There are many factors that contribute to getting a good looking shot. Setting your white balance correctly saves time and frustration when it comes time to edit and opens up artistic options in the field. In this segment, we talk about the basics of color temperature, when to use auto white balance, setting your white balance manually by dialing it in or using a white reference object and how to ensure good results in tough situations.
The basic concepts of controlling depth of field with aperture, focal length, and distance are fairly easy to grasp, and we covered those topics in part one of this series, but now it's time to dig a little deeper. In this segment, we talk about perceived depth of field, how sensor size and angle of view can affect your ability to get the depth of field you want, and using depth of field to rack focus. There's a lot of confusion surrounding these topics, but a little common sense, and of course a bit of math and science can help us break it all down.
Luis Maymi - April 23rd, 2013
Every shooter wants to be able to direct the viewers' attention to the important aspects of a shot, and manipulating your depth of field is a great way to do it. In this two part series we talk about controlling your depth of field with aperture, focal length, and distance. In part two we talk about perceived depth of field, how sensor size and angle of view might affect your ability to get the depth of field you're striving for, and rack focusing. Knowing the different ways to achieve the depth of field you want for your scene will ultimately help you to craft more effective scenes.
Jackson Wong - April 12th, 2013
Videomaker awards an NAB 2013 Spotlight award to Redrock Micro for the One Man Crew. The One Man Crew is a motorized parabolic slider. The movement what you'd expect from a slider, except the parabolic motion allows your focus to remain much closer - there's one person's job.
Jordan Claverie - Tue, 03/26/2013 - 11:51am
Ridley Scott's cult classic “Blade Runner” has been a work in progress that has spanned 25 years. Cinematographer Jordan Cronenwith took the film noir look to new heights and created a gritty, neon filled future. While continuity errors plagued the first version of the film, “Blade Runner The Final Cut” took advantage of modern technology to fix them.
Jordan Claverie - Tue, 02/26/2013 - 11:10am
Mike Wilhelm - January 30th, 2013
Mike Wilhelm - October 31st, 2012
While some shooters are occasionally blessed with having all the lighting equipment they need when they need it, most of us have to make due with what's within arm's reach. That's why being able to control and manipulate the natural lighting that's already in your scene is one of the most essential lighting skills for any video enthusiast. Here are a few simple tips to help you achieve better shots with what you already have.
Use Practicals
© 2013 Videomaker, Inc. All rights reserved.
