Well, this was a long time coming. Apparently, Canon brought out a 4K 8 megapixel camera at their 2010 Expo for shooters all around the world to drool over. While the body may look like an oversized hair dryer, it’s what’s on the inside that will make Canon blow you away. The camera can shoot in 60p at a full 4K resolution, a 2/3rds inch CMOS sensor, and a fully functional flip-out HD LCD. Unfortunately, this is just a concept camera and Canon has said that they have no intention of bringing it to market so those of you who already started to count the remaining savings in your bank account, can safely deposit your money away. I can’t say for sure why Canon would ever dangle the 4K carrot in front of us without a solid release date, but they are definitely not the first to do so (read: RED cameras). All of the ranting aside, the camera is actually not meant for video capture (as if anyone really believes that) but instead is a “multipurpose image capture device.” This means that one is supposed to use the device like a camera that is constantly taking photos giving users a ton of potential pictures to choose from when it comes time to edit. Capturing photos this way sounds mildly innovative but one still can’t help but think that the camera would just do better as an incredibly high resolution camcorder. Nonetheless, this camera at least marks Canon as an intentional competitor in the emerging 4K camcorder market while at the same time proving that 4K is the next big revolution to hit video. I have no doubt that we’ll be seeing more of these kinds of cameras soon so keep a keen eye out on the market.

This is a very exciting time for videographers, cinematographers, and filmmakers alike. With the introduction of video DSLR cameras by Canon and Nikon in the past few years, along with RED’s announcement of their high resolution digital still motion picture cameras, traditional camcorder manufacturers have no doubt been feeling some real pressure to rethink their approach to filmmaking. With their announcements, Canon, Nikon, and RED proved that prosumers were looking for more than just a new recording medium, they were looking for the flexibility of super high resolution images and the beauty of interchangeable lenses. Not to be undone however, ARRI, Panasonic, and Sony have come back in full force with their exciting new high resolution camcorders.

At this year’s National Association of Broadcasters show, or NAB, ARRI surprised everyone by announcing the specs on a new camcorder named the Alexa. This camcorder, with its 3072 x 1728 resolution, was the first indication that traditional camcorder companies were finally listening to the prosumer world. It wasn’t hard to figure out that there was a high demand for such a product. All over the blogosphere, there were people literally begging Panasonic, Sony, and JVC to put their DSLR technology inside of a traditional camcorder body. With the superior depth of field and image quality, DSLR camcorders were the natural progression camcorder companies all around the world. Videomaker first realized this when we received both the Canon 7D and 1D Mark IV for review a month back. As soon as we turned these cameras on and saw the images they produced, it was obvious that filmmaking had reached a whole new level. It even took our productions up a notch when we used them for our weekly vidcasts. Read the rest of this entry »

ViewSonic, makers of electronics like TVs, monitors and digital signage, has seen the mounting tons of electronic waste filling landfills every year and is working towards being a part of the solution instead of the problem. ViewSonic representatives say that all of their displays released since last summer feature a power-saving mode, which should give the user up to 56% savings in energy costs. The electronic billboards and LCD TVs now use up 40% less power than plasma TVs of the same size. Read the rest of this entry »