Visit the Videomaker headquarters in Chico, Calif. for three days of hands-on training. In February 24-26, we’ll instruct you behind the camera or on the computer with the Basics of Video Production or Intensive Editing Workshop. Take the opportunity to get expert advice, techniques from our team, then, actually put it in practice.

The Basics of Video Production Workshop gives the beginning videographer a huge leap into the biggest areas of production – pre-planning, post production, shooting and lighting techniques. You’ll be using our equipment and teaming up with others that are learning just like you.

The Intensive Editing Workshop is just that, intensive. We’ll be teaching with Adobe Premiere Pro CS5 on HP EliteBook 8760w workstations. Three days of in-your-face editing… well, maybe side by side is more like it, but you’ll get details on one of the most widely used editing software programs and plenty of time to answer your questions.

We’ve hosted people from across the continent here at Videomaker, so we may be your connection to Chico too. Space is limited, so if it’s too late for this month or the subject matter doesn’t float your boat, consider our other workshops, we are planning many more this year so check our schedule.

Last week, we looked at what fair use ISN’T.  So now let’s look at what it is.

Basically, fair use depends on a few factors, most importantly (1) the amount of material you copy from the original work,  (2) your purpose in using that material, (3) the nature of the work that you’re copying, and (4) the effect that your copying has on the original art.

(1) The amount of material you copy from the original work –For the first factor, you are generally allowed to use snippets of a work as long as you don’t appropriate the “heart and soul” of the work…what, exactly, that means is open to some debate. As an example, if you grab a few seconds from another film, you’re probably in the clear. However, you would probably not get away with including the entirety of that film in your own project. How much is too much? That’s different in every case, so just try to exercise some common sense.

(2) Your purpose in using that material — Fair Use allows you to make use of a pre-existing artistic work for purposes of education, training, news reporting, scientific research, critique or commentary, or parody. Think of the last time you watched critic review a movie on television. It probably included a short clip from the movie being reviewed, right? Likewise, you might have been in a classroom lecture where the teacher will show video clips to illustrate some point or other. These are other examples of situations that are more likely to be deemed Fair Use.

(3) The nature of the work that you’re copying — Certain sorts of material are more likely to fall under the fair use exception – for example, clips from non-fiction works. We generally agree that it’s a good thing for the public to be well-informed on history, so would it be in the public interest for a historical video – like, say, the Zapruder film of President John F. Kennedy’s assassination – to be blocked from public view because someone claimed copyright ownership? (In fact, Time magazine did make such a claim after a history book used stills from the film as illustrations. They didn’t prevail.)

(4) The effect that copying has on the original art — Finally, let’s look at the effect on the original work. Remember that copyright law exists in theory so that an artist can profit from his own hard work without someone else undermining him. Thus your work can’t be so similar that people would start buying yours instead of the original. One sticking point for many is that fair use depends a lot on intentions and motivations. For example, let’s pretend that I wrote a parody song making fun of Lady Gaga’s latest song by changing the lyrics to be about cheeseburgers. It’s fine if people listen to my song and think, “Hey! This song makes a good point. Its sharp and biting satirical message has made me realize that Lady Gaga is a hack and I will henceforth refuse to purchase her music!” If Lady Gaga’s sales start to drop as a result, she can’t sue me because my ridicule was too effective. HOWEVER, I could get in trouble if people listen to my parody and think, “Hey! This song is pretty good! It’s pretty much like Lady Gaga, so instead of buying the original song from her, I’ll just buy this parody instead.” A parody work that hurts the original artist by becoming a substitute for their work will most likely not qualify for a fair use exception.

Again, acknowledging that you don’t own the original artistic work, giving credit to the original artist or using a work without any intention to profit will often encourage an original artist to let you use his work, but it does not necessarily mean that your work will fall under fair use.

If you really want to be sure you’re in the clear when it comes to copyright with your video project, you owe it to yourself to check out Videomaker’s Archival Storytelling book.  It breaks down all the elements of copyright, so that you’ll know exactly what you can get away with when you need to use footage from another person’s work.

At CES last last month, Videomaker awarded Nikon’s D4 DSLR “Best of Show” for it’s impressive array of features like an ISO range of 50 to 204,800, 1080p video with an uncompressed HDMI output, and an FX-format (36mm x 23.9mm) sensor. Like so many videographers and still shooters alike, we can’t wait to start shooting with this powerful new camera.

And now Nikon is introducing a number of new models to its Coolpix lineup to which video producers looking for affordable, easy to use, entry-level cameras should pay attention. Particularly, the Coolpix P510.

The P510, the replacement for the P500, boasts a 42x wide-angle NIKKOR lens (24-1000mm) with advanced optical image stabilization. The camera matches this lens with a 16.1 megapixel CMOS sensor. And much like Sony’s NEX3 and NEX5, Nikon’s P510 3.0 inch (931K dot) LCD screen tilts up and down for improved viewing of shot composition.

And what about video?

The P510′s video capability includes full HD (1080p) with stereo sound. The NIKKOR lens on this camera is capable of a whopping 42x optical zoom and this expansive zoom capability can be utilized when shooting video. The presence of VR image stabilization means that video should stay clear even when the zoom is pushed to the extreme.

This new camera, along with the rest of the upgraded Coolpix line, is now available. At an announced price of $430, the Nikon P510 looks to be a camera that both photographers and videographers alike may want to consider adding to their toolkit.

How can you choose the best video format to make sure that people view and spread your work over the Internet? Find out with our new free guide, What’s the best video format for online distribution?

So you’ve just finished completing the world’s next blockbuster and you want to get your baby on the web fast. The most important preparation is choosing how to format it for the web. Our newest free report explains video formats for the beginning to intermediate user — what the different video formats are and which are the best video formats for web distribution.  You’ll learn the strengths and weaknesses of MOVs, AVIs, FLVs, WMVs, and MP4s, so you can make an informed choice when you decide how the online world will see your movie.

Whether it’s a question of finding the best compression for YouTube or choosing a format that allows your users to interact with the video, there is a video format out there for your exact purposes. Choosing the best video format for web distribution is absolutely vital for getting people to watch your videos on YouTube, Vimeo or other video sharing websites. We asked filmmaker/videographer Chelsey Grasso to decipher the mysteries of getting the best compression for YouTube and the web. Download this all new free report to have all the different video formats explained in plain English.  You’ll never have to worry about your format choices adversely affecting your finished productions again.

Learn:

• Sharing Your Video Masterpiece with the World
• Why Video Formats Are Important
• Getting Down to Business: The Types of Video Formats
• Common Mistakes in Choosing a Video Format
• Tips for Selecting the Best Video Format in Any Situation
• Video Formatting: Wrapping It Up
• Additional Resources

Download your free report What’s the Best Video Format for Online Distribution?

While we legally can’t tell you some surprises yet, we can spill to you what we’re excited to hear about at the International CES 2012. 4K and 3D are two great examples. 3D for what innovations show up this year since the general public has had substantial time to test out the video medium.

Then there’s the big buzz about 4K, which company will be first to really capture the general consumer, seems like the real catch here. One of the two sides of this technology is the camera, and because Canon’s announcement about such technology came more than two months prior to the International CES 2012 – the competition is on. The other part of 4K is the display, and manufacturers are hard at work improving these super-high resolution screens, our question is how low will we see a price drop and ultimately – will consumers adopt it?

Notable innovations in technology that we already have on our radar include flexible displays and alternative computer controls. While the projected time frame on these is beyond consumers of 2012, the International CES 2012 is a prime place for advancements to show up.

Take a glance at the Consumer Electronics Association coverage of CES 2011 and you’ll notice, there’s a lot of people there. Our team is certain to make contact with some of the biggest names in video production, as well as learn something new about each other. For some of us it’ll be a brand new experience and hopefully we’ll carry some of you (our audience) and your excitement with us. We’ll be determining some awards for this specific event, so products that steal the spotlight may be recognized by us. Look to this blog for updates and our hints at the biggest news for video producers.

As much as the city would love to make such exclusive information stay in Las Vegas forever, but our trip won’t mean much to you unless we bring some stories back.

Videographers are in the business of creating artistic, instructional, or archival moving images. Creating and sharing original work is what it’s all about. But what if you don’t have the perfect sequence to tell your story? Or what about the times when in order to tell your story effectively you need historic or iconic footage from another source? That’s when online sources of stock footage, images, and other audio and video content can come to the rescue. Sometimes these sources even provide inspiration for what direction to take your story.

At Videomaker we have an ever expanding archive of sound effects available. You should really check out our sound effects resource page. But if in addition to a sound file you need to flesh out your story with video from the news, from unique places around the world, or from historical events, there are many resources available to you.

Among the great online sources for audio and video is Getty Images Inc. And now Getty is home to an even larger collection. This week Getty announced that they are adding video from Bloomberg, the American Museum of Natural History, MacNeil/Lehrer Productions, Barcroft Media, and WGBH in Boston. These additions bring the Getty licensing library to over 825,000 video clips. From clips of produce markets in Tehran, Iran (from WGBH) to footage of Paul McCartney marrying Nancy Shevell this fall (from Barcroft), you’ll find amazing footage at Getty.

Getty Images puts it this way: “Leveraging creative research, trend data and analysis of the visual communications landscape, Getty Images has selected content from each partner to create collections that meet the growing demand across media, broadcast and educational segments for fact-based footage including news, science, technology, iconic moments and historical events.”

Getty isn’t the only source for audio, still, and video files, but it is among the best.