Archive for the ‘Online Video’ Category

Grinner Survives Massive Car Crash in in-your-face-video

by Mike Rosen | May 10th, 2012

On April 20, long-time Videomaker community member Grinner Hester was shooting the third qualifying session of Summit Racing Top Sportsman at the 2012 ADRL Spring Drags III at Bristol Dragway in Tennessee.  Things seemed pretty normal until 21-year-old Lizzy Musi lost control of her car. And, well, just see for yourself:

It’s almost impossible to believe that the footage of the crash was captured by a living, breathing videographer; Grinner’s dedication to capturing the shot is nothing short of astounding as he calmly keeps shooting even as the out-of-control race car is barreling down on him. Only at the last possible second does he leap out of harm’s way, jumping over the partition onto the racetrack as the wreck knocks his camera down.

Miraculously, both  Grinner and Lizzy emerged from the ordeal unscathed.

Even then, though, Grinner immediately gets back in the game. No sooner has the smoke cleared than he’s picked up his camera again to get back to the scene. And finding Lizzy Musi unhurt, he gets the first post-crash interview with her! Grinner’s remarkable dedication is a testament to the videographer’s craft — though, we’re just glad to see he made it out in one piece! Grinner’s video has since gone viral (and for good reason!), appearing on sites like Brosome and Jalopnik.

Grinner is a long-time and valuable participant on the Videomaker forums; some of you might know him for his work on the Streetfire Show.  As Videomaker Managing Editor Jennifer O’Rourke says: “Grinner is…. Grinner. He’s a nut, he’s radical, he’s Zen… he shoots wild video, races cars and sometimes… does them both at the same time. The other moderators admire and respect him… and are often in awe of him. He’s just… Grinner.”

Good job, Grinner!

A Brief Look Into Video Editing for Mobile Devices

by Guest Blog | May 9th, 2012

Mobile Video Apps by Beata Dumaplin

Video making has never been more accessible than in today’s mobile world. Almost every digital device, from music players to smart phones, can shoot video. With the increase in video capture, we have also seen a growth in video editing software, especially for mobile devices. We took a walk around the Internet and found quite a few video editing apps.  Read the rest of this entry »

CTIA 2012 Spotlight Award Winner: Verizon Color

by Mike Wilhelm | May 9th, 2012


While live streaming from a mobile device might not necessarily be a new phenomenon, no one has implemented quite as simple a way of doing it as Color, a new mobile app developed by Lala co-founder Bill Nguyen and Verizon. The app makes streaming video footage from your mobile phone over an LTE connection extremely easy. From the demo we saw, once inside the application, starting a broadcast can be as simple as two taps. As soon as you hit start, your friends on Facebook will get a notification that you’re broadcasting live. You can select who can see the stream, and even send it out for the entire world to see. Broadcasts are currently limited to thirty second a piece, but we expect to see the limited duration to lengthen over time. Color is currently available to Verizon subscribers only, and can be downloaded from the App Store and Google Play.

UPDATE 12:54PM – We reported that Color is only available to Verizon subscribers. In reality, it’s available to everyone, but those not on Verizon will only be able to broadcast video (no audio).

CTIA 2012: 7 Wireless Terms for Videographers to Know

by Jackson Wong | May 8th, 2012

In honor of CTIA 2012, we want videographers to be more aware of wireless terms, some you may know, but the less you need to glance at glossaries, the better. These come from a few CTIA pages on consumer information,

1. Federal Communications Commission (FCC): An independent U.S. government agency responsible with regulating interstate and international communications by radio, television, wire, satellite and cable. This includes all aspects of the wireless industry such as devices, policies, programs and outreach initiatives.

This is a big one, this national agency regulates pretty much anything that TV and radio stations play. The inclusion of the wireless industry means, that the Wi-Fi camera you just got, must follow the agency’s guidelines. The FCC is also the agency responsible for setting the standards for many aspects of video, particularly, which frequencies your devices are able to use.

2. Filters: Most wireless carriers provide parents with the ability to filter Internet content accessed on a wireless phone on their network.

Not to be confused with many other definitions of filters, the International CTIA WIRELESS filter is generally one that provides you squeaky-clean Internet videos, text, and photos that are mainly concerned with the well-being of your device. These filters will often appear in the form of software, and while there is software with filters for video, our favorite filters are the physical ones that will modify the images you’re capturing with your little devices.

3. Interoperability: The ability of a network to coordinate and communicate with other networks, such as two systems based on different protocols or technologies.

Interoperability is really a measure of how well systems can communicate or share. This should be familiar territory for any videographer that’s had to work with containers or codecs extensively. What we’re looking for is simply being able send video from one device to another, in different areas – the smoother, the better in this case.

4. LTE (Long Term Evolution): The next-generation network beyond 3G. In addition to enabling fixed to mobile migrations of Internet applications such as Voice over IP (VoIP), video streaming, music downloading, mobile TV and many others, LTE networks will also provide the capacity to support an explosion in demand for connectivity from a new generation of consumer devices tailored to those new mobile applications.

Largely dependent on which is available to you, 3G or 4G, LTE is tagged onto 4G since it is the most current network and is committed to supporting expansions in the realm of video delivery. Video will get further versatility as long as LTE can keep up.

5. Packet Data: Information that is reduced into digital pieces or ‘packets’, so it can travel more efficiently across networks, including radio airwaves and wireless networks.

Packets and Packet Data are like the media cards you may use with your camera, but on a minuscule scale. Rather than uploading a 2GB video all at once, parts of it are sent over time, thus, you get buffering. This can really help make video smooth, just give the packets time to move.

6. Smart Phone: Wireless phones with advanced data features and often keyboards. What makes the phone “smart” is its ability to better manage data and Internet access.

Indeed, we have now learned what makes you smart, being able to manage data and access the Internet, no wonder those fifth graders do so well! In all seriousness, being able to access the Internet opens a host of video applications since so much video gets downloaded and uploaded every minute – 60 hours and that’s just on YouTube. Now you may consider an app that lets you edit video or provide a viewfinder for your sportcam. When it comes to data management, there’s likely a very high percentage of videos and films that would fail as early as pre-production if not for such smart phones.

7. VoIP (Voice over Internet Protocol): VoIP is a two-way communication service that can allow users to communicate via voice or video. Based on IP technology, VoIP is used to transfer a wide range of different type traffic.

Webcam-ing may be forever tied to VoIP so just know, if you use FaceTime or Skype, you are using VoIP, and clearly it has already made great improvements from its early days in the mid 90s.

Keep checking our video news blog for the latest from CTIA 2012, and we’ll keep searching for the most notable video developments the event has to offer.

Paranormal Comedy ‘Assignment: Unexplained’ Takes the Case

by Mike Rosen | May 3rd, 2012

This week, we have another exciting video tidbit from the Videomaker community. Videomaker’s Facebook friend Tim Heiderich is the brains behind the brand new Internet serial Assignment: Unexplained, an irreverent  satire of paranormal reality television series like Ghost Hunters or Paranormal Cops.

Goth/frat boy Chase Nightblood (Nate Scholz) has assembled a not-so-crack team of investigators to help him unravel the Fortean mysteries of aliens, chupacabras, and yetis. There’s a somewhat shady pet psychic (Helene Udy) who always seems to be working her own scam, a gadget freak who sees sinister government conspiracies in everything (Owen Reynolds), and a random girl  (Ashley Clements) that Chase is hoping to impress with his Bigfoot-finding prowess. In the first season, the team interviews experts, gets lost in the woods, and does whatever it takes to prove to the world the truth about the mythical sasquatch.

“The formula for ghost hunting shows was always the same,” says Tim. “A group of amateur sleuths scaring themselves in the woods, at abandoned hospitals and dilapidated homes, and never, ever finding a shred of the paranormal.   It’s in the style of the successful Reno 911 TV show, and features a core group of improv actors, with a format designed to feature new and upcoming comedic talent. ”

Tim’s been creating comedy videos for the web for a while, including hilarious horror spoof Normal Activity, but this is his first serial — and his most ambitious project to date. We like the show for a number of reasons.  With short episodes, sharp comedy, and easily accessible subject matter, Assignment: Unexplained is a great example of how to make videos for the web. Serious video creators will take note of the series’ use of night shooting as the team wanders through the forest in search of monsters.  It also shows how good a video can turn out with proper planning; the whole project hinged on extensive and meticulous pre-production planning, including seeking permission from the US Forest Service to shoot in state parks.

“Pre-production is the crucible that will determine whether you ever want to make another film,” says Tim. ” Until you finally begin filming, pre-production is a house of cards you’re waiting to see come tumbling down.  For example: To get insurance, you must first know what equipment you’re renting.  But before you rent your equipment, you’ll need to know which days you’re filming.  But you won’t know which days you’re filming until you secure a permit.  But you can’t get a permit if you don’t already have insurance… and around it goes.  During pre-production you have to juggle several things at once and work hard to make it all come together.”

Although Tim’s been working with video for years, he still learned a lot about how to successfully helm a big project while on set.  He advised other video directors to keep in mind the importance of delegating tasks. It not only makes for less work for any one person, but will help you build a network of professionals who all share the same passion for the project that you do. He also encouraged directors to give real thought to their distribution model before they take the plunge into creating a video series.

“Before you shoot, have a distribution plan: where will your series air?” says Tim. ” How often will new episodes come out?  How will you spread the word and drive interest to your site?  Will you submit to festivals?  Who’s going to do that job?  Without a distribution plan, you’ll have just made a very expensive home movie.”

You can see more videos at Assignment: Unexplained. You can also find follow it on Twitter @AssUnexplained and Facebook at www.facebook.com/AssignmentUnexplained.

Let’s Make a Time-Lapse Video!

by Mike Wilhelm | April 30th, 2012

If you spend much time on Twitter or the blogosphere, you’ve probably noticed the extreme number of time-lapse videos that are going viral around the web. What’s the deal with their sudden popularity? I chalk it up to a number of factors. The first is that modern digital cameras can shoot time-lapse photos without a need for an external control device. Second is the recent popularity of compact camera sliders. Third is the fact that HDR (high dynamic range) photography is easier than ever to accomplish. Finally, the nature of the internet dictates that once a number of these videos goes viral, more and more people will jump on board. Read the rest of this entry »

Movie President shows Video Skills in Comedy, Horror YouTube videos

by Mike Rosen | April 26th, 2012

We always like to call attention to dedicated creative people who are making big things with video, who can do more with less.  That’s why we were so excited to see the video work of The Movie President.  The Movie President is the brainchild of Kevin A. Millward, a film student at Northern Kentucky University.  Kevin’s movies are a great example of what indie video creators can accomplish, making great entertainment on a shoestring budget.

Like a lot of video creators, Kevin fell in love with the movies at a young age and started making movies when he was in sixth grade.  His earlier films starred family members, friends and neighbors, though he sometimes had difficulty keeping his non-professional cast interested.  He founded The Movie President after becoming friends with Chris Hart, another NKU student with the same passion for movie making.  Together, they’ve created a string of short horror flicks, quirky comedies and Star Wars tributes.  He’s now pursuing a film school education with the intention of starting a career in movies.

“Over the last year, I have learned a lot of crucial lessons while producing short videos,” says Kevin. ” The most important lesson, however, is one that would seem obvious, but applies to every single shoot that I do: Anything that CAN go wrong, WILL go wrong.  I’ve experienced everything from actors bailing at the last minute and locations becoming suddenly unavailable to extreme weather changes and cameras breaking.  As cliche as this sounds, I’ve found the best mindset to have in this field is to hope for the best and plan for the worst.”

Among Kevin’s most interesting videos are the “Tales of Terror,” a series of short horror projects.  We don’t see many young video creators tackling creepy subjects, so these immediately grabbed our interest — from the story of a man trapped on a psychotic game show in  “Deathtrap” to the campy cannibal feast that is “Hungry for those Good Things.”

“The biggest challenge in making short horror films for YouTube is the issue of keeping the content appropriate for most ages,” says Kevin.  “When it comes to horror, it is sometimes difficult to avoid violence, blood/gore, and disturbing dialogue.  For the most part, the videos I have made are suitable for most audiences, but occasionally I will have some negative feedback and controversy attributed to the content.  The line between entertainment and offending someone is often blurred in this genre, but I am a strong believer in taking risks.  If you don’t put yourself out there and try new things, you won’t get very far.”

But we also wanted to call special attention to Kevin’s short action comedy, “Finger Wars.”  You remember when you were a kid and you would pretend your finger was a gun? What if it really was?  This goofy romp takes that idea to its (illogical) extreme. With quick, tight cuts to increase the tension and a frenetic action-flick soundtrack, we were really impressed at how well this video managed to straddle the line between gritty action and absurdist comedy. But what really makes it are the special effects.  We’ve demonstrated some easy techniques for adding gunshots to your videos and you can see the results of similar special effects in this movie.   The comedy wouldn’t work in this case without some top notch special effects (and accompanying gun shot sound effects) to heighten the realism.  Luckily, they’ve got plenty. Check out the sequel to see even more finger wars – with bigger explosions!

Kevin and Chris are currently in pre-production for a spoof exploitation trailer called “Priests with an Attitude”.  Written by Chris Hart, it’s the story of two priests who take the law into their own hands as the last line of defense against the villains of a crumbling town. The pair are also at work shooting more Tales of Terror videos, a series of parody consumer reports, and possibly a prequel to “Modern Jedi: Episode II – A Dark Force.”  Learn more and watch some of their videos at The Movie President on YouTube.

You can see more of Kevin’s short films at The Movie President on YouTube. You can also find The Movie President on Twitter @MoviePresident and Facebook at www.facebook.com/themoviepresident.

Five Tips on Directing DIY Tutorials

by Guest Blog | April 26th, 2012

Guest-written by Beata Dumaplin.

Don’t know how to do something? Confused by the high tech lingo in your instruction manual? No problem! Nowadays, we just grab our nearest internet capable device, plug in our favorite search engine and click the ‘go’ button. You will find links to dozens of different sites, lists and columns of instructions, but if you need a visual guide, you’re going to be looking for a video.

One of the most searched videos on the internet, other than viral videos of kittens, are DIY tutorials. As a director of these ‘How To’ videos, it is your job to not only give accurate information, but to teach as well. You need to create a productive learning environment for your viewers and that means you need to take out the distractions. Here are some tips that will help you make a smooth video that is educational and easy on the eyes.

Read the rest of this entry »

Learn to Make a Viral Video with a Free Report

by Mike Rosen | April 19th, 2012

How do successful viral videos like the dramatic prairie dog, Nyan cat, and OK GO do it? Learn how to make a viral video with a free report from Videomaker Magazine, How to Make a Viral Video: 11 Tips to Create a YouTube Sensation.

Every videographer dreams that their work will go viral, that they will shoot something that so speaks to people that it spreads like wildfire over the Internet. It’s a great way to bring attention to your business or show off your video-creating talents. And while it’s impossible to predict what will go viral, there are certain things that you can include in your videos to increase the odds that you’ll have a smash Internet hit on your hands.

A viral video is any video that becomes popular by being passed from person to person via the web. Marketers, entertainers, and videographers spend a lot of time trying to create videos calculated to “go viral” sometimes with great success.  They can be anything from remixes of poorly translated video games like “All Your Base Are Belong to Us” to funny clips from the news like “Boom Goes the Dynamite,” but they can garner thousands (or even hundred of thousands) of views!

How to Make a Viral Video: 11 Tips to Create a YouTube Sensation is the free report from Videomaker that will show you how to do it. It includes 11 proven tips for increasing the likelihood that your video will go viral. Learn the reasons behind the popularity of some of today’s hottest videos and how you can use the same ideas to catapult your own way to video stardom. There’s no telling what videos will take the Internet like wildfire, but we’ll show you some easy ways to better your chances of success.

Download your free report, How to Make a Viral Video:11 Tips to Create a YouTube Sensation.

NAB 2012: Light Yourself with ViewMe Lights from Videssence

by Jackson Wong | April 17th, 2012

Using webcams or recording from the desk are rarely our preferred locations for shoots, but a big part of that is not having great lighting at our disposal. Videssence must have come up to this instance as well and so they developed the ViewMe S and ViewMe B/B2 lighting kits to help clear things up.

The big idea here is to essentially create a three-point light setup at your desk. To do this, ViewMe provides two soft LED lights that either mount on your computer monitor or a desktop stand. Your third light should be the main overhead light, but either combination will help you look better than the glow from your monitor combined with any background light. The lights are 3000K give off no glare and give you a nice indirect light the Osram/Sylvania HF2 Narrow Stick LED lamp is the source within the fixture.

As long as you lay the long side of the light against your monitor, the setup will extend 3.5-inches, whereas if you choose the stands, the footprint will be a 4-inch diameter and 14-20-inch height. The brackets used with the ViewMe B lights use a Velcro attachment, are tiltable and should ensure that the lights stay close enough to an outlet, even if you only have a two prong outlet available. (I can think of a few student films in which my only power options were two prong sockets, where were these then!) With either of the two-light kits, you’ll need to keep the lights fairly close since they need a cable to be powered.

The 3.4W light is very efficient, has a 85CRI and should last 50,000 hours. At a price of $115 for the single ViewMe light, $195 for the ViewMe B2 and $249 for the ViewMe lights on stands, this is an incredible deal for a regular webcam user.

Please discuss on the Videomaker forums.

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