Archive for the ‘Accessories’ Category

Swivl is Your Personal Cameraman

by Jackson Wong | January 24th, 2012

And guess who the director is, you! Swivl is a mount for your pocket camera or iPhone that takes direction from a tracker attached to your subject, and it can tilt or pan to stay with you. Videomaker first looked at this product when it was in it’s prototype stage and needed funding. After a lot of crowdfunding with IndieGoGo the project has become a marketable product and was a Videomaker Spotlight Award winner from International CES 2012.

The Swivl promotes mobility and playfulness by keeping you in the frame that you define, even if you run circles around it. Sporting 360 degree horizontal tracking and 25 degrees on the vertical axis, there is little that Swivl won’t catch. The smooth movement of the tilt can be locked since it tends to move up and down with the tracker’s movement. The tracker also doubles as a wireless mic, which should really open up possibilities for one person crews or vloggers. You may be 32 feet away doing something as simple as checking your snail mail or working on a training montage with the hero ducking branches and running between trees and it can be tracked.

There is compatibility with Android phones that are .4-inches or less than 11mm, as well as standard tripods. The weight limit is 6 oz. and your time limit is four hours with AA batteries, or not with the wall charger. It is likely that your recording time will be completely dependent on your camera’s battery, since the tracking remote runs on a pair of AAA batteries for about 10 hours.

Swivl is packaged with the tracking marker, tripod mount, lanyard, batteries and a Micro USB cable. Shipping begins by this spring from the folks at Satarii Inc.

The audio capabilities are only available with the app, and the wall charger is sold separately, but for a final price of $159, you couldn’t find a better hire.

Breaking Down the Documentary Process

by Mike Rosen | January 19th, 2012

So you want to make a documentary? We’ve all heard that before.  Just as we know that all the greatest writers are supposedly too busy hanging out in coffee shops and bemoaning the difficulties of writing to actually write, all the greatest documentarians are too busy worrying about where to start to actually, well, start.  When I was a kid, I used to love watching nature documentaries on PBS, all about the ocean floor or the rain forest or, especially, dinosaurs.  For years, though, I thought that a documentary HAD to be about some exotic faraway locale, that you had to travel to, say, the Gobi Desert or the Marianas trench, and that they always had to be about weird animals.  You might have the same problem, you’re too convinced that documentaries have to be sprawling, complicated affairs to realize that they’re actually pretty simple.  All you have to do it break it down!

Yup, it’s simple if you just break down the documentary process.  For example, take a look at Videomaker’s premium documentary series, now available to buy as one complete set at a $60 discount.  This DVD series divides up the daunting documentary process into four tidy little segments, so that you won’t get too overwhelmed.   All you need to worry about are four little things:

1) Documentary Storytelling: There’s good fodder for a stellar documentary anywhere.  Maybe you know a person with an unusual story to tell or maybe there’s a local landmark that you’ve always been curious about. Some of the most compelling documentaries come from personal stories or family histories, or dramas that, in the grand scheme of things, might not really be that dramatic. The incidents might be small or mundane, but if they communicate bigger, universal themes, they can touch people in ways that more polished but less intimate documentaries fail to do. For example, “The King of Kong” is a documentary about one man’s fight to become the world champion at the video game Donkey Kong. Most people would dismiss that as a silly goal, but the filmmakers were able to use his quest to tell a universal story about every man’s desire to leave his mark on the world.  This DVD shows you how to find the deeper meaning in even ordinary events and how to determine whether there’s enough meat in a story to be worth your time as a documentarian.

2) Documentary Funding: Yeah, so we’ve already established that you don’t have the budget to go down the Amazon. Unfortunately, even a modest documentary needs some budget and you don’t want to be stuck spinning your wheels because you can’t think of a way to get your hands on some cash.  Well, before you resort to robbing a bank, pulling off a daring international diamond heist, or something equally drastic (Pro tip: Don’t do that!), you should probably take a look at this DVD. Documentary Funding gives you helpful, practical and, above all, proven suggestions to get some cold hard cash to back up your documentary dreams. This feature looks at finding sources for funds, writing a thorough prospectus, knowing the details of an accurate budget sheet, organizing a successful fundraiser, editing a demo reel that impresses, and presenting the techniques of an effective pitch.

3) Documentary Equipment and Crew: Remember how we said you’d need money to shoot your documentary? Well, here’s where that comes into play. You may be able to cajole some friends into helping you out and you may be able to borrow your neighbor’s old camcorder for free… but let’s face it. You know you get what you pay for when you rely on the kindness of strangers (and friends).  If you’re going to make a documentary, make it good.  Cutting on necessary expenses always impacts the result and not in a good way. This DVD offers you tips on how to choose cameras, audio gear, lighting gear and accessories, and tips to finding and working with a professional crew. These tips will get you on your way to making a great documentary.

4) The Documentary  Shoot: And now that you’ve got all that preliminary planning and pre-planning and pre-pre-planning out of the way, it’s time to go out on the actual shoot.  This is where it all counts. The shoot is probably the most fun part of making the documentary, because this is where you really get to see your vision come together.  If you picked a good subject, you should feel re-newed excitement when you revisit the stories that originally sold you on it.  Conducting insightful interviews, setting up good lighting and audio, and getting location access are all part of the process here!

So there you go, the entire documentary process, all in four easy-to-digest chunks.  Now you better start filming, because, when you watch these DVDs,  you’ll no longer  have the excuse that you don’t know how to start.

Videomaker Best of CES 2012 Awards Announced

by Daniel Bruns | January 12th, 2012

CES 2012 is nearly over and if you’re like us, you’ve probably passed the point of information overload even before the annual tech show began. Even so, we’ve decided to help you sort things out by showing you our picks for this year’s Videomaker Best of CES awards. Videomaker’s Best of CES awards were created to help you find products that were especially innovative, affordable, dependable, easy-to-use, and most of all products which empower each of you to make better video. So we’ve scoured the show floor, trekked many miles, and ruined more than one good pair of shoes to find out once and for all which CES products would do just that.

Best of Show: Nikon’s D4 DSLR -

It’s no surprise that our biggest award of the show went to Nikon’s newest DSLR, the D4. With features like an ISO range of 50 to 204,800, 1080p video with an uncompressed HDMI output, and an FX-format (36mm x 23.9mm) sensor, this DSLR has many features that videographers have been wanting in a DSLR for years. An interesting new feature is the camera’s ability to use a new 2.7x Crop mode to zoom into an image on a sensor without losing any of the 1920×1080 quality of the picture. This means that you can easily turn a 35mm lens into a virtual telephoto lens instead. The camera also has on screen audio indicators and a 20 step audio adjustment making this a real force to contend with in the DSLR world.

Best Lighting: Sunpak’s LED Video Lights -

We’ve seen lights like these before but never in such quantities and interesting designs. At CES 2012, Sunpak unveiled 5 LED products ranging from their DSLR67 ring light (that attaches directly to a DSLR lens) all the way up to their LED 96 which sports 96 high-powered LED’s. Best of all, almost all of their lineup runs off of easy-to-find AA batteries and can be attached on any camera’s shoe mount.

Best Microphone: Blue’s Microphone’s Spark Digital -

We’ve been impressed with Blue Microphone’s products ever since we laid eyes (or ears?) on their surround sound microphone the Snowball, but they’ve managed to impress us again with their newest offering at CES, the Spark Digital. The Spark Digital is a cardioid, solid-state condenser microphone that provides two different usage modes at the touch of a button: the Normal mode which is supposed to provide increased low frequency for those times when you need to sound like Don LaFontaine, and a Focus mode which changes the microphone’s frequency response in order to pick up more clarity and detail. The newest part about the Spark Digital is that it offers both USB and iPad connectivity. Better yet, Blue Microphone even thought to include a custom shockmount and pop filter for the microphone so that nothing will stand in the way of capturing the kind of audio you need.

Best Software: Corel’s VideoStudio Pro X4 Editing Software -

When we reviewed Corel’s VideoStudio Pro X4 back in October, we loved how easy it was to bring a project from start to finish. At CES 2012, our minds still haven’t changed. We love how VideoStudio Pro X4 offers great support for beginners by offering the Corel Guide – a useful repository for video training, customer support, and user forums. We also like how the software also offers dual screen support (something most introductory editing software leaves to the pros) and an easy stop motion video creator making VideoStudio Pro X4 a great choice for the Best Software at this year’s CES.

Best Computer: Lenovo’s IdeaPad Y580 Notebook -

Though NAB is where the real workhorses come out to play, we really enjoyed the power and affordability of Lenovo’s IdeaPad Y580. It has JBL speakers, an optional Blu-Ray burner and Intel’s Wireless Display technology. You can also get up to 8 GB of RAM along with a Core i7 processor in this beast to boot. As for the display, the Y580 sports a 1920x1080p  screen and has a 2GB GTX66M card to drive it. Not bad for a laptop that starts at $899.

Best Storage Device: Lacie’s 2big RAID Drive with Thunderbolt -

LaCie never fails to do something big in the world of hard drives and this year was yet again no exception. LaCie introduced a new version of their popular 2big that now has the power of Thunderbolt which gives the drive speeds up to 311 MB/s. The 2big also conveniently adds RAID technology to protect all of your valuable footage and has hot-swappable drives so there’s never any need to reboot the system in order to upgrade or repair the drive.

Best Support: iOmount’s iOstand and iOmini -

iOmount is a brand new company at CES, but that doesn’t mean it’s any less eligible for the Best of CES award. No, if you have a product as innovative as they do, there’s no way we would be able to keep from talking about it. iOmount stood out for its innovative mounting idea for iPad and iPod-like devices. Their mounting device allows a free and unobstructed rotation of any device using a ferro-magnetic sphere and a specially engineered magnetic carrier. In laymen’s terms, this means you can mount your iPad easily to the stand just by placing snapping it into place and then rotate your iPad without the need for holsters or locks. In addition, iOmount plans on releasing an articulating arm so that you can have your iPad or iPhone over your bed while you read a book or text message hands-free.

Best Bag: Tiffen’s Domke RuggedWear Camera Bags -

Tiffen has been a leader in optical filters for years but camera bags? You bet. At this year’s CES, Tiffen released a new line of Domke RuggedWear camera bags meant for almost any situation you might find yourself in. Each Domke bag is made of weather-tough and durable cotton canvas along with a strap made of durable cotton webbing and a steel snap hook so they’re built to last. They were also designed from the ground up to be easy to carry and easy to clean which we always love to hear.

Best Accessory: GoPro’s WiFi BacPac -

Though GoPro announced the WiFi BacPac earlier in the year, Videomaker had yet to see what this unit could really do – until now. GoPro’s WiFi BacPac gives GoPro’s popular Hero and Hero2 cameras the ability to transmit live video streams to a smart device such a a tablet, smartphone, or computer while at the same time being able to control a bevy of video options as well. As a result of using WiFi, this remote can travel over an incredibly long distance without losing signal – something that any videographer capturing a sporting event will love.

Best Camcorder: JVC’s GY-HMQ10 4K Camcorder -

JVC has seemed to hit the ground running this year by announcing a new 4K camcorder at CES 2012 and we were impressed. The camcorder can record at a resolution of 3,840 x 2,160 pixels using its Falconbird processor and 1/2 inch sensor, can record to SD cards, and has 2 phantom powered XLR ports. Though it has a fixed lens for now, we’ve heard rumors of an interchangeable lens concept coming soon – but that’s our little secret.

Spotlight Award: Panasonic’s 4K x 2K monitor concept -

This is a product that we’ve been waiting for a long time to get: a 20 inch field monitor that packs a 4K x 2K resolution. That means shooters everywhere will be able to see the full glory of their 4K footage from cameras like RED’s Epic or JVC’s newest Gy-HMQ10. Though there’s no price information on this big boy yet, we’re excited about it’s potential.

Spotlight Award: Sony’s Handycam HDR-PJ760V Camcorder/Projector -

It’s funny how close camcorder companies are to blurring the line between professional and consumer camcorders. Sony has done just that by releasing their newest camcorder and projector the HDR-PJ760V. The camcorder comes with 96 GB of internal storage space, an incredible 24.5 MP still image capture option, image stabilization, and of all things a high contrast projector said to be twice as bright as Sony’s offering last year. This means not only will you be able to capture your family’s memories to share with them when they get older, you can also easily show them what you got anywhere you are.

Spotlight Award: Buffalo’s AirStation WZR-1750H Router -

Buffalo’s always been one of the first companies to embrace new technology and industry trends so it came as no surprise that they released an 802.11ac dual band router at CES 2012. We were specifically impressed by the AirStation’s wireless speed which Buffalo claimed could hit 1300 Mbps, approximately three times faster than 802.11n. What’s amazing is that just a few short years ago, standard Ethernet cable used to have a hard time getting speeds up to 1300 Mbps and now wireless routers are doing it in spades. Not to be left out, the router will also have a 2.4 GHz 3×3 802.11n radio inside so that it can be backward compatible with the 802.11a/b/g/and n standards.

Spotlight Award: Tiffen DFX v3

If you’ve ever had to try to fix an image after it’s already been edited into your video project, you know how painstaking it can be. Tiffen has come along to help you make that better with it’s DFX video and editing effects suite. Tiffen DFX is a plug-in filter that in many ways mimics the screw-on glass lens filters that professional photographers use, but it’s like having a filter on steroids.

Version 3 has added even more filters for optical effects along with interface improvements and host support. The digital filters are made to simulate Tiffen’s glass filters – and you don’t have to try to find one that fits your lens… nor are you stuck with the effect that a screw-on lens might produce.  The effects are easy to apply, fun to use, and can take your videos from good to outstanding in a very professional way, which is why we gave Tiffen the Videomaker Spotlight Award for CES 2012.  Read more about the Tiffen “Videomaker Spotlight” award.

Spotlight Award: Satarii’s Swivl

Asking someone to snap a photo can be a stretch, asking them to do camera movements is crazy unless you plan to hire a camera person. The Swivl is your answer in such times. By using a marker, the Swivl keeps you or your subject in a user-defined frame and has the capacity to record audio via an iPhone app. The 360 degrees panning capability is paired with a 25 degree vertical axis to capture a lot of action. The base and marker take AA and AAA batteries respectively, which provide for about four or ten hours of recording depending on whether you opted for the wall charger or the battery life of your pocket camera.

The Swivl is prepped to ship during the first quarter of 2012 and has been an innovative project for us to see from prototype to product, so we are glad to give it a Spotlight Award for the International CES 2012.


Contour Adds Mobile Live Broadcast to Its POV Arsenal

by Daniel Bruns | January 10th, 2012

Contour and Cerevo USA have announced a partnership at CES 2012 for live video broadcasting for POV cameras. To put it in laymen’s terms, this means that POV cameras like the Contour can now broadcast live to the internet via Ustream without the use of bulky HDMI cables. Their calling the broadcast unit “LiveShell” which is a battery powered wireless unit.

A simple HDMI cable can connect the Contour camera to Cerevo’s LiveShell which then broadcasts the content to the popular Ustream sharing site. With the Contour+ (which we reviewed in our magazine) you can broadcast 1080p video at 30 frames per second or 720p video at 60 frames per second allowing internet viewers everywhere to see the world from the camera’s perspective. The battery life on the Contour and LiveShell is rated for 3 hours meaning it will be able to keep ticking for the duration of the sport it’s capturing. You can also configure the camera using your smartphone or a computer so that you don’t have to hook up a cable to the camera in order to set the framing. Of course, to make live broadcasting happen, the ski slopes your hitting will have to have WiFi access – something not every ski resort has. In this regard, it would be nice to see if they’ll build a unit that can work with cellular reception as well as a WiFi connection in case your favorite place to do extreme sports is away from public places.

This announcement seems to come conspicuously close to being just in time for the 2012 Olympics in London and is just in time for the winter sporting season. We’ll have to see if this proves to be a useful tools for broadcasters and for sporting events during the winter season but judging by how many GoPro’s and Contours are already on the slopes of most ski resorts, this seems like an idea that will eventually catch on.

New USB Card Readers Make Transferring Large Amounts of Data a Snap

by Richard Ober | December 14th, 2011

Video shooters of all expertise levels, from novice to pro, are always looking for the fastest way to get big chunks of data off the camera and into their editing programs.  For the majority of us, that now means pulling images and video off an SD card and onto our computer’s hard drive.  In managing this process there are usually three primary considerations: speed, capacity, and compatibility.  Leveraging both 2.0 and 3.0, Verbatim has announced its new USB 3.0/USB 2.0 Universal Card Readers and USB 2.0 Pocket Card Reader – compatible with Windows and Mac operating systems.

(For years USB 2.0 was the standard. Then USB 3.0, launched in 2010, increasing transfer speeds by a factor of 10.  For more background on USB, read the Videomaker article about USD 3.0.)

Universal Card Readers

These new readers support a wide variety of memory card formats and are 100% compatible with all USB ports. Verbatim indicates that the USB 3.0 device delivers transfer speeds of up to 5GB/second, while the USB 2.0 version transfers data at a rate of up to 480MB/second.

Memory cards supported by both the USB 3.0 and USB 2.0 Universal Card Reader include: CompactFlash Type I & Type II (CF), Secure Digital (SD), Secure Digital High Capacity (SDHC), miniSD, microSD, Memory Stick (MS), Memory Stick PRO, Memory Stick Duo, Memory Stick PRO Duo, Memory Stick PRO-HG Duo, Memory Stick Micro (M2), MultiMedia Card (MMC) and xD-Picture Card (xD).

The USB 3.0 and USB 2.0 Universal Card Readers are available for $14.99 and $24.99, respectively.

USB 2.0 Pocket Card Reader

Sporting an integrated USB cable, Verbatim’s  Pocket Card Reader is just as its name suggests. The portable, pocket-sized multi-functional reader supports a wide variety of formats, including compatibility with SD, Memory Stick and MMC interfaces.   Memory cards supported by the Pocket Card Reader include: Secure Digital (SD), Secure Digital High Capacity (SDHC), miniSD, microSD, Memory Stick (MS), Memory Stick PRO, Memory Stick Duo, Memory Stick PRO Duo, Memory Stick PRO-HG Duo, Memory Stick Micro (M2), MultiMedia Card (MMC)

The Pocket Card Reader is available for $9.99.

As the transfer speeds of readers like these increase and the compatibility of the readers with a multitude of card types adds to their versatility, videographers will find them more and more indispensable.

Cold to the Touch Screen

by Jackson Wong | December 13th, 2011

Touch screen gloves are a quick solution to using touch screens in the cold. Whether it is your smartphone or a camcorder menu, gloves with conductive metal threaded into the tips will keep you and touch screens functional by warding off numbness. Ever find yourself shooting in the early morning light? Some of the best natural light comes only in the morning or evening and that coincides with some of the day’s lowest temperatures. Trying to adjust exposure or unlock your phone may be impossible with gloves on and easy to get wrong with frozen fingers. The gloves that I found on the shelves of a department store aren’t so thick that dexterity will be lost. These gloves don’t appear much different from ordinary gloves, except for the tips of each finger featuring shiny little lines. It’s these threaded points of conductive material that will allow touch screens to sense your fingers.

It sounds simple because it is, I found a do it yourself video that I’d love to try, but this is after I’d swiped my card for the pair of gloves last Saturday. The example uses silver-coated thread stitched into the tips of the glove, the best part of making your own will be to put conductive threading at more points than just the pads of the fingers. I know use the extreme points of my fingers to operate touch screens so I’d stitch material on the very tips. You may get as creative with your needle work as you can, it’s simply not my expertise. Or if you need a quick option, look for stores to have touch screen gloves around $20.

So now, you might add gloves to your list of gear to grab, with heat resistant gloves for adjusting lights in the studio and cold resistant gloves for those outside shoots with touch screen equipment. Touch screens continue to get better and more pervasive, so we can expect more accessories to go along with them.

Disclaimer: Compatibility with individual gloves and touch screens may vary.

Making a List… for Video Producers

by Jennifer O'Rourke | November 25th, 2011

Holiday Shopping List for Video Producers

So that special one-day-a-year holiday is upon us. The day many people, young and old, anxiously await. When people scurry down the halls in their slippers and jammies, hoping to get a peek at that one item they’ve been hoping to own – a one of a kind super-duper priced item only found at a Black Friday sale.

The malls open before dawn, other stores are open all night, stores are so anxious to make a sale that they offer huge doorbusters and loss leaders just to get you to buy. And people all over town lose their senses.

Does anyone feel like me and think this stuff is getting a bit out of hand? I often wonder what non-Christmas celebrants think about all the noise? How do you dim the din?

It’s tough not to get engaged in all the commercialism, but let’s face it – a sale is a sale and if you’re a video producer,  you can NEVER have enough stuff. If it’s just a new tabletop tripod or another hard drive, if I can get it marked down, I’m happy, regardless of the time of year.

Making a List

But since this is the time of year many people expect to get or buy more toys,  and you’re a video producer – what would be the BEST video gift you’d like to receive? We have a few hints you might want to whisper in Santa’s ear. Our Uber Associate, Videomaker writer Doug Dixon has a great “Holiday Gadget List” just for you. Check it out.

Checking it Twice

According to the Consumer Electronics Association, [CEA], more than half of American citizens are expected to shop this weekend. Now if you’re making plans to do some heavy lifting…er,shopping, don’t walk out the door or tickle the keys until you’ve read some hints from our friends at Retrevo. We told you about Retrevo a few years ago, a wonderful “Go To” site for electronics research. From the Good to the Bad, [OK, I'll throw in the Ugly, too!] the folks at Retrevo take their research seriously and offers a lot of insight to products’ reliability and price comparison, among other cool tidbits. They even have tips for making your gadget world Earth-friendly.

Among some of the tips are lists for:

1. Nationwide Black Friday Deals

2. Nationwide Black Friday Duds

3. Nationwide Black Friday Store Hours

What video gadget gift would you like to receive? Talk to us! Send us your wish list, we’re curious to know what our readers are looking for this year.

Who’s Naughty or Nice?

Many people seek deals online and if you prefer to cruise online rather than on the crowded streets, make sure you shop safe. We’re video producers, so we should know technology better than the average consumer, but sometimes a good deal is hard to pass up. The biggest online shopping days are December 5-15th, or thereabouts, so you can relax and enjoy your 4-day Thanksgiving weekend in peace, and wait until next week to do any heavy shopping. But, before you go anywhere to shop online, check out McAfee’s “12 Scams of the Holidays” list.

These are for scammers, but what about retailers that seem legit, and when you excitedly open your delivery box you find you didn’t get everything you thought you were buying? Check out Videomaker‘s  Buyer Beware article that offers some good advice for camcorder shopping online.

And if you’re out and about looking for a deal, Jennifer Waters, with “Market Watch” has a good list of “2011 Secrets to Finding the Best Holiday Deals”. Check it out.

Admire The Grinch

Finally, if you don’t want to appear to be a lemming running with the pack or “Bah, humbug!” is your motto, then there’s always “Do Nothing Day”, a movement to stop the madness of over-shopping and consumerism.

As for me? Well, love me or hate me, admire me or curse me, but I’ve had all my holiday shopping done since before Halloween, so if I do get a chance to venture out, it will be for gifts for number 1: Me.

Happy Shopping, everyone!

Movie Props on Sale. Halloween goodies for Video Producers

by Jennifer O'Rourke | November 18th, 2011

Looking for Props for your next movie? Check out After Halloween Sales!

So I was at my local department store shopping for a storage bin and I stumbled upon my biggest pet peeve this time of year, “The Nightmare Before Christmas” a long row of Halloween items on sale while Christmas music blared happily overhead.

I always wish we could have a rest from exposure to both of these over-saturated events between Halloween and Thanksgiving, but I’m also a savvy shopper. Anyone who makes videos that might need movie props or makeup should consider the Halloween sale aisle. If you have a fake fight, you’ll need scars or makeup. If you have an ethereal fairy or wizard making magic, you’ll need tiaras and wands.  This time of year you’re going to find wigs, fake swords, zombie makeup and more – all at 50% to 75% off. What a deal. Facial scars, skin putty and glue, fake teeth even fake blood props are all on sale – and you probably won’t find them again until next year.

Read the rest of this entry »

Shooting Video with a Smartphone: Accessories are Useful

by Richard Ober | October 21st, 2011

As the standard for smartphone cameras reaches 8MP, and is soon to go on up from there, the phenomenon of videos shot entirely on smartphones like the new iPhone 4S and the Samsung Galaxy S II is only going to expand in the coming years. The consumer and the prosumer market for full-featured camcorders and HDSLRs is certainly where serious videographers go, but it sure looks likely that smartphone video is here to stay. Likewise, gadgets and accessories meant to enhance the shooting experience and the quality of video produced with these devices is a market segment that is scrambling to keep apace.

Hardware designed to augment smartphone cameras has been around nearly as long as the phones themselves. In the March, 2010 issue of Videomaker, we reviewed the Owle Bubo, a device designed for the iPhone and meant to enhance the stability of the smartphone as a video shooting camera. And devices like the Bubo are proliferating seemingly in lockstep with every new advance in smartphone camera technology.

Among the add-on accessories available to enhance smartphone video camera The Olloclip three-in-one lens adds the versatility of fish-eye and wide angle lenses to the iPhone. Similarly, the Kogeto Dot is a “snap-on” lens that together with a free app enables shooting 360 degree panoramic video. And for more in the iPhone lens category, Photojojo offers mounts that allow you to mount Cannon EOS or Nikon SLR lenses to the phone’s camera.

Zacuto offers the Zgrip which is designed to provide some stability to the notoriously shaky video that comes from shooting with a flyweight and relatively delicate smartphone. Additionally, Gary Fong offers an iPhone tripod adapter, providing another option for bringing stability to the smartphone camera world.

These are only a few of the products designed to help turn the tiny but capable cameras in today’s smartphones into surprisingly competent video devices. For more on smartphone videography, read Jay Montana’s article here.

The question for us, as always, is: what’s next? As the cameras in these devices continue to improve will we see more videos proudly proclaiming to have been “shot entirely on a smartphone.” Or, perhaps more likely, will the smartphone, outfitted with some cool camera accessories, become a fine tool for an introduction to video before progressing to the big guns? In the end, you all will be the ones to decide.

First-Person POV Shooting – Daredevil Videos, and more?

by Richard Ober | October 5th, 2011

My son took the GoPro HD out the other day, mounted it under his bike seat just above the rear tire, and pointed it backward.  And off he went for a quick spin around our city’s park and along it’s miles of bike paths and single track trails.

The video he shot was pretty cool; nice views of the road or the trail, framed by the park’s stately oaks, and all of it receding away from the fish-eye view of the camera. The most visually interesting part of this mini-project was the way the bike tire nearly bisected the frame and continually provided a dramatic focal point of reference as it spun along. This was his intention and by mounting the camera so low and close to the tire, he achieved his purpose. The video he shot now awaits editing, the application of some yet-to-be created layered-on animation, and pairing it with his favorite music (most likely Green Day’s “Boulevard of Broken Dreams”). Once he’s finished I think he’ll have a very nice little video. But of course, I’m biased.

But not so biased that I won’t readily acknowledge that some astonishing video has been coming out of these little cameras since about 2004 and that this video obviously puts my son’s bike project to shame. Anyone familiar with the GoPro brand and the hundreds of extreme sports videos available in nearly every nook and cranny of the web, knows the name Jeb Corliss.

Mr. Corliss, who seems ready, willing,  able and downright eager to jump off nearly anything, is one of this genre’s best assets. Who wouldn’t want to make videos like this? Travel the world in search of more and more exotic film settings? Sign me up. Fly through canyons and over waterfalls without the annoyance of armrests, seat belts, or stale cabin-pressurized air? You bet. Launch your body off 6000′ cliffs and skim over jagged rocks wearing nothing but a neoprene superhero-like wing suit? Uh, well, maybe not. But watch video’s of Jeb Corliss and the legion of other daredevils willing to let us be voyeurs to their adventures? Yep, all day long.

Corliss and GoPro recently announced another milestone in capturing a new piece of human-to-geography interfacing (technospeak for “wicked awesome stunt”) when Corliss “successfully wingsuited through a cave above Tianmen mountain in the Hunan Province of China.”

It’s easy to be captivated by “stunt” videos. But that begs the question: what else could you do with cameras, of any make, that are uniquely suited for first-person shooting? At the other end of the spectrum from Jeb Corliss and his cohorts leaping off tall objects in single bounds, is the much more subtle work of Robert Ladislas Derr, a performance artist whose medium of choice includes video.

Derr often uses four cameras, one each pointing forward, backward, right, and left, shooting as he wanders the streets in places like Vancouver, Boston, and New York. These unfiltered (and apparently largely unedited) video immersions into both urban and natural landscapes take first-person video to a near extreme. Robert Ladislas Derr’s first-person videos are really worth checking out.

What will you be shooting with your first-person camera tomorrow?

While it may be unlikely that you’ll ever shoot your entire project on a simple pocket or minicam, these devices certainly can provide a quick and easy way to capture first-person point-of-view footage. See our buyer’s guide for these inexpensive cameras.

For more on first person point-of-view shots and a review of the Go Pro HD Hero see our article from this past June.

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