Posts Tagged ‘Sony’

Videomaker Best of CES 2012 Awards Announced

by Daniel Bruns | January 12th, 2012

CES 2012 is nearly over and if you’re like us, you’ve probably passed the point of information overload even before the annual tech show began. Even so, we’ve decided to help you sort things out by showing you our picks for this year’s Videomaker Best of CES awards. Videomaker’s Best of CES awards were created to help you find products that were especially innovative, affordable, dependable, easy-to-use, and most of all products which empower each of you to make better video. So we’ve scoured the show floor, trekked many miles, and ruined more than one good pair of shoes to find out once and for all which CES products would do just that.

Best of Show: Nikon’s D4 DSLR -

It’s no surprise that our biggest award of the show went to Nikon’s newest DSLR, the D4. With features like an ISO range of 50 to 204,800, 1080p video with an uncompressed HDMI output, and an FX-format (36mm x 23.9mm) sensor, this DSLR has many features that videographers have been wanting in a DSLR for years. An interesting new feature is the camera’s ability to use a new 2.7x Crop mode to zoom into an image on a sensor without losing any of the 1920×1080 quality of the picture. This means that you can easily turn a 35mm lens into a virtual telephoto lens instead. The camera also has on screen audio indicators and a 20 step audio adjustment making this a real force to contend with in the DSLR world.

Best Lighting: Sunpak’s LED Video Lights -

We’ve seen lights like these before but never in such quantities and interesting designs. At CES 2012, Sunpak unveiled 5 LED products ranging from their DSLR67 ring light (that attaches directly to a DSLR lens) all the way up to their LED 96 which sports 96 high-powered LED’s. Best of all, almost all of their lineup runs off of easy-to-find AA batteries and can be attached on any camera’s shoe mount.

Best Microphone: Blue’s Microphone’s Spark Digital -

We’ve been impressed with Blue Microphone’s products ever since we laid eyes (or ears?) on their surround sound microphone the Snowball, but they’ve managed to impress us again with their newest offering at CES, the Spark Digital. The Spark Digital is a cardioid, solid-state condenser microphone that provides two different usage modes at the touch of a button: the Normal mode which is supposed to provide increased low frequency for those times when you need to sound like Don LaFontaine, and a Focus mode which changes the microphone’s frequency response in order to pick up more clarity and detail. The newest part about the Spark Digital is that it offers both USB and iPad connectivity. Better yet, Blue Microphone even thought to include a custom shockmount and pop filter for the microphone so that nothing will stand in the way of capturing the kind of audio you need.

Best Software: Corel’s VideoStudio Pro X4 Editing Software -

When we reviewed Corel’s VideoStudio Pro X4 back in October, we loved how easy it was to bring a project from start to finish. At CES 2012, our minds still haven’t changed. We love how VideoStudio Pro X4 offers great support for beginners by offering the Corel Guide – a useful repository for video training, customer support, and user forums. We also like how the software also offers dual screen support (something most introductory editing software leaves to the pros) and an easy stop motion video creator making VideoStudio Pro X4 a great choice for the Best Software at this year’s CES.

Best Computer: Lenovo’s IdeaPad Y580 Notebook -

Though NAB is where the real workhorses come out to play, we really enjoyed the power and affordability of Lenovo’s IdeaPad Y580. It has JBL speakers, an optional Blu-Ray burner and Intel’s Wireless Display technology. You can also get up to 8 GB of RAM along with a Core i7 processor in this beast to boot. As for the display, the Y580 sports a 1920x1080p  screen and has a 2GB GTX66M card to drive it. Not bad for a laptop that starts at $899.

Best Storage Device: Lacie’s 2big RAID Drive with Thunderbolt -

LaCie never fails to do something big in the world of hard drives and this year was yet again no exception. LaCie introduced a new version of their popular 2big that now has the power of Thunderbolt which gives the drive speeds up to 311 MB/s. The 2big also conveniently adds RAID technology to protect all of your valuable footage and has hot-swappable drives so there’s never any need to reboot the system in order to upgrade or repair the drive.

Best Support: iOmount’s iOstand and iOmini -

iOmount is a brand new company at CES, but that doesn’t mean it’s any less eligible for the Best of CES award. No, if you have a product as innovative as they do, there’s no way we would be able to keep from talking about it. iOmount stood out for its innovative mounting idea for iPad and iPod-like devices. Their mounting device allows a free and unobstructed rotation of any device using a ferro-magnetic sphere and a specially engineered magnetic carrier. In laymen’s terms, this means you can mount your iPad easily to the stand just by placing snapping it into place and then rotate your iPad without the need for holsters or locks. In addition, iOmount plans on releasing an articulating arm so that you can have your iPad or iPhone over your bed while you read a book or text message hands-free.

Best Bag: Tiffen’s Domke RuggedWear Camera Bags -

Tiffen has been a leader in optical filters for years but camera bags? You bet. At this year’s CES, Tiffen released a new line of Domke RuggedWear camera bags meant for almost any situation you might find yourself in. Each Domke bag is made of weather-tough and durable cotton canvas along with a strap made of durable cotton webbing and a steel snap hook so they’re built to last. They were also designed from the ground up to be easy to carry and easy to clean which we always love to hear.

Best Accessory: GoPro’s WiFi BacPac -

Though GoPro announced the WiFi BacPac earlier in the year, Videomaker had yet to see what this unit could really do – until now. GoPro’s WiFi BacPac gives GoPro’s popular Hero and Hero2 cameras the ability to transmit live video streams to a smart device such a a tablet, smartphone, or computer while at the same time being able to control a bevy of video options as well. As a result of using WiFi, this remote can travel over an incredibly long distance without losing signal – something that any videographer capturing a sporting event will love.

Best Camcorder: JVC’s GY-HMQ10 4K Camcorder -

JVC has seemed to hit the ground running this year by announcing a new 4K camcorder at CES 2012 and we were impressed. The camcorder can record at a resolution of 3,840 x 2,160 pixels using its Falconbird processor and 1/2 inch sensor, can record to SD cards, and has 2 phantom powered XLR ports. Though it has a fixed lens for now, we’ve heard rumors of an interchangeable lens concept coming soon – but that’s our little secret.

Spotlight Award: Panasonic’s 4K x 2K monitor concept -

This is a product that we’ve been waiting for a long time to get: a 20 inch field monitor that packs a 4K x 2K resolution. That means shooters everywhere will be able to see the full glory of their 4K footage from cameras like RED’s Epic or JVC’s newest Gy-HMQ10. Though there’s no price information on this big boy yet, we’re excited about it’s potential.

Spotlight Award: Sony’s Handycam HDR-PJ760V Camcorder/Projector -

It’s funny how close camcorder companies are to blurring the line between professional and consumer camcorders. Sony has done just that by releasing their newest camcorder and projector the HDR-PJ760V. The camcorder comes with 96 GB of internal storage space, an incredible 24.5 MP still image capture option, image stabilization, and of all things a high contrast projector said to be twice as bright as Sony’s offering last year. This means not only will you be able to capture your family’s memories to share with them when they get older, you can also easily show them what you got anywhere you are.

Spotlight Award: Buffalo’s AirStation WZR-1750H Router -

Buffalo’s always been one of the first companies to embrace new technology and industry trends so it came as no surprise that they released an 802.11ac dual band router at CES 2012. We were specifically impressed by the AirStation’s wireless speed which Buffalo claimed could hit 1300 Mbps, approximately three times faster than 802.11n. What’s amazing is that just a few short years ago, standard Ethernet cable used to have a hard time getting speeds up to 1300 Mbps and now wireless routers are doing it in spades. Not to be left out, the router will also have a 2.4 GHz 3×3 802.11n radio inside so that it can be backward compatible with the 802.11a/b/g/and n standards.

Spotlight Award: Tiffen DFX v3

If you’ve ever had to try to fix an image after it’s already been edited into your video project, you know how painstaking it can be. Tiffen has come along to help you make that better with it’s DFX video and editing effects suite. Tiffen DFX is a plug-in filter that in many ways mimics the screw-on glass lens filters that professional photographers use, but it’s like having a filter on steroids.

Version 3 has added even more filters for optical effects along with interface improvements and host support. The digital filters are made to simulate Tiffen’s glass filters – and you don’t have to try to find one that fits your lens… nor are you stuck with the effect that a screw-on lens might produce.  The effects are easy to apply, fun to use, and can take your videos from good to outstanding in a very professional way, which is why we gave Tiffen the Videomaker Spotlight Award for CES 2012.  Read more about the Tiffen “Videomaker Spotlight” award.

Spotlight Award: Satarii’s Swivl

Asking someone to snap a photo can be a stretch, asking them to do camera movements is crazy unless you plan to hire a camera person. The Swivl is your answer in such times. By using a marker, the Swivl keeps you or your subject in a user-defined frame and has the capacity to record audio via an iPhone app. The 360 degrees panning capability is paired with a 25 degree vertical axis to capture a lot of action. The base and marker take AA and AAA batteries respectively, which provide for about four or ten hours of recording depending on whether you opted for the wall charger or the battery life of your pocket camera.

The Swivl is prepped to ship during the first quarter of 2012 and has been an innovative project for us to see from prototype to product, so we are glad to give it a Spotlight Award for the International CES 2012.


Sony Debuts a Refresh to Handycam Camcorder Lineup

by Daniel Bruns | January 9th, 2012

At their CES 2012 press event, Sony released their newest refresh to the Handycam camcorder lineup. Specifically, they debuted the HDR-PJ760V and HDR-CX760V, but I’m sure you don’t care much about the model numbers. What you probably care about most is what these beasts can do. The camcorders can capture full HD 24p and 60p video along with an astounding 24.1 megapixel still image. They’re also touting their newest “Balanced Optical Steadyshot (I think I see a theme here too)” which is an image stabilizer that controls the entire optical path, including the image sensor, as one floating unit. They claim that this feature can make the camera 13 times more stable than its predecessor. Welcome news if you’ve ever tried to keep a device as small as their Handycam steady in your hands.

In the new lineup, they’ve also seen fit to include a new wide-angle (26.0mm) Carl Zeiss lens, tilting electronic View Finder, and a 17X digital zoom which we hope you never have to use.

Sony has also kept their same Handycam camcorders with built-in projectors from last year by updating the image to be twice as bright as it previously was. They’ve also kept the EXMOR R CMOS image sensor and have included some professional features such as manual control of Iris/Shutter/Exposure/White Balance, an Expanded Focus for making sure the image isn’t slightly blurry, and Zebra and Peaking settings. Not bad for a camcorder at this size and price.

We’re not done yet. Sony also updated last year’s first Double Full HD 3D camcorder lineup by adding the HDR-TD20V. If you recall, we reviewed its predecessor, the TD10 this last year in Videomaker magazine to some acclaim. Now, the new camcorder is actually 2/3rds the size of the TD10, weighing in at only 1.02 pounds. Sony also included the ability to geotag with it’s built-in GPS receiver for those who want to remember right where they were when each shot was taken.

Each of Sony’s Handycam camcorders can shoot 1920×1080 resolutions at up to 24 Mbps which should make for some high-quality HD content when editing. They also allow for Dual Recording of video and still images (though most of them do these days), and have some of the best image stabilization techniques in the business. All these factors combined make the new lineup from Sony very exciting. We’ll give you more details about how each of these camcorders fare in future reviews!

Sony Releases Updated NEX-VG20 Camcorder

by Daniel Bruns | August 23rd, 2011

As all of us know, the world of technology is constantly changing. Of course, this is exactly why so many of us just can’t get enough of it.  The same holds true for Sony’s latest announcement of their newest version of their ground-breaking interchangeable camera, the VG10 which Videomaker gave a Best Product of the Year award last year. The new camera will unsurprisingly be called the VG20 and has so many new features they might have well skipped the 20 and gone with the VG30 moniker instead.

First off, the camcorder has an upgraded sensor going from the VG10′s 14.2 megapixel Exmor APS HD to a new 16.1 megapixel Exmor R CMOS. As a result of this upgrade and an upgraded processor, Sony was able to include the ability to capture RAW stills. That’s right. RAW photographs have finally made their way to an affordable camcorder. That’s big news seeing as most camcorders just a few years ago could only take VGA resolution photos. Now if we could just get them to give us RAW video recording, we’d really be talking!

In addition, Sony has upgraded their audio capturing from stereo to 5.1 channel surround sound for those who find two channels of audio to be three channels too few. Sony has also found the time to introduce 4 new E-mount lenses, a 24mm F1.8, a 50mm F1.8 OSS, a 55-210mm F4.5-6.3 OSS lens and others still to be announced.

Of course, the camcorder will still be able to record 1920 x 1080 AVCHD video up to 24Mbps at either 24p, 30p, or 60p which makes it quite a versatile shooter. It will also be sporting a new grip and belt design, an updated 3 inch touch panel that can swivel up to 270 degrees, and additional record button at the top of the camera for convenience, and will finally be able to keep the LCD on during HDMI out. Unfortunately, the camcorder still lacks an XLR option. But this is something that is easily remedied with an external audio recorder such as a Zoom H4N.

Though there are quite a few features in Sony’s update to the VG10, the price has still managed to stay nicely low. Sony is offering  the NEX-VG20 body for just $1,599 and the body plus an 18-200mm lens for $2,199 which allows this camera to compete with many of the popular DSLRs on the market today.

Sony Announces the New Alpha SLT-A35 HDSLR

by Julie Babcock | June 9th, 2011

Sony recently added a new HDSLR camera to their Alpha line, the SLT-A35. In addition to featuring Translucent Mirror Technology, which allows accurate continuous autofocus, the Alpha 35 builds on the features of its predecessors, the A33 and A55.

Touting a maximum sensitivity of ISO 12800 and an Exmor APS HD CMOS sensor with a resolution of 16.2 megapixels, the A35 makes it possible to capture detailed, low-noise video in low light situations. Advanced Quick AF Live View allows the camera to “continuously display a real-time output from the main image sensor during still or video shooting.”

Additional features include:

  • BIONZ processor
  • AVCHD format
  • 3-inch Xtra Fine LCD screen, featuring Sony’s TruBlack technology
  • High-resolution viewfinder with full 100% field coverage
  • Accepts SD/SDHC/SDXC media as well as Memory Stick PRO Duo/Memory Stick Pro-HG Duo
  • Compatible with 32 A-mount interchangeable lenses, including six Carl Zeiss lenses

Sony’s A35 will be available in August with an 18-55mm kit zoom lens for about $700. It will also be offered as a body-only (without kit lens) for about $600.

*Interested in Sony’s Alpha line? Check out our review of the Sony A33.

Videomaker heads to NAB 2011 Video Production Show in Vegas

by Jennifer O'Rourke | April 8th, 2011

Las Vegas here we come! The Videomaker staff is gearing up for the annual trek to the mecca of broadcast tools and toys: The National Association of Broadcasters, better known as NAB. We will hit the ground running at this year’s NAB 2011, (literally – wearing the most comfy running shoes we can!) as we check out the coolest video production gear possible including cameras and camcorders, mics and lights, computers, drives, software and a myriad of other goodies.

Throughout the event we will be blogging about our finds, as well as Tweeting and sending updates to Facebook – be sure to “like” us and watch for updates – so you can see gear that we hope to have in our headquarters for review as soon as the manufacturers release them to us.

Some of companies we’re meeting with include Sony, Dell, Panasonic, Artbeats, BlackMagic, Boris, nvidia, JVC, Adobe, Grass Valley, Azden (WHEW!) Lowel, Glidecam, HP, Canon, Videssence, KinoFlo, Photoflex, RedRock, Apple, Avid, … well, the list goes on and on and on… like the Energizer Bunny, we’ll keep working the show until we have no more juice in our batteries!

NAB 2011 is jam-packed with video production gear for the Lone Wolf producer all the way to the mega Hollywood productions – If you could see our appointment calendar, you might be amazed that we can cover the NABshow floor so well.  Trying to sift through it all every year is a quest, but we love a challenge and we always look forward to not just finding out about the gear, but getting a hands-on chance to see it, hold it, test it out – we’re like kids in a candy store!

After attending more than 12 of these tradeshows, from CES to NAB, I decided to pack a pedometer at last January’s CES 2011. I clocked in an average of 6 miles a day – what an experience! I hope you enjoy the show – virtually – through our eyes. Be sure to stay tuned here, to the Videomaker blog for daily updates throughout the week – and let us know what you’d like to see.

Bloom offers Prizes for Donations in Japanese Relief Efforts

by Jennifer O'Rourke | March 25th, 2011

You can win some free video tools, just by donating to the Japanese earthquake relief efforts overseas. Or just donate to help because Japan needs our help, and they’ve supported our hobby, career and love of video creation all these years.

For years we’ve enjoyed their technological innovations, we’ve used their products, enjoyed their technical advancements, salivated over the latest techno ‘gee-whiz’ toy they released. Our visits to Las Vegas for the Consumer’s Electronics Show (CES) and National Association of Broadcasters (NAB) every year remind us of their importance to our industry and our lives, now the Japanese are in dire pain and despair, and video producers are giving back. You have a chance of winning some video gear at NAB 2011 due to the efforts of producer-director Philip Bloom.

The massive earthquake, then the following tsunami, and now radiation in the very air they breathe, water they drink and food they eat, has touched every single person living in the entire island country of Japan in ways few can completely understand.

Factories that build our gadgets are closing, companies that deliver our goods are unable to process the orders, and benevolent producers like world-renowned documentarian Philip Bloom are reaching out to help.

Bloom posted a “Help Japan” message on his website, offering a chance to win an iPad – his very own iPad – as incentive to donors. Other manufacturers of techno and video gadgets stepped up to the challenge and also offered “prizes” in Bloom’s drawing for cash donations to the Japanese Relief fund.

Do you recognize any of these names? GoPro, Marshall, Kessler Crane, Letus, Zacuto, Digieffects, Redrock, Redgiant, and Cineroid? You should, we’ve written about every one of them in Videomaker and they all have some connection to Japan – either due to design, or build or accessories for their products. All of these companies have donated gear for the drawing.

Bloom’s drawing will be held at NAB 2011 in Las Vegas in a few weeks, and participants need not be present to win. Many people have donated to the causes posted on Bloom’s site stating they don’t want a prize, only to help those that have given so much to the video world. Where would we be today without these companies’ designs, innovations and support?

Everyday, Videomaker hears news from companies we work with – Robin Hoffman of JVC sent us a note confirming JVC’s employees are safe, DisplaySearch tells us the chemicals needed in some semiconductors and LCD displays are affected and the supply chain is on hold.

Our own CEO, Matt York, was in Japan just 2 days before this tremendous quake, meeting with Sony reps about their latest releases in the NXCAM family. Some Sony plants have been shut down, and other companies like Canon, Panasonic, Hitachi, Grass Valley and more – all companies you read about every day in the pages of Videomaker – have been affected. Sony is donating 300 million Japanese yen to help the country and 30,000 radios to help get news updates to citizens.

So check out Bloom’s site – or follow the links below. These relief agencies below are the ones posted to Bloom’s site. If you donate and can prove a receipt, follow up with Bloom’s site for a chance to win – or just join in the conversation.

World Vision , Mercy Corps , Islamic Relief USA , Red Cross

NAB 2011 will be a somber one this year, I know it will stand as a reminder of how small this world has become and how we all share in concern for our friends across the Pacific. Our thoughts and deepest condolences go out to all of those who have lost loved ones during the tragedy.

Hands-on With Sony’s NXCAM Super 35mm Camcorder, the NEX FS-100

by Daniel Bruns | March 22nd, 2011

As much as we love seeing cameras come in for review here at Videomaker, we love seeing them come in before it’s even in production better. So we eagerly embraced the chance to spend some time with this exclusive “First Look” at Sony’s ground-breaking new product, the NEX FS-100 NXCAM with a Super 35 mm sensor.

In case you haven’t heard it through the rumor mills already, Sony’s NXCAM Super 35 mm is Sony’s first prosumer camcorder offering that has a Super 35 mm sensor. This little sister to Sony’s own recently released F3, will cost $6,550 with a 18-200 mm E-mount lens and will accept virtually every kind of lens you can think of. Of course Sony’s own E mounts will come standard. With a price like this, Sony has managed to completely change what’s available in the prosumer market.

Besides the obvious benefits of a large sensor, Sony has also included a viewfinder system that can be rotated more than 90 degrees to each side of the camera, a shotgun microphone with a horizontal and vertical adjustable mount, 2 XLR inputs (thank goodness for that), the ability to simultaneously record to both an SD card and Sony’s own flash memory unit, undercranking to 1 fps and overcranking up to 60 fps, a host of 1/4 inch and 3/8 inch threads for mounting all kinds of accessories, the ability to isolate audio channels in the headphones, 1080p HDMI output with timecode and 4:2:2 uncompressed digital output, GPS, a removable hand grip, a touch screen, and a host of external controls such as white balance, shutter speed, gain, histogram, zebra, S&Q, and peaking. The camera films at either 1080p (60p/30p/24p), 720p, and 480i in the AVCHD format giving you every kind of frame rate imaginable. The camera records at AVCHD’s maximum of 24 Mbps, but will also be able to record 28 Mbps in the 1080/60p mode which will become a standard for Sony in the future.

Though we felt there were some drawbacks to the preproduction model we were given such as the need for a lock for the LCD screen when using the detachable viewfinder and the imbalance of weight on the hand grip, we were also surprised at how well it performed. We know you want to see too, so we took some low light and slow motion footage with the camera which we’ve posted on Videomaker’s YouTube channel and in this post below. You’ll also be able to see a much fuller review of the camera in our May issue of Videomaker magazine as well as our online review here. For now, you can feast your eyes the pictures of the pre-production model  in the slideshow below and take a look at Sony’s brochure featuring the camera!

Sony 3D Video

by Matt York | February 28th, 2011

Sony has a complete strategy for 3D video.  They feel that making 3D is easy, but making good 3D is hard.

They have a 3D Handy Camcorder for under $3,500 in their NXCAM line.

1080 60i/50i/24p, 3D recording with Double Full HD. It has a detachable XLR audio unit. It will ship by June of 2011.

Sony Atsugi Technology Center

by Matt York | February 28th, 2011

Spent the day at Sony Atsugi Technology Center. Saw 3 incredible things.

  1. Digital video projectors using the 4k format for motion picture theaters.
  2. Camcorder  which records in 4k; now you can make motion pictures.
  3. NXCAM Super 35mm CAM for under $7,000. This seems like an HDSLR killer.

More soon.

Versatile cameras from Sony: DSC-HX100V and DSC-HX9V

by Jackson Wong | February 2nd, 2011


Sony just started to offer two new cameras for both photos and video. These new cameras are the solid little Cyber-shots, with 16.2megapixel, Exmor R CMOS image capturing and 1920x 1080p video at 60 fps. The lenses lean on the wide side at 27mm, with 30x optical zoom for the DSC-HX100V and 24mm with 16x optical zoom in the DSC-HX9V. For the budding photographer, a high resolution panorama mode is included in both models, allowing a 1080×4096 image. For the traveler, Sony has built in tracking activity on an Internet capable PC with the location and shooting direction courtesy of its GPS and compass. The auto mode is complimented with a fast auto focus which will shorten your setup time. Also, the camera’s search function will make getting through the menu system a breeze.
Much like Sony’s Handycam® line, Dual Record mode is included on both models and shifting from one mode to another is easy with a dedicated button for both photo and video. Sony also included an image stabilization feature for when you’re zoomed in or holding the camera in your hand.
The DSC-HX100V is the larger of the two with a DSLR body style. Thankfully, this size allows for a focus ring, so in order to add a rack focus or macro shot to your list, you’ll end up shelling out a bit more at $450. The DSC-HX9V on the other hand,  is $350 and more true to Cyber-shot structure. In either case, if these kinds of features get your heart pumping, both cameras are available for pre-order.