Archive for the ‘Music’ Category

Learn to Make a Viral Video with a Free Report

by Mike Rosen | April 19th, 2012

How do successful viral videos like the dramatic prairie dog, Nyan cat, and OK GO do it? Learn how to make a viral video with a free report from Videomaker Magazine, How to Make a Viral Video: 11 Tips to Create a YouTube Sensation.

Every videographer dreams that their work will go viral, that they will shoot something that so speaks to people that it spreads like wildfire over the Internet. It’s a great way to bring attention to your business or show off your video-creating talents. And while it’s impossible to predict what will go viral, there are certain things that you can include in your videos to increase the odds that you’ll have a smash Internet hit on your hands.

A viral video is any video that becomes popular by being passed from person to person via the web. Marketers, entertainers, and videographers spend a lot of time trying to create videos calculated to “go viral” sometimes with great success.  They can be anything from remixes of poorly translated video games like “All Your Base Are Belong to Us” to funny clips from the news like “Boom Goes the Dynamite,” but they can garner thousands (or even hundred of thousands) of views!

How to Make a Viral Video: 11 Tips to Create a YouTube Sensation is the free report from Videomaker that will show you how to do it. It includes 11 proven tips for increasing the likelihood that your video will go viral. Learn the reasons behind the popularity of some of today’s hottest videos and how you can use the same ideas to catapult your own way to video stardom. There’s no telling what videos will take the Internet like wildfire, but we’ll show you some easy ways to better your chances of success.

Download your free report, How to Make a Viral Video:11 Tips to Create a YouTube Sensation.

I want my MTV – 30 Years of Music Videos and More

by Jennifer O'Rourke | August 11th, 2011

I want my MTV

Anyone over the age of 40 can probably still recall that moment when they saw a music video on TV for the first time – it was magical, mesmerizing and enthralling. I remember walking into a friend’s house that had that new-fangled “Cable TV” hooked up and she said, “Check this out, it’s called MTV”. It was hypnotic – and we sat for what felt like hours watching without talking.

MTV,  the music video channel that literally changed the “look” of music, was launched 30 years ago this month with, appropriately enough, the music video, “Video Killed the Radio Star”, by the British New-Wave band, The Buggles.

When MTV first went on the air on August 1, 1981, it’s main purpose was to bring music videos to an eager audience. Previously, one couldn’t see a recording artist play except in live concerts, or on TV specials. Most musicians didn’t have, (or need or want) a “Music Video” and opponents to the show suggested that the music videos would kill the viewers’ desires to see the bands play in person. Being a new channel, and the fact that Cable TV was just a fiber-optic gleam in many a programmer’s eye, MTV wouldn’t catch on for a few years and only a small number of viewers in New Jersey actually saw that first video play. But as soon as “specialized” cable TV shows were available regionally, MTV’s “message” spread across the country like the proverbial wildfire – a new generation of musicologists was born.

Around that same time, as a college student at California State University, Fresno, I was enthralled at the idea of creating music videos. I was enrolled in the “brand new” major: Radio-TV Production, but there weren’t a lot of classes, choices or subjects to study at the time. One class I had, called “Careers in Media Arts and Entertainment”,  was supposed to expose us to all the different areas of study, but, in reality, all we did was research books on our own at the library and write essays every week on a different focus. Eager to learn more about making Music Videos, I devoured every periodical I could about MTV and music videos, (there were no making music videos books yet published, so my major reference “library” was Rolling Stone Magazine.)

I wanted to make Music Videos and I wrote in my essay: “A video editor has the chance to be creative beyond the norm and break the rules as an artist, not just as a cut-n-splice editor.” Dr. “M”, the instructor who lectured to us about “the Golden Days of Hollywood” but knew nothing about the current trends or popular culture, gave me a “D” for my essay – the only “D” I ever received at college level. He wrote: “MTV is just a fad, as is cable TV. No one is going to spend longer than 20 minutes watching that slop. You’re wasting your time and you missed the point of the assignment: to research a valid career that will sustain you in a worthy occupation.” I still have that essay – and I love to laugh at his words from time to time.

MTV DID sustain itself, for a very long time, despite being “a music video channel”, and a new business in the entertainment world came into being. The business of creating music videos became a lucrative career for many film and video producers including  John Landis who produced Michael Jackson’s famous “Thriller” video and Spike Jonze.

Music video became big business after MTV’s launch. There’s not a band today that hasn’t made (or attempted to make) a music video. And in many ways, yes, the music video DID kill the radio star. Looks, eventually, along with dance routines and catchy videos and effects were just as important to a band’s success as the lyrics and tunes they played. If a VJ loved your video, you were gold. VJ – for Video Jockey, a play off the DJ-Disc Jockey phrase, was another career launched with music videos. The old joke about “a face for radio” wouldn’t hold anymore.

The beginnings of music videos actually goes back to the beginnings of “talkies” – movies that had sound, but the Music Video by itself for a recording artist didn’t become popular until the 1960s with choreographed videos for the Beatles 1964 movie “A Hard Days Night. Music videos evolved in the 1970s into programs such as PopClips, a TV show developed by Mike Mesmith, of The Monkees fame.

According to a report on wikipedia, MTV’s original music video taglines were “You’ll never look at music the same way again,” and “On cable. In stereo.” The early days of MTV were so “raw” that programming would often go black while a tape-op switched tapes in a VCR!

In 1996 MTV 2 was launched, an all music videos all the time channel. By then, MTV had changed a lot, music videos had become much more polished and had a purpose that supported the lyrics, rather than random “60’s-ish” floating spots and effects. MTV was now airing  “Real Life” shows with “The Real World”, credited with starting the “Reality TV” genre, and “Road Rules”, along with a half-hour news segment. By then I was working for network TV and I remember a poll taken by our network sometime in the 1990s that found that a huge majority of young people reported that they got their news only from MTV’s “newsertainment” show.

courtesy: www.creativereview.co.uk/cr-blog/2010/february/mtv-refreshes-logo

MTV’s logo has also evolved over time, going from: “Music  Television” to just “MTV” since it eventually aired more than just music videos.  As an interesting fact, the original MTV man-on-the-moon image with the MTV logo pasted over the American flag  was created with dual purpose: to state that the channel was universal, but to also use Creative Commons and Public Domain images so they didn’t have to spend money creating or buying images for a show that might not make money.

Many former viewers of MTV lament the days of “all music all the time”, MTVs original mission, but for better or worse, the channel still thrives – and is doing well. Ironically, I have a friend in Hollywood who is my age who was up for a job editing a video for a pilot for a new soon-to-launch show. He was turned down with a sleazy excuse that they were looking for an “edgy funky non-traditional” type of editor, “you know, MTV-ish”. His frustrated reply: “Man, my generation INVENTED MTV!”

As for me, I did make a few music videos for local bands back then, I know of one band still using my video for their promotional website, and I created many “Video Essays” using popular songs wrapped around video of local festivities for the news stations I worked at that ran in the weather segments. My dream to actually work for MTV ended when a friend of mine, who worked for the network and was trying to get me a job there, died in one of the 9-11 planes that hit the Twin Towers in New York.

I cut my editing chops watching music videos, and learned about pacing, precise timing, and “how to break the rules” and I think the MTV of old helped me be a better video editor today. I want my MTV – still.

SmartSound Launchs Web-Based Music Customization at NAB

by editorialstaff | April 11th, 2011

Another product that caught our eye at NAB!

New SmartSound Quicktracks® will give customers instant access to customize and download any track from SmartSound’s entire royalty free music library

Quicktracks, an entirely Cloud-based technology, gives videographers and broadcast producers an industry first: full Web-based creative control of music track scoring. Selecting music from SmartSound’s extensive Royalty Free Music Library, users can set the length of the track precisely, choose a musical arrangement and instrument mix right over the Internet-and download a fully customized music track perfectly sized and arranged to meet project requirements.

See SmartSound’s Quicktracks Cloud-based music customization service for yourself at the NAB 2011 Show, April 11th-14th, Las Vegas Convention Center, Booth #SL7410; or contact SmartSound online for Quicktracks pricing and availability.

Sculpted eers showcases custom fitting earphones

by Jackson Wong | January 7th, 2011


Noise canceling headphones remain the zenith of audio monitoring, but silicone as the method by which noise is reduced wasn’t brought to light until Sonomax brought Sculpted eers to CES 2011. The process, no matter how awkward, can solve cumbersome headphones, provide non-slip listening, and discrete, effective noise canceling. After using the over-the-ear kit to fill your ears with silicone and waiting four minutes, your headphones will be hard to share.

Comparable with other headphones in terms of weight, cable length, sensitivity and the common 3.5mm jack, Sculpted eers is simply left with its highlight features. Such a simple concept as filling the spaces of the ear to cancel out noise should be easy on the brain, and hopefully the fitting process is too.

Another Ultra Low Budget HDSLR Production!

by Derek Sine | October 8th, 2010

Dan Blank shot “Whatever Lola Wants” with a shoestring budget and a Canon EOS 7D that you can pick up for under $2,000 with lens included. This video shows that you don’t need a huge budget or ridiculously expensive camera gear, just a lot of planning, some great networking skills and a vision! I’ll say it again, HDSLR’s are a real revolution in filmmaking. If you’re not into the HDSLR scene this video is still a great example of how plates are shot and some impressive green screen compositing in action. Plus, if you’re not familiar with previsualization (previz) software this is an excellent example of its role in filmmaking.

Oh yeah – That budget? It checked in just under $2,000 – I’ll credit Dan’s networking skills on that one!

SmartSound Announces New Album

by Derek Sine | August 19th, 2010

SmartSound Software, has released a new album from “Josh Eagle and the Harvest City” in their Voxation Series. The Voxation Series features lyric-based vocal music from bands and artists in a SmartSound format that automatically edits length, arrangement and mix in the hands of any video or audio editor.

Each song on these albums is licensed for royalty-free commercial use and delivered with the instrument tracks and vocals on separate layers. Video editors can easily manipulate these songs to make the instruments and vocals automatically fit the changes in their video.

Albums in the Voxation Series are priced at $150 each and all SmartSound Music is available for purchase online as both albums or singles.

Songfreedom.com Launches New Site for Wedding Videographers

by Derek Sine | July 1st, 2010

As a videographer we all know how hard it is to legally obtain music, especially for a Wedding video that the bride would actually enjoy. Let’s be honest when is the last time a bride agreed to use stock music for the reception montage or the first dance. It’s almost impossible without breaking the law, until now. Enter Songfreedom.com, a membership based site with a library of some of the most popular music tracks from record labels like Sony Music and EMI that offer their music for reproduction and streaming use, particularly for Wedding videographers.

Nady Introduces New 100-Channel UHF Wireless System

by Derek Sine | May 28th, 2010

Nady Systems recently announced the introduction of their UWS-100—a new 100-channel select UHF Wireless System with 100 frequencies, per 24MHz wide band, manually selectable, or by autoscan feature,  for open channels.  The UWS-100 offers state-of-the-art PLL UHF performance with 120dB dynamic range and operation up to 500’ line-of-sight.  Other features include:  ASC™ (Auto-Sync Channels) download which sends selected GROUP/CHANNEL information to transmitter via IR sender for easy frequency synchronization; Tone Squelch™  circuitry for protection from RF interference; Front Panel Touch control buttons for ease of channel selection and ASC™ operation; and DigiTRU Diversity™ for maximum range and dropout protection.

The UWS-100 receiver features rugged all metal housing. Choice of transmitters include:  UHT-100 handheld or UBT-100 bodypack with choice of 3 input select modes—LT for lavalier mic use, HM for Headmic™ use, or GT for instrument use.  All transmitter options provide 100 easily selectable channels via ASC™ IR download of selected channel for easy synchronization with receiver.

The UWS-100 is expected to ship in July, 2010.

SmartSound Quicktracks 5.0 Adds Multi-Layer Music Support to Corel Video Editing Software

by mhageman | March 2nd, 2010

corel-smartsoundCorel VideoStudio Pro X3 is the first video editing software to integrate SmartSounds most powerful and creative music soundtrack technology.

SmartSound Software, Inc., the leader in fully-customizable royalty-free production music, has licensed its latest Quicktracks technology to Corel for inclusion in Corel VideoStudio Pro X3. The SmartSound technology makes it possible for users to easily resize music soundtracks on their video timeline and also adjust the instrument mix of SmartSound Multi-Layer music tracks. Read the rest of this entry »

FCC Warns Wireless Mic Companies: Change it or Else

by Jennifer O'Rourke | January 18th, 2010

The FCC 700MHz ban for wireless mics: we’ve been talking about it for several months now, and now the FCC is beefing up its demands that wireless mic companies comply to the rules.  PC World reports that the FCC beefed up it’s push to ban wireless technology from using the 700MHz spectrum last week. Many products use the same technology but currently  the FCC is going after manufacturers of wireless mics in particular.

We just uploaded a story by our audio columnist, Hal Robertson, on wireless mics and the FCC ban and what to do if your old mic doesn’t make the grade. Check it out. www.videomaker.com/article/14614/

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