Posts Tagged ‘videography’

Breaking Down the Documentary Process

by Mike Rosen | January 19th, 2012

So you want to make a documentary? We’ve all heard that before.  Just as we know that all the greatest writers are supposedly too busy hanging out in coffee shops and bemoaning the difficulties of writing to actually write, all the greatest documentarians are too busy worrying about where to start to actually, well, start.  When I was a kid, I used to love watching nature documentaries on PBS, all about the ocean floor or the rain forest or, especially, dinosaurs.  For years, though, I thought that a documentary HAD to be about some exotic faraway locale, that you had to travel to, say, the Gobi Desert or the Marianas trench, and that they always had to be about weird animals.  You might have the same problem, you’re too convinced that documentaries have to be sprawling, complicated affairs to realize that they’re actually pretty simple.  All you have to do it break it down!

Yup, it’s simple if you just break down the documentary process.  For example, take a look at Videomaker’s premium documentary series, now available to buy as one complete set at a $60 discount.  This DVD series divides up the daunting documentary process into four tidy little segments, so that you won’t get too overwhelmed.   All you need to worry about are four little things:

1) Documentary Storytelling: There’s good fodder for a stellar documentary anywhere.  Maybe you know a person with an unusual story to tell or maybe there’s a local landmark that you’ve always been curious about. Some of the most compelling documentaries come from personal stories or family histories, or dramas that, in the grand scheme of things, might not really be that dramatic. The incidents might be small or mundane, but if they communicate bigger, universal themes, they can touch people in ways that more polished but less intimate documentaries fail to do. For example, “The King of Kong” is a documentary about one man’s fight to become the world champion at the video game Donkey Kong. Most people would dismiss that as a silly goal, but the filmmakers were able to use his quest to tell a universal story about every man’s desire to leave his mark on the world.  This DVD shows you how to find the deeper meaning in even ordinary events and how to determine whether there’s enough meat in a story to be worth your time as a documentarian.

2) Documentary Funding: Yeah, so we’ve already established that you don’t have the budget to go down the Amazon. Unfortunately, even a modest documentary needs some budget and you don’t want to be stuck spinning your wheels because you can’t think of a way to get your hands on some cash.  Well, before you resort to robbing a bank, pulling off a daring international diamond heist, or something equally drastic (Pro tip: Don’t do that!), you should probably take a look at this DVD. Documentary Funding gives you helpful, practical and, above all, proven suggestions to get some cold hard cash to back up your documentary dreams. This feature looks at finding sources for funds, writing a thorough prospectus, knowing the details of an accurate budget sheet, organizing a successful fundraiser, editing a demo reel that impresses, and presenting the techniques of an effective pitch.

3) Documentary Equipment and Crew: Remember how we said you’d need money to shoot your documentary? Well, here’s where that comes into play. You may be able to cajole some friends into helping you out and you may be able to borrow your neighbor’s old camcorder for free… but let’s face it. You know you get what you pay for when you rely on the kindness of strangers (and friends).  If you’re going to make a documentary, make it good.  Cutting on necessary expenses always impacts the result and not in a good way. This DVD offers you tips on how to choose cameras, audio gear, lighting gear and accessories, and tips to finding and working with a professional crew. These tips will get you on your way to making a great documentary.

4) The Documentary  Shoot: And now that you’ve got all that preliminary planning and pre-planning and pre-pre-planning out of the way, it’s time to go out on the actual shoot.  This is where it all counts. The shoot is probably the most fun part of making the documentary, because this is where you really get to see your vision come together.  If you picked a good subject, you should feel re-newed excitement when you revisit the stories that originally sold you on it.  Conducting insightful interviews, setting up good lighting and audio, and getting location access are all part of the process here!

So there you go, the entire documentary process, all in four easy-to-digest chunks.  Now you better start filming, because, when you watch these DVDs,  you’ll no longer  have the excuse that you don’t know how to start.

Getting Started in the Video Business

by Daniel Bruns | November 15th, 2011

Of all the great mysteries to solve, it often seems like getting started in the video business is one of the hardest. For whatever reason, there seems to be a distinct lack of agreed-upon advice on how to do it. However, as a videographer who has put a significant amount of years in trying to find the right place to put my foot in the door, I felt it was time to share my findings with the world. Granted, I have yet to make it really big  in any area of video but I have been privileged enough to direct live productions at concerts with 100,000 people in attendance, win national video contests (including a Telly award for Videomaker’s Wedding Videography DVD), make regional commercials, travel to places as far as Africa, and of course, shoot and edit video for companies like Videomaker. Nonetheless, there are people in more influential positions than myself so I can’t really say I know all there is when it comes to getting started in the video business.

With all that being said, I think it would be best to break the advice I have to give into two parts: fine-tuning your video skills and finding jobs in the industry. These are the two most crucial parts to getting started in any video business.

The first thing you’ll have to tackle is learning how to shoot, write, and/or edit. This is the hardest part for almost any aspiring videographer and is inevitably where most people fail. It takes a lot of drive to see this part of the process through and without it, there is little chance of success. Basically, if you want to learn how to shoot, write, or edit, you’ll have to initially find training material either online, on a DVD, or in a book. This is where websites like Videomaker (in which I may have just a bit of a bias) have you covered. They have training from how to come up with story ideas all the way to keyframing advanced titles in After Effects, so a site like ours is a great place to start. In addition, you can also find someone who is already making video professionally and offer your help on any video projects that they’ll be shooting or editing. This way, you can eventually learn how to shoot and edit from someone who is currently in the industry. This is a great place to start for those looking to get into the film industry. Many aspiring filmmakers have started as production assistants for small budget film sets in Hollywood and once they’ve proven their worth, have made their way up to an assistant director or director of photography after a number of years.

Read the rest of this entry »

Make Professional Grade Video the First Time You Pick Up a Camera

by Mike Rosen | October 25th, 2011

What  if you could make professional grade video the first time you picked up a camera? Videomaker’s new free report “8 Tips for a Stellar First Video” will show you how to become a better videographer on your first shoot.

Maybe you’ve wanted to make video for a while; maybe you just caught the video bug recently. Either way, something’s holding you back – maybe you’re worried that any video you make will look amateurish next to those made by long-time video enthusiasts. We know that initial step can be daunting when you feel like you don’t know the first thing about making video. You feel the passion to create and share video stories but it seems like there’s so much to learn first.

No more excuses! Videomaker’s “8 Tips for a Stellar First Video” is exactly the resource created for you. It’s written with the eager young newbie in mind, so you don’t need to have any familiarity with video equipment to get the most out of these tips.

Learn:

  • How to make sure that, before you even start, you have everything to finish
  • The Two Easy Steps to Handling your Video Camera like a pro… and getting the same great footage.
  • How to organize your thoughts into a video story
  • The Secret to shooting footage that looks good on any screen.
  • How video is different than real life… and how you can use that to your advantage.
  • The single most important tip for keeping an audience interested. This remarkably simple tip will free you from the old style of thinking that holds you back and let you see the world the way the video pros do.
  • The biggest mistake that can sink a first video and how you can avoid it.

“8 Tips for a Stellar First Video” is a quick and easy read for even the greenest video lover, but we didn’t want to leave you with obvious, philosophical tips that wouldn’t actually help you. That’s why we’ve picked the eight tips that you can start applying the moment you pick up a camera.

You can pick these tips out after hours of studying film theory or you figure them out after days of trial and error – or you can get them all here, collected in one place, in just minutes.

Download your FREE report 8 Tips for a Stellar First Video and start learning today!

Looking for Inspiration? Maybe Ron Howard can Help

by Jennifer O'Rourke | May 23rd, 2011

As we’ve all noticed lately, the lines between the gear used in still and video shooting are becoming blurred, some still shooters are embracing video for the first time using DSLRs, and videographers are clicking away creating still images using that same camera they purchased for videography.

Now Canon, the makers of the first HDSLR that was embraced by many shooters on both side of the chasm, is sponsoring a still photo contest that video creators might find interesting. The winner of the contest gets to work with Academy Award winning director, Ron Howard, on a movie short inspired by that still image.

Canon just announced  the “Long Live Imagination” campaign with Ron Howard. People submit photos to www.youtube.com/imagination and winners will be selected to inspire a Hollywood short film directed by Ron Howard shot on a Canon DSLR  There will be eight photos selected form the collection of entries, and they will collectively be the inspiration for the movie short. The Short will be shot using Canon DSLR cameras and accessories, and there will be a Red Carpet premiere in New York where the winners will meet Ron Howard.

Entries for the contest will be accepted from May 22 to June 14th and there are eight movie themes to help you get your imagination and inspiration on: Setting, Time, Character, Mood, Relationship, Goal, Obstacle and the Unknown.

And if you want to be a better video shooter, learn from a still photographer. They have to capture a full story in just one frame – this contest allows you to practice both still and moving imaging skills.

Below is more information form Canon regarding the contest:

“I’m known as a narrative storyteller, so when Canon approached me to partner on the ‘Long Live Imagination’ campaign, I was moved by the opportunity to collaborate with the masses, tapping into consumers’ creativity and using their photos as building blocks to produce a film,” said Howard. “I hope the project stimulates people’s imaginations whether they are an amateur photographer, a world traveler or a proud parent, and I hope what we create is meaningful.”

A visually stunning television commercial that takes place within Ron Howard’s mind’s eye will begin airing May 22nd. The spot will promote the “Project Imagin8ion” contest and online community.

Throughout the promotion, Ron Howard, with the help of Canon experts with Project Imagin8ion and the community, will narrow down the submissions and select eight photos – one from each category. These eight winning photos will become the basis and inspiration for the short.

As part of the overall “Long Live Imagination” campaign, Canon will be curating the most inspiring photography out there, championing the imagination of the masses while demonstrating the infinite possibilities of Canon digital imaging. The customized Long Live Imagination brand channel on YouTube will serve as a meeting place and sharing community for Canon users and photography enthusiasts alike throughout 2011. The Imagination Gallery will be linked to other social media platforms including Flickr, Facebook and Twitter, so that users can easily share their photos, pose questions to the community and participate in real-time discussions. Though the gallery will launch as the home of Canon’s “Project Imagin8ion” initiative, the community page will live-on and continue to grow.

Wedding Videography: Music Licensing

by Julie Babcock | November 24th, 2010

As the risk of using unlicensed music continues to grow, it’s important for us to become diligent about making sure we have the proper permission to use copyrighted music in our videos. You probably have figured out that any additional music that you use in the final edit of your video needs copyright clearance. However, music copyright laws go much further.

As a videographer at a wedding reception, there is no question that you will be capturing the the couples’ first dance. Along with their dance, your video will also capture the copyrighted song they chose to dance to. To make sure your production stays within the guidelines of copyright, you will need to acquire a music synchronization license, or sync license. A sync license allows you to sychronize music to your video. Generally, a sync license will cost a one-time flat fee and will cover a specific period of time.

When working with musical compositions, it’s important not to infringe on copyright protection. Failure to acknowledge copyright laws can cost you a significant chunk of change and put your wedding videography business on the line. Taking the time to acquire the proper licensing can help ensure the first dance, isn’t your last.

For more advice on music licensing check out What’s Legal: When Are Backgroud Sound Wth A Copyright In Video Clips OK?

Interested in more tips on Wedding Videography? Sign up for Videomaker’s free Wedding Videography Course. This free tip series is designed to help you improve your video production skills, fast. Learn More.



Songfreedom.com Launches New Site for Wedding Videographers

by Derek Sine | July 1st, 2010

As a videographer we all know how hard it is to legally obtain music, especially for a Wedding video that the bride would actually enjoy. Let’s be honest when is the last time a bride agreed to use stock music for the reception montage or the first dance. It’s almost impossible without breaking the law, until now. Enter Songfreedom.com, a membership based site with a library of some of the most popular music tracks from record labels like Sony Music and EMI that offer their music for reproduction and streaming use, particularly for Wedding videographers.

PMA 2010 Recap

by Derek Sine | March 1st, 2010


Desert

CES was set on 3D, Macworld was all about iPod and iPhone accessories and PMA (The Photo Marketing Association Event) with what little video on hand; the primary focus seemed to be on waterproof and generally overall rugged cameras. It looked as if every major exhibit had a little demonstration area with camcorders submerged underwater and various camcorders sprinkled around in miniature desert landscapes.

Underwater_display

It was very apparent both industries are merging and the lines between Videography and Photography are beginning to blur. Products once marketed strictly to Videographers are now being marketed towards Photographers. Although there was talk about video and stills coming together in one platform, rough, rugged cameras were the talk of the town.

Similar to Apple pulling out of Macworld, Canon was a no show this year at PMA which was quite a surprise. Hopefully this does not become a consistent trend at these events because it is definitely contributing to dwindling event attendance. Eliott Peck, Canon USA’s Vice President and General Manager stated, “We find that product life cycles are moving so much faster and that product introductions are happening in such shorter time frame that we needed to be much more agile and we find that trade shows are very locked into specific times which somewhat limits what we want to do”.

For more on PMA check out the forum for additional coverage!

Home Video for the Holidays

by Julie Babcock | December 17th, 2009

NotVeryMerryKID

The holidays are in full swing! As a videographer, there’s no doubt you’ve made sure your camera is charged, stocked and ready to capture the holiday cheer. Unfortunately, your family members don’t share your movie-making enthusiasm. They duck and dodge, and do everything within their power to avoid being caught on tape. The normally rowdy children become strangely quiet and reserved. Luckily, there are ways to avoid another family video full of hand-covered faces and people frantically dodging out of frame.

First and foremost, Turn off the camera’s tally light! Though the little red light on your camera may remind you of Rudolph’s red nose, it’s reminding your family members that they’re being recorded. If you can’t turn your tally light off, place a small piece of black electrical tape over it. Also, having your camera on from the get-go will allow your family and guests plenty of time to relax and forget the camera is even there.

When videotaping children get down on their level. Take a knee (rather, two knees for proper handheld techniques), and not only will your camera seem less threatening, but you’ll also be able to capture the world from their perspective. Allow the children a chance to shoot some video of their own (under your supervision, of course). Once they see how much fun a camcorder can be they’ll be less likely to shy away when it’s pointed at them. Read the rest of this entry »

Shoot a Canon Underwater

by Jennifer O'Rourke | February 18th, 2009

 Shark Underwater

It might be full-on winter right now, but if you have visions of shooting underwater videography of sharks or just the kids in the backyard pool this summer, check out the latest gadget from Canon.

Canon just announced a new WP-V1 Waterproof Case for the VIXIA HF20 and VIXIA HF200 Flash Memory Camcorders. You can dive up to depths of 130 feet to capture exciting underwater adventures. The compact and light-weight housing hugs the camcorder like a wet suit, enabling easy on-camera operation and control.

hf200 Checking in at $600, the housing isn’t cheap, but none of the true underwater housings are. The VIXIA HF200, pictured here, has an MSRP of $750 and the VIXIA HF20 runs about $900. Both will be on the market this coming April.

A rule of thumb for anyone wishing to do any underwater shooting, do your research on the housing first, then decide on the camera. In most cases, one size does NOT fit all.

Read our underwater shooting tips here: In Depth Video Tips and Dive in! The Water’s Fine.

Find our more about the Vixia HF-20/200 AVCHD camcorders on our blog here: http://videomaker.com/community/blogs/videonews/tag/vixia/

And more on Canon’s underwater housing from this press release issued Feb. 18th, 2009: Read the rest of this entry »