Posts Tagged ‘Filters’

CTIA 2012: 7 Wireless Terms for Videographers to Know

by Jackson Wong | May 8th, 2012

In honor of CTIA 2012, we want videographers to be more aware of wireless terms, some you may know, but the less you need to glance at glossaries, the better. These come from a few CTIA pages on consumer information,

1. Federal Communications Commission (FCC): An independent U.S. government agency responsible with regulating interstate and international communications by radio, television, wire, satellite and cable. This includes all aspects of the wireless industry such as devices, policies, programs and outreach initiatives.

This is a big one, this national agency regulates pretty much anything that TV and radio stations play. The inclusion of the wireless industry means, that the Wi-Fi camera you just got, must follow the agency’s guidelines. The FCC is also the agency responsible for setting the standards for many aspects of video, particularly, which frequencies your devices are able to use.

2. Filters: Most wireless carriers provide parents with the ability to filter Internet content accessed on a wireless phone on their network.

Not to be confused with many other definitions of filters, the International CTIA WIRELESS filter is generally one that provides you squeaky-clean Internet videos, text, and photos that are mainly concerned with the well-being of your device. These filters will often appear in the form of software, and while there is software with filters for video, our favorite filters are the physical ones that will modify the images you’re capturing with your little devices.

3. Interoperability: The ability of a network to coordinate and communicate with other networks, such as two systems based on different protocols or technologies.

Interoperability is really a measure of how well systems can communicate or share. This should be familiar territory for any videographer that’s had to work with containers or codecs extensively. What we’re looking for is simply being able send video from one device to another, in different areas – the smoother, the better in this case.

4. LTE (Long Term Evolution): The next-generation network beyond 3G. In addition to enabling fixed to mobile migrations of Internet applications such as Voice over IP (VoIP), video streaming, music downloading, mobile TV and many others, LTE networks will also provide the capacity to support an explosion in demand for connectivity from a new generation of consumer devices tailored to those new mobile applications.

Largely dependent on which is available to you, 3G or 4G, LTE is tagged onto 4G since it is the most current network and is committed to supporting expansions in the realm of video delivery. Video will get further versatility as long as LTE can keep up.

5. Packet Data: Information that is reduced into digital pieces or ‘packets’, so it can travel more efficiently across networks, including radio airwaves and wireless networks.

Packets and Packet Data are like the media cards you may use with your camera, but on a minuscule scale. Rather than uploading a 2GB video all at once, parts of it are sent over time, thus, you get buffering. This can really help make video smooth, just give the packets time to move.

6. Smart Phone: Wireless phones with advanced data features and often keyboards. What makes the phone “smart” is its ability to better manage data and Internet access.

Indeed, we have now learned what makes you smart, being able to manage data and access the Internet, no wonder those fifth graders do so well! In all seriousness, being able to access the Internet opens a host of video applications since so much video gets downloaded and uploaded every minute – 60 hours and that’s just on YouTube. Now you may consider an app that lets you edit video or provide a viewfinder for your sportcam. When it comes to data management, there’s likely a very high percentage of videos and films that would fail as early as pre-production if not for such smart phones.

7. VoIP (Voice over Internet Protocol): VoIP is a two-way communication service that can allow users to communicate via voice or video. Based on IP technology, VoIP is used to transfer a wide range of different type traffic.

Webcam-ing may be forever tied to VoIP so just know, if you use FaceTime or Skype, you are using VoIP, and clearly it has already made great improvements from its early days in the mid 90s.

Keep checking our video news blog for the latest from CTIA 2012, and we’ll keep searching for the most notable video developments the event has to offer.

Welcome to Our Webinar: Intermediate Editing

by editorialstaff | December 22nd, 2011

Videomaker’s Intermediate Editing Webinar will take you beyond simple cuts and transitions and teach you techniques that will allow you to advance your basic video editing skills. Our web presentation focuses on multi-camera editing, simple compositing, filters and effects and more; helping you in your quest to create polished and professional-looking video.

Following the session, all registrants will receive a copy of a special report. Additionally, we will be including live Q&A throughout the event; our team answering your questions. This event starts at 11:00 AM (PST) on Wednesday, Dec. 28, so be sure to sign up soon!

Check out Videomaker’s weekly Webinar Training Series for other sessions taught by our experts. Our webinar series features a wide variety of video production and post production topics including Advanced Shooting, Green Screen and Special Effects, Documentary Production, Lighting for Video, and much more.

Upcoming Videomaker Webinar: Advanced Editing

by Julie Babcock | February 10th, 2011

If you haven’t attended Videomaker’s Advanced Editing Webinar yet, now is your chance!

The upcoming webinar will take you beyond simple cuts and transitions and teach you techniques that will allow you to advance your video editing skills. This event will focus on techniques, filters and effects, multi-camera editing and more; helping you in your quest to create polished and professional-looking video.

Following the presentation, all registrants will receive a copy of our special report “Multicam Editing”. In addition to valuable information and a free special report, there will also be a live Q&A segment; our team answering your questions. This event starts at 11:00 AM (PST) on Wednesday, February 16th, so be sure to sign up soon!

Not interested in this topic? Videomaker’s weekly Webinar Training Series is taught by our experts and features a wide variety of video production and post production topics including Advanced Shooting, Green Screen and Special Effects, Documentary Production, Lighting for Video, and much more.

Boris FX Product Line to Support Adobe CS5 and 64-bit Operating Systems

by Derek Sine | April 14th, 2010

borisboxset_hi_resBoris FX announced today that it’s entire product line will be available for 64-bit operating systems as well as Adobe Creative Suite 5.

The Boris FX product line includes:

  • Boris Continuum Complete: Nearly 200 plug-in filters include 3D Objects, image restoration tools, time-based effects such as Optical Stabilizer, distortion and perspective effects such as UpRez, generators such as Snow, Rain, and Fire, lights such as Glint, Glare, and Glitter, wipe transitions, keys and mattes including Motion Key for automated foreground object removal, colors and blurs, and film, glow, and cartoon effects.
  • Final Effects Complete: Ranging from graceful blurs and edges to radical warps and particle generators, FEC dramatically augments your creative arsenal without forcing you to learn a new application. The simplicity of the filters combined with the native host interface, reduces the learning curve to virtually zero. Most filters feature less than a dozen parameter.
  • Boris RED: Red integrates 2D and 3D compositing, titling, paint, rotoscoping, a full suite of tools to create and extrude vector objects, 3D creation and animation, and industry-leading
  • Boris FX: FX offers a Library Browser with hundreds of high-quality presets for easy application in over 20 NLEs. Sophisticated vector paint and spline tools allow you to create animatable masks. More than 115 video filters include motion tracking and image stabilization, as well as self-animating natural effects that easily interact with timeline video.
  • Boris Graffiti: Create titles and graphics directly inside your nonlinear editing system without importing and exporting. Easily create sophisticated title animation including type on text, text on a path, jitter, and randomization.
  • Boris Blue: A standalone 3D compositor as well as a plug-in for Adobe After Effects, Adobe Premiere Pro, and Avid editing and finishing systems. Based on the familiar Boris interface, Blue is designed for video editors and compositors who want to create stunning 3D looks without the learning curve and render times associated with 3D applications.
  • Boris XML Transfer: An Adobe After Effects plug-in designed for seamless transfer of Apple Final Cut Pro program sequences to Adobe After Effects. Boris XML Transfer preserves all aspects of a Final Cut Pro project including effects, audio, media clips, transitions, and geometric transformations.

Boris FX offers all of the plug-ins in one complete box set available for an MSRP of $1,995. All the plug-ins are also available in 14-day trail versions.

New Schneider Diffusion Filters for DSLR Cameras

by editorialstaff | September 30th, 2009

BP_HDAllWay_1P_SocSchneider Optics is now offering their well known and liked diffusion filters in easy to install round sizes.  Read on for more details.

Schneider Optic’s renowned Classic Soft®, HD Classic Soft®, Black Frost™, and Hollywood Black Magic diffusion filters are now available in popular round sizes specifically for today’s leading SLR, digital SLR and DV cameras.

A favorite tool of Hollywood cinematographers thanks to their ability to “hide the trick,” Schneider precision optical glass diffusion filters are routinely requested by top talent who appreciate looking their best. And getting the image right in-camera also means big savings over costly, time-consuming post-editing. Read the rest of this entry »

Boris Continuum Complete 6 AVX Now Available

by editorialstaff | June 30th, 2009
boris_logo2Reprinted from a Boris FX press release

Boris FX has announced the release of Boris Continuum Complete 6 which includes 15 New Filters, New 3D Objects, Exchange Keyframe Animation with Adobe After Effects. BCC 6 AVX is based on Avid’s AVX 2 plug-in architecture with support for Avid Media Composer, Avid NewsCutter and Avid Symphony. A special AVX 1 version of BCC 6 AVX for Avid DS will be released in the near future.

BCC 6 AVX adds nearly 200 plug-in filters to Avid editing and finishing systems. The new release features 15 new effects including Extruded Text, Extruded EPS, Layer Deformer, Cartoon Look, Lightning, and Swish Pan. In addition, BCC 6 AVX delivers unique workflow enhancements such as the ability to animate BCC filters in Adobe After Effects and transfer the animation to the Avid timeline – while preserving After Effects keyframes. Read the rest of this entry »

Boris adds Chroma Key Filter to Continuum

by editorialstaff | June 17th, 2009

borischroma_keyReprinted from a Boris FX press release

Boris FX, the leading developer of integrated effects technology for video and film, announced that the Boris Continuum Chroma Key Unit now includes a Chroma Key Studio filter for real-time previews and rendering in Apple Final Cut Pro, Motion, and Final Cut Express.

Chroma Key Studio builds on the strength of Boris Continuum Complete’s keying and compositing tools with features such as a best-of-breed chroma key process, spill suppression, matte choker, and a light wrap compositing step. All four tools are combined in one, easy-to-use filter; users do not need to stack multiple filters to pre and post process video. Read the rest of this entry »