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	<title>Comments on: Is Film School Necessary?</title>
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		<title>By: composite1</title>
		<link>http://www.videomaker.com/community/videonews/2008/12/4167-is-film-school-necessary/comment-page-1/#comment-8061</link>
		<dc:creator>composite1</dc:creator>
		<pubDate>Thu, 11 Dec 2008 20:37:48 +0000</pubDate>
		<guid isPermaLink="false">http://videomaker.com/community/blogs/videonews/2008/12/4167-is-film-school-necessary/#comment-8061</guid>
		<description>I&#039;ve heard the arguments for and against filmschool. Here&#039;s the reality I ran into; Experience is great, but it takes lots of time. During that time you&#039;ll no doubt learn some good lessons the hard way. The days of &#039;starting from the ground up&#039; are coming to a close. I was fortunate enough to get education and experience by doing production work in the military. Whereas in 3 years I went from camera grip to fully-fledged producer-director, I found things in the civilian world moved glacially slow. After I got out of the service, I was highly qualified and had the reel to prove it but no one would hire me. I started my own company, but quickly found that the industry was moving forward at light-speed with the transition to digital and I knew I was falling behind. So when a sponsorship for graduate school fell into my lap, I knew filmschool was my best option. I did solid research and found a school with a program that suited my requirements and it was one of the smartest things I&#039;ve ever done. As a previous poster said, &quot;cutting down on the learning curve&quot; is no joke and anytime you can, do so. A while back IFC had a commercial about &#039;independent movies&#039; and Dennis Leary made a comment about &#039;take the money for filmschool and go make your movie&#039;. I always thought that was bad advice, because you need to know how to make a movie before you can make one. It just so happens, the school I went to will only graduate you if &#039;you make a film&#039;. So in the process of getting excellent training, working with experienced and world-class industry professionals, networking with other potential professionals, I also wrote produced shot and directed my first independent feature film. Now, I also agree with another poster in that there are pros who will hold filmschool against you. I recently had an applicant apply for a gig as a producer. Though he possessed a fair reel, all of his experience was from school. I wasn&#039;t going to hire him as a full producer because he had no real-world experience. If he had a mixture of both, I would have hired him in an instant. I did however offer a gig as a producer&#039;s assistant which would have allowed him to do much of the &#039;heavy lifting&#039; producers must learn to do to evaluate his potential. He unfortunately felt he was too well-trained for a gig like that. Bottom line: These days you need both. If you can go to school, go. If you can&#039;t, slog it out and build your experience but the first chance you can go to school, go!</description>
		<content:encoded><![CDATA[<p>I&#8217;ve heard the arguments for and against filmschool. Here&#8217;s the reality I ran into; Experience is great, but it takes lots of time. During that time you&#8217;ll no doubt learn some good lessons the hard way. The days of &#8216;starting from the ground up&#8217; are coming to a close. I was fortunate enough to get education and experience by doing production work in the military. Whereas in 3 years I went from camera grip to fully-fledged producer-director, I found things in the civilian world moved glacially slow. After I got out of the service, I was highly qualified and had the reel to prove it but no one would hire me. I started my own company, but quickly found that the industry was moving forward at light-speed with the transition to digital and I knew I was falling behind. So when a sponsorship for graduate school fell into my lap, I knew filmschool was my best option. I did solid research and found a school with a program that suited my requirements and it was one of the smartest things I&#8217;ve ever done. As a previous poster said, &#8220;cutting down on the learning curve&#8221; is no joke and anytime you can, do so. A while back IFC had a commercial about &#8216;independent movies&#8217; and Dennis Leary made a comment about &#8216;take the money for filmschool and go make your movie&#8217;. I always thought that was bad advice, because you need to know how to make a movie before you can make one. It just so happens, the school I went to will only graduate you if &#8216;you make a film&#8217;. So in the process of getting excellent training, working with experienced and world-class industry professionals, networking with other potential professionals, I also wrote produced shot and directed my first independent feature film. Now, I also agree with another poster in that there are pros who will hold filmschool against you. I recently had an applicant apply for a gig as a producer. Though he possessed a fair reel, all of his experience was from school. I wasn&#8217;t going to hire him as a full producer because he had no real-world experience. If he had a mixture of both, I would have hired him in an instant. I did however offer a gig as a producer&#8217;s assistant which would have allowed him to do much of the &#8216;heavy lifting&#8217; producers must learn to do to evaluate his potential. He unfortunately felt he was too well-trained for a gig like that. Bottom line: These days you need both. If you can go to school, go. If you can&#8217;t, slog it out and build your experience but the first chance you can go to school, go!</p>
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