OK now weÂ’re getting somewhere!
Last few questions:
Why did you encode to “Progressive Scan”?
When you filmed with your GL2, what shooting mode did you use? “NORMAL” mode (interlaced) or “FRAME” mode (non-interlaced)
Does you VCR support progressive scan?
Does your TV say it supports progressive scan?
What format are you watching in? NTSC or PAL
What type of TV are you trying to play this on? HD, LCD, DLP, or a basic CRT (tube)
Lastly, how do you have your VCR connected to the TV? RCA style cable, S-Video, Component video, DVI, HDMI, optics or standard coaxial cable.
IÂ’m 99% sure that is all has to do with using progressive scan and how you got there. I donÂ’t know too many people that encode to that for their homemade projects only because if you ever wanted to give a disk to someone else, chances are they wonÂ’t have the correct hardware.
Depending on how you answer the questions above, I think I (or we :) ) can zero right in where the problem is. I’m pretty sure that it could be one of two things. If you filmed with your camera set to “NORMAL” (interlaced) shooting mode and you edited everything in PPro as interlaced video, that trying to encode to progressive scan which is a non-interlaced format will cause a somewhat lousy picture that could be blurry and full of artifacts. Or... it has to do with the hardware on the viewing end and how you have it setup and hooked together.
Normally however you usually want to use interlaced video settings for television viewing of homemade video.
RAM