Spotlight – Autodesk Smoke 2013 Post-production Software

Visual effects and Autodesk seem to go together extremely well, generally, Autodesk Smoke has been used by only top level professionals, but now Smoke 2013 is shaking that notion. The redesign from node to layer-based editing is one part of this overhaul, and the brightest part of the deal, what was once $15,000, is now $3,500. This still puts it on the high-end of post-production software, but it is much more feasible. By combining the node system within the tracks and layers, Smoke retains its powerful compositing.

There is plenty of ability to work on 3D, including editing, titles, logos and complete lighting control. Since many more people will have the opportunity to try this software out, you may be able to see it for yourself.

Autodesk Smoke 2013 moves away from node-based platforms with a layered structure, much like the video editing programs used across the industry. If you think that’s huge, get a load of the price drop, Autodesk Smoke used to be $15,000, but now it’s $3,500! This complete editing software for Macs is now going to reach a whole new group of professionals and enthusiasts.

Known for high-end quality effects, Autodesk retained these effects within the editing workflow and strived to simplify the whole process. Now they’ve got one of the most attainable, respected effects software available. What Smoke 2013 does retain is node-based compositing within the timeline, and therefore keeps your work within the same software program. Creative tools fill in a lot of work in terms of finishing, professional color grading, 3D editing and compositing, and matching and one-click chromakeying.

Autodesk is working to respond to their survey that returned with 82 percent of their users saying they were less than pleased with the support for HD and similar formats. Fully being able to edit video, add high-end effects and complete post-production is really going to be a strength for Smoke 2013, and the best part is, the capabilities are what you’d search for in plug-ins or as part of a suite of products from other software providers.

The creators are calling it a super app, but we’re just excited to see the 20-year leader of visual effects listening to their users, adapting their software and maintaining high enough quality to keep the same name. Afterall, if you created a new product for more than 75 percent off of its previous price, chances are you’d call it something else, but this is not the case with Autodesk’s Smoke 2013.

To go along with the severe price reduction, the system requirements got a trim. An up-to-date Apple iMac or MacBook Pro with high-bandwidth Thunderbolt is able to run Smoke 2013.

GenArts Inc., the premier provider of specialized visual effects software for the film, television and video industries, announced today a definitive agreement to acquire particleIllusion™ and all related products and technologies from wondertouch LLC. The acquisition includes particleIllusion SE, all Emitters and Pro Emitters, particleIllusion for AE, and all additional intellectual property from wondertouch LLC. As part of the acquisition, Alan Lorence, the former CEO of wondertouch and creator of particleIllusion, will join GenArts as a full-time developer. Read the rest of this entry »