Posts Tagged ‘documentary’

Breaking Down the Documentary Process

by Mike Rosen | January 19th, 2012

So you want to make a documentary? We’ve all heard that before.  Just as we know that all the greatest writers are supposedly too busy hanging out in coffee shops and bemoaning the difficulties of writing to actually write, all the greatest documentarians are too busy worrying about where to start to actually, well, start.  When I was a kid, I used to love watching nature documentaries on PBS, all about the ocean floor or the rain forest or, especially, dinosaurs.  For years, though, I thought that a documentary HAD to be about some exotic faraway locale, that you had to travel to, say, the Gobi Desert or the Marianas trench, and that they always had to be about weird animals.  You might have the same problem, you’re too convinced that documentaries have to be sprawling, complicated affairs to realize that they’re actually pretty simple.  All you have to do it break it down!

Yup, it’s simple if you just break down the documentary process.  For example, take a look at Videomaker’s premium documentary series, now available to buy as one complete set at a $60 discount.  This DVD series divides up the daunting documentary process into four tidy little segments, so that you won’t get too overwhelmed.   All you need to worry about are four little things:

1) Documentary Storytelling: There’s good fodder for a stellar documentary anywhere.  Maybe you know a person with an unusual story to tell or maybe there’s a local landmark that you’ve always been curious about. Some of the most compelling documentaries come from personal stories or family histories, or dramas that, in the grand scheme of things, might not really be that dramatic. The incidents might be small or mundane, but if they communicate bigger, universal themes, they can touch people in ways that more polished but less intimate documentaries fail to do. For example, “The King of Kong” is a documentary about one man’s fight to become the world champion at the video game Donkey Kong. Most people would dismiss that as a silly goal, but the filmmakers were able to use his quest to tell a universal story about every man’s desire to leave his mark on the world.  This DVD shows you how to find the deeper meaning in even ordinary events and how to determine whether there’s enough meat in a story to be worth your time as a documentarian.

2) Documentary Funding: Yeah, so we’ve already established that you don’t have the budget to go down the Amazon. Unfortunately, even a modest documentary needs some budget and you don’t want to be stuck spinning your wheels because you can’t think of a way to get your hands on some cash.  Well, before you resort to robbing a bank, pulling off a daring international diamond heist, or something equally drastic (Pro tip: Don’t do that!), you should probably take a look at this DVD. Documentary Funding gives you helpful, practical and, above all, proven suggestions to get some cold hard cash to back up your documentary dreams. This feature looks at finding sources for funds, writing a thorough prospectus, knowing the details of an accurate budget sheet, organizing a successful fundraiser, editing a demo reel that impresses, and presenting the techniques of an effective pitch.

3) Documentary Equipment and Crew: Remember how we said you’d need money to shoot your documentary? Well, here’s where that comes into play. You may be able to cajole some friends into helping you out and you may be able to borrow your neighbor’s old camcorder for free… but let’s face it. You know you get what you pay for when you rely on the kindness of strangers (and friends).  If you’re going to make a documentary, make it good.  Cutting on necessary expenses always impacts the result and not in a good way. This DVD offers you tips on how to choose cameras, audio gear, lighting gear and accessories, and tips to finding and working with a professional crew. These tips will get you on your way to making a great documentary.

4) The Documentary  Shoot: And now that you’ve got all that preliminary planning and pre-planning and pre-pre-planning out of the way, it’s time to go out on the actual shoot.  This is where it all counts. The shoot is probably the most fun part of making the documentary, because this is where you really get to see your vision come together.  If you picked a good subject, you should feel re-newed excitement when you revisit the stories that originally sold you on it.  Conducting insightful interviews, setting up good lighting and audio, and getting location access are all part of the process here!

So there you go, the entire documentary process, all in four easy-to-digest chunks.  Now you better start filming, because, when you watch these DVDs,  you’ll no longer  have the excuse that you don’t know how to start.

Learn How to Make a Documentary

by Julie Babcock | October 15th, 2011

Have you ever had an idea for a documentary, but didn’t know where to start? Learn how to make a documentary with Videomaker’s upcoming Documentary Production Webinar. We will help you obtain the knowledge you will need to organize your documentary, tell your story effectively, and improve your chances for distribution success. With the proper techniques applied to your documentary, you can affect how the viewer perceives the issue while increasing the overall impact of your documentary.

Following the presentation, all registrants will receive a copy of our special report Mastering the Documentary Interview. In addition to valuable information and a free special report this event will also include a live Q&A segment; our team answering your questions. Videomaker’s Documentary Production Webinar starts at 11:00 AM (PST) on Wednesday, October 19th, so be sure to sign up soon!

Not interested in Documentary Production? Videomaker’s weekly Webinar Training Series is taught by our experts and features a wide variety of video production and post production topics including Advanced Shooting, Green Screen and Special Effects, Advanced Editing, Lighting for Video, and much more.

Documentary Storytelling Techniques

by Julie Babcock | September 28th, 2011

One of the easiest ways to perfect your documentary storytelling techniques is to watch the work of others. By closely examining the style choices of other documentary filmmakers you can greatly improve your own skills. If you enjoy how a certain documentary was put together or wonder why it had so much impact, watch it again and be sure to take notes.

Consider factors such as character development, shot types, editing decisions, and music. Ask yourself how the director’s choices added to the effectiveness of the scene and overall mood of the documentary. What does the director show you about a particular character, how do they choose to reveal it, and what is the overall impact on the viewer’s emotions towards that character? Finding the answers to these questions will help you in your own quest to bring a character or issue to life.

No matter which documentary genre you’re interested in, there are plenty of sources to learn from. By examining different types and styles of documentaries, you’ll find a storytelling technique that works for you. With enough practice you’ll soon be on your way to bringing an unforgettable experience to people everywhere.

For more tips on what to study when watching the work of others, check out Director’s Chair: Back to Film School. Also, be sure to take a look at Videomaker’s collection of articles and helpful videos on how to make a documentary from  start to finish.

Documentary Tip: Choosing a Story

by Julie Babcock | February 15th, 2011

One of the greatest things about watching a documentary is seeing the world through the eyes of another. The greatest thing about making a documentary is being able to bring that enriching experience to people everywhere.

Over the last decade the documentary genre has significantly increased in popularity, with topics covering everything from a person who eats too much McDonald’s (Super Size Me) to a person who feels strongly about national health care (Sicko). There are documentaries about people in wheel chairs who play contact sports (Murderball), people battling it out for the highest score in Donkey Kong (The King of Kong), soldiers battling to survive in war zones (Gunner Palace), and even one about a man and his wild parrots (The Wild Parrots of Telegraph Hill). When taking a look at popular documentaries it becomes quite obvious that, as far as topics are concerned, anything goes. What makes the documentary memorable are the characters within the story.

When choosing your topic, consider not only the subject you’d like to explore, but the people affected by it. Every story needs a main character, someone the audience can follow throughout the movie, someone they can relate to, love or hate, but most importantly, someone they can learn from. Failure to expose the thoughts and emotions of the affected persons within your documentary will leave your movie feeling flat and your message lacking impact.

The most important factor to consider when choosing a topic for your documentary is making sure it’s something you’re interested in. The path to a great documentary is a bumpy one with unexpected turns and roadblocks. Often the only thing that keeps you trucking down that path is your passion for the topic and your desire to share the experience with the entire world.

For more ideas on choosing a topic for your documentary check out Documentary Truth.

Interested in more tips on making documentaries? Sign up for Videomaker’s free Documentary Course. This free tip series is designed to help you improve your video production skills, fast. Learn More.

Documentary Tip: Finding Old Photographs for B-roll

by Julie Babcock | November 18th, 2010

Still photographs provide a great window into the past. Incorporating them into your documentary is sometimes necessary due to a lack of content. Other times it’s purely an aesthetic choice or simply a means to enrich the content you already have. No matter the reason for using photographs in your documentary there is always the question of where to acquire the photographs needed.

The topic of your documentary will usually determine the source of your photographs. If you’re putting together a family history, you’re more than likely going to have access to old photos the family already has. Asking to borrow, or copy these photos shouldn’t be a problem assuming the family is in support of what you are making.

If you’re making a documentary about a historical event or person the answer may not be as easy as asking your grandmother for photos of her childhood. However, that doesn’t necessarily mean it will be a difficult task. The internet is full of useful sites that offer pages of archival and stock photographs that will meet any need you have. Be sure to consider your budget when visiting these sites. Most of them (if they are not a public domain site) will require you to pay a fee in order to download and use the copyrighted photographs.

Finding the right photographs for your documentary is as easy requesting access to your subject’s photo album, or using the internet to download what you need. Do be sure, however, that you understand the terms of use and are obtaining the photographs legally. This will help you avoid copyright issues down the road.


Telling your story through photographs can be an effective and entertaining technique, if done skillfully and with flair. Videomaker’s Documenting History Bundle explores three creative ways to make your photographs come alive with detailed step-by-step tutorials to guide you.

Interestd in more tips on documentary? Sign up for Videomaker’s free Documentary Course. This free tip series is designed to help you improve your video production skills, fast. Learn More.

Filming the Atom Bomb

by Julie Babcock | November 11th, 2010

Ever since the early 1900s, Hollywood has been known for its motion picture production, big-name studios and A-list filmmakers. However, mid-century, behind all of the glitz, glamour and attention that most in the film industry were receiving, there was a group of filmmakers who had to keep their work a secret.

Their studio, located in the Hollywood Hills, required top-secret clearance and “consisted of a complete stage, two screening rooms, a helicopter landing pad, a bomb shelter and 17 climate controlled film vaults as well as two underground parking garages. The studio could process both 35mm and 16mm motion pictures.” Their assignment? To film nuclear test explosions being conducted in Nevada and in the Pacific.

According to the New York Times, “When originally made, the films served as vital sources of information for scientists investigating the nature of nuclear arms and their destructiveness. Some movies also served as tutorials for federal and Congressional leaders.”

The filmmakers, placed only two miles from the blasts in some cases, witnessed the destructiveness first hand. One of the cinematographers later recalled that the cameras had to be rolling before the detonation took place. Otherwise, he said the blinding flash “would burn the film and jam the film gate.” They were so close in one instance that the blast knocked a cinematographer and his camera to the ground.

In addition to risking their lives in order to forever capture a piece of American history on film, some historians credit the secret corp of filmmakers with testing numerous technologies that are used in film today “including advanced lenses and cameras, films and projection techniques.”

Since the declassification of some of the footage, their work can now be seen in a variety of documentaries as well as government sites such as the U.S. Department of Energy, and of course YouTube. Thanks to the filmmakers who were willing to risk their own lives to chronicle the events, the videos give insight to the turbulent past and provide a sober reminder of the destructive power of nuclear weapons.

*Photo courtesy of National Nuclear Security Administration / Nevada Site Office

Upcoming Webinar: Documentary Production

by Julie Babcock | October 28th, 2010

Considered an art form by many, documentary video production has its own special challenges and rewards. Videomaker’s upcoming Documentary Production Webinar will help you obtain the knowledge you will need to organize your documentary, tell your story effectively, and improve your chances for distribution success. With the proper techniques applied to your documentary, you can affect how the viewer perceives the issue while increasing the overall impact of your documentary.

In addition to valuable information, our Documentary Production Webinar will also include a live Q&A segment; our team answering your questions. Videomaker’s Documentary Production Webinar starts at 11:00 AM on Wednesday, November 3rd, so be sure to sign up soon!

Not interested in Documentary Production? Videomaker’s weekly Webinar Training series is taught by our experts and features a wide variety of video production and post production topics including Advanced Shooting, Green Screen and Special Effects, Advanced Editing, Lighting for Video, and much more.

Documentary Tip: Capturing Better Interviews

by Julie Babcock | October 21st, 2010

In your pursuit to tell a story through documentary, it’s likely that at some point you will need to interview people involved with the issue you’re documenting. An interview can be rather harrowing for a person who isn’t used to being in front of the camera. Helping your subject feel at ease can greatly improve the quality of their answers.

As a documentarian there are several ways you can pull great answers from your subject. First, resist the urge to jump head first into the interview. Give your subject some time to mentally prepare for the questions that lay ahead. You can help by informing your subject what the general focus of your documentary is, and by giving them a vague idea of what kind of questions you’ll be asking them. However, avoid giving your subject a list of questions ahead of time. By withholding the questions until the time of the interview, your subject’s answers will be more spontaneous and sound less rehearsed.

Often your subject will freeze up once they see the camera’s tally light turn on. By turning off that little red light prior to the interview starting (or covering it with gaffer’s tape), you’ll remove the constant reminder that everything they say is being recorded. Once you do hit the record button, begin with the easy questions. This allows your subject enough time to become comfortable answering questions in front of the lights, camera and crew. Once you sense your subject relax a bit, ease into the more hard-hitting questions.

Most importantly, listen. Nothing says, “I couldn’t care less,” than simply waiting for your subject to finish talking so you can ask them the next question. If your subject senses you don’t care, they will be less likely to open up. Additionally, your subject will often drop clues in their answers that point to deeper issues. If you’re listening carefully, you can ask questions based on those clues, and further reveal some truths.

By making your subject feel comfortable, they will feel they can be honest and forthcoming. You’ll be able to reach the heart of the issue with ease, and your audience will be able to connect with the subject on a much deeper level.

For more tips on how to conduct an interview, check out Directing: Documentary Interview Tips.

Interested in more tips on Documentary Production? Sign up for Videomaker’s free Documentary Course. This free tip series is designed to help you improve your video production skills, fast. Learn More.

Documentary Production: Character Development

by Julie Babcock | August 26th, 2010

Every story needs a character. Good character development can help the viewer relate to your subject and the issues being presented in your documentary. The most important part of character development is to form an emotional connection between the viewer and your character.

By nature, people want to connect with others on some level or another. If you give the viewer a reason to empathize with your subject they’ll want to stick around to see what happens to them. Establishing this connection should be done at the beginning of your documentary, as you introduce the character. Within a few scenes you should be able to show your character’s personality traits, and gain the viewer’s empathy.

Once the viewer cares what happens to your character, identify your character’s motivation for the goal they are trying to reach. Show your audience the obstacles that the character must overcome to reach those goals, and any barriers that may hold them back. This can help build conflict and shape the development of your character as they struggle in their journey. Interviewing your subject is helpful as well, because it allows your subject to voice their thoughts and emotions.

In the end, it doesn’t matter if your character is successful at reaching their goal or not. If you create an emotional connection between the viewer and the character, the viewer will be able to empathize with the character no matter the outcome. The character is a very powerful tool in the documentary genre. If you are successful in the development of your subject, you will be able to create a more compelling story, and add to the overall emotional impact of your documentary.


From the editors of Videomaker, the Documentary Production DVD contains some of our best documentary tips and techniques.

Interested in more tips on documentary production? Sign up for Videomaker’s free Documentary Course. This free tip series is designed to help you improve your video production skills, fast. Learn More.

Life In A Day: Co-Directed by You?

by Julie Babcock | July 8th, 2010

If you could capture a single day of your life, would you? If you could capture a single day in the lives of people all around the world, could you? Producer Ridley Scott (Blade Runner, Alien) and Director Kevin Macdonald (Touching the Void) will soon find out. Their newest project, Life In A Day, attempts to capture a single day on earth. What makes this project unique is they want you to shoot it.

The goal of the project is to get people to submit raw footage of the things that make up their day. From the average ho-hum events to the wild and unusual; they want it all. The catch? Whatever you decide to shoot, it has to be shot on one day, specifically July 24 (between 12:01AM and 11:59PM in your local time zone), then uploaded to the Life In A Day channel on YouTube for it to be considered for the documentary. The “most compelling and distinctive footage” will be used in the final documentary, and the producer of the submitted footage will receive a co-director credit.

“It is gonna be something unusual and it is gonna be something which has, I think, a kind of social value to it. It’s a unique kind of documentary,” says Macdonald. “It’ll be kind of like a time capsule, which people in the future, maybe in twenty, thirty, forty, fifty, a hundred, two hundred years could look at that and say, ‘oh my God, that’s what it was like.’ A portrait of the world in a day.”

If you’re thinking about submitting a video, it is stressed that you capture quality audio and follow the YouTube community guidelines. Not to mention, there are a couple of questions they’d like you to answer in your video. Be sure to check out the Life In A Day channel on YouTube for details. As for content, Ridley Scott suggests “It should be personal. It must be personal. That’s what we’re looking for. The key of course is what appeals to you, as the author.”

The film will premiere at the Sundance Film Festival in January 2011.