While we legally can’t tell you some surprises yet, we can spill to you what we’re excited to hear about at the International CES 2012. 4K and 3D are two great examples. 3D for what innovations show up this year since the general public has had substantial time to test out the video medium.

Then there’s the big buzz about 4K, which company will be first to really capture the general consumer, seems like the real catch here. One of the two sides of this technology is the camera, and because Canon’s announcement about such technology came more than two months prior to the International CES 2012 – the competition is on. The other part of 4K is the display, and manufacturers are hard at work improving these super-high resolution screens, our question is how low will we see a price drop and ultimately – will consumers adopt it?

Notable innovations in technology that we already have on our radar include flexible displays and alternative computer controls. While the projected time frame on these is beyond consumers of 2012, the International CES 2012 is a prime place for advancements to show up.

Take a glance at the Consumer Electronics Association coverage of CES 2011 and you’ll notice, there’s a lot of people there. Our team is certain to make contact with some of the biggest names in video production, as well as learn something new about each other. For some of us it’ll be a brand new experience and hopefully we’ll carry some of you (our audience) and your excitement with us. We’ll be determining some awards for this specific event, so products that steal the spotlight may be recognized by us. Look to this blog for updates and our hints at the biggest news for video producers.

As much as the city would love to make such exclusive information stay in Las Vegas forever, but our trip won’t mean much to you unless we bring some stories back.

In a series of huge announcements, one of video’s biggest powerhouses, Canon, announced new camcorders with specs that are so good, you might just be tempted to take out a second mortgage to get one.

Canon announced their new products in stylish Hollywood event. They showcased their new C300 cinema-style camcorder, brand new cinema lenses, and a mysterious DSLR-style concept camera that shoots in 4K. The C300 was the story of the night since it marked Canon’s first foray into the cinema market. It has an 8.3 megapixel sensor that delivers a full 2 megapixels of information  for each color channel  meaning that color reproduction should be very accurate, much like the 3 CCD sensors of cameras in the past. The C300 will also include Canon’s newest DIGIC DV III image processor meaning that it will be able to handle those simultaneous feeds of color information accurately and quickly. In addition, it will record in Canon’s MXF format which means you’ll be getting a 4:2:2 MPEG-2 codec at 50 Mbps. Staying true to form, they’ve included two slots for CF cards in the camera so that you can record on both cards simultaneously or relay-record.

The C300 has a Super 35mm sensor, making it smaller than the recently announced EOS-1DX, but bigger than the sensor found in the 7 and 60D. A bit odd considering that sensor size is a big selling point for cinematographers since it typically means less noise in the image and gives the camera the ability to achieve a shallower depth of field. Even so, there are plenty of other great features on this camera that any pro will love. To begin, the camera is modular. That means that you can take almost everything off of the unit until it becomes more or less a camera ‘brain” housing just the sensor and processor. As such, it has an shoe mounted attachment that includes a 4 inch 1.23 megapixel monitor that can swivel 135 degrees horizontally and 270 degrees vertically and 2 XLR inputs with 48 volts of phantom power. The monitor also includes a waveform monitor to quickly see the overall brightness of a scene, an RGB Parade display for color saturation, a vectorscope, and an Edge Monitor Focus Assist for getting your image sharp. The camcorder records audio in an uncompressed 16-bit PCM format at 48 kHz giving you great control in post over how your captured audio sounds.

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As we’ve all noticed lately, the lines between the gear used in still and video shooting are becoming blurred, some still shooters are embracing video for the first time using DSLRs, and videographers are clicking away creating still images using that same camera they purchased for videography.

Now Canon, the makers of the first HDSLR that was embraced by many shooters on both side of the chasm, is sponsoring a still photo contest that video creators might find interesting. The winner of the contest gets to work with Academy Award winning director, Ron Howard, on a movie short inspired by that still image.

Canon just announced  the “Long Live Imagination” campaign with Ron Howard. People submit photos to www.youtube.com/imagination and winners will be selected to inspire a Hollywood short film directed by Ron Howard shot on a Canon DSLR  There will be eight photos selected form the collection of entries, and they will collectively be the inspiration for the movie short. The Short will be shot using Canon DSLR cameras and accessories, and there will be a Red Carpet premiere in New York where the winners will meet Ron Howard.

Entries for the contest will be accepted from May 22 to June 14th and there are eight movie themes to help you get your imagination and inspiration on: Setting, Time, Character, Mood, Relationship, Goal, Obstacle and the Unknown.

And if you want to be a better video shooter, learn from a still photographer. They have to capture a full story in just one frame – this contest allows you to practice both still and moving imaging skills.

Below is more information form Canon regarding the contest:

“I’m known as a narrative storyteller, so when Canon approached me to partner on the ‘Long Live Imagination’ campaign, I was moved by the opportunity to collaborate with the masses, tapping into consumers’ creativity and using their photos as building blocks to produce a film,” said Howard. “I hope the project stimulates people’s imaginations whether they are an amateur photographer, a world traveler or a proud parent, and I hope what we create is meaningful.”

A visually stunning television commercial that takes place within Ron Howard’s mind’s eye will begin airing May 22nd. The spot will promote the “Project Imagin8ion” contest and online community.

Throughout the promotion, Ron Howard, with the help of Canon experts with Project Imagin8ion and the community, will narrow down the submissions and select eight photos – one from each category. These eight winning photos will become the basis and inspiration for the short.

As part of the overall “Long Live Imagination” campaign, Canon will be curating the most inspiring photography out there, championing the imagination of the masses while demonstrating the infinite possibilities of Canon digital imaging. The customized Long Live Imagination brand channel on YouTube will serve as a meeting place and sharing community for Canon users and photography enthusiasts alike throughout 2011. The Imagination Gallery will be linked to other social media platforms including Flickr, Facebook and Twitter, so that users can easily share their photos, pose questions to the community and participate in real-time discussions. Though the gallery will launch as the home of Canon’s “Project Imagin8ion” initiative, the community page will live-on and continue to grow.

You can win some free video tools, just by donating to the Japanese earthquake relief efforts overseas. Or just donate to help because Japan needs our help, and they’ve supported our hobby, career and love of video creation all these years.

For years we’ve enjoyed their technological innovations, we’ve used their products, enjoyed their technical advancements, salivated over the latest techno ‘gee-whiz’ toy they released. Our visits to Las Vegas for the Consumer’s Electronics Show (CES) and National Association of Broadcasters (NAB) every year remind us of their importance to our industry and our lives, now the Japanese are in dire pain and despair, and video producers are giving back. You have a chance of winning some video gear at NAB 2011 due to the efforts of producer-director Philip Bloom.

The massive earthquake, then the following tsunami, and now radiation in the very air they breathe, water they drink and food they eat, has touched every single person living in the entire island country of Japan in ways few can completely understand.

Factories that build our gadgets are closing, companies that deliver our goods are unable to process the orders, and benevolent producers like world-renowned documentarian Philip Bloom are reaching out to help.

Bloom posted a “Help Japan” message on his website, offering a chance to win an iPad – his very own iPad – as incentive to donors. Other manufacturers of techno and video gadgets stepped up to the challenge and also offered “prizes” in Bloom’s drawing for cash donations to the Japanese Relief fund.

Do you recognize any of these names? GoPro, Marshall, Kessler Crane, Letus, Zacuto, Digieffects, Redrock, Redgiant, and Cineroid? You should, we’ve written about every one of them in Videomaker and they all have some connection to Japan – either due to design, or build or accessories for their products. All of these companies have donated gear for the drawing.

Bloom’s drawing will be held at NAB 2011 in Las Vegas in a few weeks, and participants need not be present to win. Many people have donated to the causes posted on Bloom’s site stating they don’t want a prize, only to help those that have given so much to the video world. Where would we be today without these companies’ designs, innovations and support?

Everyday, Videomaker hears news from companies we work with – Robin Hoffman of JVC sent us a note confirming JVC’s employees are safe, DisplaySearch tells us the chemicals needed in some semiconductors and LCD displays are affected and the supply chain is on hold.

Our own CEO, Matt York, was in Japan just 2 days before this tremendous quake, meeting with Sony reps about their latest releases in the NXCAM family. Some Sony plants have been shut down, and other companies like Canon, Panasonic, Hitachi, Grass Valley and more – all companies you read about every day in the pages of Videomaker – have been affected. Sony is donating 300 million Japanese yen to help the country and 30,000 radios to help get news updates to citizens.

So check out Bloom’s site – or follow the links below. These relief agencies below are the ones posted to Bloom’s site. If you donate and can prove a receipt, follow up with Bloom’s site for a chance to win – or just join in the conversation.

World Vision , Mercy Corps , Islamic Relief USA , Red Cross

NAB 2011 will be a somber one this year, I know it will stand as a reminder of how small this world has become and how we all share in concern for our friends across the Pacific. Our thoughts and deepest condolences go out to all of those who have lost loved ones during the tragedy.

Starting December 6, 2010 Canon will start to provide as a chargeable service, a locking mode dial modification for the “5D Mark II” and “7D” HDSLR cameras.

This modification is available, for a fee, to owners of these cameras who would prefer a Mode Dial which locks in place and can’t be accidentally moved during normal camera operation especially when shooting video.

The pricing of the locking mode dial modification service for EOS 5D Mark II and 7D cameras has been set at $100 per camera as of December, 2010.

Once modified, users must first press and hold down the central lock-release button in order to turn the Mode Dial. The modification is intended to prevent the Mode Dial from accidentally moving, once set to a particular exposure mode by the user.

Just a few weeks ago, Videomaker had the privilege of sending a member of it’s staff to Yellowstone national park with the exciting promise of being able to get our hands on one of Canon’s newest releases. What we saw when we arrived was Canon’s completely redesigned 60D. With 1920×1080 video resolution plus an articulating LCD screen, this camera immediately drew our undivided attention. The first place we were able to put the camera to use was on an exciting gondola ride up into the Grand Teton mountains. On our way up to the top, the Canon representative told us all about the camera such as how it has an upgraded sensor that can capture 18 megapixel pictures, a built-in flash, records on SDXC cards, and best of all has a manual feature for controlling audio. That means that even though this camera still can’t compete with the EOS 1D and 7D for picture quality, when it comes to audio, has everything but the 5D Mark ii beat.

When we finally reached the top of the Grand Tetons, I was happy to see that the camera was very simple to use as it resembles every other Canon camera’s buttons and designs very closely. The camera was also very durable and lightweight – two things that matter a lot in location shooting. When we next went to a waterfall in Yellowstone, we were happy to have a number of different frame rates for shooting video. The 60D allows for  30, 25, and 24 in full HD, and 60, 50, 30, 25, and 24 in 720p. Moving water looked really nice in 720p60 and the HDR bracket shooting allowed for some really nice separation between the waterfall and the sky. Even so, as with all cameras with CMOS sensors, there was still some rolling shutter issues to deal with which became very apparent when capturing a strolling black bear with an 800 millimeter lens. As enthralling as it was to capture a black bear on film, almost all of the footage was unusable. Of course to Canon’s credit if we would have captured the video using a fluid head tripod rather than a ball head, there’s no doubt the footage would have looked a lot better. As it was, the articulating screen helped out immensely for getting shots from all angles and allowed us to capture great video of the wildlife at Yellowstone park. Honestly, after using this camera with its articulating lcd screen, it’s hard to believe that this won’t become a standard in Canon’s entire line of cameras. To see how this camera performed as well as the beauty of Yellowstone make sure to take a look at the pictures after the break or the video below.

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