Posts Tagged ‘avchd’

Panasonic Announces HDC-Z10000 Close Up 3D Camcorder

by Daniel Bruns | December 13th, 2011

After the big announcements from Sony and Canon this year, it’s no surprise that Panasonic, a leader in professional camcorders, decided to get its feet wet by announcing their own 3D camcorder – the HDC-Z10000.  The camcorder does have a number of great features that should make it a solid contender in the 3D world. First off, it has the ability to switch between 2D and 3D shooting, it records images in the 3D AVCHD format using the frame sequential method (meaning it records a full frame for each lens on the camcorder), can zoom up to 10X, and has a wide 32mm angle of view. The lenses have f-stops as low as 1.5 in order to capture great footage even in low light situations as well as two independent 3MOS sensors for each lens which should allow each eye’s picture to look its best.

The great features don’t stop there though. This camera also records in full 1920x1080p (which is expected) but can do so at a full 60 frames per second without any interlacing – a relief for any videographer. Like many 3D camcorders coming out on the market, the LCD display can show 3D images glasses free making it easy to see what your final result will be. However, it remains to be seen how effective their version of the technology is.

In the past, Panasonic has won over the prosumer world by having plenty of external controls on their camcorders and the Z1000 is no exception. It has a ring for focus, zoom, and iris giving it a real pro feel, and buttons for OIS, white balance, zebra bars, and many more. Panasonic also decided to include two XLR ports giving this camcorder a bigger edge than most of the camcorders being released today. Lastly, the Z10000 also has two SD card slots with relay recording making it possible to record live events for many hours without the fear of running out of card space. This is quite the improvement over their consumer model which debuted at CES last year.

With all of the amazing features this camcorder has, you’re probably thinking it costs more than $5,000. If so, you might be surprised to know that Panasonic plans to sell the Z10000 for only $3500 and will be shipping in December. With a price point this good, it’s easy to predict that this camcorder will likely be the prosumer choice for 3D shooting soon!

Firmware Hacks: Recording High Bitrates on Small Cameras

by Daniel Bruns | June 15th, 2010

Just a few short days ago, news came out that the firmware for the Panasonic Lumix GH1 got hacked. Now typically, you’d think that was a bad thing, and typically, you’d be right. However, in this case, that is far from the truth. Instead, the firmware hack for the GH1, made by Tester13, allows it to take MJPEG videos with a bitrate of up to 50 Mbps. That’s right; 50 Mbps. This is a higher bitrate than even the Canon 5D Mark II can take right now, with it’s average of 35 Mbps meaning cleaner footage with less artifacts. With the ability to shoot at 50 Mbps, video on the Panasonic Lumix can come out with almost no visible compression at all. The gradients in the footage look smooth and natural, and the detail is, for a lack of a better word, astounding. As an added bonus, since the GH1 scales and processes data by binning individual pixels rather than using line skipping, giving it a cleaner image than a 5D when downscaled from its 12 MP sensor. Also with this hack comes some groundbreaking workflow improvements. Using the 32 Mbit AVCHD mode with this hack, you can edit the native 24p footage natively on a Mac and PC in a fraction of the time.

All this comes at a small price however. First, the camera will often have card read/write errors due to the high bitrate and of course, fills up a CompactFlash card really fast. Also, playing this high bitrate footage will cause many computers to choke. Of course, as a firmware hack, there is at least a small potential that your camera’s hardware could be adversely affected by allowing it to do something it shouldn’t. Lastly,  the sensor size of the full frame 5D compared to the smaller APS-C makes for a greater chance for noise.

Nonetheless, hacks like these do effect one thing: they show camera companies how badly their users want these functions in their cameras. You sometimes have to wonder why they don’t just outright develop these same hacks into upgrades that their users can have. It would be a great chance to score some points with consumers that want to get the most out of their cameras and wouldn’t be of any harm to those who would never use the feature. Other cameras such as the Canon 1D Mark IV could also benefit from a small upgrade too. I mean can somebody tell me why Canon still hasn’t gotten rid of the auto gain control in the 7D and 1D too? Hopefully these companies will take a hint and start providing the relatively easy features that users want out of their cameras so that they can feel good about their purchases and feel good about staying loyal too.

Panasonic Point-and-Shoot to Record Video in AVCHD

by Daniel Bruns | June 8th, 2010

Just today, Panasonic tagged a price on to their recently-introduced LUMIX FX75. This tiny camera with a 24mm ultra-wide angle lens will be going for just $299.95. The newest offering from Panasonic will also include a 5x optical zoom and best of all, record video in the AVCHD Lite format instead of the conventional Motion JPEG format. This should be a huge sigh of relief to cinematographers looking to utilize the benefits of a photographic sensor while still being able to edit in a widely supported format. Of course, if you just got used to editing in the Motion JPEG format, the LUMIX also offers the option to record in Motion JPEG, WVGA (848×480) and VGA (640×480). The camera also takes pictures at 14.1-megapixels and has a 5x zoom to boot.  The LUMIX also has a full touch-screen for operating the autofocus feature on the camera. By pressing on the screen where your subject is, you can set and track a subject in your frame. At the same time, in playback mode, users can use the touch-screen to browse through their collections of photos much like a page in a book. The Panasonic LUMIX FX75 will be available for purchase in mid-July.

Why Using Interchangeable Lenses is the Future of Video

by Daniel Bruns | May 11th, 2010

Every once in a blue moon, a technology announcement goes from the usual to the revolutionary. When recording moving pictures became possible on magnetic video tape, it revolutionized where producers could film, allowed them to view their footage right away, and most of all saved filmmakers a great deal of money. The problem was that it also changed the look and “feel” of film that many audiences and producers had grown to love. Instead, video had low resolution, bad color reproduction, recorded at 30 fps instead of 24, and worst of all, virtually no depth of field. This gave video a completely different look and unfortunately a distinct ring of low quality to most audiences when they viewed it. Since that time however, much progress has been made toward achieving that “film look” again. Over time color space improved in video, 24P shooting modes were introduced, and picture resolution increased. Even with all of these improvements, filmmakers realized that there was still one vital thing missing in the pursuit to achieve the look of film: interchangeable lenses.

With Sony’s announcement of their tiny AVCHD high-definition camcorder with an interchangeable lens system, the revolution of interchangeable lenses has begun. It finally appears that camera manufacturers are taking interchangeable lenses seriously. While some might say it’s silly to manufacture a camera that’s smaller than its lens, I think that its results speak for itself. All one has to do is look at the beautiful depth of field in the footage that a camera with interchangeable lenses can produce, and it’s hard not to be sold on the idea. With a shallow depth of field, even small camcorders can draw your viewer’s attention to the area of the screen that is in focus – eliminating distractions in the background. This is the reason why interchangeable lenses are so revolutionary. In fact, I would go so far as to say that even cell phone cameras, which can now shoot in 720P, would be better off with an option for a small interchangeable lens system. Just imagine how much money it would save, and the artistic possibilities you could have if you were able to shoot footage on a cell phone that was similar in quality to footage shot on film. It would truly be a revolution.

With that being said, I can admittedly see one thing that could spell doom for the interchangeable lens revolution: compatibility. It would be great if camera and lens manufacturers could agree on making a standard for lens mounts on all cameras. I know this is wishful thinking here as companies make a lot of money off the different mounts they sell, but quite honestly, I think these manufacturers should be competing on lens quality and not compatibility. Plus, without a standard, many people would be forced into buying lenses and cameras from just one manufacturer which could put them in a real bind when newer and better equipment comes out from an entirely different manufacturer that does not have a compatible lens mount. Even with these problems though, the ability to shoot on both consumer and prosumer cameras with interchangeable lenses will no doubt have a huge impact on both amateur and professional cinematographers alike. With the ability to shoot with interchangeable lenses, camera manufacturers will have finally won the battle of making video look like film.

Panasonic Begins Taking Orders On Full HD 3D Camcorder

by Derek Sine | February 12th, 2010

FullHD3DCamcorderPanasonic Broadcast announced today it will begin taking orders for the AG-3DA1, the world’s first professional quality, fully-integrated Full HD 3D camcorder offering SD media card recording. Built to order, this offer is being made as a result of the tremendous demand for the Full HD 3D camcorder since its introduction at the International CES show. Panasonic is now offering video professionals the opportunity to reserve their AG-3DA1 camcorder (list price: $21,000) by placing a non-refundable $1,000 deposit with Panasonic. Details of the program and sales contact information are now available by calling (201) 348-5300 or e-mailing pbtsinfo@us.panasonic.com

Here is the breakdown, at less than 6.6 pounds, the AG-3DA1 is equipped with dual lenses and two full 1920 x 1080 2.07 megapixel 3-MOS imagers to record 1080/60i, 50i, 30p, 25p and 24p (native) and 720/60p and 50p in AVCHD. It can record for up to 180 minutes on dual 32GB SD cards in Panasonic’s professional AVCHD PH mode, and offers professional interfaces including dual HD-SDI out, HDMI (version 1.4), two XLR connectors, built-in stereo microphone and twin-lens camera remotes.

In addition to a camcorder, Panasonic also announced the BT-3DL2550, a 25” professional-quality 3D LCD monitor for field use, and the AG-HMX100, a professional HD digital AV mixer for live 3D event production. Panasonic will offer professional production equipment to allow video professionals to efficiently create 3D content, so consumers can enjoy 3D video using Panasonic 3D home theater systems.

Panasonic’s LUMIX TS2 Gets Tougher – Waterproof to 33 Feet, Freezeproof, Shockproof – With The Ability to Record High Def Video

by mhageman | January 26th, 2010

Panasonic-Lumix-DMC-TS2-540x408Panasonic today introduced the new LUMIX DMC-TS2, a successor to the company’s first rugged digital camera designed for active outdoor use, the LUMIX DMC-TS1. Featuring High Definition video recording capability, in the AVCHD Lite format, the new 14.1-megapixel LUMIX TS2 further strengthens its toughness when compared to its predecessor and is waterproof to 33 feet (10m), shockproof to 10 feet (2m), freezeproof to 14° F (-10° C) and dustproof*1.

“We have been very pleased to see that consumers found true value in Panasonic’s first rugged digital camera, knowing that they could take it on their outdoor adventures where it could withstand drops, water and dust. But even more, we saw that users enjoyed our LUMIX TS1 for their daily photo needs – they were able to take high-quality video and photo without worrying if they casually tossed it in their bag or used it in the rain,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “The new LUMIX TS2 gets tougher and we expect it to be a key product in 2010, as its rugged features are becoming even more desirable for active users, especially with this year’s new freezeproof capabilities. Families will enjoy this digital camera, both for their own outdoor activities, vacations, but also so they can allow children to take photos without the anxiety they might otherwise feel of damage.”
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Panasonic Introduces the LUMIX DMC-ZR3 Featuring AVCHD Lite HD Video Recording Capability

by mhageman | January 26th, 2010

Panasonic-bkPanasonic today announced the introduction of the LUMIX DMC-ZR3, a fully-featured digital camera complete with AVCHD Lite High Defintion (HD) video recording capabilities, a25mm ultra-wide-angle Leica lens and a powerful 8x optical zoom – giving consumers a wide-range of shooting options, yet in a slim body that is small enough to fit in a pocket or small purse. New to the ZR-Series this year, Panasonic also introduces Intelligent Zoom, which extends the LUMIX ZR3’s zoom to an impressive 10x. Read the rest of this entry »

Need Answers?

by Tom Skowronski | August 17th, 2009

untitled-2-copyLast week,  I posted some of the typical questions that we get asked on a daily basis. Today I would like to direct those of you who have questions about all things pertaining to video, to our forums. It has been a very fun process to be a part of and I’d like to give all of our readers the chance to further their knowledge by joining in on the fun. Go ahead, ask anything and chances are it will get answered in the forums. Everything that is anything is covered and discussed there to help video producers of all walks of life, (camcorders, making money, editing programs, lighting, wedding & event video, etc.). We’d like to thank our many readers for consistantly contributing their unique knowledge and ideas to these forums and making it the place to be and the place to go for anything video related. Thanks guys!

Panasonic Announces Two New AVCHD Camcorders

by cfulton | June 9th, 2009

Reprinted from a Panasonic press release:

Panasonic today announced the release of two of the world’s lightest*, High Definition (HD) camcorders – the HDC-SD10, which uses an SDHC/SD Memory Card as recording media, and the Twin Memory Type HDC-TM10, which records onto both an 8GB** Built-in Memory and an SDHC/SD Memory Card. Each model weighs just 0.5 LB, yet its compact body design has a high-powered 16x optical zoom capabilities and advanced features to produce beautiful 1920 x 1080 Full-HD videos.

The 16x optical zoom of the HDC-SD10 and HDC-TM10 is supported by the Advanced O.I.S. (Optical Image Stabilizer) function – an essential element to achieve clear zooming, as it minimizes the hand-shake that often impairs video quality while zooming. Panasonic’s Advanced OIS detects and corrects for hand-shake around 4,000 times per second and works with the high-powered optical zoom to produce clear, stable zoom shots. The new Active mode also extends the hand-shake correction range to allow the shooting of clear, crisp images while walking or moving.

“We recognize that users are looking for camcorders that capture high-quality, High Definition video, but they also want something lightweight that has advanced, yet easy-to-use functions,” said Chuck Kirkman, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “With the SD10 and TM10, we’ve made it easier to record HD video with features such as Advanced O.I.S., Face Detection, Intelligent Scene Selector and the Pre-Rec function, all which maximize shooting results and minimize common issues like blurring.”

As with most Panasonic camcorders, the HDC-SD10 and HDC-TM10 both feature the iA (Intelligent Auto)*** function, which automatically sets the most suitable Scene mode according to shooting conditions. These include Advanced O.I.S., Face Detection, which adjusts the exposure so faces are captured perfectly; Intelligent Contrast Control, which helps ensure proper contrast; and Intelligent Scene Selector, which determines the shooting conditions and automatically selects the Scene setting that will provide optimal results. Both camcorders are also equipped with AF/AE Tracking (Auto Focus/Auto Exposure Tracking), which automatically tracks a moving subject for consistently beautiful images. This feature maintains the focus and exposure even if the subject moves or turns to one side.

Other features of the HDC-SD10 and HDC-TM10 include:

- SDHC/SD Memory Card Recording – The SDHC/SD Memory Card not only brings significant advantages to smaller and lighter camcorders, but it also differs from a hard-disk drive in that it has no transport mechanism, making it highly shock-resistant and enabling faster recording starts.

- Twin Memory Recording – Relay Recording (HDC-TM10 Only) – The HDC-TM10 records Full-HD images onto the built-in memory or an SDHC/SD Memory Card (optional), and features a Relay Recording function. When the built-in memory is full, this function automatically switches the recording media to the SDHC/SD Memory Card to provide uninterrupted recording. Video data that is recorded using both media types can be merged inside the camcorder and saved to an SDHC/SD Memory Card.****

- Touch Screen and Handy Function Buttons – Both models feature a touch screen that lets users operate a variety of functions by simply touching an icon displayed on the LCD. This allows intuitive operation without having to look away from the subject.

- 1.9-sec Quick Power-On The power turns on and off by opening and closing the LCD. This start-up allows users to save battery power by keeping the power turned off when the camcorder is not in use, while making sure that unexpected shooting opportunities are not lost. The power-saving Eco mode***** automatically turns the power off when the camcorder is not in use for five minutes.

- Pre-Rec – To avoid missing critical shooting opportunities, when the Pre-Rec function is on, the camcorder continuously records three seconds of images into an internal buffer memory. When the Record button is actually pressed, the three seconds immediately prior are added to the beginning of the clip.

- Auto Power LCD This feature automatically adjusts the brightness of the LCD screen according to the shooting conditions.

- Built-in Video Light and Flash Both the HDC-SD10 and HDC-TM10 are equipped with a video light and flash for convenience when shooting in dimly lit places.

- Highlight Playback This function is for users who want to view recorded images quickly, as “highlights” can be created and played back according to a set time interval.

- One-Touch Copy of Videos to DVD and Easy Playback with the BN1 DVD Burner To avoid the two-step process previously required to save Full-HD videos from an SDHC/SD Memory Card or built-in memory onto a DVD for playback, the HDC-SD10 and HDC-TM10 feature a one-touch function that makes this process easier.

The HDC-SD10 and HDC-TM10 are both compatible with Panasonic’s VIERA Link to allow quick and easy viewing of Full-HD video content, as well as with the VIERA Image Viewer function on a VIERA HDTV. This allows users to play videos on a large screen by simply inserting a recorded SDHC/SD Memory Card into the SD Card slot of a Panasonic VIERA HDTV******. It provides instant playback of video clips recorded in the AVCHD format in Full-HD quality. Similarly, video recordings can be easily played by using a Panasonic Blu-ray Disc™ player.

The suggested retail prices of the HDC-SD10 and HDC-TM10 are $549.95 and $599.95 respectively. The TM10 will be available in black and silver models, while the SD10 in black only. All models will be available in September 2009.

The End of Tape and Embracing our AVCHD Overlords

by jburkhart | December 1st, 2008

VHS cassetteI was sitting here today pondering the end of tape, and what it means for video producers in the near future…

Now HDV certainly isn’t dead, and even MiniDV is still hanging on, I expect to see new models of both formats at CES next month. However I don’t think anyone will disagree with the statement that HDV will most likely be the last tape-based format that we see. New video recording formats in the future, will all be solid state.

Hastening the end-of-tape process is the fragmentation that seemed to happen in HDV, with each manufacturer adopting their own incompatible standards, progressive modes, and frame rates. For a while there the editing software programmers I talked to could be reduced to tears just by mentioning the phrase “HDV support”. MiniDV‘s dominance of the SD format was so complete, it was easy to forget that cooperation and compatibility among camcorder manufacturers has always been the exception, rather than the norm.

So out of the chaos of various HD formats and media types (HDD, DVD, SDHC, P2, SxS etc.) where is the next MiniDV? Where is the standard that will be the unifying format for the next generation of camcorders? From where I sit now, all the stars seem aligning around AVCHD on SDHC cards. Broad support from manufacturers and a unifying media standard are beginning to emerge, and these models are one of the fastest growing camcorder segments this year.

That’s not to say AVCHD is not without it’s problems. It’s very difficult to decode, and you need a massively powerful computer to edit with it in real time (This was also true of MiniDV back in the day). But the main factor hobbling AVCHD at the moment is what to do with all your video once you fill up your card. I know the short answer is, put it on your hard drive, but then what? You then need some kind of practical media management system, including backups and RAIDs. And will you even be able to hook up your current hard drive to a computer ten years from now? What is the digital equivalent of the shoe-box full of tapes in the closet?

The real limiting factor of AVCHD at the moment is the cost of the media. You simply can’t afford to buy a new HDSC card for every shoot, like you would for tape. Once the price of 8-16 Gig HDSC cards (which allow 40-90 minutes of high quality bit-rate AVCHD) drops to video tape range, say $5-$10 per card we will see an explosion of AVCHD as a viable format. At that price people can afford to store their video on the very durable cards themselves and not rely on the fragility of their hard drives to hold their irreplacable footage.

From what I see now, AVCHD and SDHC are the future of consumer video. What do you see?