In a series of huge announcements, one of video’s biggest powerhouses, Canon, announced new camcorders with specs that are so good, you might just be tempted to take out a second mortgage to get one.

Canon announced their new products in stylish Hollywood event. They showcased their new C300 cinema-style camcorder, brand new cinema lenses, and a mysterious DSLR-style concept camera that shoots in 4K. The C300 was the story of the night since it marked Canon’s first foray into the cinema market. It has an 8.3 megapixel sensor that delivers a full 2 megapixels of information  for each color channel  meaning that color reproduction should be very accurate, much like the 3 CCD sensors of cameras in the past. The C300 will also include Canon’s newest DIGIC DV III image processor meaning that it will be able to handle those simultaneous feeds of color information accurately and quickly. In addition, it will record in Canon’s MXF format which means you’ll be getting a 4:2:2 MPEG-2 codec at 50 Mbps. Staying true to form, they’ve included two slots for CF cards in the camera so that you can record on both cards simultaneously or relay-record.

The C300 has a Super 35mm sensor, making it smaller than the recently announced EOS-1DX, but bigger than the sensor found in the 7 and 60D. A bit odd considering that sensor size is a big selling point for cinematographers since it typically means less noise in the image and gives the camera the ability to achieve a shallower depth of field. Even so, there are plenty of other great features on this camera that any pro will love. To begin, the camera is modular. That means that you can take almost everything off of the unit until it becomes more or less a camera ‘brain” housing just the sensor and processor. As such, it has an shoe mounted attachment that includes a 4 inch 1.23 megapixel monitor that can swivel 135 degrees horizontally and 270 degrees vertically and 2 XLR inputs with 48 volts of phantom power. The monitor also includes a waveform monitor to quickly see the overall brightness of a scene, an RGB Parade display for color saturation, a vectorscope, and an Edge Monitor Focus Assist for getting your image sharp. The camcorder records audio in an uncompressed 16-bit PCM format at 48 kHz giving you great control in post over how your captured audio sounds.

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New details have emerged about Panasonic’s new micro four thirds camcorder, the AG-AF100. It will be able to record up to 12 hours via dual SD card slots in the AVCHD format using 64GB SDXC cards (48 hours in HE mode). The AG-AF100 will have XLR connections and a HD-SDI output, it will also record in 24p and 30p with variable frame rates.

If you’re shooting with a HDSLR this camera you’ve all been waiting for. It has an amazing sensor packed with XLR connections, a proper viewfinder, and HD-SDI output! Plus, it looks like it will be able to handle all types of lenses via adapters ensuring your lenses you’ve already spent a fortune on won’t be left collecting dust.

Canon announced today the achievement of a new camera-manufacturing milestone as combined production of the company’s EOS-series film and digital single-lens reflex (SLR) cameras passed the 40-million mark.
Production of the EOS SLR camera first began in 1987 at Canon Fukushima Plant. In 1997, the 10th anniversary of the series, production reached 10 million units, and in 2003 passed the 20-million mark. After the rapid spread of digital SLR cameras, Canon went on to reach the 30-million mark during the series’ 20-year anniversary in December 2007, followed by the current 40-million-unit production milestone, attained after a short two years and four months. Furthermore, the EOS Digital series also recorded a production milestone of 20 million units.
The EOS series, which stands for “Electro Optical System” and also carries the name of the Greek goddess of the dawn, was first introduced in March 1987 as a new generation of AF SLR cameras that incorporate the world’s first electronic mount system, achieving complete electronic control not only between the lens and body but throughout the entire camera system.
With the key concepts of high speed and ease-of-use, the EOS-series cameras, including the top-of-the-line EOS-1 professional model, which was first introduced in 1989, and the compact, lightweight EOS Kiss (EOS Rebel XS or EOS 500 in other regions), which was released in 1993 and helped to expand Canon’s user base, actively incorporated innovative technologies and gained acceptance from a wide range of users. Following the introduction of the EOS D30 in 2000, a time when the spread of digital SLR cameras was in full swing, Canon developed such advanced technologies as its proprietary CMOS sensors and the high-performance DIGIC digital image processor, as well as an extensive lineup of EF lenses in an effort to fulfill the company’s new key concepts of high speed, ease-of-use, and high image quality.
Canon further expanded its rich product lineup with the release of the entry-level EOS Kiss X4 (EOS Rebel T2i or EOS 550D) digital SLR camera in February of this year, which features an approximately 18.0-million pixel CMOS sensor and supports an extended ISO range, bringing the total to seven cameras—two professional, three advanced-amateur, and two entry-level models—in the EOS series.