Posts Tagged ‘pre-production’

Video Production Tip: Don’t Forget the Fundamentals

by Greg Olson | May 14th, 2012

I had the pleasure of auditing a portion of the Videomaker “Basics of Video Production” workshop a couple weeks ago. There are many basic rules when it comes to video, and there is a wealth of basic knowledge that continues to be the foundation for great production. Though I had been exposed to all of this before, it had been years since I had seen the fundamentals of good video production laid out so methodically. It caused me to really think about the basics again.

As my experience has grown, I have developed a tendency to wing-it much more often than I would have when I was just starting out. The video portion of my scripts began to dwindle, and the fine details of the script were often left to be finalized on set. I was still proud of the final product, but as I sat in the workshop, I was reminded that proper planning, and a concise vision of what you want out of a given video project can really be the difference between good and great video production.

While there is no substitute for experience, remembering to follow those simple rules makes your chance of success so much higher, so write that script and edit it until it’s perfect. Make that storyboard a true reflection of what you want to see in your video. Keep shooting takes until the shot is right. White balance properly for every shot. If you think there might be some distracting backround noise, do your best to minimize it on the set. Move the lights that extra inch to get it just right, and help your talent give the performance you know they’re capable of, even if it feels exhausting at the time.

Take your time, because what only takes a few seconds in the field, can take hours to fix in post-production. Doing all these things will make the the video production experience much more enjoyable for you and your crew, and it will show in the results.

Greg has 15 years of experience working with video professionally, and has recently joined the Videomaker team.

Paranormal Comedy ‘Assignment: Unexplained’ Takes the Case

by Mike Rosen | May 3rd, 2012

This week, we have another exciting video tidbit from the Videomaker community. Videomaker’s Facebook friend Tim Heiderich is the brains behind the brand new Internet serial Assignment: Unexplained, an irreverent  satire of paranormal reality television series like Ghost Hunters or Paranormal Cops.

Goth/frat boy Chase Nightblood (Nate Scholz) has assembled a not-so-crack team of investigators to help him unravel the Fortean mysteries of aliens, chupacabras, and yetis. There’s a somewhat shady pet psychic (Helene Udy) who always seems to be working her own scam, a gadget freak who sees sinister government conspiracies in everything (Owen Reynolds), and a random girl  (Ashley Clements) that Chase is hoping to impress with his Bigfoot-finding prowess. In the first season, the team interviews experts, gets lost in the woods, and does whatever it takes to prove to the world the truth about the mythical sasquatch.

“The formula for ghost hunting shows was always the same,” says Tim. “A group of amateur sleuths scaring themselves in the woods, at abandoned hospitals and dilapidated homes, and never, ever finding a shred of the paranormal.   It’s in the style of the successful Reno 911 TV show, and features a core group of improv actors, with a format designed to feature new and upcoming comedic talent. ”

Tim’s been creating comedy videos for the web for a while, including hilarious horror spoof Normal Activity, but this is his first serial — and his most ambitious project to date. We like the show for a number of reasons.  With short episodes, sharp comedy, and easily accessible subject matter, Assignment: Unexplained is a great example of how to make videos for the web. Serious video creators will take note of the series’ use of night shooting as the team wanders through the forest in search of monsters.  It also shows how good a video can turn out with proper planning; the whole project hinged on extensive and meticulous pre-production planning, including seeking permission from the US Forest Service to shoot in state parks.

“Pre-production is the crucible that will determine whether you ever want to make another film,” says Tim. ” Until you finally begin filming, pre-production is a house of cards you’re waiting to see come tumbling down.  For example: To get insurance, you must first know what equipment you’re renting.  But before you rent your equipment, you’ll need to know which days you’re filming.  But you won’t know which days you’re filming until you secure a permit.  But you can’t get a permit if you don’t already have insurance… and around it goes.  During pre-production you have to juggle several things at once and work hard to make it all come together.”

Although Tim’s been working with video for years, he still learned a lot about how to successfully helm a big project while on set.  He advised other video directors to keep in mind the importance of delegating tasks. It not only makes for less work for any one person, but will help you build a network of professionals who all share the same passion for the project that you do. He also encouraged directors to give real thought to their distribution model before they take the plunge into creating a video series.

“Before you shoot, have a distribution plan: where will your series air?” says Tim. ” How often will new episodes come out?  How will you spread the word and drive interest to your site?  Will you submit to festivals?  Who’s going to do that job?  Without a distribution plan, you’ll have just made a very expensive home movie.”

You can see more videos at Assignment: Unexplained. You can also find follow it on Twitter @AssUnexplained and Facebook at www.facebook.com/AssignmentUnexplained.

Welcome to Our Webinar: Basic Video Production – Jan. 11

by editorialstaff | December 29th, 2011

Anyone can point a video camera at something and press record. However, creating quality videos requires an understanding of basic video production concepts. This time, Videomaker takes video production back to the basics with the newest addition to our webinar training series: Basic Video Production.

Whether you’re interested in video production for your business or interested in improving your home movies and personal projects, our comprehensive Basic Video Production webinar will teach you the techniques needed to get a jump start on making better video. You will learn basic techniques such as shot composition, camera moves and controls, microphone and audio techniques, as well as lighting setups and techniques.

Following the webinar, all registrants will receive a copy of our special report “Handheld Shooting”. In addition to valuable information and a free special report, the Basic Video Production Webinar will also include a live Q&A segment; our team answering your questions. The Basic Video Production Webinar starts at 11:00 AM (PST) on Wednesday, Jan. 11, so be sure to sign up soon!

Not interested in Basic Video Production? Videomaker’s Webinar Training Series provides a wide variety of webinars that cover topics including Advanced Editing, Documentary Production, Lighting for Video, Advanced Shooting, Audio for Video, and much more.

The Art of the Continuous Shot: Filmmakers Push the Limits

by Richard Ober | October 26th, 2011

The art of the long continuous shot has always been rooted in exhaustive pre-production planning, precision timing, disciplined talent, and more than just a little bit of luck. To shoot a video in one continuous take means getting the ball rolling (sometimes literally) and then following the action, hitting one’s marks along the way, until the climactic end. Filmmakers and videographers have been pushing the boundaries of the continuous shot, aiming for longer duration and challenging themselves, and their talent, to nail these long shots in single takes.

When thinking about long continuous shots, most of us start with Alfred Hitchcock’s iconic Rope. Rope (1948) is often casually referred to as the best example of a feature length movie shot in a single continuous take. The reality is, of course, that the film was shot in 10 segments, ranging in length from 4:37 to 10:06. (The maximum shot length at the time was approximately ten minutes due to the limit of the film magazine.) But even though Rope is not actually a single continuous shot, the length of the shots, the beauty of the transitional edits, and the resulting real time narrative is still astonishing 63 years after it was made.

Hitchcock may have been a pioneer of the marathon continuous shot, but he has been joined by others since. Robert Altman’s The Player (1992) features the famous opening sequence, a continuous shot with a duration of 7:47. Orson Welles’ 1958 Touch of Evil opens with a 3:20 continuous shot. Stanley Kubrick’s 2001: A Space Odyssey is famous for it’s long shots, as is Martin Scorsese’s The Godfather.

Much more extreme are examples like Timecode (2000) and Russian Ark (2002), both feature length films shot in a continuous take. Timecode, in fact, consists of not one, but four continuous shots displayed simultaneously with each shot occupying a quadrant of the screen and relying on the audio to direct the audience’s focus and to drive the storyline.  Russian Ark, is a 99 minute feature film shot in one continuous take; it follows the narrator (in first-person POV, no less) as he wanders from room to room in a palace (actually The Hermitage Museum) in St. Petersburg encountering figures from 300 years of Russian history.  Pretty heady stuff and a masterful technical achievement.

And, of course, one of the most extreme examples of the continuous take is Andy Warhol’s Empire. Made in 1964 with cinematographer Jonas Mekas, Empire consists of over 6 ½ hours of film shot at 24 frames per second and designed to be projected at 16 frames per second so that when viewed the film lasts for over eight hours. This would be mind (and rear-end) numbing in and of itself, but add the fact that the film is simply an unblinking still-mounted camera shot of the Empire State Building as it transitions from sunset to full darkness on the night of July 25th, 1964, and you have a piece of cinema that is all but unwatchable.

But you don’t have to go to that extreme the next time you set up a long duration shot. YouTube and Vimeo are both replete with examples of continuous shot videos (at least in part made famous by our favorite contemporary example, the band OK Go and their continuous-shot music videos). While perhaps doing something of an end-around on the editing side, these unbroken shooting sessions are great exercises in pre-production work, from storyboarding to set-design and from directing to complex camera work. After checking out the examples we’ve described here, give the long continuous shot a try and let us know how it turns out.

Planning & Plotting: Lighting for Video

by Julie Babcock | December 2nd, 2010

There’s no question that production planning can save you loads of time. As videographers, we often plan ahead for location shooting, camera movement and angles, but tend to overlook plans for lighting even though light planning is just as important to the overall success of the production. Without light planning you could bring the wrong lights, too many lights, not enough lights, overextend your budget or waste valuable time on set deciding from which angle you should light your subject. One way to avoid all of these potential problems is by creating a lighting layout.

A lighting layout allows you to visualize the set prior to starting the production phase. The first step to creating a lighting layout is to make a sketch of the set. Be sure to add the planned location of your camera and talent, and make note of any windows, doorways or furniture. Once that is done, you can start plotting the location of your lights.

By plotting your lights ahead of time, you will have an easy-to-follow blueprint of where each light should be placed, making every set-up a snap. A light plot will also help you keep track of how many lights are needed, how much wattage you will be using in each setup (which can help prevent overloading the circuits), and can assist in catching potential problems before they happen. Addressing these factors during pre-production will allow you to focus on the task at hand when it comes time to switch on those lights.


Videomaker’s Complete Book of Forms will help you ask the right questions as you plan your next video. Our Complete Book of Forms contains 91 useful forms including Lighting Plots & Layouts, Location Scouting, and many more forms that will assist you in pre-planning, record keeping and organization. The Videomaker Complete Book of Forms is a great resource for any videographer wanting to take their video productions to a professional level.

Interested in more tips on Lighting? Sign up for Videomaker’s free Video Lighting Course. This free tip series is designed to help you improve your video production skills, fast. Learn More.

DIY Green Screens = Happy Wallets

by Julie Babcock | December 8th, 2009

Being an independent videographer usually means all expenses are coming out of your own pocket. Whether you’re just starting out as a videographer or have been making videos for some time, there probably are occasions when your greatest obstacle is working around a tight budget. The secret to making your budget stretch as far as it can is getting a handle on Do-It-Yourself (DIY) projects.

DIY projects can save you handfuls of money while allowing you to achieve the look you want. One example of a fairly easy project is making your own green screen. The folks at Indy Mogul explain how you can build a portable green screen with PVC pipe, material and a budget of only $40.

http://www.youtube.com/watch?v=JwZQq156MDM

Once you have your green screen constructed, you’ll be able to recreate the same effects as the big-budget Hollywood movies. But don’t stop at the green screen. There are many more DIY projects that can increase your production value while keeping your costs down and your wallet happy.

Don’t know what to do with your green screen once you’ve got it built? Check out our green screen articles, tutorials, and Tips and Tricks videos which will help you get the most out of your newly constructed green screen.


Everybody’s Workshopping for the Weekend

by Julie Babcock | September 25th, 2009

lighting

The office is bustling, here at Videomaker, as we prepare for our upcoming workshops. The weekend of October 9th is coming up fast and we couldn’t be more excited. For the first time ever, we’re offering an Intensive Lighting Workshop, as well as our Basics of Video Production Workshop.

Our Basics of Video Production Workshop is a start-to-finish course on movie making. This is a great way for beginners to become familiar with the equipment and the processes involved when telling a story with video.

For those of you who already have a grasp on the basics of video production, the Intensive Lighting Workshop will allow you to build upon your production skills and knowledge by focusing on light theory, equipment and techniques.

If you’ve been to one of our workshops you know that it’s a great way to get hands-on experience with professional equipment, learn new techniques and work with people who are as enthusiastic about movie making as you.

It’s not too late to sign up, so if you have never attended one of our workshops, or just want to build upon your previous experience, now is as good of a time as any to join in on the fun.

Click here for more information on attending a Videomaker Workshop