Posts Tagged ‘documentary’

Gap Tooth Documentary Shows Even Small Stories Can Intrigue

by Mike Rosen | May 25th, 2012

Cassi used this sign to grab interviewees' attention.We’ve often talked about documentary video on this site and the one thing that we’ve stressed time and again is that a documentary topic does not need to be “big” to be good. Many readers look at documentaries like Ken Burns’ Civil War and assume that all documentaries need to be similarly epic sagas. But sometimes smaller stories have even more potential to really speak to people.

For example, take Cassi Glisper’s Next Tooth One Mile, a documentary about what it’s like to live with a gap between your front teeth. Cassi, an independent filmmaker with a decade of experience in short films, hit on the idea when she started doing research into dental options for her own gap. She’d lived her whole life hating her gap, but it was only when she decided to fix it that she really started thinking about what a gap represented.

It’s an intriguing idea for a movie. And one that could grab the interest of any viewer — I don’t have a gap myself, but, having some crooked snaggleteeth, I was immediately eager to hear what people would say to Cassi. In some ways, it’s a perfect documentary subject because it’s something you hardly even think about until someone pointed it out. Audiences have agreed, and the film took home honors at the 2009 International Film Festival Ireland and the 2010 Swansea Bay Film Festival in Wales.

“I planned interview sessions in public areas around the country with the intention to get as many perspectives and insight into the world of gappers,” said Cassi. “I knew that meeting real people and hearing of their human experience would shape the outline for the film,” said Cassi. “On weekends, I would hit the street with my video camera, a friend, and a small sign that read, ‘Got a gap, I want talk to you.’ While out, I looked at the mouths of those passing by. If they had a gap, I would ask if I could interview them for my documentary. Ninety-eight percent of those I asked agreed to be interviewed. I confess that New Yorkers were my toughest audience.”

Cassi’s interviews turned up some surprising results. While she had assumed that most people would hate their gaps, she found that about half of her respondents actually enjoyed having gap teeth. Most people would laugh at first when she explained her project, but quickly became excited at the chance to She interviewed gappers across the United States in California, Wisconsin, Michigan, New York, and Georgia, as well as overseas while on vacation in France and Kenya.

Cassi shooting an interview on location in Kenya.

“Gappers in the United Stated had varying opinions about their gaps,” said Cassi. “Some felt that society thought they were from a poorer class because they didn’t get their gap closed. Others felt that their gap gave them a unique look, and they liked looking different – not like everyone else. But in Africa, having a gap is a BEAUTIFUL thing. Those with gaps are considered lucky. There are some people who try to drill a space between their teeth so that they can join this lucky group of gappers.”

One of the trickiest aspects of a documentary is always the man-on-the-street interview. It’s relatively easy to get a person to speak with you when you’ve arranged an interview in advance — they know who you are, what you’re doing, have reviewed your credentials and generally know what to expect. Not so when you’re approaching a random stranger! Cassi took a unique approach to set her subjects at ease. She would show them a picture of herself before she had her own gap fixed. This made them more comfortable with me. Most gap-toothed Americans could relate to her ambivalent feelings about her own gap, but the reaction was very different when she showed her old photos to people in Kenya.

“They couldn’t believe that I closed it,” said Cassi. “I remember one guy in particular saying, ‘Cassi, why did you do it? Why did you close the gap? It was beautiful! You could marry a great guy here.’ ”

After completing Next Tooth One Mile, Cassi is working on a feature script, entitled Rice & Gravy, about a friendship between two 13-year-old loners — a third generation Japanese American girl who moves to the deep south from California after her grandparents’ experience in a WWII Japanese interment camp and an African American girl from a long line of southerners.

You can learn more about Producer/Director/Writer/DP Cassi Glisper and her movies at her website.

Take a Fun Quiz to Find your Video Style

by Mike Rosen | April 12th, 2012
    What’s Your Video Style? Take this quiz for fun and see what style of video best suits your personality. Agree or disagree with your results? Tell us why below!

1) What’s your Favorite thing about putting together a video?

A) I like working in a nice quiet studio, where I can devote all my attention to my work.

B) I like working with video tools and equipment. I’m a real hardware fanatic!

C) I like working with people. They fascinate me!

D) I like creating an ambiance, something that will really draw the audience into the movie!

E) I like the action. I’m not happy unless I’m in the center of the storm!

F) I like the chance to be creative, to experiment with new ideas!

2) What’s the most important thing you look for when you watch a video?

A) I look to see how well it’s technically put together. I appreciate good craftsmanship.

B) It has to look good! People aren’t going to watch it if it looks like it was made by amateurs.

C) I like a good story, something to really make me care about the people on the screen.

D) A good soundtrack! A movie is boring if it doesn’t have a some tunes!

E) I want to see real people in real situations! I want to see how things really happened.

F) Did it teach me something new? I always want to add to my knowledge!

3) If you could pick anyplace in the world to shoot a video, would you choose to shoot:

A) The Great Barrier Reef in Australia?

B) The Roman Catacombs in Italy?

C) The Great Pyramids of Egypt?

D) The Oktoberfest Celebration in Germany?

E) The Running of the Bulls in Spain?
F) Bodie Ghost Town in California?

4) How would you describe yourself?

A) Meticulous and Logical!

B) Dark and Mysterious!

C) An Avid Story-teller!

D) Epic, Bigger than Life!

E) A Romantic at Heart!
F) Curious and Restless!

5) What’s your Biggest Reward in Making Video?

A) The Satisfaction of a Job Well Done.

B) The Appreciation of an Audience

C) Making a difference in the way people see the world.

D) The Chance to do Something Challenging and Creative

E) Seeing People’s Faces when they see themselves in your video

F) Seeing your Work on the Big Screen.

If you answered mostly A, you are an EDITOR. Shooting video is fun, but you have a real appreciation for the craft and artistry that comes afterward. You know that every snip and splice has the potential to make a story come to life, and there’s nothing you like better than turning that raw footage into something compelling.

If you answered mostly B, you are a LIGHTING FANATIC. You know that a video isn’t worth anything if you can’t tell what’s going on in it. Your standards for lighting are strict and your videos benefit from your attention to detail. Whether it’s creating a noir atmosphere with shadows or illuminating an interview subject, you know that lighting is key to interesting, engrossing videos. You’re always up to meet the challenges that other videographers forget to prepare for.

If you answered mostly C, you are a DOCUMENTARIAN. You love story telling and you can find the story in anything. Whether it’s something as small and silly as a nature film about salamanders or as heart-felt and personal as a family biography, you’re aces at finding those telling moments that illustrate the big picture. You love exploring human drama and you’re not shy about capturing the best – and worst– with your camera.

If you answered mostly D, you are a SOUND FANATIC. You’re the person people turn to when they need to capture the soft sounds of birdsong or muffle out the interrupting din from the nearby highway, because you understand how important sound is. When you do your job right, the results are practically invisible. Audiences may not realize why they like your videos, that your perfectly-synced sound effects and carefully selected music are what’s pulling them in, but you know the secret. You’re always up to meet the challenges that other videographers forget to prepare for.

If you answered mostly E, you are an EVENT VIDEOGRAPHER. You’re a daredevil; you like being right in the middle of the action. You don’t shirk from a challenge and you’re not afraid to take on assignments where you only have one shot to get it right – weddings, celebrations, speeches, anything where there’s a vortex of activity, you’ll be there with your camera in hand. Action is your watchword!

If you answered mostly F, you are a JACK OF ALL TRADES. You’re always exploring, always searching for something new. You never accept that you’ve learned enough, and you’re always striving to improve your video-making skills. Your creativity and inquisitiveness show through in your videos, which are continuously changing and maturing.

For tips and tricks with all sorts of video, join Videomaker‘s  eNews electronic newsletter, chock full of the info and advice you crave, it’s just what you need to satisfy that nagging curiosity.

Top Five Strangest Documentaries

by Mike Rosen | February 16th, 2012

Many would-be documentarians get trapped into thinking that only sweeping, epic topics are acceptable fodder for documentaries.  They just get stuck in that Ken Burns’ Civil War mode of thinking.  We’ve written quite a few times that doesn’t have to be the case, that you can find the thread of a good documentary story in even seemingly trivial events and mundane lives.  In fact, that’s often where you find the most interesting documentaries!  Small scale documentaries are easier to fund (always a concern for the indie video creator), but more importantly they also often have an intimacy with their subjects that can get lost on more ambitious documentaries.  If you don’t believe me, take a look at the top five documentaries that investigated some weird topics that most people would not have guessed could sustain a whole movie — and came out with masterpieces.

1 The King of Kong: A Fistful of Quarters (2007) – A good documentary is all about interesting characters and human drama. If you can find those two things in your topic, you know you’ve got something with potential.  And you should never underestimate humans’ ability to invest even the most mundane things with profound meaning.  Take video games, for example.  The King of Kong follows video game enthusiast Steve Wiebe as he attempts to best the high score of world “Donkey Kong” champion Billy Mitchell. Most people would hardly think that a movie about two men fighting over a video game could be riveting, but this documentary makes Wiebe’s quest so sympathetic that it’s hard not to root for him to win!

2 American Movie (1999) — Film fanatic Mark Borchardt dreams of making a big Hollywood blockbuster — despite the fact that he lives in the middle of nowhere, Wisconsin.  “American Movie” follows Borchardt as he cobbles together his break-out horror feature “Coven” by hook or by crook.  The film mines a lot of humor from its cast of laconic midwestern locals, who all look upon Borchardt’s obsession with bemused sympathy, but it never treats them as a joke. While on one level “American Movie” is the story of one eccentric director, it also becomes the story of all people who struggled to achieve  an “impossible” dream.

3 Bob Smith USA (2005) – This documentary explores something so ordinary that it almost sounds like a joke. Neil Abramson picked the most common, run-of-the-mill name that he could think of, Bob Smith, and then interviewed seven wildly different men with that name, including a yoga instructor, a junk collector, a Christian minister who preaches at children’s birthday parties dressed as a clown and an evangelical atheist who attends cocktail parties dressed as the devil.  The result is a strange and hilarious cross-section of Americana that tells us more about the country’s rich and varied character than you would have thought possible from a documentary about a name!

4 In the Realms of the Unreal (2004) – During his life, Henry Darger was a reclusive janitor in a Chicago hospital.  But in the privacy of his own apartment, Darger created reams of incredible fantasy collages depicting a parallel universe where  children fought a constant war against evil monsters and, oddly, confederate soldiers.  Through both interviews with his neighbors and excerpts from Darger’s journals, the film struggles to understand what compelled Darger to paint such strange but compelling images — and helps us to understand how the act of creation gives our lives a greater purpose.

5 Winnebago Man (2009) – You may already know Jack Rebney as the viral video sensation “Angry Winnebago Man.”  In the mid-80s, Rebney appeared as a pitchman in a series of promotional videos for Winnebago RVs, but it was the out-takes — in which a frustrated Rebney constantly breaks out in bizarre profanity whenever he flubs a line — that captured people’s imaginations.  The videos spread like wildfire over the Internet.  Austin documentarian Ben Steinbauer was fascinated by the clips and sought out to track Rebney down to find out what he was like in person and what he thought of his unexpected fame.  He was surprised to find Rebney living in secluded cabin in northern California.  What could have been exploitative instead turns out to be a fascinating portrait of a man struggling under the burden of unexpected celebrity.

Those are just a few examples of the subjects that can be fertile soil for a good documentary.  You can probably think of many more, just by looking around you.  Still having some difficulty thinking of a topic? Take a look at Videomaker‘s Documentary Storytelling to get some more hints. (Or for more info on the full process, check out Videomaker‘s full Documentary Production series. )

Breaking Down the Documentary Process

by Mike Rosen | January 19th, 2012

So you want to make a documentary? We’ve all heard that before.  Just as we know that all the greatest writers are supposedly too busy hanging out in coffee shops and bemoaning the difficulties of writing to actually write, all the greatest documentarians are too busy worrying about where to start to actually, well, start.  When I was a kid, I used to love watching nature documentaries on PBS, all about the ocean floor or the rain forest or, especially, dinosaurs.  For years, though, I thought that a documentary HAD to be about some exotic faraway locale, that you had to travel to, say, the Gobi Desert or the Marianas trench, and that they always had to be about weird animals.  You might have the same problem, you’re too convinced that documentaries have to be sprawling, complicated affairs to realize that they’re actually pretty simple.  All you have to do it break it down!

Yup, it’s simple if you just break down the documentary process.  For example, take a look at Videomaker’s premium documentary series, now available to buy as one complete set at a $60 discount.  This DVD series divides up the daunting documentary process into four tidy little segments, so that you won’t get too overwhelmed.   All you need to worry about are four little things:

1) Documentary Storytelling: There’s good fodder for a stellar documentary anywhere.  Maybe you know a person with an unusual story to tell or maybe there’s a local landmark that you’ve always been curious about. Some of the most compelling documentaries come from personal stories or family histories, or dramas that, in the grand scheme of things, might not really be that dramatic. The incidents might be small or mundane, but if they communicate bigger, universal themes, they can touch people in ways that more polished but less intimate documentaries fail to do. For example, “The King of Kong” is a documentary about one man’s fight to become the world champion at the video game Donkey Kong. Most people would dismiss that as a silly goal, but the filmmakers were able to use his quest to tell a universal story about every man’s desire to leave his mark on the world.  This DVD shows you how to find the deeper meaning in even ordinary events and how to determine whether there’s enough meat in a story to be worth your time as a documentarian.

2) Documentary Funding: Yeah, so we’ve already established that you don’t have the budget to go down the Amazon. Unfortunately, even a modest documentary needs some budget and you don’t want to be stuck spinning your wheels because you can’t think of a way to get your hands on some cash.  Well, before you resort to robbing a bank, pulling off a daring international diamond heist, or something equally drastic (Pro tip: Don’t do that!), you should probably take a look at this DVD. Documentary Funding gives you helpful, practical and, above all, proven suggestions to get some cold hard cash to back up your documentary dreams. This feature looks at finding sources for funds, writing a thorough prospectus, knowing the details of an accurate budget sheet, organizing a successful fundraiser, editing a demo reel that impresses, and presenting the techniques of an effective pitch.

3) Documentary Equipment and Crew: Remember how we said you’d need money to shoot your documentary? Well, here’s where that comes into play. You may be able to cajole some friends into helping you out and you may be able to borrow your neighbor’s old camcorder for free… but let’s face it. You know you get what you pay for when you rely on the kindness of strangers (and friends).  If you’re going to make a documentary, make it good.  Cutting on necessary expenses always impacts the result and not in a good way. This DVD offers you tips on how to choose cameras, audio gear, lighting gear and accessories, and tips to finding and working with a professional crew. These tips will get you on your way to making a great documentary.

4) The Documentary  Shoot: And now that you’ve got all that preliminary planning and pre-planning and pre-pre-planning out of the way, it’s time to go out on the actual shoot.  This is where it all counts. The shoot is probably the most fun part of making the documentary, because this is where you really get to see your vision come together.  If you picked a good subject, you should feel re-newed excitement when you revisit the stories that originally sold you on it.  Conducting insightful interviews, setting up good lighting and audio, and getting location access are all part of the process here!

So there you go, the entire documentary process, all in four easy-to-digest chunks.  Now you better start filming, because, when you watch these DVDs,  you’ll no longer  have the excuse that you don’t know how to start.

Learn How to Make a Documentary

by Julie Babcock | October 15th, 2011

Have you ever had an idea for a documentary, but didn’t know where to start? Learn how to make a documentary with Videomaker’s upcoming Documentary Production Webinar. We will help you obtain the knowledge you will need to organize your documentary, tell your story effectively, and improve your chances for distribution success. With the proper techniques applied to your documentary, you can affect how the viewer perceives the issue while increasing the overall impact of your documentary.

Following the presentation, all registrants will receive a copy of our special report Mastering the Documentary Interview. In addition to valuable information and a free special report this event will also include a live Q&A segment; our team answering your questions. Videomaker’s Documentary Production Webinar starts at 11:00 AM (PST) on Wednesday, October 19th, so be sure to sign up soon!

Not interested in Documentary Production? Videomaker’s weekly Webinar Training Series is taught by our experts and features a wide variety of video production and post production topics including Advanced Shooting, Green Screen and Special Effects, Advanced Editing, Lighting for Video, and much more.

Documentary Storytelling Techniques

by Julie Babcock | September 28th, 2011

One of the easiest ways to perfect your documentary storytelling techniques is to watch the work of others. By closely examining the style choices of other documentary filmmakers you can greatly improve your own skills. If you enjoy how a certain documentary was put together or wonder why it had so much impact, watch it again and be sure to take notes.

Consider factors such as character development, shot types, editing decisions, and music. Ask yourself how the director’s choices added to the effectiveness of the scene and overall mood of the documentary. What does the director show you about a particular character, how do they choose to reveal it, and what is the overall impact on the viewer’s emotions towards that character? Finding the answers to these questions will help you in your own quest to bring a character or issue to life.

No matter which documentary genre you’re interested in, there are plenty of sources to learn from. By examining different types and styles of documentaries, you’ll find a storytelling technique that works for you. With enough practice you’ll soon be on your way to bringing an unforgettable experience to people everywhere.

For more tips on what to study when watching the work of others, check out Director’s Chair: Back to Film School. Also, be sure to take a look at Videomaker’s collection of articles and helpful videos on how to make a documentary from  start to finish.

Documentary Tip: Choosing a Story

by Julie Babcock | February 15th, 2011

One of the greatest things about watching a documentary is seeing the world through the eyes of another. The greatest thing about making a documentary is being able to bring that enriching experience to people everywhere.

Over the last decade the documentary genre has significantly increased in popularity, with topics covering everything from a person who eats too much McDonald’s (Super Size Me) to a person who feels strongly about national health care (Sicko). There are documentaries about people in wheel chairs who play contact sports (Murderball), people battling it out for the highest score in Donkey Kong (The King of Kong), soldiers battling to survive in war zones (Gunner Palace), and even one about a man and his wild parrots (The Wild Parrots of Telegraph Hill). When taking a look at popular documentaries it becomes quite obvious that, as far as topics are concerned, anything goes. What makes the documentary memorable are the characters within the story.

When choosing your topic, consider not only the subject you’d like to explore, but the people affected by it. Every story needs a main character, someone the audience can follow throughout the movie, someone they can relate to, love or hate, but most importantly, someone they can learn from. Failure to expose the thoughts and emotions of the affected persons within your documentary will leave your movie feeling flat and your message lacking impact.

The most important factor to consider when choosing a topic for your documentary is making sure it’s something you’re interested in. The path to a great documentary is a bumpy one with unexpected turns and roadblocks. Often the only thing that keeps you trucking down that path is your passion for the topic and your desire to share the experience with the entire world.

For more ideas on choosing a topic for your documentary check out Documentary Truth.

Interested in more tips on making documentaries? Sign up for Videomaker’s free Documentary Course. This free tip series is designed to help you improve your video production skills, fast. Learn More.

Documentary Tip: Finding Old Photographs for B-roll

by Julie Babcock | November 18th, 2010

Still photographs provide a great window into the past. Incorporating them into your documentary is sometimes necessary due to a lack of content. Other times it’s purely an aesthetic choice or simply a means to enrich the content you already have. No matter the reason for using photographs in your documentary there is always the question of where to acquire the photographs needed.

The topic of your documentary will usually determine the source of your photographs. If you’re putting together a family history, you’re more than likely going to have access to old photos the family already has. Asking to borrow, or copy these photos shouldn’t be a problem assuming the family is in support of what you are making.

If you’re making a documentary about a historical event or person the answer may not be as easy as asking your grandmother for photos of her childhood. However, that doesn’t necessarily mean it will be a difficult task. The internet is full of useful sites that offer pages of archival and stock photographs that will meet any need you have. Be sure to consider your budget when visiting these sites. Most of them (if they are not a public domain site) will require you to pay a fee in order to download and use the copyrighted photographs.

Finding the right photographs for your documentary is as easy requesting access to your subject’s photo album, or using the internet to download what you need. Do be sure, however, that you understand the terms of use and are obtaining the photographs legally. This will help you avoid copyright issues down the road.


Telling your story through photographs can be an effective and entertaining technique, if done skillfully and with flair. Videomaker’s Documenting History Bundle explores three creative ways to make your photographs come alive with detailed step-by-step tutorials to guide you.

Interestd in more tips on documentary? Sign up for Videomaker’s free Documentary Course. This free tip series is designed to help you improve your video production skills, fast. Learn More.

Filming the Atom Bomb

by Julie Babcock | November 11th, 2010

Ever since the early 1900s, Hollywood has been known for its motion picture production, big-name studios and A-list filmmakers. However, mid-century, behind all of the glitz, glamour and attention that most in the film industry were receiving, there was a group of filmmakers who had to keep their work a secret.

Their studio, located in the Hollywood Hills, required top-secret clearance and “consisted of a complete stage, two screening rooms, a helicopter landing pad, a bomb shelter and 17 climate controlled film vaults as well as two underground parking garages. The studio could process both 35mm and 16mm motion pictures.” Their assignment? To film nuclear test explosions being conducted in Nevada and in the Pacific.

According to the New York Times, “When originally made, the films served as vital sources of information for scientists investigating the nature of nuclear arms and their destructiveness. Some movies also served as tutorials for federal and Congressional leaders.”

The filmmakers, placed only two miles from the blasts in some cases, witnessed the destructiveness first hand. One of the cinematographers later recalled that the cameras had to be rolling before the detonation took place. Otherwise, he said the blinding flash “would burn the film and jam the film gate.” They were so close in one instance that the blast knocked a cinematographer and his camera to the ground.

In addition to risking their lives in order to forever capture a piece of American history on film, some historians credit the secret corp of filmmakers with testing numerous technologies that are used in film today “including advanced lenses and cameras, films and projection techniques.”

Since the declassification of some of the footage, their work can now be seen in a variety of documentaries as well as government sites such as the U.S. Department of Energy, and of course YouTube. Thanks to the filmmakers who were willing to risk their own lives to chronicle the events, the videos give insight to the turbulent past and provide a sober reminder of the destructive power of nuclear weapons.

*Photo courtesy of National Nuclear Security Administration / Nevada Site Office

Upcoming Webinar: Documentary Production

by Julie Babcock | October 28th, 2010

Considered an art form by many, documentary video production has its own special challenges and rewards. Videomaker’s upcoming Documentary Production Webinar will help you obtain the knowledge you will need to organize your documentary, tell your story effectively, and improve your chances for distribution success. With the proper techniques applied to your documentary, you can affect how the viewer perceives the issue while increasing the overall impact of your documentary.

In addition to valuable information, our Documentary Production Webinar will also include a live Q&A segment; our team answering your questions. Videomaker’s Documentary Production Webinar starts at 11:00 AM on Wednesday, November 3rd, so be sure to sign up soon!

Not interested in Documentary Production? Videomaker’s weekly Webinar Training series is taught by our experts and features a wide variety of video production and post production topics including Advanced Shooting, Green Screen and Special Effects, Advanced Editing, Lighting for Video, and much more.