Archive for the ‘Directing’ Category

Videomaker Workshops for February 24-26

by Jackson Wong | February 3rd, 2012

Visit the Videomaker headquarters in Chico, Calif. for three days of hands-on training. In February 24-26, we’ll instruct you behind the camera or on the computer with the Basics of Video Production or Intensive Editing Workshop. Take the opportunity to get expert advice, techniques from our team, then, actually put it in practice.

The Basics of Video Production Workshop gives the beginning videographer a huge leap into the biggest areas of production – pre-planning, post production, shooting and lighting techniques. You’ll be using our equipment and teaming up with others that are learning just like you.

The Intensive Editing Workshop is just that, intensive. We’ll be teaching with Adobe Premiere Pro CS5 on HP EliteBook 8760w workstations. Three days of in-your-face editing… well, maybe side by side is more like it, but you’ll get details on one of the most widely used editing software programs and plenty of time to answer your questions.

We’ve hosted people from across the continent here at Videomaker, so we may be your connection to Chico too. Space is limited, so if it’s too late for this month or the subject matter doesn’t float your boat, consider our other workshops, we are planning many more this year so check our schedule.

One-Second Video: What Can Be Accomplished in a Second?

by Richard Ober | January 4th, 2012

“Today, everybody’s a filmmaker.”  That’s the message of director Wim Wenders (“Paris, Texas” and “Wings of Desire” among many other films, as well as music videos for U2 and The Talking Heads) as he introduces a new innovative video competition in partnership with the pen and watchmaker, MontBlanc. Launched in September, the competition, titled “The Beauty of a Second” is designed to celebrate the 190th anniversary of the invention of the Chronograph by Nicolas Rieussec, which was able to record time to an accuracy of one fifth of a second, quite a feat in 1821.

“One of the great things about cinema is how it makes us aware of time.  Each film consists of many brief moments of life that altogether create a unique and new space in time.”  If you’re familiar with the project, or if you’re paying close attention to the tile of the competition, you’ll realize that the emphasis here is definitely on “brief.”

The MontBlanc video competition is for films one second in length.  As Wenders eloquently points out, every video we shoot is a series of one-second moments.  But what if you as a videographer set out specifically to capture the perfect one-second on film?  Would it be a moment in nature?  The start of a smile on a child’s face?  A white shirt hanging to dry on a line?  How do you capture not only a beautiful moment, but perhaps even a compelling story in just one second?  Maybe it’s not possible, but that’s precisely the goal of this competition.  And from the entries so far, it looks like many videographers are capturing great moments in very small cuts (or, more precisely, in very precise edits).

Since the competition opened, the first three submission timeframes, or “rounds,” have been completed.  As of this writing, we’re mid way through round four.  The final round will finish on February 12th.  At the conclusion of the contest, Wim Wenders will select the winning one-second film.  Once you’ve viewed a few dozen of the one-second clips, you’ll likely agree that choosing a winner seems like an impossible task.  Just how good can one second of footage be?

But the hosts of the website, “The Beauty of a Second,” provide an additional incentive for film makers and film buffs alike to join the fun. Even if you haven’t submitted your one second entry, you can assemble your favorite one-second films into a “Playlist,” thus editing together a film of up to sixty seconds, comprising sixty segments.

In our Videomaker blogs and forums we’ve talked frequently about outlets for creative videography and film making.  We’ve even reviewed the history of continuous shot films that can last as long as  eight hours.  This film contest from MontBlanc is clearly at the other extreme.

But MontBlanc is not the only outfit with a focus on the one-second film.

“The 1 Second Film” is a non-profit organization that has already produced what they describe as “the world’s biggest shortest film.”  The concept here is to produce a one-second animated film where each two frames of animation is comprised of a single collaborative painting.  (Actually, the twelve paintings that compose the animated film were produced at a kick-off party years ago.)  The one-second film will then be followed by a one hour credit roll, during which a “making of” documentary will run while all the contributors (the “producers”) to the non-profit will be listed.  The project’s beneficiary is The Global Fund for Women.  Producers, who have contributed everything from a few dollars to tens of thousands, include everyone from celebrities (Kevin Bacon, Steven Colbert, Kiefer Sutherland, and many more) to corporations (Apple, FotoKem, and others).

These two projects have a couple of things in common.  First, participants share a love of visual arts and experimental video.  Second, both projects are profoundly rooted in a sense of collaboration.  Both are worth paying attention to in 2012.

“Today, everybody’s a filmmaker.”  That’s the message of director Wim Wenders (“Paris, Texas” and “Wings of Desire” among many other films, as well as music videos for U2 and The Talking Heads) as he introduces a new innovative video competition

The Hobbit – Telling a Story and Making Likable Subjects

by Jennifer O'Rourke | December 30th, 2011

I recently saw director Peter Jackson’s latest “Video Production Diary” of his newest movie, “The Hobbit“.  Based on the legendary stories of Middle Earth by J.R.R. Tolkien. Jackson’s success with his first major directing effort with The Lord of the Rings was nothing short of amazing, a story that was so well known to readers for generations that Jackson went out on a very precarious limb to make the beloved series. He bought the rights to the movie years before he ever set foot on a set, but had trouble shopping it around until  technology had finally caught up with the abilities to tell such a massive tale.

Now, with The Hobbit, he faces a challenge of a different sort: how to make likable characters. Read the rest of this entry »

“Swede Fest” Celebrates Low Budget Film Remakes in Video

by Richard Ober | December 21st, 2011

In Michel Gondry’s 2008 film Be Kind Rewind, Jack Black’s character (“Jerry”) explains what it means to “swede” in this way: “You take what you like and you mix it with some other things you like and make a new thing.” Neither the filmmaker, Gondry, nor the actor, Black, likely predicted that sweding would take off the way it has. At the heart of the swede phenomenon is Swede Fest. If you’re not already familiar with Swede Fest, now’s the time to learn.

Swede Fest was launched in Fresno, California in 2008 and is held there and in Tampa, Florida, every six months. While it is a film festival, it’s like no other film festival you’ve ever seen, or entered. As described on the Swede Fest website: “Swede Fest is the only film festival dedicated to sweded films. A sweded film is a summarized, low-budget recreation of a popular movie, starring you!” The organizers go on to say about sweding that “it’s a great way to promote filmmaking in your community. Anyone can make a swede, it’s easy and a lot of fun!”

And from the list of movies that have been sweded by video enthusiasts around the world, “a lot of fun” is an understatement. Films on the swede list include Raiders of the Lost Ark, Silence of the Lambs, Planet of the Apes, The Breakfast Club, Forrest Gump, Titanic, Jurassic Park, The Godfather, Citizen Kane, and many, many more.

Swede Fest even caught the attention of National Public Radio recently. Check out their story at the NPR website.

Swede Fest will hold its ninth festival in Fresno in May of 2012 and its second in Tampa in April. The Swede Fest organizers don’t award prizes, they simply accept the first 20 entries that are submitted, and they want to see swede film festivals held in more and more locations across the country. If you’re interested in submitting a sweded film, or in holding a Swede Fest in your area, you should definitely check them out.

Panasonic Releases New AW-HE120 Pan Tilt and Zoom Camcorder

by Daniel Bruns | November 22nd, 2011

If you’ve ever directed or set up a live event, you know how hard it can be to find reliable and affordable camera operators. Though there is nothing that can beat a knowledgeable camera operator, Panasonic has come close with it’s new AW-HE120 pan and tilt camcorder. Their camcorder can mount to any surface and give a video feed and remote control ability to a director making multi-cam events easier and cheaper than ever to pull off.

Panasonic made this camera 60% lighter than their previous offering, making the camera mountable on almost any surface.  In order to get a video feed, the camera can be connected through HDMI and a standard Ethernet cable. The HDMI gives a high quality 1080/59.94p video feed while the Ethernet cable allows a director to control every aspect about the camera from a distance. The camera also comes with a 20x zoom range so that you can mount it in the back of a room and still achieve excellent close up shots, has a 2.2 megapixel U.L.T. 3-MOS sensor (in true Panasonic style), and has three different ND filters – 1/4, 1/16, and 1/64. Though the ND filters seem like a bit of an overkill given that the camera will almost always be mounted indoors, it did include some excellent engineering with a pan range of -175 degrees to 175 degrees and a tilt range of -30 degrees to 210 degrees meaning that this little beauty has more flexibility than an owl.

For those needing to mount the camera to a white ceiling, the unit comes in pearl white though a black metallic model can be bought for theatrical occasions. Panasonic will be shipping this item in what they call “winter” so expect it to come out shortly before CES in January.  The suggested retail price is $8,900, making it clear that Panasonic is targeting the house of worship and theater markets with this product. However, if you’re finding it hard to get quality camera operators for a fair price, this could be the product you’ve been waiting for.

Award Season: The Telly Awards Early Entry Deadline is December 16th

by Richard Ober | November 9th, 2011

It’s award season. A little while back we wrote about the upcoming Webby Awards, which provide both Web designers and video producers the opportunity to have their online work recognized. Next up is the Telly Awards, which is self-described as “honoring the very best in Film and Video Production, Online Videos, programs and commercials, and local, regional and cable TV commercials, programs and segments.” Those are pretty broad categories and it all adds up to any video that has been seen on television or the internet is a potential winner.

Past Telly winners, including Videomaker last year for our Wedding Videography DVD series, tend to be dominated by professional producers of video and graphics. But there is clearly room for independent film makers and videographers with a short film displaying their best efforts and high-end, but low budget, production values. 

Given that this is the 33rd year for the Telly Awards, most of you are familiar with the sort of video work that garners recognition. But if you’re looking for inspiration, or simply want to review past winners, take a peek at the YouTube Telly Award channel. You’ll find high-production commercial television winners like this selection from the American Pickers television program, as well as less mainstream work like this award winning short film “My World 1.1” by artist Bruce Gray. 

The early entry deadline for the Telly Awards is December 16th.

Videomaker.com Forum: Not a Participant Yet? You Should Be!

by Richard Ober | November 2nd, 2011

How have other videographers made use of green screens for special effects? 

What one “trick” in pre-production planning do others find most important? 

What’s the coolest music video ever made and what lighting techniques can be gleaned from it? 

You have questions and Videomaker.com has answers. Well, Videomaker.com and Videomaker readers. The editors and experts at Videomaker field questions every day on shooting, lighting, special effects, gear, editing, and every aspect of video production. And we always do our best to answer these questions either on-line or through high-value content in our magazine. And here at Videomaker we have the luxury of working day in and day out with our peers, fellow video enthusiasts just like our readers. But what if you’re working independently or are just starting out or otherwise need the help of your peers in the field in addition to your peers here at Videomaker? 

Sometimes direct, peer-to-peer interaction is the only way to go. That’s where Videomaker Forums come into play. Have a technical question and just haven’t found the answer yet? Think you have a question but aren’t even sure how to ask it? Join the Videomaker Forums. It’s a friendly, robust community of fellow videographers, from the beginners choosing their first cameras to the pros who discuss technical setup and who know the business side of video. 

Recent forum conversations have included a thread on the “Aesthetic side of video production” in which one of our moderators (the famous “birdcat”) suggested reading the excellent “In the Blink of an Eye” by Walter Murch. Another very recent thread centered on an extensive discussion of the best songs to use in wedding videos. And nearly every day a forum member offers their latest video project up for review by fellow members. And the replies are consistently professional, constructive, and encouraging. Clearly this is a community of video producers, from experts to hobbyists, who care equally about their craft and their fellow craftspeople. 

If you are a member of Videomaker forums but haven’t visited in a while, come on back, the water’s fine! And if you are not yet a forum participant, you NEED to become one. There’s nearly no better way to connect with other video enthusiasts.

The Art of the Continuous Shot: Filmmakers Push the Limits

by Richard Ober | October 26th, 2011

The art of the long continuous shot has always been rooted in exhaustive pre-production planning, precision timing, disciplined talent, and more than just a little bit of luck. To shoot a video in one continuous take means getting the ball rolling (sometimes literally) and then following the action, hitting one’s marks along the way, until the climactic end. Filmmakers and videographers have been pushing the boundaries of the continuous shot, aiming for longer duration and challenging themselves, and their talent, to nail these long shots in single takes.

When thinking about long continuous shots, most of us start with Alfred Hitchcock’s iconic Rope. Rope (1948) is often casually referred to as the best example of a feature length movie shot in a single continuous take. The reality is, of course, that the film was shot in 10 segments, ranging in length from 4:37 to 10:06. (The maximum shot length at the time was approximately ten minutes due to the limit of the film magazine.) But even though Rope is not actually a single continuous shot, the length of the shots, the beauty of the transitional edits, and the resulting real time narrative is still astonishing 63 years after it was made.

Hitchcock may have been a pioneer of the marathon continuous shot, but he has been joined by others since. Robert Altman’s The Player (1992) features the famous opening sequence, a continuous shot with a duration of 7:47. Orson Welles’ 1958 Touch of Evil opens with a 3:20 continuous shot. Stanley Kubrick’s 2001: A Space Odyssey is famous for it’s long shots, as is Martin Scorsese’s The Godfather.

Much more extreme are examples like Timecode (2000) and Russian Ark (2002), both feature length films shot in a continuous take. Timecode, in fact, consists of not one, but four continuous shots displayed simultaneously with each shot occupying a quadrant of the screen and relying on the audio to direct the audience’s focus and to drive the storyline.  Russian Ark, is a 99 minute feature film shot in one continuous take; it follows the narrator (in first-person POV, no less) as he wanders from room to room in a palace (actually The Hermitage Museum) in St. Petersburg encountering figures from 300 years of Russian history.  Pretty heady stuff and a masterful technical achievement.

And, of course, one of the most extreme examples of the continuous take is Andy Warhol’s Empire. Made in 1964 with cinematographer Jonas Mekas, Empire consists of over 6 ½ hours of film shot at 24 frames per second and designed to be projected at 16 frames per second so that when viewed the film lasts for over eight hours. This would be mind (and rear-end) numbing in and of itself, but add the fact that the film is simply an unblinking still-mounted camera shot of the Empire State Building as it transitions from sunset to full darkness on the night of July 25th, 1964, and you have a piece of cinema that is all but unwatchable.

But you don’t have to go to that extreme the next time you set up a long duration shot. YouTube and Vimeo are both replete with examples of continuous shot videos (at least in part made famous by our favorite contemporary example, the band OK Go and their continuous-shot music videos). While perhaps doing something of an end-around on the editing side, these unbroken shooting sessions are great exercises in pre-production work, from storyboarding to set-design and from directing to complex camera work. After checking out the examples we’ve described here, give the long continuous shot a try and let us know how it turns out.

Make Professional Grade Video the First Time You Pick Up a Camera

by Mike Rosen | October 25th, 2011

What  if you could make professional grade video the first time you picked up a camera? Videomaker’s new free report “8 Tips for a Stellar First Video” will show you how to become a better videographer on your first shoot.

Maybe you’ve wanted to make video for a while; maybe you just caught the video bug recently. Either way, something’s holding you back – maybe you’re worried that any video you make will look amateurish next to those made by long-time video enthusiasts. We know that initial step can be daunting when you feel like you don’t know the first thing about making video. You feel the passion to create and share video stories but it seems like there’s so much to learn first.

No more excuses! Videomaker’s “8 Tips for a Stellar First Video” is exactly the resource created for you. It’s written with the eager young newbie in mind, so you don’t need to have any familiarity with video equipment to get the most out of these tips.

Learn:

  • How to make sure that, before you even start, you have everything to finish
  • The Two Easy Steps to Handling your Video Camera like a pro… and getting the same great footage.
  • How to organize your thoughts into a video story
  • The Secret to shooting footage that looks good on any screen.
  • How video is different than real life… and how you can use that to your advantage.
  • The single most important tip for keeping an audience interested. This remarkably simple tip will free you from the old style of thinking that holds you back and let you see the world the way the video pros do.
  • The biggest mistake that can sink a first video and how you can avoid it.

“8 Tips for a Stellar First Video” is a quick and easy read for even the greenest video lover, but we didn’t want to leave you with obvious, philosophical tips that wouldn’t actually help you. That’s why we’ve picked the eight tips that you can start applying the moment you pick up a camera.

You can pick these tips out after hours of studying film theory or you figure them out after days of trial and error – or you can get them all here, collected in one place, in just minutes.

Download your FREE report 8 Tips for a Stellar First Video and start learning today!

16th Annual Webby Awards – Entries Being Accepted

by Richard Ober | October 12th, 2011

2011 marks the 16thyear for the Webby Awards and the this year’s entry deadline is October 28th. There are many good reasons for making short films, music videos, documentary shorts, animated movies, etc: love of the craft, fascination with the ever-evolving technology, professional endeavors, and “having something to do on the weekends” are among the many motivating factors Videomaker readers often mention. While only a handful of videographers are likely to admit it, fame and fortune should probably be added to the list.

From their relatively humble beginnings in 1996, when the web was still young, the WebbyAwards has obviously grown to be a major player in championing both mainstream commercially driven work on the internet and innovative, highly creative websites, interactive media, and mobile apps. As the Webby website states, the “Webbys are presented by The International Academy of Digital Arts and Sciences, which includes an Executive 750-member body of leading Web experts, business figures, luminaries, visionaries and creative celebrities, and Associate Members who are former Webby Award Winners and Nominees and other Internet professionals.”

Are you considering submitting an entry? While the $150/275 entry fee is a hefty price to pay, the exposure to peers and to a worldwide audience is clearly worth the investment to many. To learn more about entering, visit the Webby Award website.

In the Online Film and Video category, the Webby Awards has a fairly rich and varied catalog of winners. Last year’s winners include “The World’s Smallest Stop-motion Character Animation,” “Rated Awesome,” and “Ode to a Post-It Note.” (“The Johnny Cash Project” which we’ve blogged about here recently, was also a 2011 winner.) But possibly the most intriguing and innovative winner from last year’s Webby winners in the Online Film and Video category is “Welcome to Pine Point.”  This video/photography/interactive documentary about what happens when an entire town is built and dismantled in a single generation, is an absolute must-see.

So it’s time again for the Webby’s to solicit submittals. If you’re planning to enter, let us know. And then we’ll watch for your achievement to be celebrated.

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