Houston, you got a problem!
(Had to say that; couldn’t help myself.)
Greg, 100 feet away from the stage; you can’t get closer than that!!!
And IMO it is absolutely uncool that every wide shot is going to feature you and your wandering camera in front of the band, with camera light possibly blowing out faces, exposure-wise, as recorded by the long distance cam. The band is the star, not the video guy. Your word “funny†is a serious understatement for this state of affairs.
Can’t you put a tripod on stage for the static cam.
And it seems you may have missed numerous posts here about the less than dazzling performance of HiDef in low light.
Try renting some Sony VX 2100s or PD 170s locally. Or send me a roundtrip ticket (reside in DC by the Zoo) and I’ll come to your town with a couple of these low light champs. You can put me up or I’ll take $300 for expenses and we’ll shoot some remarkable Standard Def images that will kick start your nephew’s band to fame and fortune. (That last part not guaranteed.) I’ve got my motor running…
REGARDS … TOM 8)