.
Since the introduction of the tungsten-halogen bulb in the early 60s, lighting technology has changed little except in the fixture styles that use the quartz lamp.
It's that time of year when students return to the classroom with fresh shiny faces, new schedules and a plethora of activities to fill their calendars from now until June. Here's a few tips to get you ready to hit the books, too.
Ever want to enhance a washed-out sky or push the color on a less-than-vibrant hill of grass? How did they do that black-and-white/color effect in Sin City or Pleasantville?
MP3 is now a distribution standard. iTunes has sold over a billion compressed audio tracks in AAC format. DVDs, Blu-ray Discs and digital TV all use audio compression.