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	<title>Comments on: Reality Shooters are Storytellers #2</title>
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	<link>http://www.videomaker.com/community/docutips/2008/04/06/reality-shooters-are-storytellers-2/</link>
	<description>Shooting actuality for visual storytelling</description>
	<lastBuildDate>Tue, 19 Jan 2010 16:56:35 +0000</lastBuildDate>
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		<title>By: bodeene</title>
		<link>http://www.videomaker.com/community/docutips/2008/04/06/reality-shooters-are-storytellers-2/comment-page-1/#comment-67</link>
		<dc:creator>bodeene</dc:creator>
		<pubDate>Tue, 19 Jan 2010 16:56:35 +0000</pubDate>
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		<description>Thanks Peter. Excellent - valuable and useful - advice for amateurs like myself.</description>
		<content:encoded><![CDATA[<p>Thanks Peter. Excellent &#8211; valuable and useful &#8211; advice for amateurs like myself.</p>
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		<title>By: Lasereye</title>
		<link>http://www.videomaker.com/community/docutips/2008/04/06/reality-shooters-are-storytellers-2/comment-page-1/#comment-59</link>
		<dc:creator>Lasereye</dc:creator>
		<pubDate>Wed, 25 Mar 2009 15:50:38 +0000</pubDate>
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		<description>Mainstream media is not reality TV.  Everyone on those shows has learned how to work the camera from previous shows.  They have learned they must do something outrageous to get attention and hopefully their moment of fame takes place and makes them a few bucks or launches them into a new career.  It is hardly reality when you know you are being watched by a camera.

You as the cameraman always tell the story from a subjective point of view.  You choose what gets seen or not seen as soon as you turn the camera on.  It&#039;s not reality unless you put the camera in the corner of a room and let it record with no editing. Now that is a true documentary film.  You have reality in the room when people show up and they don&#039;t know a camera is watching!  

I think the biggest gift or talent a cameraman can have is the talent of being there but not being there.  Where his equipment is small and compact where he melts into the environment over time - becoming a member of the group - where people trust, relax and become themselves - essentially - forgetting about the camera presence.

Technical proficiency and camera technique are important but connecting at the human level is vital in capturing a real story with real human behavior, emotions and thought.</description>
		<content:encoded><![CDATA[<p>Mainstream media is not reality TV.  Everyone on those shows has learned how to work the camera from previous shows.  They have learned they must do something outrageous to get attention and hopefully their moment of fame takes place and makes them a few bucks or launches them into a new career.  It is hardly reality when you know you are being watched by a camera.</p>
<p>You as the cameraman always tell the story from a subjective point of view.  You choose what gets seen or not seen as soon as you turn the camera on.  It&#8217;s not reality unless you put the camera in the corner of a room and let it record with no editing. Now that is a true documentary film.  You have reality in the room when people show up and they don&#8217;t know a camera is watching!  </p>
<p>I think the biggest gift or talent a cameraman can have is the talent of being there but not being there.  Where his equipment is small and compact where he melts into the environment over time &#8211; becoming a member of the group &#8211; where people trust, relax and become themselves &#8211; essentially &#8211; forgetting about the camera presence.</p>
<p>Technical proficiency and camera technique are important but connecting at the human level is vital in capturing a real story with real human behavior, emotions and thought.</p>
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