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<title>Videomaker Community Forums &#187; Topic: Mixing cameras on two camera shoot</title>
<link>http://www.videomaker.com/community/forums/</link>
<description>Videomaker Community Forums &#187; Topic: Mixing cameras on two camera shoot</description>
<language>en</language>
<pubDate>Sat, 18 Feb 2012 13:49:23 +0000</pubDate>

<item>
<title>Sous on "Mixing cameras on two camera shoot"</title>
<link>http://www.videomaker.com/community/forums/topic/mixing-cameras-on-two-camera-shoot#post-49218</link>
<pubDate>Thu, 16 Jul 2009 11:24:37 +0000</pubDate>
<dc:creator>Sous</dc:creator>
<guid isPermaLink="false">49218@http://www.videomaker.com/community/forums/</guid>
<description>&#60;p&#62;Thanks both. Interesting reading. I still wonder what &#34;useful&#34; advantages the  DSR might have over the PD's. Maybe the quality of lenses might give a more cinemagraphic feel through a shorter depth of focus for example.&#60;/p&#62;
&#60;p&#62;Certainly the PD170s are less expensive to hire so the DSR's would have to have some significant advantages for me to go for them.&#60;/p&#62;</description>
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<title>The shooter on "Mixing cameras on two camera shoot"</title>
<link>http://www.videomaker.com/community/forums/topic/mixing-cameras-on-two-camera-shoot#post-49188</link>
<pubDate>Wed, 15 Jul 2009 14:27:15 +0000</pubDate>
<dc:creator>The shooter</dc:creator>
<guid isPermaLink="false">49188@http://www.videomaker.com/community/forums/</guid>
<description>&#60;p&#62;Check this out for multi-cam&#60;/p&#62;
&#60;p&#62;&#38;lt;span style=&#34;font-size: 13px; line-height: 20px;&#34;&#38;gt;
&#60;/p&#62;
&#60;p&#62;&#60;a rel=&#34;nofollow&#34; href=&#34;http://www.videomaker.com/article/12970/&#34;&#62;http://www.videomaker.com/article/12970/&#60;/a&#62;&#60;/p&#62;
&#60;p&#62;&#60;a rel=&#34;nofollow&#34; href=&#34;http://www.videomaker.com/article/10691/&#34;&#62;http://www.videomaker.com/article/10691/&#60;/a&#62;&#60;/p&#62;
&#60;p&#62;&#60;a rel=&#34;nofollow&#34; href=&#34;http://www.videomaker.com/article/14244/&#34;&#62;http://www.videomaker.com/article/14244/&#60;/a&#62;&#60;/p&#62;
&#60;p&#62;&#38;lt;/span&#38;gt;
&#60;/p&#62;</description>
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<item>
<title>XTR-91 on "Mixing cameras on two camera shoot"</title>
<link>http://www.videomaker.com/community/forums/topic/mixing-cameras-on-two-camera-shoot#post-49180</link>
<pubDate>Wed, 15 Jul 2009 06:27:24 +0000</pubDate>
<dc:creator>XTR-91</dc:creator>
<guid isPermaLink="false">49180@http://www.videomaker.com/community/forums/</guid>
<description>&#60;p&#62;I'm not familiar with Sony camcorders, but from a little bit of research, it looks like both camcorders are expensive DV pro models.&#60;/p&#62;
&#60;p&#62;&#60;em&#62;&#60;strong&#62;1st question&#60;/strong&#62; - Is this likely to be overkill for a short training application? Would something like a Sony PD170 do the job as well?&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Both are 3ccd professional models, so it probably doesn't matter. Just for the sake of it, use the more expensive model during your one camera setup.&#60;/p&#62;
&#60;p&#62;&#60;em&#62;&#60;strong&#62;2nd question&#60;/strong&#62; - For my 2nd camera, should I keep it the same as the main camera or could I use the PD170 (assuming I use a DSR for main camera)?&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Try comparing recordings from both camcorders and see which one has the best image quality - then use that as the main one. Also, you don't want to use two cameras that have noticeable differences in picture quality in a multi-cam setup.&#60;/p&#62;
&#60;p&#62;&#60;em&#62;&#60;strong&#62;3rd question&#60;/strong&#62; - Being in a food outlet on the higfh street it is going to be fairly tight for space and probably quite bright inside. We are filming 2 people have a conversation. What would be recommendation on lighting - Redheads, videssence etc?&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;You might be able to get a pro quality recording with no external lighting. If the picture is darker than desired, consider using a 3-point light setup: &#60;a href=&#34;http://www.videomaker.com/article/13531/&#34;&#62;Three-Point Lighting 101&#60;/a&#62;&#60;/p&#62;
&#60;p&#62;&#60;em&#62;&#60;strong&#62;4th question&#60;/strong&#62; - I will have a soundman with us. Would you aim to feed sound back to one camera or both?&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;You should first make sure that both camcorders are in sync while recording/editing. Feed the audio into one camcorder, then use the same sound recording when switching between both camera shots.&#60;/p&#62;</description>
</item>
<item>
<title>Sous on "Mixing cameras on two camera shoot"</title>
<link>http://www.videomaker.com/community/forums/topic/mixing-cameras-on-two-camera-shoot#post-49176</link>
<pubDate>Wed, 15 Jul 2009 02:00:39 +0000</pubDate>
<dc:creator>Sous</dc:creator>
<guid isPermaLink="false">49176@http://www.videomaker.com/community/forums/</guid>
<description>&#60;p&#62;I have a fairly basic shoot to do for a training film but I am not sure about a couple of finer points so hope someone can help.&#60;/p&#62;
&#60;p&#62;My budget is fairly limited so I am having to think carefuly about what kit and resource I employ without risking it being a poor end result.&#60;/p&#62;
&#60;p&#62;The shoot will be a number of fairly short customer service scanarios (2min) in a hight street food outlet. I was aiming to use as my main camera a Sony DSR 570.&#60;/p&#62;
&#60;p&#62;1st question - Is this likely to be overkill for a short training application? Would something like a Sony PD170 do the job as well?&#60;/p&#62;
&#60;p&#62;2nd question - For my 2nd camera, should I keep it the same as the main camera or could I use the PD170 (assuming I use a DSR for main camera)?&#60;/p&#62;
&#60;p&#62;3rd question - Being in a food outlet on the higfh street it is going to be fairly tight for space and probably quite bright inside. We are filming 2 people have a conversation. What would be recommendation on lighting - Redheads, videssence etc?&#60;/p&#62;
&#60;p&#62;4th question - I will have a soundman with us. Would you aim to feed sound back to one camera or both?&#60;/p&#62;
&#60;p&#62;Cheers&#60;/p&#62;
&#60;p&#62;Duncan&#60;/p&#62;</description>
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