When camera technology is still relatively fresh, nobody really expects manufacturers to put out a solid product in one of their first releases. That’s why Fujifilm’s newly announced W3 3D HD camera is a particularly pleasant surprise. With its 10 megapixel and 1/2.3 inch sensor, its 720p 3D video capabilities, and glasses-free LCD screen, Fujifilm has managed to set the bar higher than anyone thought it would be this early in the 3D game.
As expected, the camera has 2 lenses recording images on 2 sensors simultaneously, making 3D images and video possible. The unexpected part however is how Fujifilm managed to use those lenses for 2D photography. When in 2D mode, the W3 can use both lenses to take different shots simultaneously. The cool part is that this will allow photographers to shoot both close-up and wide angle versions of a photo or to shoot two images with different iris values, allowing photographers to capture HDR images. As for the video side of the camera, the FinePix W3 has stereo sound recording, a 1280×720 pixel resolution, shoots at 24 frames per second on an SD card, is NTSC and PAL switchable, has an HDMI out for 3D capable TVs and best of all, has a 3D lenticular display allowing you to view your images and video in 3D without wearing an awkward pair of glasses. Of all the features, the lenticular lens is a real breakthrough for 3D cameras. With this technology, videographers will not have to keep taking their glasses on and off in order to switch between monitoring their footage and looking at their controls. If all 3D camera and camcorder companies started offering their products with glasses-free displays, it would no doubt be a huge leap forward in getting these products off the shelves.
With that said, Fujifilm’s camera does have a few faults that are worth mentioning. First, lenticular displays are still not completely fool-proof. If you try to play back your captured footage while looking at the screen from the side, the illusion of 3D will quickly break down. Also, the camera only records in the partially defunct 1280×720 resolution which will not look as good on a full 3D HD display. These issues aside, Fujifilm has definitely set the bar high on what customers will expect from 3D camcorders and cameras in the future. If companies can improve on what Fujifilm has started, we may yet see 3D become a mainstay in both the theaters and at home.
Tags: 3D, Camcorder, Camera, FinePix W3, Fujifilm, HDMI, lenticular, RealD
Posted in 3D, Camcorders, Camera, Opinion, Press Release | 1 Comment »

HDMI cables could soon be a thing of the past all because of a new more advanced A/V cable standard that goes by the name of HDBaseT. Unlike HDMI, which only transfers uncompressed video and audio data, HDBaseT uses 5Play technology that allows for full uncompressed HD video, audio, 100BaseT Ethernet, and power through a single 328ft CAT5e/6 LAN cable.
That’s right, a 328 foot cable that replaces your HMDI cable, Power cable and Ethernet Cable! HDBaseT has the bandwidth to support the highest video resolutions such as full HD 1080p as well as 3D and 2Kx4K formats. LG, Samsung, and Sony are already on the bandwagon and have backed this new standard.
This is the future of home entertainment, lots of networked devices and fewer cables plus internet based television!
Tags: cables, Cat5, Ethernet, HDBaseT, HDMI, Home Entertainment, LG, Mess of Cables, One Cable, online television, Power Cables, Samsung, Sine, Sony, Television
Posted in 3D, Accessories, Blu-ray, Online Video | 3 Comments »

A few months earlier the Blu-ray Association (BDA) announced their specifications for 3-D. Now HDMI Licensing, the company in charge of licensing the HDMI standard, announced that it’s working on an update to the current HDMI 1.4 specification to help with the standardization of 3-D. HDMI Licensing released the parts of the current specification that deals specifically with 3-D to the public, so that content producers and broadcasters can act in accordance with them when distributing future 3-D content.
It’s a major milestone on the path to bringing true 3-D into your home theater, supporting resolutions up to 1080p in 3-D. Steve Venuti, president of HDMI Licensing stated, “As the mainstream adoption of 3D is gaining momentum and content providers define and expand their 3-D roadmaps, HDMI is ready to support this major market development.”
All the ducks are in a row for 3D to really have a fighting chance as a new standard. I’ll keep you updated with all the latest!
Tags: 1080p, 3-D, 3D, broadcasters, content producers, HDMI, HDMI 1.4 specification, major milestone, specification, standardization of 3-D
Posted in 3D | 1 Comment »
Of all the standards for interconnecting A/V devices, HDMI has emerged as among the most interesting. You can now have a single cable that handles both full-bandwidth audio and video bitstreams, switch among them with ease (depending on your equipment) and have less clutter and theoretically less capital expenditure on cables when you get your dream system put together (depending on whose cables you buy and where you buy them; and a lot of claims made by cable manufacturers are hooey.) And our paranoid (but nice) Hollywood friends love HDMI because they can have compliant devices add HDCP copy protection to the bitstreams.
Here’s the part that confuses: there’s actually little need for most people to go past HDMI 1.3c as far as cables and devices go, even though the HDMI 1.4 standard now exists. (Breakdown of features) The highlights: the HDMI 1.3a through 1.3c family of standards added support for controlling A/V equipment, building on the biggest HDMI 1.3 features of deep color, xvYCC color support, auto lip-sync, and support for Dolby TrueHD and DTS-HD Master audio (as you’d find on many Blu-ray Disc titles.) HDMI 1.4 adds things that are neat but pretty much unnecessary for most of us: ethernet, audio return, 3D and 4K video. Ethernet could have a place, but anything that really needs to be on your network probably already has Wi-Fi built in. We don’t know how or why audio return would be helpful, really. 3D is fun a couple of times but is a bit of a headache to view for long periods of time, if you ask me. 4K sounds very cool… but ah, we just spent a small fortune on this otherwise-perfect 1080p set… it’s gonna have to last. That, and can anyone think of a 4K source you can buy today other than a RED camera? BZZZZ! Time’s up!
So where does this leave you, the humble video producer? Well, you know that spiffy new AVCHD camcorder you just bought? Just make sure the HDMI cable you keep in your gear bag for playing your rough cuts for your clients works between your camcorder and at least one display device, and theoretically, you shouldn’t have any trouble connecting to other display devices. (At least HDMI is more interoperable than a lot of other standards; it’s not like trying to find the magical DVD player that plays any disc, or the magical HDV player that can play any HDV tape, regardless of what kind of camcorder recorded it.)
Tags: HDMI, technical
Posted in Accessories | No Comments »
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