Production

• Production Monitors Buyer’s Guide: Getting the Right Image for the Work

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  Jordan Claverie - Tue, 05/28/2013 - 4:53pm

  

  Choosing the best production monitor for the work being done is the best key to success.

• White Balancing for DSLRs and Camcorders

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  There are many factors that contribute to getting a good looking shot. Setting your white balance correctly saves time and frustration when it comes time to edit and opens up artistic options in the field. In this segment, we talk about the basics of color temperature, when to use auto white balance, setting your white balance manually by dialing it in or using a white reference object and how to ensure good results in tough situations.

• Video Production: A Messy Balance of Art & Science

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  Greg Olson - May 20th, 2013

  

  Here at Videomaker, we often delve into the academic fundamentals of video production. We try to boil everything down to the “right way” of doing things.

• 5 Tips for Adding a Light Source With Light Reflectors

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  Jackson Wong - May 17th, 2013

  

  Amid all the talk of second screens and mobile devices, one simple joy is easily passed - a handy light source. Now all we need to do is trade our touch screen swiping for reflector techniques and we can entertain dogs, cats and dragons for hours. Seriously, here are tips that you can take to your production set. But before you can make use of the following tips you must be able to control your reflector. Be sure you get a feel for the angle at which your light source is strongest since your reflection will be a weaker version (less so if you've got a highly reflective surface like a mirror).

• Polaroid XS80 Mountable HD Action Camera

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  Luis Maymi - May 17th, 2013

  

  If you’re planning an adventure where you'll need to cross a river, bike your way through the forest or climb a mountain, including an action camera in your video kit can help you relive the fun later. Better yet an affordable model such as the newest Polaroid XS80 mountable HD action camera.

• Tripods & Stabilizers: Better Video From the Ground Up

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  Jordan Claverie - Mon, 05/13/2013 - 10:18am

  

  If you want your work to look more like the shots you see on TV, you need to shoot rock-solid steady footage.

• One Camera, Two Lenses - ATC Chameleon Action Camera

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  Luis Maymi - May 08th, 2013

  

  If you thought a camera with two lenses is only for 3D, then you'd be as surprised as we were when we heard of the ATC Chameleon action camera. It has two lenses that shoot two videos simultaneously (in sync) and that can be independently positioned to shoot from different angles.

• TriCaster 40 Review

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  Jordan Claverie - Wed, 05/08/2013 - 1:29pm

  

  The TriCaster 40 is the classic magic "black box"; a powerful multi-cam HD switcher that is well-designed, flexible, easy to use and affordable.

• Exposing for the Sky

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  Jordan Claverie - Wed, 05/08/2013 - 10:07am

  

  There’s a world of color out there, but your camera can’t see it all and the sky will play havoc with all that that vibrance. How do you fix it?

• Microphone Pickup Patterns

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  Choosing and using the right mic for the job is an important step in any video project, and understanding a microphone’s directional characteristics is one determining factor. In this segment, we talk about a microphone’s directional response and sensitivity, how to interpret a polar response chart, and we listen to examples of various mics to hear how response works in practice. Knowing how to determine the directional characteristics of a mic, and understanding how this affects the sound your mic picks up, can help you make an informed choice for your next project.

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