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December 1996 Table of Contents

Feature Stories

Columns

Getting Started: Sideline Video: Shooting Sports

by Jim Stinson
Videotaping sports events can be just as challenging as the games themselves. Here's a few hints to help you hit a home run with your viewers.

Pause: George and Harry, Bill and Sadie

by Stephen Muratore
The secret of a good marriage is communication, especially for videographers.

On Ramp: Compressing Video for Streaming

by TBD TBD

On Ramp: The Internet and the MBONE

by TBD TBD

On Ramp: What Separates One Streaming Package from Another?

by TBD TBD

On Ramp: Shooting Video for Streaming

by TBD TBD

Streaming FAQ: What is Streaming Video?

by Larry Lemm

Streaming FAQ: What is the Potential of Streaming Video?

by Larry Lemm

Streaming FAQ: What are Some of the Uses for Streaming Video?

by Larry Lemm

Streaming FAQ: Why and How Would I Get a Streaming Server?

by Larry Lemm

Edit Suite: Using Your Computer for Linear Editing

by Mike Loehr
While nonlinear editing systems seem to be all the rage, computer-controlled linear editing is tried, true and affordable.

Sound Track: The Copyright Riddle

by Loren Alldrin
There's a whole lot of confusion surrounding copyrights and the use of music in videos. Here are straight answers to the most common questions.

Profitmaker: Target Practice

by William Ronat
You create the best videos around. But how do you sell your services? By zeroing in on your target market.

Departments

Tech Talk

by Joe McCleskey

November 1996 Table of Contents

Feature Stories

Columns

Getting Started: Connecting Editing Equipment

by Jim Stinson
Making the right connections isn't just smart, it's a neccessity.

Pause: Vince Saves It

by Stephen Muratore
There are two ways to find a house. The first is to carry the house with you...

Video Editing: Inserting Movie Credits

by Mike Loehr
How to use a titler to insert cool movie credits into your video.

Sound Track: Audio Dubbing

by Loren Alldrin
Thanks to the modern miracle of audio dubbing, you can make changes or add new sound to your videotape.

Test Bench

  • Benchmarks

    by Joe McCleskey
    • Hitachi VM-E625LA 8mm Camcorder
    • Truevision Targa 1000 PCI A/V Capture Board
    • Shure SM89A Condenser Shotgun Microphone
    • Samsung SV-2040U VHS/8mm Dual-deck VCR
    • MetaTools Kai's Power Goo
  • Profitmaker: Oh, Grow Up.

    by William Ronat
    If your video business is growing, it's healthy. But prepare yourself for some growing pains.

Departments

Quick Focus

by Karen Director

October 1996 Table of Contents

Feature Stories

Columns

Getting Started: The Joy of Sets

by Jim Stinson
With your imagination, a few inexpensive props and some clever framing, you can defy reality

Pause: Future Schlock

by Stephen Muratore
Your battery's memory may be better than your own.

Edit Suite: Test Your Monitor Knowledge

by Mike Loehr
TVs, video monitors and computer monitors may look similar, but savvy videomakers know how they differ, and how to use them.

Profitmaker: Marketing Your Video

by William Ronat
To sell directly, or to distribute? That is the question.

Departments

Tech Talk

by Stephen Muratore

DV Update

by Joe McCleskey

Book and Tape Reviews

by Joe McCleskey
Multimedia Sound and Music Studio
  • The Video Production Organizer
  • Starting Your Own Animation Business
  • September 1996 Table of Contents

    Feature Stories

    Columns

    Getting Started: Using Light

    by Jim Stinson
    Light is the most essential element in videomaking. Here's how to make the best use of it.

    Pause: Vince's Way Home

    by Stephen Muratore
    The further misadventures of a would-be nonlinear editor.

    Edit Suite: Master Editors

    by Mike Loehr
    One of the best ways to learn when and where to edit is to imitate those who have done it brilliantly.

    Sound Track: Miking Basics

    by Loren Alldrin
    There's more to choosing and using microphones than meets the ear. Here are some basic principles of miking for video.

    Profitmaker: Shooting on Location

    by William Ronat
    Wherever you go, there you are. But are you prepared?

    Departments

    Quick Focus

    by Joe McCleskey

    QF User Groups

    by Joe McCleskey

    QF Web Watch

    by Joe McCleskey

    August 1996 Table of Contents

    Feature Stories

    Columns

    Getting Started: Visual Composition

    by Jim Stinson
    You don't have to be George Gershwin to be a great composer. Just carefully arrange your video scenes, and you'll achieve visual harmony.

    Pause: It's Your Life

    by Stephen Muratore
    Some of the best stories are the small stories we live every day.

    Edit Suite: Behold the Humble Cut

    by Mike Loehr
    No video transition is so simple and inexpensive as the cut. And none is so powerful.

    Sound Track: "I Do"

    by Loren Alldrin
    Here are answers to 10 common questions about capturing clean, clear audio at weddings.

    Starting a Video Production Business

    by William Ronat
    Advice on how to go from Amateur to Pro

    Departments

    Tech Talk

    by David Brott

    Quick Focus

    by Joe McCleskey

    QF User Groups

    by Joe McCleskey

    QF Web Watch

    by Joe McCleskey

    July 1996 Table of Contents

    Feature Stories

    Columns

    Getting Started: The Boring Parts Cut Out

    by Jim Stinson
    When you show your videos, does your audience cry "Mercy, mercy! Or "More, more!"? Some simple editing could make the difference.

    Pause: Getting Digital

    by Stephen Muratore
    Converting a computer system for nonlinear editing is not for the faint of heart.

    Edit Suite: Plan for Better Editing

    by Mike Loehr
    A stitch in time saves nine. An edit plan saves time.

    Sound Track: Speaking of Specs

    by Jerry Whaley
    Specifications capture the essence of equipment performance. Understanding them will make you a savvy shopper.

    Profitmaker: Videotaping Depositions

    by Eric Rudolph
    With the right gear and the right attitude, you can tap into the lucrative deposition videomaking market.

    Departments

    Video Industry News

    by Joe McCleskey
    Video Industry News:Apple's Quicktime multimedia architecture,three models with flip-out LCD monitors: the 8mm VME625LA. U.S. Robotics on a new cable-modem

    QF User Groups

    by Joe McCleskey

    QF Web Watch

    by Joe McCleskey

    June 1996 Table of Contents

    Feature Stories

    Columns

    Getting Started: Do You Copy?

    by Jim Stinson
    Transferring photos to video is easy with the right tools and a little know-how.

    Pause: Battery Memory, Battery Laziness

    by Stephen Muratore
    Got a sleepy NiCd battery? Join the club.

    On Ramp: Put MPEGs on your Home Page

    by Joe McCleskey
    Got a web page? Got a camcorder? Here's how to put your video clips on the Web.

    Edit Suite: Choosing a Titler

    by Mike Loehr
    A titler will do more than just put text on the screen--it can also give your productions a more professional look.

    Sound Track: Ten Common Audio Mistakes

    by Jerry Whaley
    We've identified ten audio foibles that keep most video productions from sounding as good as they could.

    Profitmaker: Planning Your Advertising

    by Mark Bosko
    Advertising isn't optional for the growing video business--it's a must. Here's how to plan an effective ad strategy.

    Departments

    In Box

    by Joe McCleskey

    Quick Focus

    by Joe McCleskey

    QF User Groups

    by Joe McCleskey

    QF Web Watch

    by Joe McCleskey

    May 1996 Table of Contents

    Feature Stories

    Columns

    Getting Started: Lenses: Long and Short, Wide and Tight

    by Jim Stinson
    Harness the power of the zoom lens for maximum visual impact.

    Camcorder Danger: Risks People Take for the Camera

    by Stephen Muratore
    The dangers of putting a camcorder on a person who would put themselves or others at risk to show off.

    Edit Suite: Continuity Boot Camp

    by Mike Loehr
    How to put an end to the often comical - and always embarrassing - continuity error.

    Sound Track: Multi-track Audio for Video

    by Jerry Whaley
    A multi-track recorder may be the key to more professional-sounding videos.

    Profitmaker: Moving Forward

    by Mark Bosko
    There are only two directions your video business can go - forward or backward.

    Departments

    In Box

    by Joe McCleskey

    Quick Focus

    by Joe McCleskey

    QF User Groups

    by Joe McCleskey

    QF Web Watch

    by Joe McCleskey

    April 1996 Table of Contents

    Feature Stories

    Found Sound

    by Mark Steensland
    Sound effects have immense value in video production. The ability to re-create an "aural environment" after the shooting is done gives videomakers much more control over their work, both enhancing the final product and helping to simplify the capturing of visual footage.

    Columns

    How to Use a Camcorder: Keeping Your Image Steady

    by Jim Stinson
    Ways to steady your camcorder. Use an external viewfinder to keep your hard forehead from touching the camera.

    Pause: To Read or to Watch

    by Stephen Muratore
    The pen may be mightier than the sword, but it's no match for the lens.

    On Ramp: New Technologies, New Outlets

    by Crissy Follmann
    Emerging technolgies promise new distribution outlets for videomakers.

    Edit Suite: Transition Tricks

    by Mike Loehr
    Here's how to put transitions to work in your video productions.

    Audio Advice: Digital Audio Basics

    by Chris Meyer
    What digital audio is, and how it's going to change what we actually hear when we play back our video masterpieces.

    Profitmaker: Portrait of a Family

    by William Ronat
    Say goodbye to

    Departments

    Tech Talk

    by David Brott

    Letters to the Editor

    by Joe McCleskey
    Ask Videomaker. Questions and comments from our readers and answers from the editor

    Quick Focus

    by Joe McCleskey

    QF User Groups

    by Joe McCleskey

    QF Web Watch

    by Joe McCleskey

    March 1996 Table of Contents

    Feature Stories

    Desktop Video Buyer's Guide

    by Joe McCleskey
    Would you believe that Hollywood is using high-end versions of consumer DTV products to do special effects on big-budget films? Would you believe that major theatrical releases are being created with products that have the same names as those found on a home DTV computers? Start believing.

    Columns

    Getting Started: Auto vs. Manual

    by Jim Stinson
    If better-looking video is your goal, maybe it's time you took control.

    Pause: Least Favorite Video Things

    by Stephen Muratore
    Great hobby or not, videomaking has its share of irritating aspects.

    On Ramp: Exploring Cable Opportunities

    by Mark Bosko
    Don't forget cable TV as a legitimate outlet for your video wares.

    Edit Suite: TBC Trivia

    by Mike Loehr
    Answers to common questions about one of video's least-understood tools.

    Sound Track: The Direct Connection

    by Jerry Whaley
    Tapping into an existing audio mixer often results in a clearer audio track.

    Profitmaker: Making History

    by William Ronat
    Family or company history videos may be a lucrative, untapped market in your area.

    Departments

    In Box

    by Joe McCleskey

    Video Help from Videographers

    by David Brott
    Our subscribers give advice, and share lessons learned in their videography experience

    Quick Focus

    by Joe McCleskey

    QF User Groups

    by Joe McCleskey

    February 1996 Table of Contents

    Feature Stories

    Documentaries: Then and Now

    by Mark Steensland
    Join us for a look at the history of documentary film and videomaking, followed by a discussion of how you can shoot your own documentaries with professional results.

    Music and Sound Effects Libraries: Your Ticket to Powerful Productions

    by Dr. Robert G. Nulph
    Music and sound effects are a great way to add spice to your video productions. Fortunately, you don't need a musician or a foley artist to get the job done; all it takes is a CD player, an audio mixer and a library of sounds.

    Upon Reflection: Lighting Accessories for Videomaking

    by Jim Stinson
    Light control devices range from simple sheets of cardboard covered with foil to professional lighting umbrellas, fingers, scrims and flags. In this article, we'll show you how to choose the best lighting accessories to meet your budget as well as your needs.

    A Production Value Primer: Big Looks for Small Bucks

    by Mark Bosko
    Gaining production value on a project doesn't instantly mean spending money. Here's how to improve the quality of your videos with such simple tools as scripting decisions, camera angles and lighting scenarios.

    Columns

    Camera Work: Et Cetera, Et Cetera

    by Jim Stinson
    Et Cetera, Et Cetera

    Pause: High Phi

    by Stephen Muratore
    High Phi

    Personal Video Distribution

    by Mark Bosko
    Uncle Al's Ab Workout, Mike Jones' Kickin' Karate and The Beach Babe Experiment are just three of the hundreds of successfully marketed low-budget videos available on the market today.

    Edit Points: Add Spice with Special Effects

    by Mike Loehr
    Add Spice with Special Effects

    Sound Reasoning: Balancing Art

    by David Brott
    Balancing Art

    Test Bench

    Departments

    Video Q&A

    by David Brott

    Letters

    by Joe McCleskey

    Quick Focus

    by Joe McCleskey

    QF User Groups

    by Joe McCleskey

    Product Scene

    by David Brott
    • Sony EV-S5000 Hi8 VCR
    • NRG Research Power Can
    • Anthro Anthro Console
    • Panasonic AG-188U
    • Go Video GV-8050 8mm/VHS dual-deck VCR
    • Charles Beseler Lilliput Utility Light

    January 1996 Table of Contents

    Feature Stories

    Music in Motion: 15 Steps to Better Music Videos

    by Mark Bosko
    Music videos may be the most rewarding, challenging and creative projects you'll ever shoot. Here's how to make the most of this unique genre of video production.

    Animation Software

    by Scott Anderson
    Animation – the word conjures images of everything from moving 3D logos to spectacular outerspace battles. JoinScott Anderson as he explores the software that can make animation a reality for your next video.

    Blank Tape: What's New, What's Old and What You Need

    by Roy Wolcott
    The blank tape market can be a minefield of confusing specs and meaningless amrketing jargon. Let us show you the way to informed tape purchases. Accompanied by our annual blank tape buyer's guide.

    "Off-the-Wall" Secrets: Tips for Transferring Film, Slides and Photos to Videotape

    by Steve Yankee
    Transferring film, photo rpints and slides to video isn't nearly as hard as it seems. The best method, in fact, may surprise you with its simplicity. Read on to discover the "off-the-wall" secrets of film-to-video transfers.

    Inside the Tube: A Look at Video Monitor Technology

    by Donald Keller
    A video monitor is more than just a large glass tube with a few knobs and buttons - it's a fascinating device that deserves a closer look. Understanding what makes a monitor work will help you get more from your videomaking.

    You Could Look it Up!

    by Jim Stinson
    Whether you're chasing down information for your next home–brew documentary or getting the skinny on your competition, you're engaging in research. According to author Jim Stinson, the world is full of rich resources for research types. Here's how to find them.

    Columns

    Viewfinder: Open Access

    by Matthew York
    Open Access

    Camera Work: Shots and Scenes

    by Jim Stinson
    Shots and Scenes

    Pause: Inside Out

    by Stephen Muratore
    Inside Out

    On Ramp: Broadcast Television

    by Mark Bosko
    Broadcast Television

    Edit Points: The Big Picture

    by Mike Loehr
    The Big Picture

    Sound Reasoning: Lavalier Lessons

    by Gary Pillon
    Lavalier Lessons

    Test Bench

    Departments

    Letters

    by Joe McCleskey

    Tools & Tips

    by David Brott

    Quick Focus

    by Joe McCleskey

    QF User Groups

    by Joe McCleskey

    Product Scene

    by David Brott
    • Sony CCD-TR3000
    • Sony SVP1110
    • ACTAD The Carry Pro SF-10
    • Panasonic PV-LCD35 DisplayMate
    • Quest International Pro Shot Jr. Series
    • Samsung VR8905 VHS VCR