Posts Tagged ‘CES’

Videomaker Best of CES 2012 Awards Announced

by Daniel Bruns | January 12th, 2012

CES 2012 is nearly over and if you’re like us, you’ve probably passed the point of information overload even before the annual tech show began. Even so, we’ve decided to help you sort things out by showing you our picks for this year’s Videomaker Best of CES awards. Videomaker’s Best of CES awards were created to help you find products that were especially innovative, affordable, dependable, easy-to-use, and most of all products which empower each of you to make better video. So we’ve scoured the show floor, trekked many miles, and ruined more than one good pair of shoes to find out once and for all which CES products would do just that.

Best of Show: Nikon’s D4 DSLR -

It’s no surprise that our biggest award of the show went to Nikon’s newest DSLR, the D4. With features like an ISO range of 50 to 204,800, 1080p video with an uncompressed HDMI output, and an FX-format (36mm x 23.9mm) sensor, this DSLR has many features that videographers have been wanting in a DSLR for years. An interesting new feature is the camera’s ability to use a new 2.7x Crop mode to zoom into an image on a sensor without losing any of the 1920×1080 quality of the picture. This means that you can easily turn a 35mm lens into a virtual telephoto lens instead. The camera also has on screen audio indicators and a 20 step audio adjustment making this a real force to contend with in the DSLR world.

Best Lighting: Sunpak’s LED Video Lights -

We’ve seen lights like these before but never in such quantities and interesting designs. At CES 2012, Sunpak unveiled 5 LED products ranging from their DSLR67 ring light (that attaches directly to a DSLR lens) all the way up to their LED 96 which sports 96 high-powered LED’s. Best of all, almost all of their lineup runs off of easy-to-find AA batteries and can be attached on any camera’s shoe mount.

Best Microphone: Blue’s Microphone’s Spark Digital -

We’ve been impressed with Blue Microphone’s products ever since we laid eyes (or ears?) on their surround sound microphone the Snowball, but they’ve managed to impress us again with their newest offering at CES, the Spark Digital. The Spark Digital is a cardioid, solid-state condenser microphone that provides two different usage modes at the touch of a button: the Normal mode which is supposed to provide increased low frequency for those times when you need to sound like Don LaFontaine, and a Focus mode which changes the microphone’s frequency response in order to pick up more clarity and detail. The newest part about the Spark Digital is that it offers both USB and iPad connectivity. Better yet, Blue Microphone even thought to include a custom shockmount and pop filter for the microphone so that nothing will stand in the way of capturing the kind of audio you need.

Best Software: Corel’s VideoStudio Pro X4 Editing Software -

When we reviewed Corel’s VideoStudio Pro X4 back in October, we loved how easy it was to bring a project from start to finish. At CES 2012, our minds still haven’t changed. We love how VideoStudio Pro X4 offers great support for beginners by offering the Corel Guide – a useful repository for video training, customer support, and user forums. We also like how the software also offers dual screen support (something most introductory editing software leaves to the pros) and an easy stop motion video creator making VideoStudio Pro X4 a great choice for the Best Software at this year’s CES.

Best Computer: Lenovo’s IdeaPad Y580 Notebook -

Though NAB is where the real workhorses come out to play, we really enjoyed the power and affordability of Lenovo’s IdeaPad Y580. It has JBL speakers, an optional Blu-Ray burner and Intel’s Wireless Display technology. You can also get up to 8 GB of RAM along with a Core i7 processor in this beast to boot. As for the display, the Y580 sports a 1920x1080p  screen and has a 2GB GTX66M card to drive it. Not bad for a laptop that starts at $899.

Best Storage Device: Lacie’s 2big RAID Drive with Thunderbolt -

LaCie never fails to do something big in the world of hard drives and this year was yet again no exception. LaCie introduced a new version of their popular 2big that now has the power of Thunderbolt which gives the drive speeds up to 311 MB/s. The 2big also conveniently adds RAID technology to protect all of your valuable footage and has hot-swappable drives so there’s never any need to reboot the system in order to upgrade or repair the drive.

Best Support: iOmount’s iOstand and iOmini -

iOmount is a brand new company at CES, but that doesn’t mean it’s any less eligible for the Best of CES award. No, if you have a product as innovative as they do, there’s no way we would be able to keep from talking about it. iOmount stood out for its innovative mounting idea for iPad and iPod-like devices. Their mounting device allows a free and unobstructed rotation of any device using a ferro-magnetic sphere and a specially engineered magnetic carrier. In laymen’s terms, this means you can mount your iPad easily to the stand just by placing snapping it into place and then rotate your iPad without the need for holsters or locks. In addition, iOmount plans on releasing an articulating arm so that you can have your iPad or iPhone over your bed while you read a book or text message hands-free.

Best Bag: Tiffen’s Domke RuggedWear Camera Bags -

Tiffen has been a leader in optical filters for years but camera bags? You bet. At this year’s CES, Tiffen released a new line of Domke RuggedWear camera bags meant for almost any situation you might find yourself in. Each Domke bag is made of weather-tough and durable cotton canvas along with a strap made of durable cotton webbing and a steel snap hook so they’re built to last. They were also designed from the ground up to be easy to carry and easy to clean which we always love to hear.

Best Accessory: GoPro’s WiFi BacPac -

Though GoPro announced the WiFi BacPac earlier in the year, Videomaker had yet to see what this unit could really do – until now. GoPro’s WiFi BacPac gives GoPro’s popular Hero and Hero2 cameras the ability to transmit live video streams to a smart device such a a tablet, smartphone, or computer while at the same time being able to control a bevy of video options as well. As a result of using WiFi, this remote can travel over an incredibly long distance without losing signal – something that any videographer capturing a sporting event will love.

Best Camcorder: JVC’s GY-HMQ10 4K Camcorder -

JVC has seemed to hit the ground running this year by announcing a new 4K camcorder at CES 2012 and we were impressed. The camcorder can record at a resolution of 3,840 x 2,160 pixels using its Falconbird processor and 1/2 inch sensor, can record to SD cards, and has 2 phantom powered XLR ports. Though it has a fixed lens for now, we’ve heard rumors of an interchangeable lens concept coming soon – but that’s our little secret.

Spotlight Award: Panasonic’s 4K x 2K monitor concept -

This is a product that we’ve been waiting for a long time to get: a 20 inch field monitor that packs a 4K x 2K resolution. That means shooters everywhere will be able to see the full glory of their 4K footage from cameras like RED’s Epic or JVC’s newest Gy-HMQ10. Though there’s no price information on this big boy yet, we’re excited about it’s potential.

Spotlight Award: Sony’s Handycam HDR-PJ760V Camcorder/Projector -

It’s funny how close camcorder companies are to blurring the line between professional and consumer camcorders. Sony has done just that by releasing their newest camcorder and projector the HDR-PJ760V. The camcorder comes with 96 GB of internal storage space, an incredible 24.5 MP still image capture option, image stabilization, and of all things a high contrast projector said to be twice as bright as Sony’s offering last year. This means not only will you be able to capture your family’s memories to share with them when they get older, you can also easily show them what you got anywhere you are.

Spotlight Award: Buffalo’s AirStation WZR-1750H Router -

Buffalo’s always been one of the first companies to embrace new technology and industry trends so it came as no surprise that they released an 802.11ac dual band router at CES 2012. We were specifically impressed by the AirStation’s wireless speed which Buffalo claimed could hit 1300 Mbps, approximately three times faster than 802.11n. What’s amazing is that just a few short years ago, standard Ethernet cable used to have a hard time getting speeds up to 1300 Mbps and now wireless routers are doing it in spades. Not to be left out, the router will also have a 2.4 GHz 3×3 802.11n radio inside so that it can be backward compatible with the 802.11a/b/g/and n standards.

Spotlight Award: Tiffen DFX v3

If you’ve ever had to try to fix an image after it’s already been edited into your video project, you know how painstaking it can be. Tiffen has come along to help you make that better with it’s DFX video and editing effects suite. Tiffen DFX is a plug-in filter that in many ways mimics the screw-on glass lens filters that professional photographers use, but it’s like having a filter on steroids.

Version 3 has added even more filters for optical effects along with interface improvements and host support. The digital filters are made to simulate Tiffen’s glass filters – and you don’t have to try to find one that fits your lens… nor are you stuck with the effect that a screw-on lens might produce.  The effects are easy to apply, fun to use, and can take your videos from good to outstanding in a very professional way, which is why we gave Tiffen the Videomaker Spotlight Award for CES 2012.  Read more about the Tiffen “Videomaker Spotlight” award.

Spotlight Award: Satarii’s Swivl

Asking someone to snap a photo can be a stretch, asking them to do camera movements is crazy unless you plan to hire a camera person. The Swivl is your answer in such times. By using a marker, the Swivl keeps you or your subject in a user-defined frame and has the capacity to record audio via an iPhone app. The 360 degrees panning capability is paired with a 25 degree vertical axis to capture a lot of action. The base and marker take AA and AAA batteries respectively, which provide for about four or ten hours of recording depending on whether you opted for the wall charger or the battery life of your pocket camera.

The Swivl is prepped to ship during the first quarter of 2012 and has been an innovative project for us to see from prototype to product, so we are glad to give it a Spotlight Award for the International CES 2012.


CES 2012 – Corel Designs RAW Photo Editing Application Dubbed AfterShot

by Daniel Bruns | January 11th, 2012

Corel, a company that has a long history in the photo editing world, has released a new RAW photo editing application called AfterShot Pro for $99. The coolest part? The program will work on Linux, Mac, and Windows. Basically, no matter what operating system you’re using, Corel’s got you covered.

This new release is in direct competition with other RAW photo editing software such as Aperture and Lightroom and seems to be based in part off a previous Linux photo editing software named Bibble. The program is basically a complete RAW workflow, a fast and flexible photo management system, and an advanced non-destructive adjustment tool all in one.

Some features of the program include selective editing, where you can apply adjustments using unique Layers and Regions similar to the way that a mask would work in Photoshop, heal and clone tools for removing dust and blemishes, and something Corel calls Perfectly Clear which automatically adjusts lighting for ever pixel in the shot without clipping any information. The software will also be using Metadata to let you search for photos by camera settings, keywords, tags, and more in a similar fashion as Adobe Bridge and LightRoom. They’ve also included something called Noise Ninja that reduces noise while supposedly preserving detail in an image. Lastly, Corel also allows for batch outputs so that you can process images while getting other, more important work done.

Aftershot Pro will cost $99 and is already available on Corel’s site for a free trial download. With support for Linux, this program could very well be the most popular RAW processing tool on that platform and at a price of only $99, it has potential on Mac and Windows as well. Only time and some experience will tell!

JVC Updates Everio with WiFi and Smartphone Control

by Daniel Bruns | January 10th, 2012

Here’s another reason to put a smartphone on next year’s Christmas list. JVC just announced an update to their Everio lineup with contains seven new models with 1080p recording that can be controlled by a smartphone via WiFi at CES. It wasn’t too long ago that cameras were used to being controlled by an included remote control (that would invariably get lost), but now JVC is hoping you’ll start using their camera’s 802.11 b/g/n transmitter to wirelessly transfer video and stills to a smartphone for sharing to the internet. The app for your phone will also include a way to monitor the video feed from your camcorder wirelessly along with controlling the geotagging of video and starting and stopping the recording.

This will be a welcome update to JVC’s camcorders but as everyone knows, the real magic comes in how good the image quality is. JVC has included the ability to capture at 1080p in UXP mode witha  24 Mbps sampling rate. The camera also comes with an incredibly good f1.2 lens and high speed and low speed recording for timelapses and slow motion footage.

The entire camcorder line will be available immediately and will range in price from $229.95 to $899.95.

Sony Releases LED Video Light for Its Camcorders

by Daniel Bruns | January 10th, 2012

In one of the more interesting product moves, Sony announced that they’ll be selling an LED video light that runs off of AA batteries or Sony V or M series batteries. The fact that it can run off of their V batteries means that this light should be able to last for quite some time in the field and won’t require the constant purchasing of AA batteries. This is an advantage that LitePanels has only been able to match through third party adapters.

The light, which looks very similar to LitePanels’ MicroPro LED offering, can be mounted on any Sony camcorder with a shoe mount. The LED light will be adjustable from 10% to 100% brightness and will include 60 powerful LEDs (which should be good for 1800 lux). Like many of the current LED lights, the Sony HVL-LE1 light will have a color temperature of 5500K, but thankfully will include a color conversion filter that can bring it down to the standard indoor color temperature of 3200 degrees Kelvin.

Sony first foray into on-board LED lighting will also come with a diffuser and carry pouch for each filter and will be about 120 mm wide by 75 mm tall which should make it easy to carry in your existing equipment baggage. Beyond that, Sony has yet to list a price for the product but the fact that it’s already listed on their website should be a good indicator that they’ll be selling it soon.

Contour Adds Mobile Live Broadcast to Its POV Arsenal

by Daniel Bruns | January 10th, 2012

Contour and Cerevo USA have announced a partnership at CES 2012 for live video broadcasting for POV cameras. To put it in laymen’s terms, this means that POV cameras like the Contour can now broadcast live to the internet via Ustream without the use of bulky HDMI cables. Their calling the broadcast unit “LiveShell” which is a battery powered wireless unit.

A simple HDMI cable can connect the Contour camera to Cerevo’s LiveShell which then broadcasts the content to the popular Ustream sharing site. With the Contour+ (which we reviewed in our magazine) you can broadcast 1080p video at 30 frames per second or 720p video at 60 frames per second allowing internet viewers everywhere to see the world from the camera’s perspective. The battery life on the Contour and LiveShell is rated for 3 hours meaning it will be able to keep ticking for the duration of the sport it’s capturing. You can also configure the camera using your smartphone or a computer so that you don’t have to hook up a cable to the camera in order to set the framing. Of course, to make live broadcasting happen, the ski slopes your hitting will have to have WiFi access – something not every ski resort has. In this regard, it would be nice to see if they’ll build a unit that can work with cellular reception as well as a WiFi connection in case your favorite place to do extreme sports is away from public places.

This announcement seems to come conspicuously close to being just in time for the 2012 Olympics in London and is just in time for the winter sporting season. We’ll have to see if this proves to be a useful tools for broadcasters and for sporting events during the winter season but judging by how many GoPro’s and Contours are already on the slopes of most ski resorts, this seems like an idea that will eventually catch on.

Samsung Shows Off New WiFi-Capable Cameras

by Daniel Bruns | January 9th, 2012

Samsung has been impressing us lately at CES. While it seems like a lot of other companies are slowly doing less and less at CES, Samsung has been doing more and more. An example of this is Samsung’s newest Wi-Fi enabled cameras the WB850F, WB150F, and the ST200F. Unlike many other cameras that only allow you to share your video and photos on the cloud, Samsung’s SMART technology on these cameras allows you to back up to a hard drive as soon as shooting is done – all without hooking up cables to your computer. In conjunction with this, Samsung is also offering free storage space from Samsung’s AllShare Play and Microsoft’s Sky Drive so that you can get your photos from anywhere.

We’re not exactly sure why you’d need this (especially with smartphones so readily available) but Samsung has also added the ability to pull maps up on your camera and has a digital compass to tell them how far they are from certain locations. I’m not sure this is a selling point for me but you never know what people might need on a phone so why not?

As for getting close to a subject, Samsung included an impressive 21X optical zoom on the WB850F, a 18X zoom on the WB150F, and a 10X zoom on the ST200F. Better yet, the WB850F has a backside illuminated sensor , meaning it takes the image from the back of the chip instead of the front, which should reduce image noise and distortion. All of the cameras come with some proprietary software from Samsung that we won’t go into but be assured that whether you like it or not…it’s there.

The WB850F will have a 16 megapixel sensor, 1080p video, and simultaneous still and video capture all for $379. The WB150F will sport a 14 megapixel sensor and 1080p video recording all for $229. Lastly, the ST200F will shoot at 16 megapixels at 720p and will cost $199.

Sony Debuts a Refresh to Handycam Camcorder Lineup

by Daniel Bruns | January 9th, 2012

At their CES 2012 press event, Sony released their newest refresh to the Handycam camcorder lineup. Specifically, they debuted the HDR-PJ760V and HDR-CX760V, but I’m sure you don’t care much about the model numbers. What you probably care about most is what these beasts can do. The camcorders can capture full HD 24p and 60p video along with an astounding 24.1 megapixel still image. They’re also touting their newest “Balanced Optical Steadyshot (I think I see a theme here too)” which is an image stabilizer that controls the entire optical path, including the image sensor, as one floating unit. They claim that this feature can make the camera 13 times more stable than its predecessor. Welcome news if you’ve ever tried to keep a device as small as their Handycam steady in your hands.

In the new lineup, they’ve also seen fit to include a new wide-angle (26.0mm) Carl Zeiss lens, tilting electronic View Finder, and a 17X digital zoom which we hope you never have to use.

Sony has also kept their same Handycam camcorders with built-in projectors from last year by updating the image to be twice as bright as it previously was. They’ve also kept the EXMOR R CMOS image sensor and have included some professional features such as manual control of Iris/Shutter/Exposure/White Balance, an Expanded Focus for making sure the image isn’t slightly blurry, and Zebra and Peaking settings. Not bad for a camcorder at this size and price.

We’re not done yet. Sony also updated last year’s first Double Full HD 3D camcorder lineup by adding the HDR-TD20V. If you recall, we reviewed its predecessor, the TD10 this last year in Videomaker magazine to some acclaim. Now, the new camcorder is actually 2/3rds the size of the TD10, weighing in at only 1.02 pounds. Sony also included the ability to geotag with it’s built-in GPS receiver for those who want to remember right where they were when each shot was taken.

Each of Sony’s Handycam camcorders can shoot 1920×1080 resolutions at up to 24 Mbps which should make for some high-quality HD content when editing. They also allow for Dual Recording of video and still images (though most of them do these days), and have some of the best image stabilization techniques in the business. All these factors combined make the new lineup from Sony very exciting. We’ll give you more details about how each of these camcorders fare in future reviews!

Canon Improves CMOS Sensor, Adds Social Sharing to Vixia Camcorders

by Daniel Bruns | January 9th, 2012

In what seems like a theme this year, Canon just announced at CES the refresh of their Vixia camcorder lineup which sports an improved CMOS sensor, MP4 recording, DLNA, and a WiFi module allowing shooters to share their content on DLNA televisions and social sharing sites. Their new lineup of camcorders called the M and R series record to 8 or 32GB of flash memory, has an improved sensor which allows better capture in low light, a anew new Intelligent Image Stablization system. We actually got to try Canon’s last image stablization version and we’re quite impressed with how steady they kept the image even though the camcorder was so small in a shooter’s hand. So we’re really excited to see how their new image stablization performs.

In addition, the camera allows dual codec recording, giving users the option to record in AVCHD and MP4 – something usually only found in higher end camcorders. The Vixia also sports a sensor that can see as low as 1.2 lux which is also not often seen in consumer devices.

The camera lineup will still keep many of the same features that led to its success in the past such as Canon’s Smart AUTO mode that intelligently detects and analyzes brightness, color, an distance to select the best preset for shooting. A touch panel LCD screen where you can set focus, Cinema-Look Filters that give the image a cinematic look, and relay recording between two cards for uninterrupted video recording.  The M series will include a 10X HD video lens as well as a 3.0 inch touchscreen and has a wider dynamic range than it had before giving you more bright and dark values to work with in post.

The M camcorder lineup will be available for $749.99, $649.99, and $549.99 while the R series will be available for $549.99, $449.99, and $349.99 respectively. Most of the camcorders are similar in function but have a few different features such as flash memory size that account for the difference in price.

Nikon D4 DSLR Announced – Just in Time for CES 2012

by Jennifer O'Rourke | January 6th, 2012

CES 2012 is just days away, but news of products we’ll be seeing and hopefully reviewing are beginning to leak.

Today’s biggest announcement is the Nikon D4,  a full-frame digital SLR – and it carries a huge pedigree behind it. The predecessor to the D3 this camera has a few interesting body changes, including a bevy of controls along its side, instead of on top, for easier access. As video shooters begin using cameras originally designed for still shooting, this is an added plus.

The D4 has a plethora of ports added to its larger body form, including mic and headphone jacks, mini-USB and HDMI.  Nikon’s D4 can link multi cameras wirelessly or via Ethernet ports. Read the rest of this entry »

Sony’s Makes 3D Affordable With HDR-TD10 3D Camcorder

by Daniel Bruns | January 18th, 2011

CES 2011 may forever be remembered as the year 3D HD shooting became affordable. There were many companies that jumped on the 3D bandwagon this year including JVC and Panasonic, but nowhere was this more evident than at Sony’s booth. Sony left no doubt where they were putting their time and money when they started off the show with a room filling you-go-to-be-there-to-believe-it 3D screen that displayed all of their newest 3D tech in 3D glory. Of all of the tech though, one of their most exciting announcements was the creation of the world’s first Full Double HD 3D camcorder, the HDR-TD10. This camcorder was able to film in 1920×1080 had a 10x optical zoom, manual iris control, shot at up to 60 fps, had a back-illuminated CMOS sensor for better low light capabilities, and included a 3.5 inch glasses-free 3D LCD display. All of this made for one impressive camera but don’t take our word for it, check out the video we shot below. The camera is available for $1499