Archive for the ‘Camcorders’ Category

Move over Eye-Fi: the Wireless SD Card Standard is Here

by Daniel Bruns | January 9th, 2012

Eye-Fi’s had it for years and now the SD Association (the standards organization for SD cards) has finally jumped into the fray. What’s up for grabs? Wireless SD cards.  The SD Association revealed it’s intention to license out the wireless standard to SD card manufacturers at this year’s CES. What this means is that somehow the people of the SD Association have managed to find a reliable way to pack even more equipment inside the already crammed SD card by adding a wireless transmitter. This transmitter will allow you to download pictures or footage straight from a camcorder to your Mac or PC saving that extra step of having to plug in a cable or having to subject the card to the inevitable wear and tear of popping it in and out of a camera. I know that I’ve personally broken two of the fragile storage units myself in the course of a year, so this seems like a great move for SD card manufacturers everywhere.

The wireless transmitter will work over the typical 802.11a/b/g/n standards and will work inside of any SD card type including SD/SDHC/and SDXC. The amazing part? They’ve even squeezed this technology into microSD/SDHC/SDXC cards as well.  Since these cards are so small and have a wireless transmitter at the same time, they can be useful as wireless control points for other devices such as TVs in a home network making USB wireless transmitters a thing of the past. The wireless technology will come in three flavors, a web interface which supports server upload and peer-to-peer functions; a home network interface which supports server upload and home network communication functions; and one that can do both in the same card (which will probably turn out to be the most popular by far).

This technology seems great at first glance but there are still a few kinks that seem to need working out before this technology hits the mainstream. First, and most importantly, how much of a battery hit will this card take from your camcorder or mobile phone? Anything more than just a sip of energy will result in the failure of this technology since power is such a precious resource for any gadget. Secondly, will the signal interfere with any other wireless devices in a person’s home or office? Lastly, how much more will a technology like this cost compared to a “regular” SD card. Flash memory is already expensive and adding more cost to it is very prohibitive to mainstream adoption. Even so, this technology could save yet another step in a shooter’s workflow which is always welcomed. Not only do editors no longer have to wait in real-time for a tape to digitize it’s content to the computer, they may be able to just get the footage a few seconds after the footage is shot.

10 Tips for the Best Holiday Video

by Jennifer O'Rourke | December 16th, 2011

Nearly everyone the world over celebrates some sort of “Winter Festivity” and it’s the most beautiful time of year for gathering great video of annual traditions along with a reflection of the past year and getting a year-ender together to share with family and friends.

Whether you’re making a holiday video filled with all the pageantry and glorious color, or have taken on the daunting task of making a year-end compilation, there are a few things you can do to make your task a little bit easier, more fun, and artistic.

I’ve covered the holidays for decades and have made many year-ender and ‘this is your life’ compilation videos. Next week, I’ll have some tips on getting those year end compilations together. This week: a few tips for shooting the holiday events, for a special video to give as a gift to family and friends.

If you have some holiday video tips, pass them along and we’ll share them with our wonderful readership, too.

-1- Let the magic of light and color work for you. Here’s a few tricks for shooting holiday lights. first thing’s first: You have to use manual focus and manual iris for these tricks, and a tripod or some other steadying device.

If you see a specially vibrant over-the-top light display on someone’s home, ( or your own!) don’t make fun of it, rather make use of it… the lights can make for a beautiful backdrop portrait. Set your camera and subject across the street from the lit up home, so you’re not too close. Too many people get right in front of the lights for a photo op, and lose a lot of the beauty of the shot. By setting across the street, your lights will be in softer focus, be more plentiful, won’t overwhelm the scene, and your subject will stand out from the background better. Read the rest of this entry »

Panasonic Announces HDC-Z10000 Close Up 3D Camcorder

by Daniel Bruns | December 13th, 2011

After the big announcements from Sony and Canon this year, it’s no surprise that Panasonic, a leader in professional camcorders, decided to get its feet wet by announcing their own 3D camcorder – the HDC-Z10000.  The camcorder does have a number of great features that should make it a solid contender in the 3D world. First off, it has the ability to switch between 2D and 3D shooting, it records images in the 3D AVCHD format using the frame sequential method (meaning it records a full frame for each lens on the camcorder), can zoom up to 10X, and has a wide 32mm angle of view. The lenses have f-stops as low as 1.5 in order to capture great footage even in low light situations as well as two independent 3MOS sensors for each lens which should allow each eye’s picture to look its best.

The great features don’t stop there though. This camera also records in full 1920x1080p (which is expected) but can do so at a full 60 frames per second without any interlacing – a relief for any videographer. Like many 3D camcorders coming out on the market, the LCD display can show 3D images glasses free making it easy to see what your final result will be. However, it remains to be seen how effective their version of the technology is.

In the past, Panasonic has won over the prosumer world by having plenty of external controls on their camcorders and the Z1000 is no exception. It has a ring for focus, zoom, and iris giving it a real pro feel, and buttons for OIS, white balance, zebra bars, and many more. Panasonic also decided to include two XLR ports giving this camcorder a bigger edge than most of the camcorders being released today. Lastly, the Z10000 also has two SD card slots with relay recording making it possible to record live events for many hours without the fear of running out of card space. This is quite the improvement over their consumer model which debuted at CES last year.

With all of the amazing features this camcorder has, you’re probably thinking it costs more than $5,000. If so, you might be surprised to know that Panasonic plans to sell the Z10000 for only $3500 and will be shipping in December. With a price point this good, it’s easy to predict that this camcorder will likely be the prosumer choice for 3D shooting soon!

100 Years of Technology – What Will the Future Bring in 100 Years?

by Jennifer O'Rourke | December 9th, 2011

100 Years of Technology – What Will Video Look Like in 100 Years?

From prehistoric cave drawings to modern video techniques, those of use who chose the life of visual historian and story-teller have had a lot of technical advances to keep abreast of. How does one manage it all for decades at a time?

I am always amazed at how fast technology advancement moves nowadays. From someday working on transparent videos, like our associate Jackson Wong reported, to texture-touch TVs that associate Dan Bruns reported about, many of today’s technical inventions now follow what is called Moore’s Law, which states that the “number of transistors that can be placed inexpensively on an integrated circuit doubles approximately every two years“. [Source: Wikipedia]  People used to keep their old TVs for a lifetime, then for a decade, now many of us upgrade every three years or so. Many more of us upgrade our mobile phones annually, whereas our grandparents kept their original black desktop ‘anvil’ hard-wired telephone their entire life.

I was at a grade-school’s annual Winter Concert last night and saw dozens of parents using a varied assortment of new and old devices to capture the moment: from a very old large clunky video camera that had only an eyepeice to tiny digital flash-drive camcorders, mobile phones, even an iPad.

Technology in the Past

I love reading about the changes in technology, especially that which applies to cameras, editing and computers. Recently I wrote two blogs about technical history: The Birth of Film and History Now and Then and one of our readers, Roger Miller, brought me up to date on a story we wrote back in 1998 called “Video Time Machine: A Look Back to Life Before Camcorders“.  Roger was featured in that 13 year old story along with being a guest on our old TV series that aired on late night cable in the 1990s called “Videomaker Presents“. These videos show early reactions  of airlines and pedestrians and motorists to “this new thing” called home video. They also show early newscasts, equipment costs, and buying decisions with regard to home video. It’s always fun to look back at those old archives!

Roger created his own production company in 1980, Advantage Video, and now solely produces wedding and events videos, working up to 5-camera shoots. His company also works at converting videos from all those old obsolete formats from Betamax to disc. He suggests this is a good business to get into, because where will today’s families be when they want to future-protect their old family memories?

Good idea. There are a few companies looking towards the future for archiving purposes, Primera Technology is partnering with Millennitia, to create discs that they claim will last 100 years. You might want to put a DVD player and wall-wart into that time capsule to play it from!

Not to sit on just creating and archiving video, Miller has also been doing some technical inventing of his own, coming up with the SteadyIT for small camcorders.

The Future of Video?

This look at the historical predictions for the future from Predictions TV , (albeit dated, since it only goes to 2009), is an interesting title-graphical look at technology from 100 years to 2009. From “will we survive the millennium bug?” (1999) to “will 640k be enough for anybody?” (1979) and “will computers eventually weigh less than a ton?” (1949) But even just 3 years later a lot has happened since then.

I love looking at old technology – and seeing how far we’ve come just in my lifetime. LAU Beirut’s Riyad Nassar Library has a fantastic collection of technological historical artifacts. If I ever travel to the Middle East I’d just as likely want to see this amazing collection as I would ancient pyramids!

I love this – Predictions of technology of 100 years ago, from Live Science. Other 100 years of technology a quick search came up with found that IBM has been around for a century and Computer Weekly takes a look at the future of technology in 100 years, and my favorite, a 100 year starship project.

What do you think? Where do you think we will be with computers in 100 years? How about capturing, editing and sharing videos a century from now? Let’s hear your future predictions – the nice thing is, none of us will be around to see if you are right or wrong! (Unless, of course, the pharmaceutical companies invent that No Aging Pill by then!)

Shooting in 3D on a Sony HDR-TD10 Handycam

by Richard Ober | November 23rd, 2011

Videomaker is a great place to work for many reasons. Not the least of which is that our attention is frequently called to some pretty cool videos; videos shot by both novices and pros, and videos shot on everything from a smartphone and consumer cameras to professional and prosumer level camcorders. So it’s no wonder our interest was peaked recently when some new video came across the desk from a renowned videographer and photographer creating some great work in 3D.

Photographer and visual artist David McLain has done some terrific work over the years. His keen eye for stunning visual imagery and composition can be seen in both his photo and video work. David’s partnership with Sony means that his portfolio includes some pretty beautiful 3D work. Using a Sony Bloggie and an HDR-TD10 Handycam, David’s artistic eye and technical acumen are equally on display. Check these videos out on the Sonyelectronics YouTube channel.

Obviously, consumer-level 3D video continues to progress by leaps bounds and the technology will continue to grow rapidly in sophistication. As it does, video enthusiasts and professional videographers alike will keep apace. The Sony channel featuring David McLain’s work includes an example of family vacation video shot in 3D. While many of us might not yet immediately think “3D” at the same time as “family vacation home movies,” the technology is there waiting for us when we do.

Videomaker has reviewed both the Bloggie and the TD10 Handycam, so if you’re interested in learning more about these cameras, check these reviews.  And if you’ve done some innovative work in 3D yourself, be sure to let us know.  Send us a note or post an entry in the Videomaker Forum.  We’re always looking for the latest and greatest to cross our desks.

Panasonic Releases New AW-HE120 Pan Tilt and Zoom Camcorder

by Daniel Bruns | November 22nd, 2011

If you’ve ever directed or set up a live event, you know how hard it can be to find reliable and affordable camera operators. Though there is nothing that can beat a knowledgeable camera operator, Panasonic has come close with it’s new AW-HE120 pan and tilt camcorder. Their camcorder can mount to any surface and give a video feed and remote control ability to a director making multi-cam events easier and cheaper than ever to pull off.

Panasonic made this camera 60% lighter than their previous offering, making the camera mountable on almost any surface.  In order to get a video feed, the camera can be connected through HDMI and a standard Ethernet cable. The HDMI gives a high quality 1080/59.94p video feed while the Ethernet cable allows a director to control every aspect about the camera from a distance. The camera also comes with a 20x zoom range so that you can mount it in the back of a room and still achieve excellent close up shots, has a 2.2 megapixel U.L.T. 3-MOS sensor (in true Panasonic style), and has three different ND filters – 1/4, 1/16, and 1/64. Though the ND filters seem like a bit of an overkill given that the camera will almost always be mounted indoors, it did include some excellent engineering with a pan range of -175 degrees to 175 degrees and a tilt range of -30 degrees to 210 degrees meaning that this little beauty has more flexibility than an owl.

For those needing to mount the camera to a white ceiling, the unit comes in pearl white though a black metallic model can be bought for theatrical occasions. Panasonic will be shipping this item in what they call “winter” so expect it to come out shortly before CES in January.  The suggested retail price is $8,900, making it clear that Panasonic is targeting the house of worship and theater markets with this product. However, if you’re finding it hard to get quality camera operators for a fair price, this could be the product you’ve been waiting for.

Swim with the Swann Freestyle HD Action Video Camera

by Jackson Wong | November 8th, 2011

The Swann Freestyle HD Action Video Camera should be appearing on the shoulder of some science fiction machine since its lens alone lacks character. The clear, waterproof casing somehow makes it alien, but it might feel right at home with you and certainly comfortable with it’s assortment of mounts, detachable display and strength to endure the pressure of 65 feet of water. Then if you feel like getting away from the Freestyle HD, leave it somewhere with a good vantage point and activate it with your voice or  a remote. If you were thinking of hiding it, store it in a cool dark place, because it only comes in black.

Now for what you’re really reading for, the Freestyle HD shoots an effective 8 MP at up to 1080p and 30fps. Video gets stored on a microSD card and may be retrieved via USB and HDMI. Don’t expect it to grab the biggest, fastest images – the frame rate is standard, and the digital zoom is 3x. There is lots of fun to be had with such a small and mobile camera. Be sure to pass the time away, up to 2.5 hours, using the still camera function and the 1.5” LCD display. The screen sounds small, but it does provide immediate playback unlike the Contour from the same field. While detaching the waterproof casing limits the locations to shoot from, the Freestyle HD slims down in a hurry, especially when combined with one of the low profile mounts. Two different flat mounts are included for use with various boards. Another mount encourages your safety by attaching to your helmet, just one more reason not to forget it. The package is all in all very versatile,  with the mounts, display and casing detachable, the dimensions will be adaptable for many situations, and the price is just as competitive as you are.

$280

RED Announces New Scarlet X 5K Camera and Pricing

by Daniel Bruns | November 7th, 2011

It was a busy week in camera history when both RED and Canon announced new cameras last week. Canon was the first to announce their new C300 camcorder for professional film-making, but that wasn’t the only great camera announced for the market. RED also decided to steal a bit of the limelight by announcing their new Scarlet X 5K camera and pricing.

Believe it or not, this isn’t the first time that the filmmaking community has seen the Scarlet announced. All the way back in November of 2009, RED first announced Scarlet to eager filmmakers by showing off pictures of the body, lenses, and accessories that looked almost too good to be true. Well….it almost was. RED soon found that most filmmakers wanted more than just a 2/3rds inch sensor capable of doing 3K. They wanted a full frame sensor that could do 4K if not more in true RED Digital Cinema style. As such their founder Jim Jannard announced a total redesign of the product and an inevitable production delay. Many professionals thought that would be the end of the Scarlet, but then rumors began to circulate about a total refresh to the line.

On Tuesday of last week, RED finally announced what that refresh was, and it’s a doozy. They’ve upgraded the sensor size to include a 14 megapixel (or 5120×2700 pixel) array, have included the option to mount almost any type of lens including Canon’s popular EF mount, the ability to capture images in 5K FF REDCODE RAW, frame rates ranging from 23.98 to 59.97, HD-SDI and HDMI outputs, 18 stops of dynamic range,  wireless control, and more for only $14,000. Though this may sound expensive, it’s easy to forget that you have to pay for good build quality and professional parts. In fact, the newly announced Canon C300 costs $6,000 more and only shoots in 1080p.

That doesn’t mean there aren’t a few caveats with RED’s new design. For whatever reason, instead of having their flagship black body, RED has switched to using what they call “battleship gray” for the brain of the unit. Though it’s not the most attractive look, it will undoubtedly not matter to serious filmmakers. The more serious issue is that the camera only films at a maximum 6 fps in 5K mode, effectively making that resolution worthless for video (though useful for still photography). Even so, it does include the ability to shoot at 23.98 fps in 4K which should make many professionals happy and even at 120 fps when shooting at only 1K.

Nonetheless, the RED Scarlet is a real contender for the most affordable cinema-style camera on the market today. It films at not only 24 fps at 4K resolutions, but it’s also built like a tank, has a RAW (uncompressed) file format, and is modular meaning you’ll be able to use it for years to come even after new camcorders have been announced.

The Scarlet X brain plus an SSD will cost $9,750 while a kit with a battery, controller, and LCD will be around $14,000. RED expects the camera to begin shipping in December.

Delkin Devices Announces POV camera with Built-In LCD Playback

by Daniel Bruns | October 31st, 2011

Delkin Devices announced on Thursday their intention to join in the POV camera foray with their device, the WingmanHD. The WingmanHD is a waterproof  3 ounce action camera that shoots 1080p high definition video and like most POV devices, can mount to almost any surface imaginable such as a skateboard, surfboard, bike, or helmet. Being just 3 ounces, Delkin is claiming that their device is the lightest POV camcorder on the market. A great claim to make, but with the already miniscule size of these kinds of camcorders, a slightly irrelevant one as well.

In addition, the camera comes with a “1/4-20″ mount for putting the camera on tripods, the ability to switch between 1080p, 720p, and WVGA video as well as 8 megapixel stills. The company also thought to include autofocus, auto white balance, and auto exposure in the camera so that every video can look its best no matter what the condition. Unfortunately, the camera does not have as wide of an angle of view as other popular POV cameras such as the GoPro Hero and Contour HD Plus have. While those cameras can achieve a 170 degree angle of view, the Delkin WingmanHD can only achieve 150 degrees. However, they are claiming that by keeping it at 150 degrees, their camera gives very little fish-eye distortion to an image.

The device does make up for its lack of viewing angle by including an impressive 1.5 inch built-in LCD display that allows users to skip, fast forward, rewind, and delete files on site. For those who like much larger monitors to view footage on, the camcorder does come with an HDMI, Composite A/V, and USB port. This is the first time an LCD monitor has been built right into a POV camera but isn’t the only POV camcorder that will allow you to see your footage. The GoPro Hero allows an LCD monitor to be attached to a port on the back of it’s unit while the Contour HD Plus allows a mobile phone to preview the image from the camcorder using Bluetooth technology, something that would have been nice for the WingmanHD to have. Nonetheless, the camera shows real promise so long as the picture quality can also compare or best the other POV cameras in the market.

The WingmanHD is shipping now and will retail for a kit price of $249.99

History of Video Now and Then

by Jennifer O'Rourke | October 28th, 2011

Now and Then

From huge shoulder-mounted camcorders to smartphones; from mega tape-to-tape editing suites to simple computer editing; from VHS distribution to the internet; from streaming video to instant YouTube uploading, video has come a long way!

When Videomaker magazine first hit the newstands in 1986, video cameras were just beginning to make a foothold in consumer’s homes. Our first few issues were full of stories about those darn “Format Wars” – Beta vs. VHS, remember that concern? In fact Beta versus VHS was so prevalent at the time that we devoted full issues to each format, along with VHS-C and 8mm. Although each format was very different, they all shot video using the same physical recording device: videotape.

VHS-C was featured in our June issue 1986 issue and 8mm (Video8) in August, followed by VHS in October 1987.  Of the 58 camcorders featured the average price was a whopping $1646. Only one camcorder was priced under $1000, the Zenith VM6150 “Sharpshooter” VHS. Tthe Minolta CR-8000S 8mm camcorder was the only one that topped the $2000 mark at $2186. Imagine that! Today, you can get a pretty beefy camcorder for $1600, and a pro-level cam for $2000!

We featured only 2 Beta format camcorders and we had a sidebar that stated: “Beta camcorders remain a viable option for quality minded video producers. Boasting the highest resolution among consumer-level formats, (until the arrivals of Super-VHS and ED Beta,) and benefiting from excellent format-specific editing capabilities, Beta is especially practical for dubbing to other formats.”

Although Beta was a superior format, VHS eventually won out do to price and availability, although, if you ask me, $1600 in 1986 was a VERY high price for a ‘toy’ for the average household. Not a lot of “Video Memories” were being made back then – not by the average family, at any rate – but that was just the beginning. As soon as the prices started to drop and the cameras became easier to use with better quality, the video genie was out of the bottle and not about to go back. Consider the quality we have now for a sub-$300 camera, it really blows one’s mind!

Since then the omnipresent video of today has surely changed not only the way people keep precious memories of their family’s lives, but has changed the world – as recent events in the Middle East has shown us.

So for a “blast from the past,” let’s take a look at a few numbers to compare how camcorder sales have affected the way people track events around them using video cameras.

In the Early Years – Growth
In the Fall 1987 issue of Videomaker, we wrote: “The Electronic Industries Association reports, ‘in terms of percentage growth, the hottest video hardware product is the camcorder.’ For the first six months of 1987, camcorder sales totaled more than 580,000 units. The statistic reflects a 49 percent jump over the previous year.”

In 1990, Newtek introduced the Video Toaster, considered the first non-linear editing system. It wasn’t long after that that Videomaker began dividing its editing features between tape-to-tape editing and non-linear editing tips. Non-linear was clunky, processor heavy, and expensive; computers were pricey and few people wanted to go that route. The TV station I worked at then was a test market for a lot of industry products and we were one of the first in the country to work on the Toaster. It was the first time I’d touched a computer and it was a bit daunting. Tape-to-tape seemed so much faster, but that changed in time.

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