Now Rish, I know you didn't just fall off the turnip truck and decide to become a filmmaker, and that you're really just pulling our legs to see who'll fall for this. X-D
We all know, and surely you do too, that you don't just "decide" to become an independent filmmaker. You work your way up to the good cams with lesser cams and earn your "wings" by flying copilot with more experienced shooters, or creating crappy films that gradually get a little better every six months or so.
Therefore, with all the time you've spent working your way up that ladder, I'm sure you've learned exactly what you do and do not like about your old GL2 (or AGD-C7 or whatever) and you now know exactly what features, bells and whistles you want in your new cam.
Good luck - let us know what cam you end up with and how you do at Sundance!