Nikon introduces the D800 one exceptional piece of equipment for both photographers and videographers (available in late March, MSRP $3000.) It is evidence of Nikon continuing the campaign for further integrate video capabilities in their DSLRs. Specifics like full HD video resolution at 1080 and the ability to shoot in 30 and 24p as well as 720 at 60 and 30p combine with dedication to audio for solid video producing.

At the core of this 36MP monster is an FX-format CMOS sensor and a EXPEED 3 image processor. Then at the front of the D800 is your NIKKOR FX-lens with the option of zooming in with a DX-lens. Follow the image from the lens, to the 35mm image sensor and up to the viewfinder that has 100 percent frame coverage and you’ll be capturing images with 7360×4912 resolution.

With good audio, comes great video – a 20-step mic volume adjustment with a 30-step headphone adjustment for a dedicated headphone jack will help you monitor audio well.

When it comes to ISO range, the D800 is outstanding with 100-6400 expandable to 500-25,600 and all with low noise images. The EXPEED 3 image processor keeps color well, but having a white balance that recognizes artificial and natural light is even better.

The D800 allows for lots of manual control including live view aperture adjustment either on its 921,000-dot LCD or on an attached monitor. If you want this monitor to be streaming, the displays can be removed, but either way, the camera can provide an uncompressed HDMI output with 4:2:2. Sticking with the LCD is no problem either since it is 3.2-inches with auto brightness control and reinforced glass.

Recording on the D800 may be best with a direct capture device, but it will format video with the H.264/MPEG-4 AVC codec. Clips can be recorded up to 20 min. at the highest quality setting, but going from sleep to shoot takes .12 seconds. And the shutter can be set to activate audio recording. With a 51-point AF system, operators may get spoiled with such response time, because with any shoot you don’t want .12 seconds of prep time, but we know from experience that waiting on a camera is never fun.

Now for the matter of retrieving footage you’ve got options on the D800 to use USB 3.0, CF and SD cards. Start organizing early by recording stills to one card and video to another, and for the highest speed use UDMA-7 or SDXC/UHS-1 cards.

So for about $3,000 the D800 provides approximately 200,000 shutter cycles, all encased in a magnesium alloy that is dust, dirt and moisture resistant. If you are interested in even higher resolution stills you may forgo the low pass filter for $300 and wait another few weeks for the D800E (available mid April, MSRP $3,300.)

In a series of huge announcements, one of video’s biggest powerhouses, Canon, announced new camcorders with specs that are so good, you might just be tempted to take out a second mortgage to get one.

Canon announced their new products in stylish Hollywood event. They showcased their new C300 cinema-style camcorder, brand new cinema lenses, and a mysterious DSLR-style concept camera that shoots in 4K. The C300 was the story of the night since it marked Canon’s first foray into the cinema market. It has an 8.3 megapixel sensor that delivers a full 2 megapixels of information  for each color channel  meaning that color reproduction should be very accurate, much like the 3 CCD sensors of cameras in the past. The C300 will also include Canon’s newest DIGIC DV III image processor meaning that it will be able to handle those simultaneous feeds of color information accurately and quickly. In addition, it will record in Canon’s MXF format which means you’ll be getting a 4:2:2 MPEG-2 codec at 50 Mbps. Staying true to form, they’ve included two slots for CF cards in the camera so that you can record on both cards simultaneously or relay-record.

The C300 has a Super 35mm sensor, making it smaller than the recently announced EOS-1DX, but bigger than the sensor found in the 7 and 60D. A bit odd considering that sensor size is a big selling point for cinematographers since it typically means less noise in the image and gives the camera the ability to achieve a shallower depth of field. Even so, there are plenty of other great features on this camera that any pro will love. To begin, the camera is modular. That means that you can take almost everything off of the unit until it becomes more or less a camera ‘brain” housing just the sensor and processor. As such, it has an shoe mounted attachment that includes a 4 inch 1.23 megapixel monitor that can swivel 135 degrees horizontally and 270 degrees vertically and 2 XLR inputs with 48 volts of phantom power. The monitor also includes a waveform monitor to quickly see the overall brightness of a scene, an RGB Parade display for color saturation, a vectorscope, and an Edge Monitor Focus Assist for getting your image sharp. The camcorder records audio in an uncompressed 16-bit PCM format at 48 kHz giving you great control in post over how your captured audio sounds.

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As we’ve all noticed lately, the lines between the gear used in still and video shooting are becoming blurred, some still shooters are embracing video for the first time using DSLRs, and videographers are clicking away creating still images using that same camera they purchased for videography.

Now Canon, the makers of the first HDSLR that was embraced by many shooters on both side of the chasm, is sponsoring a still photo contest that video creators might find interesting. The winner of the contest gets to work with Academy Award winning director, Ron Howard, on a movie short inspired by that still image.

Canon just announced  the “Long Live Imagination” campaign with Ron Howard. People submit photos to www.youtube.com/imagination and winners will be selected to inspire a Hollywood short film directed by Ron Howard shot on a Canon DSLR  There will be eight photos selected form the collection of entries, and they will collectively be the inspiration for the movie short. The Short will be shot using Canon DSLR cameras and accessories, and there will be a Red Carpet premiere in New York where the winners will meet Ron Howard.

Entries for the contest will be accepted from May 22 to June 14th and there are eight movie themes to help you get your imagination and inspiration on: Setting, Time, Character, Mood, Relationship, Goal, Obstacle and the Unknown.

And if you want to be a better video shooter, learn from a still photographer. They have to capture a full story in just one frame – this contest allows you to practice both still and moving imaging skills.

Below is more information form Canon regarding the contest:

“I’m known as a narrative storyteller, so when Canon approached me to partner on the ‘Long Live Imagination’ campaign, I was moved by the opportunity to collaborate with the masses, tapping into consumers’ creativity and using their photos as building blocks to produce a film,” said Howard. “I hope the project stimulates people’s imaginations whether they are an amateur photographer, a world traveler or a proud parent, and I hope what we create is meaningful.”

A visually stunning television commercial that takes place within Ron Howard’s mind’s eye will begin airing May 22nd. The spot will promote the “Project Imagin8ion” contest and online community.

Throughout the promotion, Ron Howard, with the help of Canon experts with Project Imagin8ion and the community, will narrow down the submissions and select eight photos – one from each category. These eight winning photos will become the basis and inspiration for the short.

As part of the overall “Long Live Imagination” campaign, Canon will be curating the most inspiring photography out there, championing the imagination of the masses while demonstrating the infinite possibilities of Canon digital imaging. The customized Long Live Imagination brand channel on YouTube will serve as a meeting place and sharing community for Canon users and photography enthusiasts alike throughout 2011. The Imagination Gallery will be linked to other social media platforms including Flickr, Facebook and Twitter, so that users can easily share their photos, pose questions to the community and participate in real-time discussions. Though the gallery will launch as the home of Canon’s “Project Imagin8ion” initiative, the community page will live-on and continue to grow.

For those of you looking to take control of your camera’s focus, ikan announced their FG Follow Focus Cine-Kit today. The FG Follow Focus is driven by a 2” diameter control wheel, features low backlash and is compatible with standard film pitch gearing of .8 MOD supported by a 2.3” diameter focus gear. In addition to its machined aluminum construction, light weight design, and beveled dry erase marking disk, the FG Follow Focus also features a horizontal adjustment allowing you to accommodate a wide range of DSLR lens diameters.

The kit includes a 17″ FG Follow Focus Whip, which provides leverage over distance and smoother focus pulls; a 2.3″ FG Follow Focus Crank Knob for rapid focus and accurate control; a pair of 2.5″ to 4.25″ diameter adjustable zip lens gears and two no scuff, non-slip lens gear liners that ensure your DSLR lens is protected and ready to pull focus.

MSRP: $449

FG Follow Focus Cine-Kit Includes:

• FG Follow Focus
• 17″ FG Follow Focus Whip
• 2.3″ FG Follow Focus Crank Knob
• 2.5″ to 4.25″ Diameter Adjustable Zip Lens Gears (2)
• No scuff, Non-slip Lens Gear Liners (2)

Cinevate makes some great products especially for HDSLRs and the Pagasus is no exception. Check out the video they recently posted showing the Pegasus in action! Although, the video is tied around the Pegasus it has some great information and gives an inside look on shooting a commercial with all the gear.

Dan Blank shot “Whatever Lola Wants” with a shoestring budget and a Canon EOS 7D that you can pick up for under $2,000 with lens included. This video shows that you don’t need a huge budget or ridiculously expensive camera gear, just a lot of planning, some great networking skills and a vision! I’ll say it again, HDSLR’s are a real revolution in filmmaking. If you’re not into the HDSLR scene this video is still a great example of how plates are shot and some impressive green screen compositing in action. Plus, if you’re not familiar with previsualization (previz) software this is an excellent example of its role in filmmaking.

Oh yeah – That budget? It checked in just under $2,000 – I’ll credit Dan’s networking skills on that one!