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Video Editing : Format King

by Morgan Paar
2007-01-01
In attics, basements and closets everywhere, there are piles of tapes waiting for the ambitious video editor to give them new life.

10 Steps to the Best Video for Worship

by Hal Robertson
2007-09-01
Shooting within the confines of a live event can try the patience of Job. But pulling it off is heavenly joy.

11 Tips for Location Scouting

by Bill Fisher
2002-11-01
Selecting the right location is the first step on the road to a successful shoot.

2001 Video Products in Review

by Stephen Muratore
2001-10-02
An introduction to this special issue of Videomaker magazine.

31 Reasons To Edit

by Dr. Robert G. Nulph
2000-05-01
Not convinced that editing is for you? Here are 31 reasons to get off the fence and start editing today.

5 Steps to Great Video Production

by Randal K. West
2005-10-01
Every successful shoot starts with a good plan.

A Buyer's Guide Special Edition

by Brian Peterson
2005-10-02

A Buyer's Guide to Video Making Tools

by Stephen Muratore
2004-10-02

A Step-by-Step Guide to Encoding for the Web

by John Davis
2000-10-02
Learn how to take your video file from your hard drive, create a streaming media file and then post it to a Web site.

A Word from Our Announcer: On-Camera Speaking Tips

by Jim Stinson
2002-10-01
Everyone on TV, from newsreaders to ad spokespersons to documentary narrators, practices the craft of speaking on-camera. Talking to an audience from the TV screen takes a special kind of skill--a skill that isn't too hard to master, as you're about to see.

Analog to Digital Converters

by Charles Bloodworth
2002-04-01
How to Convert analog to digital video using an external A/D converter or DV camcorders as analog to video converters.

Anatomy of a Vidiot

by Pat Bailey
2003-11-01
It's good to laugh at ourselves once in a while.

Are you ready for HDV?

by Kyle Cassidy
2006-10-02
I was in my early teens in the late 1970s when the VHS/Betamax wars were raging. My best friend Robbie took the plunge and bought a Betamax. Indecisive, I waited.

Audio Advice

by Hal Robertson
2003-10-01
Many video editing programs include a feature that allows you to adjust audio volume continuously throughout a clip. Premiere calls these rubber bands and they are very simple to use.

Audio advice: Analog to Digital Conversion

by Loren Alldrin
1998-04-01
How to convert analog to digital.

Audio Advice: Digital Audio Basics

by Chris Meyer
1996-04-01
What digital audio is, and how it's going to change what we actually hear when we play back our video masterpieces.

Audio Advice: Hidden Microphone

by Hal Robertson
2001-04-01
The art of recording audio in a manner inconspicuous to the viewer. In other words, you're hiding the microphone from the "eye" of the viewfinder.

Audio Advice: The Right Tool for the Job

by Hal Robertson
2006-04-01
Using an off-board mic is a big step for many video producers but just using any old mic is not good enough. For the best sound, use the best mic for the situation.

Audio Advice: Traveling Sounds

by Hal Robertson
2005-07-01
Probably the most important audio tool in your kit, normalizing analyzes the audio in a video clip and boosts the volume so the peaks are at maximum volume.

Audio Advice: Videotaping Conversations

by Hal Robertson
2006-12-01
Tips for to improve conversation audio in your video

Audio Glossary

by Chuck Peters
2000-02-01

Audio: 10 Voiceover Tips

by Hal Robertson
2008-03-01
Voiceovers are the mainstays of advertising, instruction and promotional videos, television programs and feature films.

Audio: It's a Noisy World

by Hal Robertson
2008-05-01
Unless you're sitting in the middle of a soundproof room, the sounds of distant traffic noise, construction and aircraft are everywhere.

Audio: It's Foley Time

by Hal Robertson
2008-02-01
Imagine the sounds of a good Western without the sound effects of horses, gunshots, bar scenes and a fist fight. Your soundscape is just as important as your visualscape.

Audio: Sound Control

by Hal Robertson
2008-04-01
Compression makes vocals easier to hear and volumes more consistent and brings out sounds that might get lost in a complicated mix.

Audio: Squeezing Sound

by Robertson Hal
2008-01-01
With all the buzz about Internet video, YouTube and video sharing in general, it would be easy to forget about audio on the Internet.

Author Your Own Director's Cut on DVD

by Scott Anderson
2002-04-01
Making video for DVD isn't like producing for VHS. It's a whole new ball game!

Back-pocket Video Production

by Larry Burke-Weiner
1997-11-01
Almost anyone can pull a video production out of his or her figurative back-pocket. We'll show you how to do it with a camcorder, some props from your neighborhood, a little imagination, and some videotape.

Basic Training: 11 Steps to Add Some Spice to Your Video

by Kyle Cassidy
2005-02-01
Give some pizzazz to your videos with a few simple techniques.

Basic Training: 7 Ways to Involve the Kids

by Kyle Cassidy
2006-07-01
Children love to make videos, all they need is the impetus and opportunity. So take the camera out of the closet on a lazy Sunday and say

Basic Training: Breaking it Down

by Kyle Cassidy
2008-03-01
Not all tripods are created equal... One techie breaks them down to explain what each part does, and what to hunt for when you're ready to stand on three legs... or one.

Basic Training: Buttons, More Buttons

by Kyle Cassidy
2006-06-01
Some camcorders have a plethora of buttons, others are menu-driven. Many name a button control one thing, and others call it something else. It's time for the button game.

Basic Training: Camera Magic

by Dr. Robert G. Nulph
2005-01-01
All the tricks and techniques of in-camera effects that take your ho-hum video from the ordinary to the brilliant with these savvy shooter's tips.

Basic Training: Composition 101: Part 1

by Kyle Cassidy
2006-09-01
What makes great art great? Composition. In this first of two parts, we'll reveal some of the secret tricks of composition that the Masters use

Basic Training: Composition 102: Part 2

by Kyle Cassidy
2006-10-01
Beauty might be in the eye of the beholder, but a great photo is due to well-executed and thought-out composition. Take your seats, it's time for the Advanced Class in Composing.

Basic Training: Composition Tips for 16:9

by Kyle Cassidy
2007-12-01
Shooting for widescreen doesn't mean just shooting wider. It's how to creatively get your entire subject in frame and what will be lost if viewed on a 4:3 aspect ratio TV.

Basic Training: Controlling Exposure

by Kyle Cassidy
2008-02-01
Most of the time, you can't just point-and-shoot for great video design; sometimes you need to control the light going into your camcorder to get better pictures.

Basic Training: Dive In! The Water's Fine!

by Kyle Cassidy
2007-07-01
There's something about water that fascinates us. We're drawn to it, for travel, food, and entertainment.

Basic Training: Editing 101

by Kyle Cassidy
2006-12-01
"Leave it on the cutting room floor" is an old film phrase signifying to edit out stuff you don't need. It's a good reminder to cut down your piece for a tighter final project.

Basic Training: Focus on Focus

by Kyle Cassidy
2007-10-01
There's more to getting your camera in focus than meets the eye. But what is focus?

Basic Training: Gearing Up for Battle

by Michael Reff
2005-12-01
Before you grab your gear and hop on your trusty steed, you need advance preparation to successfully ride off into battle.

Basic Training: In Decent Exposure

by Kyle Cassidy
2006-04-01
In a digital video camera there is no physical shutter, but, because there is a body of understanding about how film cameras work, we still call the electrical signal "shutter speed."

Basic Training: Keep it Clean

by Kyle Cassidy
2006-01-01
Make that camcorder last until the next format change with these simple ways to prolong its life and proper operation.

Basic Training: Lenses - The Long and Short

by Jim Stinson
2005-11-01
Wide-angle and telephoto lenses render images differently from the way we naturally see things. Skilled videographers can exploit these differences to create effective shots.

Basic Training: Looking for Light

by Kyle Cassidy
2007-01-01
Shooting in a low light setting is more than just turning down the lights or opening your camcorder's aperture. You can't take low light shooting lightly.

Basic Training: Low Budget, Big Bang

by Kyle Cassidy
2007-09-01
One of the most exciting things that has happened to moviemaking lately is that consumer products have approached the level of professional gear.

Basic Training: Move It!

by Jim Stinson
2006-05-01
When you want a moving shot, you have all kinds of options, including a few that you might not have thought of before.

Basic Training: Nine Digital Cinematography Tips

by Kyle Cassidy
2007-08-01
So you know about medium shots, wide shots, closeups and even extreme closeups. But why do your videos still lack that special zing?

Basic Training: Practice Makes Perfect

by Kyle Cassidy
2006-11-01
Artists, athletes and entertainers all know that the best way to become the best at what you do is to practice as often as you can. Why shouldn't video producers do the same?

Basic Training: Shoot to Show or to Edit

by Randy Hansen
2005-09-01
"Shoot to Show" and "Shoot to Edit" are two different styles requiring different methods of planning. No one knows these techniques better than a run-and-gun News Photographer.

Basic Training: Shoot Yourself!

by Kyle Cassidy
2006-02-01
If you visit a Hollywood film production, or sit through its credits, you know it takes busloads of people to get the production in the can. But what if you don't have access to busloads of people?

Basic Training: Shooting an Interview

by Kyle Cassidy
2006-03-01
It might not be 60 Minutes, (more like 15 minutes!) but if you want to make your interviews shine like Ed Bradley's on CBS, read on!

Basic Training: Shooting on the Go

by Jenny Hanson
2005-07-01
Videographers rely heavily on tripods to get smooth, steady and level images. While essential, they can be a hassle when there's no time for setup.

Basic Training: Shooting the Four Seasons

by Randy Hansen
2005-08-01
"Neither Rain nor Sleet nor Dark of Night..." will keep the dedicated videographer from capturing the essence of the seasons... and you can too, with these tips from the pros.

Basic Training: Shot Lingo

by Kyle Cassidy
2007-04-01
Tips to define the shot you want, and the language to create it.

Basic Training: Stage It!

by Kyle Cassidy
2007-03-01
Look, Ma!! I'm famous! The stage exists for one reason:

Basic Training: Super Vacation Videos

by Kyle Cassidy
2007-06-01

Basic Training: Take Your 8mm Film to Digital

by Kyle Cassidy
2006-08-01
Make sure your priceless family treasures don't get left behind. Here are some tips to turn your twentieth century celluloid into twenty-first century ones and zeros.

Basic Training: The (Alien) Sky's the Limit!

by Kyle Cassidy
2005-03-01
Your color creation palette is limited only to the imagination when you understand how to use the simple video filters in your editing software.

Basic Training: The 9 Classic Camera Moves

by Brian Schaller
2005-04-01
Camera moves can make your project look super professional or incredibly amateurish depending on how well you use them.

Basic Training: The Rules of the Grid

by Kyle Cassidy
2008-01-01
Knowing the technical workings of your camera is half the battle of shooting a good video. Understanding good composition can really give your work some pizazz.

Basic Training: Three-Point Lighting 101

by Kyle Cassidy
2008-05-01
Lighting can be extremely complicated. Some movie and TV shoots use dozens of lights to assure proper scene lighting. Here's a primer to help dispel the mystery.

Basic Training: What were you THINKING?!

by Jennifer O'Rourke
2005-05-01
Have you ever wanted to wrestle a camcorder away from Uncle Buck while at a

Basic Training: Winning with Composition

by Kyle Cassidy
2005-06-01
When one shot flows into another seemingly seamlessly, you've got the makings of good shot composition.

Basic Training: YouTube - Step by Step

by Kyle Cassidy
2008-04-01
Everybody's jumping on the YouTube bandwagon, from cats and kids to vacation travelers and pros. It's fun and it's easy. Here are some quick tips to getting started.

Basic Training: Zing Your Images

by Kyle Cassidy
2007-11-01
Bored by your video camera's limitations? Wish you had a wider lens, longer zoom or could connect your camcorder to a telescope or microscope? Try looking at lens adapters!

Becoming a Professional Video Editor

by Bill Davis
2006-07-01
Part 1: Growth, your tools and your space. Step 1: Clean up your act! If video editors desk is a home-office catch-all, the video editor is not using space effectively or time efficiently.

Biography Videos: New Application for Home Video

by Matthew York
2004-08-01
Personal biography videos are becoming a successful niche service for videographers.

Broaden Your Video Horizons

by Pat Bailey
2004-01-01
How high-speed broadband Internet is changing the course of digital video.

Budgeting Time

by William Ronat
2001-12-01
How long will it take? Calculate your time investment before you start with these planning tips.

Build a Guerrilla Sound Booth

by Peter Utz
2002-02-01
You've got the makings of a great audio production booth, right in your own home.

Buyer Beware!

by Randy Hansen
2006-10-02
Smart shopping up front will help you avoid a headache later.

Cable TV: Leased Access

by Mark Bosko
1995-10-01
How to lease airtime from cable TV to broadcast your message.

Camcorder Battery Tips

by Chuck Peters
2002-07-01
How to make sure your battery is still alive when your ready to make that critical shot.

Camcorder Care

by Joe McCleskey
1998-08-01
Nine Tips to Keep Your Camcorder as Fresh as a New Baby.

Camcorder Danger: Risks People Take for the Camera

by Stephen Muratore
1996-05-01
The dangers of putting a camcorder on a person who would put themselves or others at risk to show off.

Camcorder Glossary

by Chuck Peters
1999-12-01

Camcorder lighting: On-Camera Lights

by Jim Stinson
2003-06-01
How to make the most of an on-board lamp.

Camcorder lighting: On-Camera Lights

by Robert Nulph
2007-01-01
Whether you're trying to improve an otherwise impossibly dark shot or add a little pop to an adequately lit scene, an on-camera light is a critical tool.

Camera Work: As Easy as A/B Roll

by Jim Stinson
1995-08-01
As Easy as A/B Roll

Camera Work: Buttons, Blasted Buttons

by Jim Stinson
1995-04-01
Buttons, Blasted Buttons

Camera Work: Camcorder TLC

by Jim Stinson
1995-10-01
Camcorder TLC

Camera Work: Et Cetera, Et Cetera

by Jim Stinson
1996-02-01
Et Cetera, Et Cetera

Camera Work: Learn from the Pros

by Jim Stinson
1995-07-01
Learn from the Pros

Camera Work: Letting in Some Light

by Jim Stinson
1995-02-01
Letting in Some Light

Camera Work: On with the Show!

by Jim Stinson
1995-12-01
On with the Show!

Camera Work: People

by Jim Stinson
1995-09-01
People

Camera Work: Shot Language

by Jim Stinson
1995-03-01
Shot Language

Camera Work: Shots and Scenes

by Jim Stinson
1996-01-01
Shots and Scenes

Camera Work: Simple Camcorder Editing

by Jim Stinson
1995-06-01
Simple Camcorder Editing

Camera Work: Smooth Moves

by Jim Stinson
1994-12-01
Smooth Moves

Camera Work: Video Space

by Jim Stinson
1995-05-01
Video Space

Camera Work: What's Your Angle

by Jim Stinson
1995-11-01
What's Your Angle

Casting Shadows with Cookies: A Recipe for Success

by Dr. Robert G. Nulph
2001-08-01
Create unique visual effects with homemade cookies and gobos.

Charity Video

by Brian Schaller
2007-08-01
For aspiring video producers, it's always hard to find some interesting subject matter. Are you looking for an audience?

Choosing an Audio Mixer

by Mike Loehr
1997-02-01
Tips for choosing the best audio mixer.

Church Video: Lights, Camera, Worship

by Bill Mauger
2004-06-01
You'll never walk alone: a pragmatic guide to worship video from those who have gone before.

Communication: The Foundation of Production

by Randal K. West
2003-11-01
The most important thing a director has to do is communicate.

Computer Editing: 5 Phases of Editing

by Jim Stinson
2000-10-01
Conquer editing in five major phases: organizing, assembling, enhancing, synthesizing and archiving.

Computer Editing: A Transition Style Sheet

by Jim Stinson
2000-11-01
Fade, dissolve, wipe, flip, spin and more. A checklist for innovative transitions.

Computer Editing: Applying Speed Effects in Post

by Michael Kuhlman
2003-02-01
Spectacular speed effects using your nonlinear editing program.

Computer Editing: Basic Compositing

by Bill Davis
2001-08-01
In a field as rapidly changing as video production, few "buzzwords" generate more interest than "compositing."

Computer Editing: Breaking the Two-Gig Barrier

by Joe McCleskey
2002-05-01
Digital video editors can conquer the 2-gigabyte file size dilemma. Here's how.

Computer Editing: Clip Trimming Made Easy

by Brian Peterson
2002-12-01
Cut the time you spend editing by trimming your clips before you import.

Computer Editing: Color Tweaking

by Bill Davis
2002-01-01
Digital-video tools built into today's editing computers allow videographers to manipulate on-screen color.

Computer Editing: Common Editing Problems

by Don Collins
2001-04-01
You've got problems? We've got solutions. Tips for troubleshooting common editing software problems.

Computer Editing: Editing Approaches

by Joe McCleskey
2001-05-01
Part I: When Pictures Drive Sound. Sometimes what you see determines the pace of your edit.

Computer Editing: Editing Audio First

by Bill Davis
2003-06-01
Sometimes sound comes first.

Computer Editing: Film Effects

by Tom Patrick McAuliffe
2002-06-01
Post-production tips and tricks to make your video look like film.

Computer Editing: Getting Started in Computer Editing

by Jim Stinson
2001-01-01
There's more to editing than knowing which buttons to press.

Computer Editing: Go with the Flow -- Editing for Continuity

by Bill Davis
2003-03-01
Paying attention to the continuity can help you communicate clearly with your audience.

Computer Editing: Introduction to Computer Animation

by Scott Anderson
2002-02-01
Today's powerful animation software can help you create dazzling animation productions.

Computer Editing: Keying, Alpha Channels and Mattes

by Bill Davis
2002-09-01
Dive into the wonderful world of compositing and enter a world without creative limits.

Computer Editing: Let's Talk Titles

by Bill Harrington
2001-02-01
Find out everything you need to know to make great titles for all your video productions.

Computer Editing: Log and Capture Concepts

by Bill Davis
2002-03-01
Plan ahead by sorting and numbering your video clips in an organized way.

Computer Editing: Making Moving Titles

by Don Collins
2001-10-01
Making moving titles is easy with today's video editing software.

Computer Editing: Making the Most of Bad Footage

by Chuck Peters
2001-09-01
Practical editing tips to help you turn terrible footage into terrific video.

Computer Editing: Multi-Camera Editing

by Bill Davis
2001-12-01
Here are some helpful hints for editing multi-camera footage into a finished production.

Computer Editing: Saying a Lot With a Little

by Amanda Cuda
2003-01-01
Use titles and graphics to grab your viewer's attention.

Computer Editing: Shooting for a Specific Audience

by Bill Davis
2003-07-01
Tailor your shows for the people who will watch them.

Computer Editing: Six Transgressions of the Edit Suite: An Editor's Tale

by Bill Davis
2003-04-01
Gather round ye acolytes of seamless editing. Today's scroll concerns a subject near and dear to all who believe in the power of the smooth program.

Computer Editing: Special Effect Video Filters

by Bill Davis
2002-11-01
Take advantage of your video editor's special effects filters, just don't overdo it.

Computer Editing: Split Man

by Don Collins
2000-12-01
Learn how and when to use split edits to add meaning, depth and interest to your video productions.

Computer Editing: Tailoring Edits to Specific Viewers

by Arthur Aiello
2001-07-01
How to tailor your programs to suit the likes and dislikes of your target audience.

Computer Editing: The ABCs of NLEs

by Tom Patrick McAuliffe
2002-08-01
Video editing, as a whole, is greater than the sum of its parts.

Computer Editing: The Language of Editing

by Mark Bosko
2001-03-01
Learn the language of editing and edit like the pros.

Computer Editing: Video Filter Effects

by Bill Davis
2002-10-01
Applying electronic filters in post-production can cure many of your footage's ailments.

Computer Editing: Watch Your Language!

by Bill Harrington
2001-11-01
Knowing what messages your video's transitions send goes a long way in helping you choose the right effect.

Computer Editing: Which Comes First, the A or the V?

by Bill Davis
2003-05-01
Editing when the picture drives the soundtrack.

Computer Video Editing: What's the Best Approach?

by Joe McCleskey
2001-06-01
To beginning editors it may seem that visuals are the determining factor in making edit decisions. The truth is that editing is often a process of matching visuals to essential audio.

Computer Video Glossary

by Chuck Peters
1999-10-02
A guide to computer-video terms that every video editor needs to know.

Copy Protection

by Mark Levy
2002-01-01
Protecting your work can lead to some confusing red tape. Use these tips from two copyright attorneys to help you cut through it.

Copyright: Legal Issues You Need to Know

by Mark Levy
2003-01-01
Get permission or face the music.

Desktop Video News and Reviews

by Doug Polk
1995-09-01

Desktop Video News and Reviews

by Doug Polk
1995-08-01

Desktop Video News and Reviews

by Doug Polk
1995-04-01

Desktop Video News and Reviews

by Doug Polk
1995-02-01

Desktop Video News and Reviews

by David Brott
1995-12-01

Desktop Video News and Reviews

by David Brott
1995-11-01

Desktop Video: Bundles of Joy

by Scott Anderson
1995-07-01
Bundles of Joy

Desktop Video: Computer-generated Video

by Scott Anderson
1995-03-01
Computer-generated Video

Desktop Video: Digital Nonlinear Editing

by Bob Doyle
1995-02-01
To begin nonlinear editing, you'll need some way to digitize your video and audio clips.On the PC, locate an Intel Smart Video Recorder Pro (or the Creative Labs Video Blaster RT300).

Desktop Video: Digitize It

by Dave Felder
1995-11-01
Digitize It

Desktop Video: DTV Switchers and SEGs

by Bob Doyle
1995-01-01
DTV Switchers and SEGs

Desktop Video: Linear vs. nonlinear Video

by Scott Anderson
1995-04-01
Linear vs. nonlinear Video

Desktop Video: Logging Tapes

by Scott Anderson
1995-06-01
Logging Tapes

Desktop Video: Scripting, Logging and More

by Bob Doyle
1994-10-01

Desktop Video: Shooting Video for Multimedia

by Dave Felder
1995-09-01
Shooting Video for Multimedia

Desktop Video: Singing the NTSC Red-green Blues

by Scott Anderson
1995-10-01
Singing the NTSC Red-green Blues

Desktop Video: The DTV Edit Controller

by Bob Doyle
1994-11-01

Desktop Video: The Mac Platform

by Scott Anderson
1996-02-01
The Mac Platform

Desktop Video: The PC Platform

by Dave Felder
1996-01-01
The PC Platform

Desktop Video: Tips for Terrific Titles

by Scott Anderson
1995-05-01
Tips for Terrific Titles

Desktop Video: Titles and Graphics

by Bob Doyle
1994-12-01
Titles and Graphics

Digital Video Editing: The Grammar of Editing

by Jim Stinson
1998-06-01
Bad Grammar can lead to a bad impression. Learn the grammar of editing to avoid common mistakes.

Digital Video Lighting : Enhance Video with Light & Color

by Jim Stinson
2004-03-01
Tinted gels, correct white balance, and correct Lighting for digital video can make the different between professional and amateur quality.

Directing for the Screen

by Jim Stinson
2001-08-01
Learn how to apply four major directing tools: point of view, composition, perspective and movement.

Directing to Edit

by Jim Stinson
2003-09-01
By anticipating your editor's needs and shooting footage to fulfill them, you can help create a better program--and a happier editor.

Directing: Decoding the Video Crew

by Robert G. Nulph, Ph.D.
2008-02-01
As a one-man-band, you wear many hats, but when your production gets bigger, you have to share the load. But who ya gonna call? Get ready for the name game, it’s "Crew Call" time!

Directing: Directing Documentaries

by Robert G. Nulph, Ph.D.
2008-04-01
Documentaries are about real people in real places doing real things. Documentaries were the first films ever made.

Directing: Dual-Role Directing

by Dr. Robert G. Nulph
2006-06-01
Multitasking when you are directing is not easy but sometimes necessary. Here are a few suggestions.

Directing: Recruiting Talent

by Dr. Robert G. Nulph
2006-08-01
One of the most difficult, important and rewarding things a director has to do is find, recruit and work with talent.

Director's Chair: Back to Film School

by Robert G. Nulph, Ph.D
2007-08-01
Watching films is a classroom in itself, yet you really have to have the right tools to become a critical viewer.

Director's Chair: Directing a Fall

by Dr. Robert G. Nulph
2007-04-01
Physical comedy has been a hallmark of the film industry since the early days of the silent film.

Director's Chair: Everyday Masterpieces

by Robert G. Nulph, Ph.D
2006-12-01
December - a time of cold and perhaps snow. A few weeks of quiet time before the onrush of the holiday season.

Director's Chair: Just What Should I Wear?

by Robert G. Nulph, Ph.D.
2007-10-01
Scrutinize the wardrobes on TV and in the movies, and you'll see most of the clothing worn by the actors will blend well with each other. This isn't an accident.

Director's Chair: Maintaining Continuity

by Dr. Robert Nulph
2007-06-01
Even in blockbuster movies, continuity errors happen, and eagle-eyed viewers love to find the mistakes.

Director's Chair: Planning Your Shoot

by Hal Robertson
2007-12-01
There is an old saying in the business world that goes, "Poor prior planning leads to particularly poor programs." This is especially true in the video industry.

Director's Chair: Screen Direction

by Robert G. Nulph, Ph.D
2007-02-01
Screen direction is perhaps one of the most confusing yet easily remedied problems in directing a video production.

Director's Chair: Secrets of Storytelling

by Dr. Robert G. Nulph
2006-10-01
"And Toto, Too?" Say any classic movie line, and everyone knows not only the movie you're referring to, but also which scene and the character who spoke it.

Director's Chair: Who's in Charge Here?

by Jim Stinson
2006-02-01
You don't need puffy pants and a megaphone to be an assertive, successful director. But you do need to take control.

Distribution

by Mike VanHelder
2008-02-01
Profit On Demand

Distribution: Compressing the Goods

by Andrew Burke
2008-01-01
Everybody's doing it. Whether it's for private e-mail to friends, or mass distribution, here are a few basics and then some for compressing video for the Web.

Distribution: Distributing the Goods

by Andrew Burke
2008-04-01
From YouTube to those that pay, video-sharing sites have risen from the obscure to dominate internet users' online experience. Which one is best for your video?

Distro Bistro

by James DeRuvo
2006-07-01
You've finally got that masterpiece in the can, now what?

Do-it-Yourself Hoop Windscreen

by Hal Robertson
2001-10-01
Step-by-step instructions on how to build an inexpensive narration windscreen

Edit Points: A History of Videotape Editing

by Mike Loehr
1995-05-01
A History of Videotape Editing

Edit Points: A Sound Investment

by Mark Bosko
1995-01-01
A Sound Investment

Edit Points: Add Spice with Special Effects

by Mike Loehr
1996-02-01
Add Spice with Special Effects

Edit Points: Choosing and Using Edit Controllers

by Mike Loehr
1995-06-01
Choosing and Using Edit Controllers

Edit Points: Edit Types

by Mike Loehr
1995-10-01
Edit Types

Edit Points: Editing Bureaus: Visions for Rent

by Mark Bosko
1995-02-01
Editing Bureaus: Visions for Rent

Edit Points: Editing VCRs

by Mike Loehr
1995-12-01
Editing VCRs

Edit Points: Flash Titler

by Mark Bosko
1994-12-01
Flash Titler

Edit Points: Linear vs. Nonlinear Editing

by Mike Loehr
1995-11-01
Linear vs. Nonlinear Editing

Edit Points: Master Cuts

by William Ronat
1994-10-01

Edit Points: Moving to Time Code

by Mike Loehr
1995-07-01
Moving to Time Code

Edit Points: Picking a Protocol

by Mike Loehr
1995-08-01
Picking a Protocol

Edit Points: The Big Picture

by Mike Loehr
1996-01-01
The Big Picture

Edit Points: The Importance of Calibration

by Mark Bosko
1995-03-01
The Importance of Calibration

Edit Points: When You Don't Have a Controller

by Mike Loehr
1995-09-01
When You Don't Have a Controller

Edit Suite: Aesthetics of Editing

by Mike Loehr
1997-06-01
Editing is an important part of making video. But the best edits are those that the audience doesn't even notice.

Edit Suite: An Off-line On-line Outline

by Jim Stinson
1998-10-01
Editing at home on your PC can save you time and money, but there are limitations.

Edit Suite: Analog vs. Digital Editing

by Jim Stinson
1998-03-01
Clarity shines on the murky confusion surrounding the two types of signals.

Edit Suite: Bare-bones Editing: Simple Editing Without a Controller

by Dave Welton
1997-10-01
If you want to edit your videos but you don't want to set up an editing system, here's a simple solution.

Edit Suite: Behold the Humble Cut

by Mike Loehr
1996-08-01
No video transition is so simple and inexpensive as the cut. And none is so powerful.

Edit Suite: Choosing a Titler

by Mike Loehr
1996-06-01
A titler will do more than just put text on the screen--it can also give your productions a more professional look.

Edit Suite: Choosing an Edit Controller

by Mike Loehr
1997-01-01
Now that you've taped several hours of weddings, birthdays, and other precious moments, it's time to make them watchable.

Edit Suite: Continuity

by Jim Stinson
1999-04-01
Continuity is the job of both the director and the editor.

Edit Suite: Continuity Boot Camp

by Mike Loehr
1996-05-01
How to put an end to the often comical - and always embarrassing - continuity error.

Edit Suite: Deck Control, Once Over Lightly

by Jim Stinson
1998-01-01
If you plan to buy an editing system or improve your current one, it pays to understand edit protocols.

Edit Suite: Editing Cameras

by Mike Loehr
1997-05-01
Editing equipment is becoming smaller, less cumbersome and, in some cases, consolidated within the camcorder itself.

Edit Suite: Editing Digital Audio

by Jim Stinson
1999-10-01
Nonlinear audio empowers our soundtrack.

Edit Suite: Editing Picture to Sound

by Jim Stinson
1999-12-01
By carefully matching picture and sound, you can make an otherwise boring video come alive.

Edit Suite: Editing Video Events

by Jim Stinson
2000-07-01
Stuck shooting an event from just one vantage point? Not to worry, as an editor, you have an array of tricks to help create entertaining video anyway.

Edit Suite: Editing: Linear or Nonlinear?

by Jim Stinson
1998-05-01
Don't confuse linear and nonlinear editing with analog and digital formats.

Edit Suite: Fearless Compositing

by Bill Harrington
2000-08-01
Don't be intimidated, compositing is easier than you might think.

Edit Suite: Five Types of Continuity

by Jim Stinson
2000-03-01
Even Hollywood movies can suffer gaps in continuity. Learn what to do to keep continuity throughout your video.

Edit Suite: Fresh Ideas for Titles

by Jim Stinson
2000-09-01
Let's jump beyond the basics and consider titles as a creative component of your shows.

Edit Suite: Getting the Most From an Edit Bureau

by Mike Loehr
1997-03-01
Got a one-time video project to edit? Why spend a fortune buying editing equipment when you can rent it?

Edit Suite: How to Use Time Code

by Arthur Aiello
1997-11-01
Contrary to what you might think, time code’s frame accuracy makes it easier and faster to edit video.

Edit Suite: It's About Time: How To Control Pacing

by Jim Stinson
1998-04-01
Make your videos more interesting by manipulating time.

Edit Suite: Learn to Log and Love It

by Jim Stinson
1999-11-01
Time spent logging tapes is surely time well spent.

Edit Suite: Linear Editing: Ten Tips for Success

by Jim Stinson
1999-06-01
A handful of helpful hints for tape-to-tape editors.

Edit Suite: Make it Snappy

by Jim Stinson
1999-08-01
Create vibrant videos using the appropriate tempo to keep your audience interested and asking for more.

Edit Suite: Making a Video Album

by Jim Stinson
1998-08-01
Turn your home videos into family keepsakes.

Edit Suite: Master Editors

by Mike Loehr
1996-09-01
One of the best ways to learn when and where to edit is to imitate those who have done it brilliantly.

Edit Suite: Nonlinear Editing: 10 Tips for Success

by Jim Stinson
1999-03-01
Helpful advice for nonlinear project management.

Edit Suite: Once Upon a Time: The History of Videotape Editing

by Dr. Robert G. Nulph
1997-07-01
One look at where we've come from will make you appreciate how far we've come

Edit Suite: Pesky Edit Blemishes

by Jim Stinson
2000-05-01
Attention to detail pays off in the end.

Edit Suite: Plan for Better Editing

by Mike Loehr
1996-07-01
A stitch in time saves nine. An edit plan saves time.

Edit Suite: Play It Again!

by Jim Stinson
2000-06-01
Don't just use that shot once. Here are some sneaky reasons to recycle footage.

Edit Suite: Real is in the Eye of the Beholder

by Jim Stinson
2000-04-01
The creative editor can suggest impossible realities to a believing audience.

Edit Suite: Shaping Performance through Editing

by Jim Stinson
1998-11-01
Simple tricks for editing complicated dialogue.

Edit Suite: Switcher Magic

by Mark Bosko
1994-11-01

Edit Suite: TBC Trivia

by Mike Loehr
1996-03-01
Answers to common questions about one of video's least-understood tools.

Edit Suite: Test Your Monitor Knowledge

by Mike Loehr
1996-10-01
TVs, video monitors and computer monitors may look similar, but savvy videomakers know how they differ, and how to use them.

Edit Suite: The Direct Approach

by Jim Stinson
1998-12-01
Editing begins as soon as the camera rolls.

Edit Suite: The Heart of Your Edit Suite: Editing Decks

by Arthur Aiello
1997-12-01
Just what is it that sets an Edit Deck apart from just any old VCR?

Edit Suite: The Ins and Outs of Edit Controllers

by Dr. Robert G. Nulph
1997-08-01
Recording footage with your camcorder is one thing; turning it into a watchable video is another. Consider an edit controller.

Edit Suite: The Language of Transitions

by Jim Stinson
1999-07-01
The classical use of transitions, though not flashy, can be a powerful means to communicate.

Edit Suite: The Language of Video Editing

by Dave Welton
1997-09-01
The content of your video is important, but so is the way you put it together.

Edit Suite: The Mysteries of Screen Direction

by Jim Stinson
2000-01-01
The basic rules for screen direction are deceptively simple.

Edit Suite: The Power of Suggestion

by Jim Stinson
1998-09-01
How can you achieve a big-budget look for your video with a no-budget budget?

Edit Suite: The Power of the Cut

by Jim Stinson
1999-05-01
The simplest transition effect may also be the most powerful.

Edit Suite: Titles the Old-Fashioned Way

by Jim Stinson
2000-02-01
Titles don't have to be fancy to be effective.

Edit Suite: Transition Tricks

by Mike Loehr
1996-04-01
Here's how to put transitions to work in your video productions.

Edit Suite: Using Your Computer for Linear Editing

by Mike Loehr
1996-12-01
While nonlinear editing systems seem to be all the rage, computer-controlled linear editing is tried, true and affordable.

Edit Suite: Warp Speed: Conquering Space and Time

by Jim Stinson
1999-09-01
Through judicious editing, we exercise our omnipotence over the little worlds we create on screen.

Edit Suite: What Is Editing?

by Jim Stinson
1998-02-01
Create a video program by adding, sequencing and enhancing your camcorder footage.

Edit Suite: You're Entitled!

by Jim Stinson
1999-01-01
Creative titling is a fun and easy way to add spice and character to your videos.

Edit The Plan: Part 3 of Production Planning

by Jim Stinson
2005-06-01
Planning for post-production will re-focus your vision of the program you want and then help you create it with the material you've got.

Editing Digital Audio

by Bill Davis
2000-10-02
The secret ingredient that all the pros agree must be added to each of your video recipes if you want to cook up an outstanding program.

Editing: Desktop Editing FAQ

by Bill Davis
2004-01-01
If video editing is anything, it's a fast-moving target.

Editing: Digital Spaghetti

by Bill Davis
2004-02-01
An edit bay that can live with the residents of your house.

Editing: Editing from Start to Finish, Part 1 of 4

by Bill Davis
2004-04-01
This is the first part of a planned 4-part introduction to video editing. Part 1: Prep, Log and Capture.

Editing: Editing from Start to Finish, Part 2 of 4

by Bill Davis
2004-05-01
A Four Part Videomaker Series. Part 2: Get Editing! Cut, Trim and Pace.

Editing: Editing from Start to Finish, Part 4 of 4

by Bill Davis
2004-07-01
A Four Part Videomaker Series. Part 4: Sweeten It!

Editing: Editing tips

by Morgan Paar
2008-01-01
The Dissolve: A Winning Edit

Editing: Get Organized!

by Stephen Muratore
2003-10-01
"Beauty from order springs."--William King, Art of Cookery

Editing: Intermediate Codec Transcoding

by Morgan Paar
2008-05-01
As CPUs get faster, machines are able to utilize more RAM and editing software gets more efficient, the need for intermediate codecs for editing HDV may fall away.

Editing: It's the Pace, Ace!

by Bill Davis
2004-03-01
Program pacing is a neglected art that may be more important than you think.

Editing: Layering Video

by Bill Davis
2003-09-01
Creating composite effects.

Editing: Making Moving Titles

by Bill Davis
2003-11-01
Create basic motion graphics with your editor's timeline.

Editing: Motivation

by Morgan Paar
2008-03-01
It's a bird... it's a plane... it's ... the motivated edit? It's a powerful editing technique, but to execute it well, you must consider the final edit when you plan the first shot.

Editing: Polished Work

by Morgan Paar
2008-04-01
From rough cut to finished product, you want to deliver the goods as cleanly as possible. Here are the Seven Steps to Creating an Excellent Polished Work.

Editing: Using Stock Footage

by Bill Davis
2003-08-01
Stock footage can save you both time and money.

Editing: What Did You Say?

by Bill Davis
2003-12-01
Understanding the hidden meanings of transition effects.

Editor's Letter: Making video is a lot easier than it used to be

by Matthew York
1999-10-02
Sitting in front of a computer that is configured for video editing is a wonderful experience and now it’s easier than ever.

Editor's Letter: So you want to learn how to make video with your computer?

by Matthew York
2000-10-02
Making high quality video is easier than ever before.

Editor's View

by John Burkhart
2007-10-02
Looking for Gear? It's All in Here...

Editor's View: An All Things HD Buyer's Guide

by Brian Peterson
2006-10-02

Fan Films

by Michael Gomez
2006-11-01
Star Wars Continues with Fan Film Fans

Fan Films on the Web

by James DeRuvo
2002-08-01
It doesn't cost millions of dollars to creat a blockbuster, only a camcorder and a desire to play Jedi.

Finding Talent for Videos

by Randal K. West
2002-11-01
A handy guide to finding, auditioning and hiring the best performers for your next production.

From Shot Lists to Storyboards

by Tad Rose
2004-06-01
Organizing your project before you shoot can save you time during the edit stage.

Getting Started: A New Perspective

by Lauryn Axelrod
1998-06-01
Use creative camera angles to improve your videos.

Getting Started: Altering Space and Time with Video

by Arthur Aiello
2000-09-01
The space-time continuum used to be the sole domain of science-fiction writers.Today it is the playground of the videographer.

Getting Started: Artistic Vision

by Lauryn Axelrod
1998-01-01
Ten simple camera techniques can give your videos an "artistic" look.

Getting Started: Audience Appreciation: Be Kind to Your Viewers

by Chuck Peters
1998-03-01
Four questions you should ask yourself before you hit that red record button.

Getting Started: Auto vs. Manual

by Jim Stinson
1996-03-01
If better-looking video is your goal, maybe it's time you took control.

Getting Started: Avoiding Common Camcorder Mistakes

by Arthur Aiello
1998-04-01
Five ways to keep from shooting yourself in the foot.

Getting Started: Camcorder Maintenance

by Arthur Aiello
2000-07-01
Common sense and TLC will keep your camcorder in tip-top shape at all times.

Getting Started: Camera Move Aesthetics

by Arthur Aiello
1999-12-01
Carefully chosen camera moves contribute immensely to the aesthetic quality of your video.

Getting Started: Cause and In-camera Effect

by Arthur Aiello
1999-03-01
In the right circumstances, a good in-camera effect is just what the doctor ordered.

Getting Started: Choosing Your Camcorder

by Jim Stinson
1997-03-01
What's the best camcorder you can buy? It depends on what you need, what you want, and how much you can spend.

Getting Started: Composition: A Work of Video Art

by Arthur Aiello
1999-06-01
Attention to framing will make any video more interesting.

Getting Started: Connecting Editing Equipment

by Jim Stinson
1996-11-01
Making the right connections isn't just smart, it's a neccessity.

Getting Started: Copy Stand Shooting

by Arthur Aiello
1999-02-01
It's the best way to shoot art, photos and small objects in extreme closeup.

Getting Started: Creative Camcorder Supports

by Arthur Aiello
2000-03-01
There's no excuse for shaky shots.

Getting Started: Creative Camcorder Work

by Arthur Aiello
1999-07-01
By creatively positioning your camcorder, you can elicit a wide range of emotional responses from your audience.

Getting Started: Do You Copy?

by Jim Stinson
1996-06-01
Transferring photos to video is easy with the right tools and a little know-how.

Getting Started: Don't Get Fooled Again: The Power of Manual Control

by Dave Welton
1998-02-01
Put yourself in control of your camcorder's automatic features.

Getting Started: Easy Editing the Two-Finger Way

by Arthur Aiello
1999-05-01
Edit your footage with a camcorder, a TV and a VCR.

Getting Started: Focal Techniques

by Arthur Aiello
2000-08-01
Making focus work to your advantage is a key part of producing good video.

Getting Started: Handheld Camera Techniques

by Arthur Aiello
1998-09-01
Steady camera shots without a tripod can be easy if you practice these simple tips.

Getting Started: High Concept, Low Sweat

by Jim Stinson
1997-01-01
Organization can mean the difference between a confusing series of clips and a compelling, satisfying video. All it takes is a little forethought and a little planning.

Getting Started: How to Avoid Common Camcorder Mistakes

by Arthur Aiello
2000-02-01
By avoiding the most common camcorder mistakes, you can come closer to video perfection.

Getting Started: In-Camera Edit Control

by Jim Stinson
1997-12-01
Put an edit controller inside a camcorder and what do you have? A video Swiss Army knife.

Getting Started: In-Camera Editing

by Arthur Aiello
1999-09-01
In-camera editing is video production without the safety net.

Getting Started: Keep on Trucking

by Arthur Aiello
1998-10-01
Camera moves that will help you make better videos.

Getting Started: Lens Techniques

by Arthur Aiello
1999-11-01
Your camcorder's eye - the lens - can create come interesting focal effects.

Getting Started: Lenses: Long and Short, Wide and Tight

by Jim Stinson
1996-05-01
Harness the power of the zoom lens for maximum visual impact.

Getting Started: Manual Controls

by Arthur Aiello
1999-08-01
Sometimes it pays to be a control freak

Getting Started: No Respect

by Jim Stinson
1994-10-01

Getting Started: Saving Family Classics: Film-to-Video Transfer

by Arthur Aiello
1999-01-01
Do-it-yourself film-to-video is easy and allows you to add a personal touch to your classic footage.

Getting Started: Shooting for the Holidays

by Jim Stinson
1994-11-01

Getting Started: Shooting on Sunny Days

by Arthur Aiello
2000-04-01
When shooting outdoors, you should maintain control of the most important video component: light.

Getting Started: Shooting to Edit vs. Editing In-Camera

by Arthur Aiello
2000-05-01
The difference between shooting to edit and editing in-camera is like shooting with a safety net or flying by the seat of your pants.

Getting Started: Sideline Video: Shooting Sports

by Jim Stinson
1996-12-01
Videotaping sports events can be just as challenging as the games themselves. Here's a few hints to help you hit a home run with your viewers.

Getting Started: Slide to Video Transfer Tips

by Arthur Aiello
1999-04-01
Transferring slides to video can be a very simple process.

Getting Started: Space, Time and Videotape

by Arthur Aiello
1998-11-01
The camcorder allows you to warp time to your advantage.

Getting Started: The Boring Parts Cut Out

by Jim Stinson
1996-07-01
When you show your videos, does your audience cry "Mercy, mercy! Or "More, more!"? Some simple editing could make the difference.

Getting Started: The Case of the Missing Controls

by Jim Stinson
1997-06-01
Automatic point-and-shoot camcorders are convenient, but manual control of certain functions can do your videos a world of good.

Getting Started: The Great Balloon Video-A Case Study

by Jim Stinson
1997-07-01
If you're short on video equipment and expertise, go long on planning. It'll help your video take off.

Getting Started: The Joy of Sets

by Jim Stinson
1996-10-01
With your imagination, a few inexpensive props and some clever framing, you can defy reality

Getting Started: The Seven Deadly Camera Sins

by Jim Stinson
1997-04-01
Follow these easy guidelines for video you'll be proud of.

Getting Started: The Top 10 Reasons Nobody Likes to Watch Your Videos

by Arthur Aiello
1998-12-01
Keeping your audience awake for the final credits is easy when you avoid these basic video hazards.

Getting Started: The [Record] Head of Class

by Jim Stinson
1997-02-01
How to select the best video equipment for your school's production needs without breaking your budget, and how to use it wthout straining your skills.

Getting Started: Tripod Techniques

by Arthur Aiello
1999-10-01
Take a closer look at that most indispensible of video tools - the tripod.

Getting Started: Using Light

by Jim Stinson
1996-09-01
Light is the most essential element in videomaking. Here's how to make the best use of it.

Getting Started: Video Composition

by Arthur Aiello
2000-06-01
Good shot composition is at the heart of attractive video.

Getting Started: Video Time Travel

by Jim Stinson
1997-08-01
Video is a time machine. Learn to control it, and you can really have some fun.

Getting Started: Videotape T.L.C.

by Dr. Robert G. Nulph
1998-05-01
Take care of your videotapes and they'll reward you.

Getting Started: Visual Composition

by Jim Stinson
1996-08-01
You don't have to be George Gershwin to be a great composer. Just carefully arrange your video scenes, and you'll achieve visual harmony.

Getting Started: What's Holding Things Up?

by Jim Stinson
1997-09-01
Tripods are simple but essential videomaking tools. Unfortunately, they're often overlooked.

Getting Started: Writing Video Letters

by Jim Stinson
1997-05-01
If you have trouble using written words to relate a story or to describe an experience, try using your camcorder.

Getting Started: Your Camcorder's Buttons

by Arthur Aiello
2000-01-01
What do all those buttons do, anyway?

Getting Started: ZOOM!!

by Jim Stinson
1997-11-01
Used skillfully, your camcorder’s zoom lens can set you apart as a savvy shooter.

Glossary of Editing Terms

by Chuck Peters
1999-10-01

Green Screen Lighting

by Jim Stinson
2005-10-01
Virtual green screen sets are no longer just for the privileged Hollywood bigwigs.

Hangin' with the Oscar Nominees

by Jennifer O'Rourke
2007-05-01
A Videomaker Special Report

HD Take 5: Make-up for High Definition

by Brian Peterson
2006-10-02
Wrinkles, pores and blemishes disappear in five simple steps.

HDV Editing Dos & Don'ts

by Bill Davis
2006-10-02
Is HDV really the next big thing? In potential for greatness, perhaps. In "file size" surprisingly not. But in "gotchas"... maybe.

Holiday Gift Guide: Four Tips for Stuffing Video Stockings

by Stephen Muratore
1999-12-01
Don’t know what to give? Here are some gift ideas that every videographer will love.

Hollywood's Secrets Revealed: Special Effects in the Movies

by Scott Anderson
1998-10-01
Look inside the creation of some of special effects in the movies.

Home Video Hints

by Arthur Aiello
2000-11-01
Move It! Camera Move Aesthetics. Pan and tilt are common camera moves.

Home Video Hints: A Videographer's Family Vacation

by Jim Stinson
2002-06-01
Make sure you have all the mobile video equipment you need when you head out on the road.

Home Video Hints: Baby, It's Cold Outside!

by Arthur Aiello
2000-12-01
Keep your camcorder safe in cold, wet winter weather.

Home Video Hints: Camcorder Battery Care

by Joe McCleskey
2004-10-01
Take Charge! Don’t miss your best shot of the day to a dead battery.

Home Video Hints: Camera Moves

by Jim Stinson
2002-10-01
Pivots, pans, tilts and zooms--learn to generate camera moves that work for you.

Home Video Hints: Camera Sinners, Repent!

by Jim Stinson
2002-09-01
An in-depth look at seven suspect shots you should avoid when shooting your footage.

Home Video Hints: Common Camcorder Mistakes

by Arthur Aiello
2001-02-01
Learn to avoid some of the most common mistakes made by camcorder users.

Home Video Hints: Common Shooting Mistakes

by William Ronat
2004-02-01
Avoid these 10 mistakes to shoot like a pro.

Home Video Hints: Composing Your Shots

by Dr. Robert G. Nulph
2003-04-01
Shooting great looking video can be as simple as solving a few problems with composition.

Home Video Hints: Composition the Easy Way

by Jim Stinson
2002-07-01
Good composition requires more than just a high-quality camcorder and some nice scenery. There are rules.

Home Video Hints: Digital Editing for Free

by Jim Stinson
2001-07-01
You may already have everything you need to start editing. Here's an easy, three-step guide on how to start.

Home Video Hints: Easy-to-make Labels

by Dr. Robert G. Nulph
2003-12-01
Simple labels for your videos and DVDs.

Home Video Hints: Editing 101: School's in Session

by Morgan Paar
2004-03-01
For novice and intermediate editors, here are some tips to consider as you move towards editing perfection.

Home Video Hints: Editing for Absolute Beginners

by Jim Stinson
2001-05-01
Your TV and VCR are all that you need to start editing.

Home Video Hints: Four Essential Audio Elements

by Chuck Peters
2003-10-01
What you hear is as important as what you see.

Home Video Hints: Get Those Tapes in Shape

by Jim Stinson
2002-03-01
Limbering up your tapes by blacking, fast forwarding and pre-labeling them can save you headaches.

Home Video Hints: Holiday Videos that Rock!

by Jim Stinson
2004-12-01
A quick and easy recipe for capturing family memories.

Home Video Hints: Home Video Distribution

by Joe McCleskey
2003-09-01
There are more options for getting your video seen than ever before.

Home Video Hints: How to Use Available Light

by Garret C. Maynard
2004-09-01
Available light can be all you need if you patiently think through your options and wisely exploit the location.

Home Video Hints: I've Got This Great Footage...

by Jim Martin
2004-04-01
You have dozens of tapes and hundreds of scenes and shots. Organization isn't just nice, it's a necessity.

Home Video Hints: In-Camera Effects

by Michael Fitzer
2004-01-01
Shoot and edit your own transition effects.

Home Video Hints: Let it Snow, Let it Snow!

by Jim Stinson
2002-12-01
Nasty winter weather is no reason to put your camcorder into hibernation.

Home Video Hints: Make Your Move

by Michael Hammond
2003-06-01
Put the

Home Video Hints: New Rules for Video Vacations

by Bud Elliott
2004-07-01
How to travel safe in the New World Order.

Home Video Hints: Plan for Success

by Jim Stinson
2002-05-01
A little planning goes a long way in making a successful video project.

Home Video Hints: Planning Production: Part I

by Jim Stinson
2003-01-01
Even productions for the home hobbyist can benefit from pre-production planning.

Home Video Hints: Production Planning: Taking Your Act on the Road

by Jim Stinson
2003-02-01
Cover the essentials for smooth shooting.

Home Video Hints: Pushing the Right Buttons

by Jim Stinson
2002-08-01
The presence and location of manual camcorder settings play an important role in video production.

Home Video Hints: Pushing Your Buttons

by Arthur Aiello
2001-01-01
Don't let your new camcorder be overwhelming. Learn the button basics.

Home Video Hints: Ready or Not!

by Jim Stinson
2001-03-01
Camcorder users, like good Scouts, should always be prepared.

Home Video Hints: Sharp Shootin'

by Jim Stinson
2001-04-01
Suggestions to help you record better-looking video every time you shoot.

Home Video Hints: Shoot to Show

by Michael Fitzer
2004-06-01
Tips for in-camera editing.

Home Video Hints: Shoot Video With the Editor In Mind

by Jim Stinson
2001-08-01
Make the editing job easier by keeping the editing process in mind when shooting your video.

Home Video Hints: Shooting Steady

by Dr. Robert G. Nulph
2003-05-01
Steady your shots withh these handy tips.

Home Video Hints: Shooting to Edit - 5 Tips for Success

by Mark Bosko
2000-10-02
Learn to shoot video with the mind of an editor and your editing will be faster, easier and a lot more fun.

Home Video Hints: Shooting Under Cover

by Jim Stinson
2002-04-01
Admit it. There are plenty of times you want to shoot inconspicuously. Here's how.

Home Video Hints: Simple Steps for Camcorder Care

by Jim Stinson
2001-10-01
Keeping your video equipment in tip-top shape can save you big bucks down the road.

Home Video Hints: Steady as She Goes!

by Jim Stinson
2002-01-01
Practical advice to help you shoot smooth, steady footage with or without a stabilizing device.

Home Video Hints: Telling a Simple Story

by Jim Stinson
2001-09-01
Making a story movie is easy, as long as you follow a few simple guidelines.

Home Video Hints: Ten Tips for Great Travel Video

by Jim Stinson
2001-06-01
Be prepared: how to take inventory of your home before disaster strikes.

Home Video Hints: The Seven Golden Composition Rules

by Jim Stinson
2001-11-01
Good video composition doesn't require years of artistic training. Fluency in some basic axioms will suffice.

Home Video Hints: The Three C's of Shooting to Edit

by Jim Stinson
2002-11-01
While shooting video, consider the edit that lies ahead. Keep coverage, continuity and cutability in mind.

Home Video Hints: Thinking Like an Editor

by Garret C. Maynard
2004-08-01
In order to call yourself a professional videographer you need equipment, clients and a good reputation.

Home Video Hints: Titling Tips

by Pat Bailey
2003-08-01
Identifying and resolving basic problems behind ineffective video titles.

Home Video Hints: Using a Built-in Camera Light

by James DeRuvo
2004-05-01
Small, portable and battery powered, a video light can save your shots in more ways than you may know.

Home Video Hints: Video for the Ho-Ho-Holidays

by Jim Stinson
2001-12-01
We have some tips and ideas to improve your inevitable assortment of holiday video clips.

Home Video Hints: Video on CD -- You Can Do it Too!

by Greg Askins
2003-11-01
Follow a reader through the process of creating a VCD

Home Video Hints: Videotaping Children

by Jim Stinson
2002-02-01
Make compelling home videos, not just boring, uninspired raw footage.

Home Video Hints: Watch Your Language!

by Brian Peterson
2003-07-01
The world of transitions speaks a language we all understand--whether you realize it or not.

Home Video Hints: What's Your Angle?

by Arthur Aiello
2000-10-01
Creative camera angles can improve the look of your home videos.

Homemade Sound Effects With Big-Budget Impact

by Loren Alldrin
1998-01-01
Don't buy sound effects, make your own! We'll show you how to create realistic sound effects using Hollywood style tricks to fool the ear.

Homemade Sound Effects: You Won't Believe Your Ears

by Gene Bjerke
2001-04-01
Bring the sound of Hollywood to your videos with tips and tricks of the Foley trade.

How Many Cameras?

by Gene Bjerke
1998-04-01
How can a videographer who only has one camcorder and no control room hope to produce a slick and professional-looking video? Find out how in this article about clever editing techniquesfor making one camera look like many.

How to Make a Documentary - Part 1

by Randal K. West
2006-04-01
Few other communication forms have the power to reveal a unique perspective, capture imagination and even motivate change. In this 3-part series on how to make a documentary, you'll discover how you can move your story from dream to distribution.

How to Make a Documentary Part 2 - "Fulfillment of the Dream"

by Randal K. West
2006-05-01
Considered an art form by many, documentary video production has its own special challenges and rewards. In this second of three parts on how to make a documentary, we'll explore how to plan your approach, find your subject and begin the process of bringing your vision to fruition.

How to Transfer 8mm, 16mm, 35mm or 65mm Film to Video Tape or DVD

by Garret C. Maynard
2004-11-01
A look at do it your self and professional options to transfer your classic 16mm film (or any other type of film) to video or DVD.

How to Use a Camcorder: Buttons and Contols

by Dr. Robert G. Nulph
2003-03-01
Learn how to use the common camera buttons and controls on camcorders.

How to Use a Camcorder: Keeping Your Image Steady

by Jim Stinson
1996-04-01
Ways to steady your camcorder. Use an external viewfinder to keep your hard forehead from touching the camera.

Illuminations: One-Light to Cover them All

by
2005-11-01

Illuminations: Applying 3-Point Lighting

by Dr. Robert G. Nulph
2006-11-01
Some folks consider it a tired cliche, but it's important to know how to set 3-point lighting, so you can work within or without this classic lighting style.

Illuminations: Casting Shadows

by Robert G. Nulph, Ph.D.
2007-07-01
When you think about lighting, you probably think about your lights and where to place them. But what about the shadows?

Illuminations: Color Temperature Strategies

by Jim Stinson
2005-07-01
Coloring your video world with light is more than just turning on a few lamps and setting a good white balance - light is often a mixed bag.

Illuminations: Controlling the Color of Light

by Dr. Robert G. Nulph
2006-09-01
From yellow to blue, soft to harsh, indoor or out, the "color" of the scene changes with your light setup, and can influence the mood of your video.

Illuminations: Diffusion for Contrast Control

by Jim Stinson
2005-02-01
Instead