If you’ve ever directed or set up a live event, you know how hard it can be to find reliable and affordable camera operators. Though there is nothing that can beat a knowledgeable camera operator, Panasonic has come close with it’s new AW-HE120 pan and tilt camcorder. Their camcorder can mount to any surface and give a video feed and remote control ability to a director making multi-cam events easier and cheaper than ever to pull off.

Panasonic made this camera 60% lighter than their previous offering, making the camera mountable on almost any surface.  In order to get a video feed, the camera can be connected through HDMI and a standard Ethernet cable. The HDMI gives a high quality 1080/59.94p video feed while the Ethernet cable allows a director to control every aspect about the camera from a distance. The camera also comes with a 20x zoom range so that you can mount it in the back of a room and still achieve excellent close up shots, has a 2.2 megapixel U.L.T. 3-MOS sensor (in true Panasonic style), and has three different ND filters – 1/4, 1/16, and 1/64. Though the ND filters seem like a bit of an overkill given that the camera will almost always be mounted indoors, it did include some excellent engineering with a pan range of -175 degrees to 175 degrees and a tilt range of -30 degrees to 210 degrees meaning that this little beauty has more flexibility than an owl.

For those needing to mount the camera to a white ceiling, the unit comes in pearl white though a black metallic model can be bought for theatrical occasions. Panasonic will be shipping this item in what they call “winter” so expect it to come out shortly before CES in January.  The suggested retail price is $8,900, making it clear that Panasonic is targeting the house of worship and theater markets with this product. However, if you’re finding it hard to get quality camera operators for a fair price, this could be the product you’ve been waiting for.

Panasonic announced today the introduction of the AG-AC7PJ, a low-cost AVCHD shoulder-mount camcorder aimed at the beginning professional. The camera features Full HD (1920×1080) video, a 3.32-megapixel 1/4” MOS sensor, and uses MPEG-4 AVC/H.264 high profile encoding.

The camera features automatic functions that are tailored to the beginner videographer such as the Intelligent Auto (iA) function, which senses the shooting conditions, automatically identifies the settings, and activates functionality in order to deliver the best results. Additionally, Intelligent Auto function controls the hybrid Image Stabiliztion, Intelligent Contrast and Intelligent Scene Selector to asses a setting and switch the scene mode accordingly.

For those interested in manual controls, the AG-AC7PJ offers manual control of focus, iris, shutter speed, white balance and on-screen assist functions such as zebra patterns, luminance level and histogram.

Other features include:

• A wide-angle 38.5.8mm lens (35mm equivalent) facilitates panoramic capture and shooting in confined spaces.
• Intelligent Zoom offers up to 23x magnification
• A wide-diameter manual focus ring
• Hybrid image stabilization that combines both optical and electronic stabilization of the image.
• Supports six recording modes from high-quality HA mode (approx. 17Mbps) to SX mode (approx. 4.5Mbps)
• Can record for up to 8.5 hours on a single 64GB SDXC card in the HA mode
• Wind Noise Canceller that automatically detects and suppresses wind noise
• 2.7-inch LCD touch-screen
• HDMI output, USB 2.0, analog component (BNC x3) output, A/V output
• Two channels of Dolby digital audio, built-in stereo microphone, and 3.5mm external mic-in jack
• Weighs under four pounds

The Panasonic AG-AC7PJ is now available with a suggested list price of $1,300

Las Vegas here we come! The Videomaker staff is gearing up for the annual trek to the mecca of broadcast tools and toys: The National Association of Broadcasters, better known as NAB. We will hit the ground running at this year’s NAB 2011, (literally – wearing the most comfy running shoes we can!) as we check out the coolest video production gear possible including cameras and camcorders, mics and lights, computers, drives, software and a myriad of other goodies.

Throughout the event we will be blogging about our finds, as well as Tweeting and sending updates to Facebook – be sure to “like” us and watch for updates – so you can see gear that we hope to have in our headquarters for review as soon as the manufacturers release them to us.

Some of companies we’re meeting with include Sony, Dell, Panasonic, Artbeats, BlackMagic, Boris, nvidia, JVC, Adobe, Grass Valley, Azden (WHEW!) Lowel, Glidecam, HP, Canon, Videssence, KinoFlo, Photoflex, RedRock, Apple, Avid, … well, the list goes on and on and on… like the Energizer Bunny, we’ll keep working the show until we have no more juice in our batteries!

NAB 2011 is jam-packed with video production gear for the Lone Wolf producer all the way to the mega Hollywood productions – If you could see our appointment calendar, you might be amazed that we can cover the NABshow floor so well.  Trying to sift through it all every year is a quest, but we love a challenge and we always look forward to not just finding out about the gear, but getting a hands-on chance to see it, hold it, test it out – we’re like kids in a candy store!

After attending more than 12 of these tradeshows, from CES to NAB, I decided to pack a pedometer at last January’s CES 2011. I clocked in an average of 6 miles a day – what an experience! I hope you enjoy the show – virtually – through our eyes. Be sure to stay tuned here, to the Videomaker blog for daily updates throughout the week – and let us know what you’d like to see.

Panasonic introduced three new Full-High Definition (HD) 3MOS camcorders to its 2011 line, the HDC-TM900, HDC-HS900 and HDC-SD800. The new full-HD camcorders feature 1920×1080 resolution with 1080/60p recording to create crisp, detailed videos, and can also shoot 3D videos when used with Panasonic’s optional 3D Conversion Lens.  Incorporating Panasonic’s 3MOS system – an advanced technology used in professional-level equipment– the new camcorders record bright, low-noise videos, even in low lighting. Other top-of-the-line features include a manual ring (TM900/HS900 only) for increased creativity, a 20x zoom and an intuitive 3.5” touch-screen LCD on the TM900 and HS900.

With the 3D conversion lens, users can take video recording to the next level and record 3D images with Panasonic’s new line of 3MOS camcorders. Once recorded, consumers can play back the 3D images or video on a 3DTV.

The HDC-TM900 and HDC-HS900 feature 3.5” LCDs, while the HDC-SD800 features a 3.0” LCD. Not only do the models include wide screens, they are now easier to use with advanced touch operation that allows for extremely smooth shooting and playback, with new touch operation functions.

At the heart of Panasonic’s advanced processing system is the high-sensitivity 3MOS sensor with 7.59 million effective motion image pixels (2.53 megapixels x 3). The 3MOS sensor separates light received through the lens into the three primary colors – red, green and blue – processing each independently for professional-like color quality, detail and gradation.

The new models also feature the Crystal Engine PRO, which instantly processes the large amount of data that goes into full-HD quality for extremely clear, crisp motion images. The improved Crystal Engine PRO increases sensitivity and reduces noise by 45 percent compared to Panasonic’s conventional models, resulting in brighter images with minimal noise when shooting under low-light conditions. Intelligent Resolution technology ensures sharp, beautifully colored motion images, while Intelligent Zoom enables high-powered 20x zooming, correcting the image degradation that occurs in ordinary digital zooming.

Pricing and availability for the Panasonic HDC-TM900, HDC-HS900 and HDC-SD800 camcorders will be announced 30 days prior to shipping date.

Panasonic has announced that the AG-AF100, the industry’s first professional micro 4/3-inch video camcorder optimized for high-definition video recording, will start shipping on December 27th at a suggested list price of $4,995. Highly anticipated since its introduction at NAB earlier this year, the AF100 is poised to set new benchmarks in digital cinematography.

Targeted at the video and film production communities, the AF100 delivers the shallow depth of field and wider field of view of a large imager, with the flexibility and cost advantages of a growing line of professional quality, industry-standard micro 4/3-inch lenses, filters, and adapters. The full HD 1080 and 720 production camera offers superior video handling, native 1080/24p recording, variable frame rates, professional audio capabilities, and compatibility with SDHC and SDXC media.

“The design of the AF100’s best-in-class 4/3-inch sensor affords depth of field and field of view similar to that of 35mm movie cameras in a more affordable camera body,” said Jan Crittenden Livingston, Product Line Business Manager, Panasonic Solutions Company. “What’s more, Panasonic engineering ingenuity has resolved the aliasing and moiré that has haunted the DSLR shooter. Indeed, the proof of concept of the AF100 was based on what we heard from and saw customers doing: purchasing DSLR cameras because they liked the look of the image, but then agonizing over all of the workarounds required to come out with an acceptable high definition recording.”

The AF100 incorporates a large 4/3-inch,16:9 MOS imager that minimizes skew with fast imager scanning, and incorporates low pass filters for elimination of aliasing and moiré. Additionally, it has a built-in optical ND filter. The camcorder records 1080 at 60i, 50i, 30P, 25P (Native) and 24P (Native), and 720 at 60p, 50p, 30p, 25p and 24p native,in AVCHD’s highest-quality PH mode (maximum 24Mbps). The AF100 also records in AVCCAM’s HA (17 Mbps) and HE (6Mbps) modes, 1080i only. Ready for global production standards, the camcorder is 60Hz and 50Hz switchable. Equipped with an interchangeable micro 4/3-inch lens mount, the AF100 can utilize an array of low-cost, widely-available still camera lenses as well as film-style lenses with fixed focal lengths and primes.

Variable frame rates are available in 1080p, selectable in 20 steps from 12p to 60p at 60Hz and 20 steps from 12p to 50p at 50Hz. Standard professional interfaces include uncompressed 4:2:2, 8 Bit HD-SDI out; HDMI out; and USB 2.0. It records SMPTE timecode and is able to perform timecode synchronizing via the video output seeing timecode in. It has a built-in stereo microphone and features two mic/line, switchable XLR inputs with +48V Phantom Power capability. The camera can record 48-kHz/16-bit two-channel digital audio recording (in PH mode only) and supports LPCM/Dolby-AC3 in any of the modes.

This newest Panasonic AVCCAM camcorder is the first to enjoy the benefits of advanced SDXC media card compatibility in addition to existing SDHC card support. SDXC is the newest SD memory card specification that supports memory capacities above 32GB and up to 2TB. With two SD slots for continuous recording, the AF100 can record up to 12 hours on two 64GB SDXC cards in PH mode, with automatic clip spanning across the two cards.

Weighing only 3.5 pounds (without lens or battery), the AF100 is packed with high-end features including Dynamic Range Stretch in all modes and frame rates; six built-in, customizable scene files that are exchangeable for quick and easy matching between multiple cameras; seven built-in gamma curves with four selectable color matrices; Syncro-scan shutter; and a high-resolution LCD and viewfinder.

It also offers a focus assist that can be used while recording, which is color-on peaking and a focus bar; two sets of adjustable zebras; two manual black and white balance choices, and preset White Balance at 3200K, 5600K or variable; a waveform monitor and vectorscope for more accurate monitoring of broadcast safe levels. Other essential features include pre-record; an intervalometer function that can be set for up to 24 hours, programmable User Buttons; a Smart Battery interface for recording up to four hours with a 5400mA battery; metadata recording; and a wireless infrared remote controller.

Panasonic will support the AF100 with a three-year limited warranty (one year plus two extra years upon registration).