Archive for the ‘Uncategorized’ Category

Fair Use Misconceptions Can Expose Video to Copyright Violations

by Mike Rosen | January 26th, 2012

We frequently get questions from video creators about the rules for making use of other creators’ work in their own projects.

If a piece of art was created so long ago that its copyright has expired and it’s since fallen into the public domain, you’re free to make use of it any way that you want. (To learn more about using archival footage in your videos, check out our  informative Archival Storytelling book) But if a piece of art is still under copyright, you’ll want to make sure that you’re in the clear. Most U.S. Creators are aware of a legal doctrine here in the States called “fair use,” an exception to copyright law that lets you make use of copyrighted material for your own artistic purposes. Unfortunately, there’s a lot of confusion about exactly what constitutes fair use. Let’s try and clear up some of the misconceptions so you can better understand when you can incorporate others’ material into your videos.

(First, please be aware that nothing said by Videomaker should be construed as legal advice. If you’re really worried about your rights, you should consult an attorney or legal expert before you make any rash decisions.)

Here are some common misconceptions that we see from video creators:

“This counts as Fair Use because I gave credit to the original artist.” Giving credit where it’s due is always a best practice – and just good manners. However, giving credit does NOT instantly bestow fair use protection upon you. At best, a polite tip of the hat may encourage the original artist to allow you to use their work for free. But this is entirely up to the artist’s discretion. They don’t have to let you use their work just because you acknowledged that they are the original creator and, if they don’t like what you’ve done, they can still try to make you remove it.

“I’m not making any money off of this, so it must be fair use.” Again, whether or not you make money can be a consideration in fair use, but it is not dispositive. In fact, some fair use works can be sold for profit. The fact that you’re not profiting may again make the original artist more sympathetic to your case, but it doesn’t mean that you’re automatically covered by fair use.

“I found this original artwork on the Internet, so obviously it’s free for me to use.” Just because an artist places his or her work on the Internet does not mean that they are giving you carte blanche permission to use it as you will. The same copyright restrictions that apply offline still apply online.

Again, acknowledging that you don’t own the original artistic work, giving credit to the original artist or using a work without any intention to profit will often encourage an original artist to let you use his work, but it does not necessarily mean that your work will fall under fair use.

You’ll always want to make sure that you’ve got your rights protected when you put together a video project.  Besides Archival Storytelling, you can get more help in keeping your project legally in the clear with our Indie Film/Video Legal Documents DVD.

Tiffen DFX Effects Software Wins Videomaker CES 2012 “Spotlight Award”

by Jennifer O'Rourke | January 13th, 2012
If you’ve ever had to try to fix an image after it’s already been edited into your video project, you know how painstaking it can be. Tiffen has come along to help you make that better with it’s DFX video and editing effects suite. Tiffen DFX is a plug-in filter that in many ways mimics the screw-on glass lens filters that professional photographers use, but it’s like having a filter on steroids.
Version 3 has added even more filters for optical effects along with interface improvements and host support. The digital filters are made to simulate Tiffen’s glass filters – and you don’t have to try to find one that fits your lens… nor are you stuck with the effect that a screw-on lens might produce.  The effects are easy to apply, fun to use, and can take your videos from good to outstanding in a very professional way, which is why we gave Tiffen the Videomaker Spotlight Award for CES 2012.
Among the filters DFX offers are film grain, color correction, natural light and other photographic effects like black and white, sepia tone, sunset highlights and soft focus on specific elements in a shot to help highlight features you wish to ensure your audience pays closer attention.
One of the coolest thing about these effects is being able to “play” with the DFX effects online; you really get a feel for what the effect can do, from rack focus and gels to the mysteriously names pro-mist and black-mist filter effects … it’s fun and educational.
One thing I like best about our job is going to CES and seeing all the new toys, er… gadgets… and the next best thing to being a Rock Star has to be the reaction we get when we approach the product manager of a company we’ve just nominated for an award to present them with the lovely trophy!
Pictured here are three of Tiffen’s company representatives with Videomaker‘s own Content Director, Rich Ober [right], and behind me, out of sight of my camera, is a horde of people also taking pictures – it was a wonderful moment.
As I often do, I wore a pedometer to the show and clocked in 25+ miles in 3 days – yep – we covered the show floor from top to bottom and handing out the awards made all our hard work worthwhile.
Tiffen sent us an advance copy of the DFX v3 for review a few weeks before the CES announcements, watch for that review coming up in the April issue of Videomaker and a sneak-peek online look very soon.
Watch for more final CES 2012 announcements all next week as we finalize our notes from our trip. It was super fun and we’re already making plans for NAB 2012 – the National Association of Broadcasters tradeshow -  in April this year – see you there!

It’s Official: YouTube To Add Premium Original Programming

by Daniel Bruns | January 9th, 2012

We all knew it was coming. Ever since Google bought YouTube back in 2006, there’s been constant talk that Google may some day launch it’s own premium original programming on the popular video uploading site. As expected, Google announced in October that it planned on investing over 100 million dollars (that’s right, 100 with six zeroes after it) in order to get quality original content. During that time they also leaked a few of the big celebrity names that had signed on to the project such as Ashton Kutcher, Shaquille O’Neal, Tony Hawk, Jay-Z, and Madonna. There was no talk about the format behind each of these videos but given the names of some of the producers that they listed, you can be sure that they’ll be specific channels on music, movies, and sports – which all happen to be some of the hardest mediums to break into.

Shortly thereafter, YouTube also unveiled their movie and television streaming service which means that not only will YouTube be serving up videos of people’s crazy antics around the world, it will be serving up content from established entertainment providers and from their own user-created library as well. If all of this works out for Google, they will not only be the largest online repository of user-created and established entertainment company videos.  That may make them a force to be feared in the video world.

The reasoning behind this move is a desire for Google to get people to stay on their site longer (for advertising purposes) as well as being a vehicle for instant niche content which Google feels it’s uniquely suited to do. This niche market idea will also have the benefit of giving advertisers a more targeted audience to reach for less money than it would take to do a more generic campaign. In addition, the people and companies that Google is in the process of recruiting will be able to share in part of the ad revenues giving them a real incentive to make sure quality content is always available on the site.

Google plans on grabbing a big cut of the $300 billion television industry with this idea and with all of the cash and human resource reserves they have, they could very well make that desire into a reality. This means that if Google succeeds, we may end up seeing a day where we no longer give our edited video content to cable channels, but to YouTube instead.

Canon Announces EOS C300, 4K Camcorder, and New Lenses

by Daniel Bruns | November 4th, 2011

In a series of huge announcements, one of video’s biggest powerhouses, Canon, announced new camcorders with specs that are so good, you might just be tempted to take out a second mortgage to get one.

Canon announced their new products in stylish Hollywood event. They showcased their new C300 cinema-style camcorder, brand new cinema lenses, and a mysterious DSLR-style concept camera that shoots in 4K. The C300 was the story of the night since it marked Canon’s first foray into the cinema market. It has an 8.3 megapixel sensor that delivers a full 2 megapixels of information  for each color channel  meaning that color reproduction should be very accurate, much like the 3 CCD sensors of cameras in the past. The C300 will also include Canon’s newest DIGIC DV III image processor meaning that it will be able to handle those simultaneous feeds of color information accurately and quickly. In addition, it will record in Canon’s MXF format which means you’ll be getting a 4:2:2 MPEG-2 codec at 50 Mbps. Staying true to form, they’ve included two slots for CF cards in the camera so that you can record on both cards simultaneously or relay-record.

The C300 has a Super 35mm sensor, making it smaller than the recently announced EOS-1DX, but bigger than the sensor found in the 7 and 60D. A bit odd considering that sensor size is a big selling point for cinematographers since it typically means less noise in the image and gives the camera the ability to achieve a shallower depth of field. Even so, there are plenty of other great features on this camera that any pro will love. To begin, the camera is modular. That means that you can take almost everything off of the unit until it becomes more or less a camera ‘brain” housing just the sensor and processor. As such, it has an shoe mounted attachment that includes a 4 inch 1.23 megapixel monitor that can swivel 135 degrees horizontally and 270 degrees vertically and 2 XLR inputs with 48 volts of phantom power. The monitor also includes a waveform monitor to quickly see the overall brightness of a scene, an RGB Parade display for color saturation, a vectorscope, and an Edge Monitor Focus Assist for getting your image sharp. The camcorder records audio in an uncompressed 16-bit PCM format at 48 kHz giving you great control in post over how your captured audio sounds.

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Make Professional Grade Video the First Time You Pick Up a Camera

by Mike Rosen | October 25th, 2011

What  if you could make professional grade video the first time you picked up a camera? Videomaker’s new free report “8 Tips for a Stellar First Video” will show you how to become a better videographer on your first shoot.

Maybe you’ve wanted to make video for a while; maybe you just caught the video bug recently. Either way, something’s holding you back – maybe you’re worried that any video you make will look amateurish next to those made by long-time video enthusiasts. We know that initial step can be daunting when you feel like you don’t know the first thing about making video. You feel the passion to create and share video stories but it seems like there’s so much to learn first.

No more excuses! Videomaker’s “8 Tips for a Stellar First Video” is exactly the resource created for you. It’s written with the eager young newbie in mind, so you don’t need to have any familiarity with video equipment to get the most out of these tips.

Learn:

  • How to make sure that, before you even start, you have everything to finish
  • The Two Easy Steps to Handling your Video Camera like a pro… and getting the same great footage.
  • How to organize your thoughts into a video story
  • The Secret to shooting footage that looks good on any screen.
  • How video is different than real life… and how you can use that to your advantage.
  • The single most important tip for keeping an audience interested. This remarkably simple tip will free you from the old style of thinking that holds you back and let you see the world the way the video pros do.
  • The biggest mistake that can sink a first video and how you can avoid it.

“8 Tips for a Stellar First Video” is a quick and easy read for even the greenest video lover, but we didn’t want to leave you with obvious, philosophical tips that wouldn’t actually help you. That’s why we’ve picked the eight tips that you can start applying the moment you pick up a camera.

You can pick these tips out after hours of studying film theory or you figure them out after days of trial and error – or you can get them all here, collected in one place, in just minutes.

Download your FREE report 8 Tips for a Stellar First Video and start learning today!

Learn How to Make a Documentary

by Julie Babcock | October 15th, 2011

Have you ever had an idea for a documentary, but didn’t know where to start? Learn how to make a documentary with Videomaker’s upcoming Documentary Production Webinar. We will help you obtain the knowledge you will need to organize your documentary, tell your story effectively, and improve your chances for distribution success. With the proper techniques applied to your documentary, you can affect how the viewer perceives the issue while increasing the overall impact of your documentary.

Following the presentation, all registrants will receive a copy of our special report Mastering the Documentary Interview. In addition to valuable information and a free special report this event will also include a live Q&A segment; our team answering your questions. Videomaker’s Documentary Production Webinar starts at 11:00 AM (PST) on Wednesday, October 19th, so be sure to sign up soon!

Not interested in Documentary Production? Videomaker’s weekly Webinar Training Series is taught by our experts and features a wide variety of video production and post production topics including Advanced Shooting, Green Screen and Special Effects, Advanced Editing, Lighting for Video, and much more.

Netflix Splits Into Two Brands: The New State of Streaming Video

by Daniel Bruns | September 19th, 2011

First a new pricing strategy, and now this. Netflix just announced that it will be splitting its streaming and by-mail video rental service into two brands hosted on two separate websites. Netflix will keep its original name for their once popular streaming service, but will be reorganizing it’s by-mail rental service into a different brand called Qwikster (a name that promises to bring about a fair bit of irony in the future). This comes on the heels of news that Netflix lost almost 1 million subscribers due to its new pricing policies and that various partners such as Starz and Sony are looking to pull out of their popular streaming service.

As anyone can imagine, this has come as a bit of a shock to current Netflix subscribers which prompted CEO Reed Hastings to respond to these concerns in a video online. In it, he tries to put out a few fires by revealing that both websites will be able to communicate with one another allowing subscribers’ ratings and favorites to stay consistent. He also tried to put a good face on the split by mentioning that it will allow them to update and improve both websites faster.

Whatever the case will be, this is certainly ominous news. Especially with new streaming services entering the market from companies like Redbox, Amazon, Sony, and even Facebook, it will be harder than ever to convince subscribers to try and learn how to use both services. Even more so when a splitting company usually signals a tanking market.

Of a more ominous nature, is the second guessing of many video streaming content providers. Just last month, Fox announced their plans to delay new shows on Hulu by 8 days. This was probably to encourage more people to buy Hulu Plus and other premium services, but is a blow to the traffic Hulu would usually receive. In a similar manner, Sony’s pullout from Netflix was probably an effort to drive more people to its streaming service called Crackle. Both of these events seem to be the start of an unfortunate trend of content providers leaving popular services. The logical conclusion is that instead of logging into one site for all of your content needs, it will be necessary to log in to several websites at once to watch programming. This seems like a disaster for both companies like Netflix and for the public at large. The simple truth is, everybody wants to have an easy way to access all of their favorite content without having to jump through several hoops to do it. Hopefully sometime in the future these companies will agree….but you shouldn’t hold your breath on this one.

Learn Basic Editing Techniques this Wednesday

by editorialstaff | August 1st, 2011

Have you decided to learn video editing, but don’t know where to begin? The Videomaker Basic Editing Webinar is aimed at answering your hardware and software questions, as well as providing information on how to use pacing, transitions, motivated edits, and more in order to start editing great videos. By learning the techniques and information taught in our webinar, you’ll be able to tell a more concise and entertaining story.

Following the session, all registrants will receive a copy of our special report Time Control. In addition to valuable information and a free special report, we also include a live Q&A; our team answering your questions. This event starts at 11:00 AM (PST) on Wednesday, August 3rd, so be sure to sign up soon!

Do you already have a firm grasp on basic editing techniques? Check out Videomaker’s weekly Webinar Training Series. It features a wide variety of video production and post production topics including Green Screen and Special Effects, Advanced Shooting, Lighting for Video, and much more.

Lighting for Video: Avoiding Green Screen Blunders

by Julie Babcock | July 19th, 2011

Lighting green screens can be tricky. There are many factors that must be addressed in order to get results that are not only effective, but believable. Properly lighting your green screen is a good place to start, and lighting your subject in a manner that sells the effect will also help. However, where you place your subject in relation to the background will determine the ease in which you can key the it in post production.

The problem with light is that it wants to go everywhere, and where it can’t go it will certainly leave a shadow. This becomes a problem when attempting to light a green screen. If your subject’s key light throws a shadow on the background, it will be harder to key out during post production. If the green screen reflects onto your subject, your subject will be bathed in a greenish hue, which will obliterate any chance of the effect looking real.

There is a simple way to solve both of these green screen lighting blunders: pull your subject further away from the green screen. By increasing the distance between the subject and the background you’ll be able to avoid shadows cast by your subject. Increasing the distance between your subject and the green screen will also decrease the possibility of light reflecting off of the green screen and onto your subject. Additionally, it’s a good idea to keep the green screen limited to one wall of your studio. Outfitting an entire studio in a green screen chroma may seem like a good idea, but it will lead to a higher risk of spill since the light will be reflecting off of each surface.

Understanding how light behaves will help you get around problems it can cause. Reducing the amount of blunders in your green screen lighting will ultimately save you time and energy during post production while allowing you to create believable green screen effects.

Good videographers seek out projects that challenge them, taking them out of their comfort zone and requiring them to hone new skills and refine old ones. With this in mind, Videomaker has developed a comprehensive line of Video-On-Demand titles covering virtually every detail of good video production. Order 3 or more and save 30%. Learn more.

Interested in more video tips? Sign up for Videomaker’s free email training course. This free tip series is designed to help you improve your video production skills, fast.

Phase Changing Memory Proven to Outperform SSDs

by Daniel Bruns | June 13th, 2011

In a world where planes are constantly flying further and faster and where particles can be accelerated nearly to the speed of light, it’s no surprise that a new type of data storage has been proven to be faster than anything on the market. Scientists at UC San Diego performed an experiment that showed phase changing memory can beat some of the best off the shelf flash memory on the market. They were using a prototype phase changing module called Onyx made by Micron.

Of course this was only when writing small bits of data at a time. When doing so, the memory was able to achieve speeds that were 70 to 120 percent faster than its flash counterpart. When writing larger chunks of data, the drive was actually slower than flash memory. Nonetheless, the phase changing memory was faster at reading data of any size and placed a significantly smaller load on the CPU when used. Phase changing memory also has the added benefit of being able to write on demand without having to keep tables or logs like flash memory does.

Besides the uptick in speeds, the most fascinating part of phase changing memory is how it works. These chips work by storing data in a metal alloy called chalcogenide. In order to write memory, small bursts of heat switch sections of the material between its crystalline state or an amorphous arrangement that represent either a 0 or a 1. These 0s and 1s are then translated by the CPU into a digital file.

In practical terms, this increase in read times means that RAID drives and internal drives using this kind of memory should help editors save time when editing and rendering – especially in an era of large HD video file sizes. Also, this memory has been shown to have an average life of 100 million write cycles compared to a paltry 100,000 for NAND flash, meaning that these drives might be around just long enough to seem rather slow.

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