Panasonic has announced the LUMIX DMC-GH2, a hybrid touch-control camera featuring full HD recording. The lightweight LUMIX GH2 is newly designed with an easy-to-hold grip and includes a refined image processing engine and sensor that delivers fast, sharp photos, full HD video recording, and the ability to take 3D photos with Panasonic’s new interchangeable 3D lens. In addition, the intuitive touch-control operation provides ease of use in shooting and playback.

The LUMIX GH2 combines features for both the videographer and photographer, making it a true hybrid digital camera. A dedicated button on the top of the camera lets users instantly record videos while shooting photos without changing any extra settings. Building on the momentum of its successful predecessor, the LUMIX GH1 – the LUMIX GH2 can now record full HD 1920 x 1080 videos in smooth 60i, doubling the sensor output from 25p/24p to 50p/60p2. The camera also supports 1080/24p native mode at 24 Mbps, the highest in AVCHD format, for richly expressive video.

Speed is at the core of the LUMIX GH2, with technological advancements including a new 16.05-megapixel multi-aspect LIVE MOS sensor for higher image resolution and improved signal-to-noise ratio. The LIVE MOS sensor also allows high speed burst shooting at 5 frames per second in full resolution using a mechanical shutter. Working together with the Live MOS sensor, the new Venus Engine FHD processor manages multiple signals at a high speed, making it possible to record high resolution consecutive shots and full HD video recording. The Venus Engine FHD also features advanced signal processing capabilities, including: separation of chromatic and luminance noise for clear images, prevention of color mixture and selective noise reduction for more crisp photos and video recording. The LUMIX GH2 also features faster AF, reducing detection time for focusing to approximately 0.1 second3 by doubling the drive speed from 60 frames per second to 120 frames per second.

The LUMIX GH2 features intuitive touch-control operation, made popular with the LUMIX G2 for its outstanding usability in shooting and playback. The LUMIX GH2 combines the easy-to-see free-angle Intelligent LCD with the newly developed Multi Aspect Wide Screen LVF (Live View Finder) for more comfortable shooting from any angle.

The LUMIX G Series continues to expand its variety of interchangeable lenses with a total of 11 exclusive lenses, three announced today: the world’s first1 interchangeable 3D lens LUMIX G 12.5mm / F12 (H-FT012), a new single focal length lens LUMIX G 14mm / F2.5 ASPH (H-H014), and new telephoto zoom lens LUMIX G VARIO 100-300mm / F4.0-5.6 / MEGA O.I.S. (H-FS100300).

In addition to LUMIX G lenses, the LUMIX GH2 and other LUMIX G Series digital cameras can use any interchangeable lens that complies with the Four Thirds System standard via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R Lenses via DMW-MA2M or MA3R7. Additional accessories include external flashes, filters, a stereo microphone, a remote shutter, HDMI mini cables and a variety of stylish straps and bags.

The Panasonic LUMIX GH2 will be available in black and silver models in early December in three different kit options for a suggested retail price of: $899.95 (Body only); $999.95 (Body with lens LUMIX G VARIO 14-42 mm / F3.5-5.6 ASPH. / MEGA O.I.S.); $1,499.95 (Body with lens LUMIX G VARIO HD 14-140mm/F4.0-5.8 ASPH./MEGA O.I.S.).

Panasonic has introduced the HM-TA1, a new Full High Definition (HD), 1920 x 1080 pixels-capable mobile video camera with pocket-sized dimensions for ultimate portability and ideal for on-the-go shooting opportunities. With an easy-to-use design intended for intuitive operation, the TA1 features an integrated USB terminal and software that allows for easy PC connection and uploading videos to online sharing sites such as YouTube and Facebook. The TA1 also supports the Apple iFrame video format (960 x 540/30p), which is optimal for Mac users to import quickly and maintain small file sizes. When using iMovie, the iFrame video data in the video camera is the same format as the one that is used to edit.

Beyond its HD video-capturing capabilities, the TA1 can also double as a Web camera and microphone, working with IP-based video chat programs, such as Skype, by simply connecting the video camera to a computer via an included USB port. Thanks to integrated software, using the TA1 with video chatting services is seamless – an easy way to enjoy face-to-face communication with long-distance family or friends.

Measuring a mere 2.09 inch (w) x 0.70 inch (d) x 4.09 inch (h), and weighing just 0.25lb (with battery and SD card), the Panasonic TA1 is a compact and lightweight HD mobile video camera that records high-quality videos and photos. Complete with a wrist strap, making it ideal for carrying, the TA1 is perfect for shooting spontaneous videos and snapping photos. With an easy-to-use design, the TA1’s single-function buttons include: Power, Play, Record, Still Photo, LED Light (on/off) and Delete. In addition, there is a center keypad for selecting additional settings.

The Panasonic TA1 can record still photos with up to eight Megapixels. This high-resolution capability helps ensure clear, vivid images with sharp details and all data records to an SDXC/SDHC/SD Memory Card. The TA1 can also cut still images out of a video clip during editing. There is no need to connect any other device or to load the video into a PC for editing. To cut out and save a still image, simply press the Still Picture button when the desired image appears on the TA1′s 2.0” LCD monitor. A unique feature for mobile video cameras, the Panasonic TA1 includes a built-in LED light, which comes in handy when shooting in dimly-lit situations, such as indoors.

The TA1 has an integrated USB terminal with pre-loaded software that allows recorded video clips and still images to be easily loaded into a PC, edited, and then uploaded to popular sharing websites. When the TA1 is connected to the PC’s USB slot, its built-in software, HD Writer PE 1.0, automatically launches, enabling one-touch loading of data into the PC for editing. The TA1 records MPEG-4 AVC file format (MP4), which offers excellent PC compatibility and is ideal for viewing clear, high-resolution images on a PC or distributing them over a network.

Other features of the Panasonic HM-TA1 include:

• E.I.S. (Electrical Image Stabilization) to minimize hand-shake issues.
• Digital zoom up to 4x, helping to expand the user’s shooting range.
• Color effects enabling creative shooting, including Sepia, Monochrome, and Soft Skin. Sepia mode adds warmth to the captured images; Soft Skin produces realistic skin tones; and Monochrome mode transforms the appearance to create a cool ambience.
• USB-capable charging by connected the TA1′s USB cord to a PC***, eliminating the need to carry a separate cord or charger.

The Panasonic HM-TA1 will be available in three different color options, purple, dark grey and red in August 2010 with a suggested retail price of $169.95.

Panasonic has announced the launch of the HDC-SDT750, the world’s first consumer 3D camcorder, which includes a 3D conversion lens that enables the camcorder to shoot powerful and true-to-life 3D video content. The Panasonic SDT750 is a user-friendly consumer 3D camcorder that makes experiencing 3D at home easy and affordable. In addition to shooting 3D, the SDT750 can record full 1080p High Definition (HD) in AVCHD, when the 3D conversion lens is unattached, and includes powerful features such as a 3MOS system, a Leica Dicomar lens and a 12x optical zoom.

To shoot 3D video with the Panasonic HDC-SDT750 camcorder, the user needs to attach the 3D conversion lens that comes included, to record dynamic images. The specially-designed 3D conversion lens records right-eye and left-eye images simultaneously through its two lenses, thus resulting in video that can be viewed in 3D. The right and left images (each with 960 x 1080 pixels) that enter through the lenses are recorded using the side-by-side method.

The Panasonic SDT750 features a Time Lapse Recording feature, which plays a scene such as a sunset or a blooming flower at an accelerated speed, similar to a fast-forward. By setting the recording interval to 1 second, 10 seconds, 30 seconds, 1 minute or 2 minutes, the user can view an otherwise long recording in a reduced time period. For example, when a scene is recorded at the 1-second interval setting, a 10-minute sunset scene can be played back in approximately 10 seconds, making the slow change in the subject appear as if it were taking place in a very short time. This interval recording feature is also available when the 3D conversion lens is attached to the SDT750.

Panasonic offers a 5.1-channel audio recording sound system that uses five microphones, so when voices are recorded from the front, right, left and back are played on a 5.1-channel home cinema system, users are surrounded by clear, detailed sound that makes them feel as if they are right in the middle of the action. The Focus Microphone function, which has been made possible by five highly-directional microphones, picks up the sounds from sources in the area in front of the camcorder, regardless of whether the lens is focusing on a near or distant object. It also allows footage recorded in 3D to be enjoyed with lifelike and dynamic sounds.

The high-sensitivity 3MOS System has 7.59 million effective motion image pixels (2.53 megapixels x 3), so this advanced image sensor separates the light received through the lens into the three primary colors – red, green and blue – and processes each color independently. As a result, the Panasonic SDT750 produces beautiful images with rich color quality, detail and gradation. Adding to the quality, the SDT750 also features a large-diameter (46mm) F1.5*3 Leica Dicomar lens and Crystal Engine PRO, a high-speed processing unit – both components which contribute to the effectiveness of the camcorder’s light gathering, increased sensitivity, and reduced noise when shooting, even in dim lighting.

Users can play back 3D videos recorded on 3D-capable televisions, such as Panasonic VIERA Full HD 3D televisions, including the TC-P50VT25, TC-P54VT25, TC-P58VT25, TC-P65VT25 and the TC-P50VT20 models. Playback using a VIERA TV is done by connecting the 3D camcorder to the television using an HDMI cable. In addition, it is also possible to play 3D images recorded on SD Memory Cards by using an AVCHD compatible player. Watching 3D content recorded by the SDT750 on any of the Panasonic Full HD 3D VIERA televisions, users can view the true-to-life content and the VIERA television will automatically engage the side-by-side method for smooth viewing of 3D content – no change of settings necessary.

The SDT750 comes with HD Writer AE 2.6T PC editing software, which allows users to easily edit recorded 3D images, and save them onto PCs or Blu-ray/DVD discs. HD Writer AE 2.6T features a “Smart Wizard” that starts as soon as the SDT750 is connected to the USB port of the computer, which gives simple on-screen guidance. HD Writer AE 2.6T also enables easy uploading and sharing online without the need for any cumbersome processes, so that even an inexperienced user can post video clips on the web. When uploading 3D images from a PC onto the web, they must first be converted into 2D images.

Even without the 3D conversion lens attached, the Panasonic SDT750 is a Full HD camcorder that is equipped with a wide range of functions, including the 3MOS System, which features improved noise reduction (NR) technologies, and a wide-variety of manual adjustments controlled by a manual ring for easy, creative shooting. The manual ring provides convenient, fingertip control of the focus, zoom, exposure (iris), shutter speed and white balance settings. Using the ring is extremely intuitive, comfortable, and user-friendly. Only the white balance setting is available when the 3D conversion lens is attached. The SDT750 can shoot 1,080/60p recording (Full-HD 1,920 x 1,080, 60 progressive recording) and produces rich expressive images, with no detail loss and flickering.

Panasonic’s Intelligent Auto (iA) function makes the SDT750 extremely easy to use. When the 3D lens is not attached and iA is engaged, the SDT750 automatically selects the most suitable shooting mode with the press of a button. While shooting HD video, the Panasonic SDT750’s iA function offers the following six functions: Face Recognition, the new HYBRID O.I.S., AF/AE Tracking, Intelligent Scene Selector, Face Detection and Intelligent Contrast Control. HYBRID O.I.S., a new feature, provides extremely accurate hand-shake correction with its four-axis blur detection, resulting in steady images while zooming or shooting on the move.

Other features of the Panasonic HDC-SDT750 include:

• Auto Power LCD automatically adjusts the brightness of the screen according to the shooting environment for comfortable use in a variety of different lighting situations.
• Large 3.0” touch-screen LCD allows icons to be easily operated by touching them with a fingertip. On the LCD, recorded 3D images are displayed only as the 2D images that were recorded with the left lens.
• Eco Mode automatically turns off the power when the camcorder is not operated for five minutes, reducing wasteful energy use and saving battery power.
• Pre-Rec allows for the camcorder to continuously record three seconds of content into internal memory. Then, when the record button is pressed, the three seconds immediately prior will have been recorded.

The Panasonic HDC-SDT750 will be available in October 2010 with a suggested retail price of $1,399.95.

New details have emerged about Panasonic’s new micro four thirds camcorder, the AG-AF100. It will be able to record up to 12 hours via dual SD card slots in the AVCHD format using 64GB SDXC cards (48 hours in HE mode). The AG-AF100 will have XLR connections and a HD-SDI output, it will also record in 24p and 30p with variable frame rates.

If you’re shooting with a HDSLR this camera you’ve all been waiting for. It has an amazing sensor packed with XLR connections, a proper viewfinder, and HD-SDI output! Plus, it looks like it will be able to handle all types of lenses via adapters ensuring your lenses you’ve already spent a fortune on won’t be left collecting dust.

Just today, Panasonic tagged a price on to their recently-introduced LUMIX FX75. This tiny camera with a 24mm ultra-wide angle lens will be going for just $299.95. The newest offering from Panasonic will also include a 5x optical zoom and best of all, record video in the AVCHD Lite format instead of the conventional Motion JPEG format. This should be a huge sigh of relief to cinematographers looking to utilize the benefits of a photographic sensor while still being able to edit in a widely supported format. Of course, if you just got used to editing in the Motion JPEG format, the LUMIX also offers the option to record in Motion JPEG, WVGA (848×480) and VGA (640×480). The camera also takes pictures at 14.1-megapixels and has a 5x zoom to boot.  The LUMIX also has a full touch-screen for operating the autofocus feature on the camera. By pressing on the screen where your subject is, you can set and track a subject in your frame. At the same time, in playback mode, users can use the touch-screen to browse through their collections of photos much like a page in a book. The Panasonic LUMIX FX75 will be available for purchase in mid-July.

Ever since The Power of Love, which premiered at the Ambassador Hotel in Los Angeles in 1922, 3D film has been a reality. The film was shown in red and green anaglyph which meant that the viewer could see the effect by wearing glasses with different colored filters for each eye. Since that time, 3D has had various success. From 1952 to 1955, a string of 3-D movies known as the “golden era” of 3-D began with the release of Bwana Devil. Then, after three decades of decline, 3-D movies came back into the mainstream with IMAX and Disney Theme Parks making several successful 3-D films such as Honey, I Shrunk the Audience, Into the Deep, and Wings of Courage. Inevitably though, the technology declined again until 2004 when the animated film The Polar Express made 14 times as much money in 3-D than it did in 2D. Numbers like that couldn’t be ignored by theaters which started fitting their theaters for 3-D. With the success of Avatar, which became the highest grossing film of all time over 15,000 screens are expected to be 3-D ready by the end of 2010.

As much money as 3-D movies were making in theaters, home television and electronic companies started to wonder if consumers would also buy into the hype with their products at home. By 2010, many of the major manufacturers such as Sony, Toshiba, Samsung, Panasonic, and LG had made plans to introduce high definition televisions with 3-D capabilities by year’s end. At the same time, popular camera companies such as ARRI, Panasonic, Sony, RED, and Canon started releasing consumer and professional level camcorders and cameras that could shoot in 3-D. Even network television got in on the craze by introducing broadcasts of events in HD such as this year’s PGA Sony Open in Hawaii to viewers around the world. Read the rest of this entry »