Posts Tagged ‘Tripod’

Documentary Production: Handheld Camera Techniques

by Julie Babcock | September 9th, 2010

There is no doubt that a tripod lends itself to steady camera shots, as well as smooth pans and tilts. However, when you’re shooting a “run and gun” documentary, a tripod can become too cumbersome to lug around. Sometimes, a tripod isn’t needed when attempting a more stylistic handheld approach. Either way, without a tripod, your camera work is more likely to suffer from the shakes. To reduce the amount of excessive movement in your video try practicing the following handheld camera techniques.

- Keep your elbows bent and tucked near your body. Use one hand to hold the camera, and the other hand to support your camera hand, or to give additional support to the camera.

- Keep a wide stance and don’t lock your knees. By keeping your knees slightly bent you’re allowing your body to act as a shock absorber, and the wide stance will give you better balance.

- Keep your lens wide and don’t zoom in. Wider shots will make your video look less shaky, but if you zoom in you significantly increase the chances of a shaky shot. If you must get closer, physically move the camera closer.

- If you need additional support, try using the hood of a car or a park bench. Essentially, anything around you can be used to help in stabilizing your camera.

Handheld camera techniques can help create a more subjective feel to your documentary if executed properly. The secret to great handheld video is practice, practice, practice. And within no time, you’ll be able to leave that bulky tripod at home.

You don’t need loads of money to make a professional-looking film – you need to get down and dirty! Learn to maximize your resources and do more with less with The Shut Up and Shoot Documentary Guide.

Interested in more tips on documentary Production? Sign up for Videomaker’s free Documentary Course. This free tip series is designed to help you improve your video production skills, fast. Learn More.

Vinten Launches New Vision Blue

by Derek Sine | September 8th, 2010

Vinten is launching its new Vision blue at IBC 2010. A pan and tilt head and tripod system designed to provide the experienced camera operator with professional support to match the extremely high-performance of today’s popular small lightweight camcorders and DSLRs equipped for video.

Vision blue addresses the need for a broadcast quality tripod system capable of balancing the smaller, lightly accessorised cameras, managing payloads between 4.6 – 11lbs with a low center of gravity.

The Vision blue is sold as a pan and tilt head, or as complete system with a two-stage aluminum tripod and a choice of floor or mid-level spreader. It also includes a high contrast blue LED illuminated leveling bubble for quick and accurate set-up in all lighting situations.

Petrol Bags Introduced Camio Camera Carrier/Support System

by Derek Sine | April 13th, 2010

CambioPetrol Bags introduces an industry first – the Cambio convertible equipment bag/camera support system. A carry-on sized smooth-rolling camera carrier that transforms into a lightweight support system for small video camcorders, Cambio allows users to travel lighter, avoid waiting for baggage, and set up quickly once they arrive on location.

The Cambio camera carrier has an ultra-wide U-shaped opening for quick and easy access. Inside the main compartment there is ample room for a camera, tripod head, and important accessories. Twin straps of hook & loop material anchor the bag’s front flap in an open position when inserting/removing the camera or converting to the support system.

Petrol’s proprietary sliding pipe system (SPS) secures the camera and keeps it in place. The bag’s interior is fully padded for maximum equipment protection.

Within the Cambio is an expandable (up to 56”/142cm) rigid, nickel-plated center steel column. The column can accommodate cameras weighing up to 9.9 lbs. (4.5kg) – which allows use of Video DSLR cameras, as well as HD DV models. Cast magnesium lever clamps ensure fast and sure column adjustment. The bag is equipped with a patent-pending frame and axle support trolley with integral handle and camera platform with 75mm ball head mount adapter. An optional lightweight micro-fluid head allows for quick attachment and conventional pan and tilt movements.

The freestanding Cambio is braced by a self-latching extendable aluminum double-bar tube leg. The leg expands and retracts quickly and easily with just the touch of the leg’s latch paddle. When using the support system, Cambio’s patented heavy duty, jitter-free wheels and axle can be chocked to prevent rotation, adding extra stability. Check out our interview with the people from Petrol about this product after the break.

http://www.youtube.com/watch?v=vynxzh98jZ0

Manfrotto Unveils New Fluid Video Head

by Derek Sine | April 13th, 2010

504HD_intro_01Manfrotto unveiled the 504HD today at NAB. One of the most innovative fluid video heads ever introduced by Manfrotto, the new 504HD incorporates a full-range of new state-of-the-art features and industry-leading versatility in a chassis boasting the company’s hallmark Italian style and design.

The 504HD is the first in a series of video fluid tripod heads that will feature Manfrotto’s revolutionary Bridging Technology. A unique design which adds style and enhances performance, the bridge design improves rigidity as well as reduces the overall weight of the head. Additionally, the bridge design protects the ergonomically improved, PAN friction control dial from knocks.

All structural components of the new 504HD are made from aluminum, with the PAN axis rotation unit using ball bearings to obtain smooth, totally vibration-free controlled movements that can be adjusted using the head’s Fluid Drag System (FDS) variable friction system. FDS, available on both the PAN and TILT axes, ensures consistency and precision at all temperatures, with all types of equipment and under all loads.

The new 504HD has been designed to offer a load capacity of up to 16.3 pounds, making it suitable for a wide range of camera equipment. Additionally, the redesigned CBS counterbalance system offers four presets to accommodate a number of camera weights, including 0, 2.5kg-5.5lb, 5kg-11lb and 7.5kg-16.3lb. Levelling the head is also easy thanks to the 75mm diameter half ball and the back-lit bubble level.

Further adding to the versatility of the Manfrotto 504HD are two 3/8 inch threads which have been integrated into the top plate to allow accessories, such as monitors and arms, to be directly and securely attached to the head. Attaching theses accessories directly to the head helps cut down set-up time, keeps the camera hot shoe free and does away with have to use a clamp.

The 504HD will be paired with the 546B and 546GB, two new tripod systems which are also being introduced at NAB 2010. These two systems will offer amazing value, delivering professional performance at an unbeatable price. The 546B and 546GB feature 75mm half balls and newly designed spreaders. The new 504HD is also suitable for the Manfrotto PRO series of video tripods with mid-level or ground spreaders and for the Manfrotto 536K and 535K MPRO carbon fiber, single leg tripods.

The 504HD will be available in 4 systems:

  • 504HD - $400

  • 504HD, 546BK (with bag) – $730

  • 504HD, 546GBK (with bag) – $810

  • 504HD, 535k (with bag) – $999

  • 504HD, 536k (with bag) – $1,100