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Video Editing : Format King

by Morgan Paar
2007-01-01
In attics, basements and closets everywhere, there are piles of tapes waiting for the ambitious video editor to give them new life.

10 Steps to the Best Video for Worship

by Hal Robertson
2007-09-01
Shooting within the confines of a live event can try the patience of Job. But pulling it off is heavenly joy.

11 Tips for Location Scouting

by Bill Fisher
2002-11-01
Selecting the right location is the first step on the road to a successful shoot.

2001 Video Products in Review

by Stephen Muratore
2001-10-02
An introduction to this special issue of Videomaker magazine.

31 Reasons To Edit

by Dr. Robert G. Nulph
2000-05-01
Not convinced that editing is for you? Here are 31 reasons to get off the fence and start editing today.

5 Steps to Great Video Production

by Randal K. West
2005-10-01
Every successful shoot starts with a good plan.

A Buyer's Guide Special Edition

by Brian Peterson
2005-10-02

A Buyer's Guide to Video Making Tools

by Stephen Muratore
2004-10-02

A Step-by-Step Guide to Encoding for the Web

by John Davis
2000-10-02
Learn how to take your video file from your hard drive, create a streaming media file and then post it to a Web site.

A Word from Our Announcer: On-Camera Speaking Tips

by Jim Stinson
2002-10-01
Everyone on TV, from newsreaders to ad spokespersons to documentary narrators, practices the craft of speaking on-camera. Talking to an audience from the TV screen takes a special kind of skill--a skill that isn't too hard to master, as you're about to see.

Analog to Digital Converters

by Charles Bloodworth
2002-04-01
How to Convert analog to digital video using an external A/D converter or DV camcorders as analog to video converters.

Anatomy of a Vidiot

by Pat Bailey
2009-06-01
The Anatomy of a Vidiot - It's good to laugh at ourselves once in awhile. We hope you enjoy this good-natured poke at the Vidiot in all of us.

Audio
Audio Compression Shootout

by Hal Robertson
2008-09-01
MP3 is now a distribution standard. iTunes has sold over a billion compressed audio tracks in AAC format. DVDs, Blu-ray Discs and digital TV all use audio compression.

Audio
Choosing a Microphone

by Hal Robertson
2009-01-01
C'mon! Pick a mic.. any mic! Right!? Wrong! From pickup patterns to wired or wireless, there's a confusing array of mics to choose from. Let's narrow your focus a bit. We've all heard them - videos that sounded like the mic was under a box in the next room.

Audio
Surround Mixing Secrets

by Hal Robertson
2008-10-01
Surround Mixing Secrets... Nearly every motion picture, DVD and many TV shows are mixed in surround sound. Even sporting events use the technology to place the viewer inside the arena.

Audio
Using Your Field Mixer

by Hal Robertson
2008-11-01
Field mixers are a great way to add power, flexibility and quality to your location audio recordings. Maybe you've recently bought a field mixer or are considering one of the models in this month's Buyer's Guide.

Audio
Boom Op 101

by Hal Robertson
2008-07-01
The boom mic is the go-to microphone of choice for most television shows, documentaries and major motion pictures.

Audio
Dual-System Sound

by Hal Robertson
2008-08-01
When you need to sync many mic sources into your video or want to boost the audio you're already collecting, you might want to look at dual-system sound.

Audio
Microphone Tech Specs

by Hal Robertson
2008-12-01
Buying a microphone can be an ordeal. You have to balance features and price, and part of that is having to wade through the many technical specifications.

Audio Advice

by Hal Robertson
2003-10-01
Many video editing programs include a feature that allows you to adjust audio volume continuously throughout a clip. Premiere calls these rubber bands and they are very simple to use.

Audio advice: Analog to Digital Conversion

by Loren Alldrin
1998-04-01
How to convert analog to digital.

Audio Advice: Digital Audio Basics

by Chris Meyer
1996-04-01
What digital audio is, and how it's going to change what we actually hear when we play back our video masterpieces.

Audio Advice: Hidden Microphone

by Hal Robertson
2001-04-01
The art of recording audio in a manner inconspicuous to the viewer. In other words, you're hiding the microphone from the "eye" of the viewfinder.

Audio Advice: The Right Tool for the Job

by Hal Robertson
2006-04-01
Using an off-board mic is a big step for many video producers but just using any old mic is not good enough. For the best sound, use the best mic for the situation.

Audio Advice: Traveling Sounds

by Hal Robertson
2005-07-01
Probably the most important audio tool in your kit, normalizing analyzes the audio in a video clip and boosts the volume so the peaks are at maximum volume.

Audio Advice: Videotaping Conversations

by Hal Robertson
2006-12-01
Tips for to improve conversation audio in your video

Audio Glossary

by Chuck Peters
2000-02-01

Audio: 10 Voiceover Tips

by Hal Robertson
2008-03-01
Voiceovers are the mainstays of advertising, instruction and promotional videos, television programs and feature films.

Audio: Automatic Gain Control a.k.a. The AGC Conspiracy

by Hal Robertson
2009-07-01
In 1983 Engineers, designers, and marketing people discuss an evil plot to take over consumer media with a hidden camera feature called Automatic Gain Control.

Audio: Getting To Know Your On Camera Audio

by Hal Robertson
2009-06-01
Did you know your on camera audio may include several tools? Depending on your make and model, these extra goodies may be hiding somewhere.

Audio: Hearing... Visually!

by Hal Robertson
2008-06-01
Some audio recorded may be sounds you want, others might not. There are magical visual maps of the sounds you hear that allow you to remove and control all that noise.

Audio: It's a Noisy World

by Hal Robertson
2008-05-01
Unless you're sitting in the middle of a soundproof room, the sounds of distant traffic noise, construction and aircraft are everywhere.

Audio: It's Foley Time

by Hal Robertson
2008-02-01
Imagine the sounds of a good Western without the sound effects of horses, gunshots, bar scenes and a fist fight. Your soundscape is just as important as your visualscape.

Audio: Make Your Own Mic Blimp

by Tom Benford
2009-02-01
Owning the latest state-of-the-art video equipment is very cool, but making your own gear can sometimes be a lot more fun. Let's DIY it this month with Audio Accessories. A microphone

Audio: Mixing Audio for Video

by Hal Robertson
2009-04-01
Tips on how to set up your video editing software tools to achieve the best work flow for adding, cleaning and mixing audio for your video...

Audio: Mixing for Mood

by Hal Robertson
2009-03-01
Imagine your favorite movie or TV show without the music. It just doesn't work, does it? What would a Batman movie be without the dark, brooding score? Where would Napoleon Dynamite be without its quirky soundtrack? The selection, timing and mixing of music are critical...

Audio: Plosives and Sibilance

by Hal Robertson
2009-05-01
Using a combination of talent and recording techniques, along with some post-production tricks, you can create a clean, professional vocal recording.

Audio: Sound Control

by Hal Robertson
2008-04-01
Compression makes vocals easier to hear and volumes more consistent and brings out sounds that might get lost in a complicated mix.

Audio: Squeezing Sound

by Robertson Hal
2008-01-01
With all the buzz about Internet video, YouTube and video sharing in general, it would be easy to forget about audio on the Internet.

Author Your Own Director's Cut on DVD

by Scott Anderson
2002-04-01
Making video for DVD isn't like producing for VHS. It's a whole new ball game!

Back-pocket Video Production

by Larry Burke-Weiner
1997-11-01
Almost anyone can pull a video production out of his or her figurative back-pocket. We'll show you how to do it with a camcorder, some props from your neighborhood, a little imagination, and some videotape.

Basic Training: 11 Steps to Add Some Spice to Your Video

by Kyle Cassidy
2005-02-01
Give some pizzazz to your videos with a few simple techniques.

Basic Training: 35mm Lens Adaptors for Video

by Kyle Cassidy
2008-12-01
Why on earth would you want to put a 35mm camera lens on your video camera? It's already got a perfectly good lens on it. One word - bokeh. bokeh is a Japanese word that has no English equivalent - it means...

Basic Training: 7 Ways to Involve the Kids

by Kyle Cassidy
2006-07-01
Children love to make videos, all they need is the impetus and opportunity. So take the camera out of the closet on a lazy Sunday and say

Basic Training: A Checklist To Find The Best Digital Video Camcorder For You

by Kyle Cassidy
2009-09-01
Thinking about getting a new camcorder? Here are 10 points to consider while searching for the best digital video camcorder to suit your needs and budget.

Basic Training: Breaking it Down

by Kyle Cassidy
2008-03-01
Not all tripods are created equal... One techie breaks them down to explain what each part does, and what to hunt for when you're ready to stand on three legs... or one.

Basic Training: Buttons, More Buttons

by Kyle Cassidy
2006-06-01
Some camcorders have a plethora of buttons, others are menu-driven. Many name a button control one thing, and others call it something else. It's time for the button game.

Basic Training: Camera Magic

by Dr. Robert G. Nulph
2005-01-01
All the tricks and techniques of in-camera effects that take your ho-hum video from the ordinary to the brilliant with these savvy shooter's tips.

Basic Training: Camera Movement Techniques - Tilt, Pan, Zoom, Pedestal, Dolly and Truck

by Kyle Cassidy
2009-08-01
Learn to develop a variety of basic camera movement techniques to move your audience when the scene calls for a tilt, pan, zoom, pedestal ,dolly, or truck.

Basic Training: Composition 101: Part 1

by Kyle Cassidy
2006-09-01
What makes great art great? Composition. In this first of two parts, we'll reveal some of the secret tricks of composition that the Masters use

Basic Training: Composition 102: Part 2

by Kyle Cassidy
2006-10-01
Beauty might be in the eye of the beholder, but a great photo is due to well-executed and thought-out composition. Take your seats, it's time for the Advanced Class in Composing.

Basic Training: Composition Tips for 16:9

by Kyle Cassidy
2007-12-01
Shooting for widescreen doesn't mean just shooting wider. It's how to creatively get your entire subject in frame and what will be lost if viewed on a 4:3 aspect ratio TV.

Basic Training: Controlling Exposure

by Kyle Cassidy
2008-02-01
Most of the time, you can't just point-and-shoot for great video design; sometimes you need to control the light going into your camcorder to get better pictures.

Basic Training: Dive In! The Water's Fine!

by Kyle Cassidy
2007-07-01
There's something about water that fascinates us. We're drawn to it, for travel, food, and entertainment.

Basic Training: Editing 101

by Kyle Cassidy
2006-12-01
"Leave it on the cutting room floor" is an old film phrase signifying to edit out stuff you don't need. It's a good reminder to cut down your piece for a tighter final project.

Basic Training: Focus on Focus

by Kyle Cassidy
2007-10-01
There's more to getting your camera in focus than meets the eye. But what is focus?

Basic Training: Format Terminology

by Kyle Cassidy
2009-02-01
Once, there was VHS and there was... VHS. Now with AVCHD, DVCAM, Mini DV and more, recording choices are mind boggling. Let's decipher the alphabet soup. It used to be that home entertainment formats changed very slowly. Phonograph records spun merrily at 78rpm...

Basic Training: Gearing Up for Battle

by Michael Reff
2005-12-01
Before you grab your gear and hop on your trusty steed, you need advance preparation to successfully ride off into battle.

Basic Training: In Decent Exposure

by Kyle Cassidy
2006-04-01
In a digital video camera there is no physical shutter, but, because there is a body of understanding about how film cameras work, we still call the electrical signal "shutter speed."

Basic Training: Keep it Clean

by Kyle Cassidy
2006-01-01
Make that camcorder last until the next format change with these simple ways to prolong its life and proper operation.

Basic Training: Lenses - The Long and Short

by Jim Stinson
2005-11-01
Wide-angle and telephoto lenses render images differently from the way we naturally see things. Skilled videographers can exploit these differences to create effective shots.

Basic Training: Looking for Light

by Kyle Cassidy
2007-01-01
Shooting in a low light setting is more than just turning down the lights or opening your camcorder's aperture. You can't take low light shooting lightly.

Basic Training: Making a Better Baby Video

by Kyle Cassidy
2009-07-01
Making an effective baby video rests very heavily upon knowing your audience. Here's a four-point strategy will keep everyone happy: Shoot, archive, edit, edit.

Basic Training: Move It!

by Jim Stinson
2006-05-01
When you want a moving shot, you have all kinds of options, including a few that you might not have thought of before.

Basic Training: Nine Digital Cinematography Tips

by Kyle Cassidy
2007-08-01
So you know about medium shots, wide shots, closeups and even extreme closeups. But why do your videos still lack that special zing?

Basic Training: Practice Makes Perfect

by Kyle Cassidy
2006-11-01
Artists, athletes and entertainers all know that the best way to become the best at what you do is to practice as often as you can. Why shouldn't video producers do the same?

Basic Training: Recording Good Audio for Video

by Edward B. Driscoll, Jr.
2009-04-01
If they can't understand your audio, they'll walk out. Learn to get the best audio for video. How to select the right mics & sync external recorders.

Basic Training: Seeing the Rule of Thirds

by Kyle Cassidy
2009-03-01
Some photographers and videographers have a Natural Eye that composes shots and scenes all around them, even when they aren't holding a camera. You know you have The Eye when you start composing scenes everywhere you go. Eventually you'll compose using the Rule of Thirds...

Basic Training: Shoot to Show or to Edit

by Randy Hansen
2005-09-01
"Shoot to Show" and "Shoot to Edit" are two different styles requiring different methods of planning. No one knows these techniques better than a run-and-gun News Photographer.

Basic Training: Shoot Yourself!

by Kyle Cassidy
2006-02-01
If you visit a Hollywood film production, or sit through its credits, you know it takes busloads of people to get the production in the can. But what if you don't have access to busloads of people?

Basic Training: Shooting an Interview

by Kyle Cassidy
2006-03-01
It might not be 60 Minutes, (more like 15 minutes!) but if you want to make your interviews shine like Ed Bradley's on CBS, read on!

Basic Training: Shooting on the Go

by Jenny Hanson
2005-07-01
Videographers rely heavily on tripods to get smooth, steady and level images. While essential, they can be a hassle when there's no time for setup.

Basic Training: Shooting the Four Seasons

by Randy Hansen
2005-08-01
"Neither Rain nor Sleet nor Dark of Night..." will keep the dedicated videographer from capturing the essence of the seasons... and you can too, with these tips from the pros.

Basic Training: Shot Lingo

by Kyle Cassidy
2007-04-01
Tips to define the shot you want, and the language to create it.

Basic Training: Stage It!

by Kyle Cassidy
2007-03-01
Look, Ma!! I'm famous! The stage exists for one reason:

Basic Training: Super Vacation Videos

by Kyle Cassidy
2007-06-01
Oh, no! Not the vacation videos! It's time to teach your family amp; friends how to make interesting, entertaining and watchable summer vacation videos.

Basic Training: Take Your 8mm Film to Digital

by Kyle Cassidy
2006-08-01
Make sure your priceless family treasures don't get left behind. Here are some tips to turn your twentieth century celluloid into twenty-first century ones and zeros.

Basic Training: The (Alien) Sky's the Limit!

by Kyle Cassidy
2005-03-01
Your color creation palette is limited only to the imagination when you understand how to use the simple video filters in your editing software.

Basic Training: The 9 Classic Camera Moves

by Brian Schaller
2005-04-01
Camera moves can make your project look super professional or incredibly amateurish depending on how well you use them.

Basic Training: The Low Down on Low Camera Angles

by Tom Benford
2009-05-01
Getting the low-down (perspective, that is) on changing your camera angle changes the mood of the story. Here are some ways to alter the emotional impact of your videos.

Basic Training: The Rules of the Grid

by Kyle Cassidy
2008-01-01
Knowing the technical workings of your camera is half the battle of shooting a good video. Understanding good composition can really give your work some pizazz.

Basic Training: Three-Point Lighting 101

by Kyle Cassidy
2008-05-01
Lighting can be extremely complicated. Some movie and TV shoots use dozens of lights to assure proper scene lighting. Here's a primer to help dispel the mystery.

Basic Training: Tricks for J and L Cuts

by Kyle Cassidy
2008-06-01
Editing is an art, offering you hundreds of choices of cuts in every 30-frame second. The subtle J- and L-cuts are two of the most powerful, yet simple, transitions of all.

Basic Training: Video Lighting Basics - Three-Point Lighting

by Kyle Cassidy
2009-06-01
Making sure your the lighting in your video looks good all comes down to video lighting basics. The best place to start is with three-point lighting.

Basic Training: What were you THINKING?!

by Jennifer O'Rourke
2005-05-01
Have you ever wanted to wrestle a camcorder away from Uncle Buck while at a

Basic Training: Winning with Composition

by Kyle Cassidy
2005-06-01
When one shot flows into another seemingly seamlessly, you've got the makings of good shot composition.

Basic Training: YouTube - Step by Step

by Kyle Cassidy
2008-04-01
Everybody's jumping on the YouTube bandwagon, from cats and kids to vacation travelers and pros. It's fun and it's easy. Here are some quick tips to getting started.

Basic Training: Zing Your Images

by Kyle Cassidy
2007-11-01
Bored by your video camera's limitations? Wish you had a wider lens, longer zoom or could connect your camcorder to a telescope or microscope? Try looking at lens adapters!

Basic Training
About Face!

by Kyle Cassidy
2009-01-01
Many video cameras now seem to include face detection capabilities. But what exactly is face detection? Our primer explains how it works and how it might stump you, too. The story of face recognition technology begins back in 2005, when Nikon released the Coolpix 5900….

Basic Training
Basic Sound for Video

by Kyle Cassidy
2008-08-01
People seem to forget that capturing events requires capturing video and audio. You need to balance the best way to capture video versus the best way to collect sound.

Basic Training
Cutting on Action

by Kyle Cassidy
2008-10-01
One of the advantages of living at the end of 100 years of motion picture editing is that we have access to the collected wisdom of many film and television editors.

Basic Training
Focus More on Focus

by Kyle Cassidy
2008-11-01
Unlike color balance or underexposure, which you can fiddle in post, you get only one shot at getting your focus right. Focus isn't everything, but it's close. Of all the things that impact the effectiveness of your shot, focus is at the very top of the list.

Basic Training
Intro to White Balance

by Kyle Cassidy
2008-09-01
Why would we want to concentrate on white when we shoot in color? Because incandescent, fluorescent and sunlight differ a lot, proving that white isn't always white.

Becoming a Professional Video Editor

by Bill Davis
2006-07-01
Part 1: Growth, your tools and your space. Step 1: Clean up your act! If video editors desk is a home-office catch-all, the video editor is not using space effectively or time efficiently.

Biography Videos: New Application for Home Video

by Matthew York
2004-08-01
Personal biography videos are becoming a successful niche service for videographers.

Broaden Your Video Horizons

by Pat Bailey
2004-01-01
How high-speed broadband Internet is changing the course of digital video.

Budgeting Time

by William Ronat
2001-12-01
How long will it take? Calculate your time investment before you start with these planning tips.

Build a Guerrilla Sound Booth

by Peter Utz
2002-02-01
You've got the makings of a great audio production booth, right in your own home.

Cable TV: Leased Access

by Mark Bosko
1995-10-01
How to lease airtime from cable TV to broadcast your message.

Camcorder Battery Tips

by Chuck Peters
2002-07-01
How to make sure your battery is still alive when your ready to make that critical shot.

Camcorder Care

by Joe McCleskey
1998-08-01
Nine Tips to Keep Your Camcorder as Fresh as a New Baby.

Camcorder Danger: Risks People Take for the Camera

by Stephen Muratore
1996-05-01
The dangers of putting a camcorder on a person who would put themselves or others at risk to show off.

Camcorder Glossary

by Chuck Peters
1999-12-01

Camcorder lighting: On-Camera Lights

by Jim Stinson
2003-06-01
How to make the most of an on-board lamp.

Camcorder lighting: On-Camera Lights

by Robert Nulph
2007-01-01
Whether you're trying to improve an otherwise impossibly dark shot or add a little pop to an adequately lit scene, an on-camera light is a critical tool.

Camera Work: As Easy as A/B Roll

by Jim Stinson
1995-08-01
As Easy as A/B Roll

Camera Work: Buttons, Blasted Buttons

by Jim Stinson
1995-04-01
Buttons, Blasted Buttons

Camera Work: Camcorder TLC

by Jim Stinson
1995-10-01
Camcorder TLC

Camera Work: Et Cetera, Et Cetera

by Jim Stinson
1996-02-01
Et Cetera, Et Cetera

Camera Work: Learn from the Pros

by Jim Stinson
1995-07-01
Learn from the Pros

Camera Work: Letting in Some Light

by Jim Stinson
1995-02-01
Letting in Some Light

Camera Work: On with the Show!

by Jim Stinson
1995-12-01
On with the Show!

Camera Work: People

by Jim Stinson
1995-09-01
People

Camera Work: Shot Language

by Jim Stinson
1995-03-01
Shot Language

Camera Work: Shots and Scenes

by Jim Stinson
1996-01-01
Shots and Scenes

Camera Work: Simple Camcorder Editing

by Jim Stinson
1995-06-01
Simple Camcorder Editing

Camera Work: Smooth Moves

by Jim Stinson
1994-12-01
Smooth Moves

Camera Work: Video Space

by Jim Stinson
1995-05-01
Video Space

Camera Work: What's Your Angle

by Jim Stinson
1995-11-01
What's Your Angle

Casting Shadows with Cookies: A Recipe for Success

by Dr. Robert G. Nulph
2001-08-01
Create unique visual effects with homemade cookies and gobos.

CD/DVD Duplication Services versus Home-Use Duplicators

by Stephen Smith
2008-09-01
A guide to which DVD mass-production option works best for you. You've burned a master disc of your pièce de résistance and are ready to ship it all over. Just one problem: you have only one disc, and burning hundreds by yourself isn't feasible. Or is it? Both duplication services and home-use duplicators create the same outcome, so which one should you go with? This article will arm you with the information you need to choose the option that works best for you, so you can tackle your next big project with ease.

Charity Video

by Brian Schaller
2007-08-01
For aspiring video producers, it's always hard to find some interesting subject matter. Are you looking for an audience?

Choosing an Audio Mixer

by Mike Loehr
1997-02-01
Tips for choosing the best audio mixer.

Church Video: Lights, Camera, Worship

by Bill Mauger
2004-06-01
You'll never walk alone: a pragmatic guide to worship video from those who have gone before.

Communication: The Foundation of Production

by Randal K. West
2003-11-01
The most important thing a director has to do is communicate.

Computer Editing: 5 Phases of Editing

by Jim Stinson
2000-10-01
Conquer editing in five major phases: organizing, assembling, enhancing, synthesizing and archiving.

Computer Editing: A Transition Style Sheet

by Jim Stinson
2000-11-01
Fade, dissolve, wipe, flip, spin and more. A checklist for innovative transitions.

Computer Editing: Applying Speed Effects in Post

by Michael Kuhlman
2003-02-01
Spectacular speed effects using your nonlinear editing program.

Computer Editing: Basic Compositing

by Bill Davis
2001-08-01
In a field as rapidly changing as video production, few "buzzwords" generate more interest than "compositing."

Computer Editing: Breaking the Two-Gig Barrier

by Joe McCleskey
2002-05-01
Digital video editors can conquer the 2-gigabyte file size dilemma. Here's how.

Computer Editing: Clip Trimming Made Easy

by Brian Peterson
2002-12-01
Cut the time you spend editing by trimming your clips before you import.

Computer Editing: Color Tweaking

by Bill Davis
2002-01-01
Digital-video tools built into today's editing computers allow videographers to manipulate on-screen color.

Computer Editing: Common Editing Problems

by Don Collins
2001-04-01
You've got problems? We've got solutions. Tips for troubleshooting common editing software problems.

Computer Editing: Editing Approaches

by Joe McCleskey
2001-05-01
Part I: When Pictures Drive Sound. Sometimes what you see determines the pace of your edit.

Computer Editing: Editing Audio First

by Bill Davis
2003-06-01
Sometimes sound comes first.

Computer Editing: Film Effects

by Tom Patrick McAuliffe
2002-06-01
Post-production tips and tricks to make your video look like film.

Computer Editing: Getting Started in Computer Editing

by Jim Stinson
2001-01-01
There's more to editing than knowing which buttons to press.

Computer Editing: Go with the Flow -- Editing for Continuity

by Bill Davis
2003-03-01
Paying attention to the continuity can help you communicate clearly with your audience.

Computer Editing: Introduction to Computer Animation

by Scott Anderson
2002-02-01
Today's powerful animation software can help you create dazzling animation productions.

Computer Editing: Keying, Alpha Channels and Mattes

by Bill Davis
2002-09-01
Dive into the wonderful world of compositing and enter a world without creative limits.

Computer Editing: Let's Talk Titles

by Bill Harrington
2001-02-01
Find out everything you need to know to make great titles for all your video productions.

Computer Editing: Log and Capture Concepts

by Bill Davis
2002-03-01
Plan ahead by sorting and numbering your video clips in an organized way.

Computer Editing: Making Moving Titles

by Don Collins
2001-10-01
Making moving titles is easy with today's video editing software.

Computer Editing: Making the Most of Bad Footage

by Chuck Peters
2001-09-01
Practical editing tips to help you turn terrible footage into terrific video.

Computer Editing: Multi-Camera Editing

by Bill Davis
2001-12-01
Here are some helpful hints for editing multi-camera footage into a finished production.

Computer Editing: Saying a Lot With a Little

by Amanda Cuda
2003-01-01
Use titles and graphics to grab your viewer's attention.

Computer Editing: Shooting for a Specific Audience

by Bill Davis
2003-07-01
Tailor your shows for the people who will watch them.

Computer Editing: Six Transgressions of the Edit Suite: An Editor's Tale

by Bill Davis
2003-04-01
Gather round ye acolytes of seamless editing. Today's scroll concerns a subject near and dear to all who believe in the power of the smooth program.

Computer Editing: Special Effect Video Filters

by Bill Davis
2002-11-01
Take advantage of your video editor's special effects filters, just don't overdo it.

Computer Editing: Split Man

by Don Collins
2000-12-01
Learn how and when to use split edits to add meaning, depth and interest to your video productions.

Computer Editing: Tailoring Edits to Specific Viewers

by Arthur Aiello
2001-07-01
How to tailor your programs to suit the likes and dislikes of your target audience.

Computer Editing: The ABCs of NLEs

by Tom Patrick McAuliffe
2002-08-01
Video editing, as a whole, is greater than the sum of its parts.

Computer Editing: The Language of Editing

by Mark Bosko
2001-03-01
Learn the language of editing and edit like the pros.

Computer Editing: Video Filter Effects

by Bill Davis
2002-10-01
Applying electronic filters in post-production can cure many of your footage's ailments.

Computer Editing: Watch Your Language!

by Bill Harrington
2001-11-01
Knowing what messages your video's transitions send goes a long way in helping you choose the right effect.

Computer Editing: Which Comes First, the A or the V?

by Bill Davis
2003-05-01
Editing when the picture drives the soundtrack.

Computer Video Editing: What's the Best Approach?

by Joe McCleskey
2001-06-01
To beginning editors it may seem that visuals are the determining factor in making edit decisions. The truth is that editing is often a process of matching visuals to essential audio.

Computer Video Glossary

by Chuck Peters
1999-10-02
A guide to computer-video terms that every video editor needs to know.

Copy Protection

by Mark Levy
2002-01-01
Protecting your work can lead to some confusing red tape. Use these tips from two copyright attorneys to help you cut through it.

Copyright: Legal Issues You Need to Know

by Mark Levy
2003-01-01
Get permission or face the music.

Desktop Video News and Reviews

by Doug Polk
1995-09-01

Desktop Video News and Reviews

by Doug Polk
1995-08-01

Desktop Video News and Reviews

by Doug Polk
1995-04-01

Desktop Video News and Reviews

by Doug Polk
1995-02-01

Desktop Video News and Reviews

by David Brott
1995-12-01

Desktop Video News and Reviews

by David Brott
1995-11-01

Desktop Video: Bundles of Joy

by Scott Anderson
1995-07-01
Bundles of Joy

Desktop Video: Computer-generated Video

by Scott Anderson
1995-03-01
Computer-generated Video

Desktop Video: Digital Nonlinear Editing

by Bob Doyle
1995-02-01
To begin nonlinear editing, you'll need some way to digitize your video and audio clips.On the PC, locate an Intel Smart Video Recorder Pro (or the Creative Labs Video Blaster RT300).

Desktop Video: Digitize It

by Dave Felder
1995-11-01
Digitize It

Desktop Video: DTV Switchers and SEGs

by Bob Doyle
1995-01-01
DTV Switchers and SEGs

Desktop Video: Linear vs. nonlinear Video

by Scott Anderson
1995-04-01
Linear vs. nonlinear Video

Desktop Video: Logging Tapes

by Scott Anderson
1995-06-01
Logging Tapes

Desktop Video: Scripting, Logging and More

by Bob Doyle
1994-10-01

Desktop Video: Shooting Video for Multimedia

by Dave Felder
1995-09-01
Shooting Video for Multimedia

Desktop Video: Singing the NTSC Red-green Blues

by Scott Anderson
1995-10-01
Singing the NTSC Red-green Blues

Desktop Video: The DTV Edit Controller

by Bob Doyle
1994-11-01

Desktop Video: The Mac Platform

by Scott Anderson
1996-02-01
The Mac Platform

Desktop Video: The PC Platform

by Dave Felder
1996-01-01
The PC Platform

Desktop Video: Tips for Terrific Titles

by Scott Anderson
1995-05-01
Tips for Terrific Titles

Desktop Video: Titles and Graphics

by Bob Doyle
1994-12-01
Titles and Graphics

Digital Video Editing: The Grammar of Editing

by Jim Stinson
1998-06-01
Bad Grammar can lead to a bad impression. Learn the grammar of editing to avoid common mistakes.

Digital Video Lighting : Enhance Video with Light & Color

by Jim Stinson
2004-03-01
Tinted gels, correct white balance, and correct Lighting for digital video can make the different between professional and amateur quality.

Directing
Small Crew Directing

by Robert G. Nulph, Ph.D.
2008-08-01
Someday, you may have to hire, beg, borrow or coerce some people to join you on your video adventure. Keep it friendly, stick with a plan and you - and they - will enjoy the trek.

Directing for the Screen

by Jim Stinson
2001-08-01
Learn how to apply four major directing tools: point of view, composition, perspective and movement.

Directing to Edit

by Jim Stinson
2003-09-01
By anticipating your editor's needs and shooting footage to fulfill them, you can help create a better program--and a happier editor.

Directing: Decoding the Video Crew

by Robert G. Nulph, Ph.D.
2008-02-01
As a one-man-band, you wear many hats, but when your production gets bigger, you have to share the load. But who ya gonna call? Get ready for the name game, it's "Crew Call" time!

Directing: Directing Documentaries

by Robert G. Nulph, Ph.D.
2008-04-01
Documentaries are about real people in real places doing real things. Documentaries were the first films ever made.

Directing: Documentary Interview Tips

by Peter Biesterfeld
2009-08-01
The key to a good documentary interview is to listen. Maintain eye contact with your subject. Do not look down at your notes or settle for generalizations.

Directing: Dual-Role Directing

by Dr. Robert G. Nulph
2006-06-01
Multitasking when you are directing is not easy but sometimes necessary. Here are a few suggestions.

Directing: Recruiting Talent

by Dr. Robert G. Nulph
2006-08-01
One of the most difficult, important and rewarding things a director has to do is find, recruit and work with talent.

Directing: Set Time Management

by Robert G. Nulph, Ph.D
2008-06-01
Dashing out the door with camcorder in hand, but no plan, can cost you. Time is money. In video production, this is perhaps more true than in any other profession.

Directing: Storyboarding

by Robert G. Nulph, Ph.D
2009-02-01
Similar to a plot map used by archeologists, a storyboard is the best way to illustrate staging positions and camera angles for talent and crew. Remember the days when you would sit back and enjoy a good comic book? Or maybe now you cruise through the graphic novel section...

Directing: Tips for Directing Non-Professionals

by Robert G. Nulph, Ph.D.
2009-04-01
Lights. Camera. Action. You hope. Directing professional talent isn't easy, but they usually know their jobs. Non-actors require a different set of skills.

Directing: What you need to start a videography business

by Peter Biesterfeld
2009-06-01
The mindset and video equipment you will need to start a videography business and make money with videos as a professional videographer.

Directing
Directing Children

by Robert G. Nulph, Ph.D.
2008-12-01
Directing children for your video can try your patience, as they are easily distracted, need plenty of visual instruction and communicate differently from adults.

Directing
The Director and the DP

by Robert G. Nulph, Ph.D.
2008-10-01
As a solo artist, what happens when you land a gig with a budget for crew? Your most important relationship will be with your Director of Photography.

Director's Chair: Back to Film School

by Robert G. Nulph, Ph.D
2007-08-01
Watching films is a classroom in itself, yet you really have to have the right tools to become a critical viewer. All good directors are students of film. They devour film, looking at the way their peers chose to present the script - their shot choice, transitions, music and form.

Director's Chair: Directing a Fall

by Dr. Robert G. Nulph
2007-04-01
Physical comedy has been a hallmark of the film industry since the early days of the silent film.

Director's Chair: Everyday Masterpieces

by Robert G. Nulph, Ph.D
2006-12-01
December - a time of cold and perhaps snow. A few weeks of quiet time before the onrush of the holiday season.

Director's Chair: Just What Should I Wear?

by Robert G. Nulph, Ph.D.
2007-10-01
Scrutinize the wardrobes on TV and in the movies, and you'll see most of the clothing worn by the actors will blend well with each other. This isn't an accident.

Director's Chair: Maintaining Continuity

by Dr. Robert Nulph
2007-06-01
Even in blockbuster movies, continuity errors happen, and eagle-eyed viewers love to find the mistakes.

Director's Chair: Planning Your Shoot

by Hal Robertson
2007-12-01
There is an old saying in the business world that goes, "Poor prior planning leads to particularly poor programs." This is especially true in the video industry.

Director's Chair: Screen Direction

by Robert G. Nulph, Ph.D
2007-02-01
Screen direction is perhaps one of the most confusing yet easily remedied problems in directing a video production.

Director's Chair: Secrets of Storytelling

by Dr. Robert G. Nulph
2006-10-01
"And Toto, Too?" Say any classic movie line, and everyone knows not only the movie you're referring to, but also which scene and the character who spoke it.

Director's Chair: Who's in Charge Here?

by Jim Stinson
2006-02-01
You don't need puffy pants and a megaphone to be an assertive, successful director. But you do need to take control.

Distribution

by Mike VanHelder
2008-02-01
Profit On Demand

Distribution
HD Online Convergence

by Jeff Sengstack
2009-01-01
HD Online: We have the technology. We can build faster internet connections, with better delivery service than ever before. Better, stronger, faster. The convergence of lower-cost HD prosumer camcorders, faster internet connections and improved content delivery...

Distribution
Stellar Video, Just Smaller

by Jeanne Rawlings
2008-12-01
Tiny viewers are everywhere, allowing you to show a video from the palm of your hand. Learn how to creatively shrink movies and launch your career the micro way.

Distribution
Taking It to the Screen

by Peter Biesterfeld
2008-11-01
Getting your hard work shown on a big screen is a dream of many video producers, but it really can be done. The name of the technique in question: four-walling.

Distribution
Video Blogging and Podcasting

by Andrew Burke
2008-08-01
Video is all over the place on the web nowadays, and nobody wants to get left behind. But how do you add video to a website, and, more importantly, why should you?

Distribution: Best Online Video Sites

by Andrew Burke
2009-07-01
Videomaker readers want top quality! So, read on to discover the best online video sharing sites to display and promote your next video masterpiece.

Distribution: Building an Audience Online

by Andrew Burke
2009-03-01
A blog is simply a web log, or diary, that one shares with others. But when users were finally able to add video to these blogs, a viral phenomenon was born. People watched more than 10 billion videos online last year. Shouldn't some of those people be watching your stuff?

Distribution: Compressing the Goods

by Andrew Burke
2008-01-01
Everybody's doing it. Whether it's for private e-mail to friends, or mass distribution, here are a few basics and then some for compressing video for the Web.

Distribution: Distributing the Goods

by Andrew Burke
2008-04-01
From YouTube to those that pay, video-sharing sites have risen from the obscure to dominate internet users' online experience. Which one is best for your video?

Distribution: Medium Cool: Launching Your Own Video Blog

by Edward B. Driscoll, Jr.
2009-02-01
Blog is simply a web log, or diary, that one shares with others. But when users were finally able to add video to these blogs, a viral phenomena was born. In the fall of 2001, text-based weblogs began to grow exponentially in popularity, followed a few years …

Distribution: Online Social Networking For Video Producers

by Andrew Burke
2009-08-01
As social networking sites continue to grow, videographers who create plans for promoting their videos using online social networking will benefit.

Distribution: P2P Video Sharing

by Andrew Burke
2009-09-01
Peer-to-Peer Distribution now includes P2P video sharing. This technology has come a long way since the infamous Napster popularized illegal music sharing.

Distribution: Preparing to Format Video for the Internet

by Mark Montgomery
2009-05-01
With so many potential targets for delivering your video, it becomes rather exhausting to plan how many different types of video formats to export from your timeline.

Distribution: Stock Footage Wanted!

by Mark Montgomery
2009-04-01
The market for stock footage is booming. Videographers can now make money by offering stock video clips to online stock footage libraries...

Distribution: Web Video for Beginners

by Mike VanHelder
2008-06-01
Video is all over the place on the web nowadays, and nobody wants to get left behind. But how do you add video to a website, and, more importantly, why should you?

Distribution
Finding Your Target Market

by Peter Biesterfeld
2008-07-01
The internet has turned traditional business models upside down. This includes the market relationship between sellers and buyers.

Distro Bistro

by James DeRuvo
2006-07-01
You've finally got that masterpiece in the can, now what?

Do-it-Yourself Hoop Windscreen

by Hal Robertson
2001-10-01
Step-by-step instructions on how to build an inexpensive narration windscreen

Edit Points: A History of Videotape Editing

by Mike Loehr
1995-05-01
A History of Videotape Editing

Edit Points: A Sound Investment

by Mark Bosko
1995-01-01
A Sound Investment

Edit Points: Add Spice with Special Effects

by Mike Loehr
1996-02-01
Add Spice with Special Effects

Edit Points: Choosing and Using Edit Controllers

by Mike Loehr
1995-06-01
Choosing and Using Edit Controllers

Edit Points: Edit Types

by Mike Loehr
1995-10-01
Edit Types

Edit Points: Editing Bureaus: Visions for Rent

by Mark Bosko
1995-02-01
Editing Bureaus: Visions for Rent

Edit Points: Editing VCRs

by Mike Loehr
1995-12-01
Editing VCRs

Edit Points: Flash Titler

by Mark Bosko
1994-12-01
Flash Titler

Edit Points: Linear vs. Nonlinear Editing

by Mike Loehr
1995-11-01
Linear vs. Nonlinear Editing

Edit Points: Master Cuts

by William Ronat
1994-10-01

Edit Points: Moving to Time Code

by Mike Loehr
1995-07-01
Moving to Time Code

Edit Points: Picking a Protocol

by Mike Loehr
1995-08-01
Picking a Protocol

Edit Points: The Big Picture

by Mike Loehr
1996-01-01
The Big Picture

Edit Points: The Importance of Calibration

by Mark Bosko
1995-03-01
The Importance of Calibration

Edit Points: When You Don't Have a Controller

by Mike Loehr
1995-09-01
When You Don't Have a Controller

Edit Suite: Aesthetics of Editing

by Mike Loehr
1997-06-01
Editing is an important part of making video. But the best edits are those that the audience doesn't even notice.

Edit Suite: An Off-line On-line Outline

by Jim Stinson
1998-10-01
Editing at home on your PC can save you time and money, but there are limitations.

Edit Suite: Analog vs. Digital Editing

by Jim Stinson
1998-03-01
Clarity shines on the murky confusion surrounding the two types of signals.

Edit Suite: Bare-bones Editing: Simple Editing Without a Controller

by Dave Welton
1997-10-01
If you want to edit your videos but you don't want to set up an editing system, here's a simple solution.

Edit Suite: Behold the Humble Cut

by Mike Loehr
1996-08-01
No video transition is so simple and inexpensive as the cut. And none is so powerful.

Edit Suite: Choosing a Titler

by Mike Loehr
1996-06-01
A titler will do more than just put text on the screen--it can also give your productions a more professional look.

Edit Suite: Choosing an Edit Controller

by Mike Loehr
1997-01-01
Now that you've taped several hours of weddings, birthdays, and other precious moments, it's time to make them watchable.

Edit Suite: Continuity

by Jim Stinson
1999-04-01
Continuity is the job of both the director and the editor.

Edit Suite: Continuity Boot Camp

by Mike Loehr
1996-05-01
How to put an end to the often comical - and always embarrassing - continuity error.

Edit Suite: Deck Control, Once Over Lightly

by Jim Stinson
1998-01-01
If you plan to buy an editing system or improve your current one, it pays to understand edit protocols.

Edit Suite: Editing Cameras

by Mike Loehr
1997-05-01
Editing equipment is becoming smaller, less cumbersome and, in some cases, consolidated within the camcorder itself.

Edit Suite: Editing Digital Audio

by Jim Stinson
1999-10-01
Nonlinear audio empowers our soundtrack.

Edit Suite: Editing Picture to Sound

by Jim Stinson
1999-12-01
By carefully matching picture and sound, you can make an otherwise boring video come alive.

Edit Suite: Editing Video Events

by Jim Stinson
2000-07-01
Stuck shooting an event from just one vantage point? Not to worry, as an editor, you have an array of tricks to help create entertaining video anyway.

Edit Suite: Editing: Linear or Nonlinear?

by Jim Stinson
1998-05-01
Don't confuse linear and nonlinear editing with analog and digital formats.

Edit Suite: Fearless Compositing

by Bill Harrington
2000-08-01
Don't be intimidated, compositing is easier than you might think.

Edit Suite: Five Types of Continuity

by Jim Stinson
2000-03-01
Even Hollywood movies can suffer gaps in continuity. Learn what to do to keep continuity throughout your video.

Edit Suite: Fresh Ideas for Titles

by Jim Stinson
2000-09-01
Let's jump beyond the basics and consider titles as a creative component of your shows.

Edit Suite: Getting the Most From an Edit Bureau

by Mike Loehr
1997-03-01
Got a one-time video project to edit? Why spend a fortune buying editing equipment when you can rent it?

Edit Suite: How to Use Time Code

by Arthur Aiello
1997-11-01
Contrary to what you might think, time code’s frame accuracy makes it easier and faster to edit video.

Edit Suite: It's About Time: How To Control Pacing

by Jim Stinson
1998-04-01
Make your videos more interesting by manipulating time.

Edit Suite: Learn to Log and Love It

by Jim Stinson
1999-11-01
Time spent logging tapes is surely time well spent.

Edit Suite: Linear Editing: Ten Tips for Success

by Jim Stinson
1999-06-01
A handful of helpful hints for tape-to-tape editors.

Edit Suite: Make it Snappy

by Jim Stinson
1999-08-01
Create vibrant videos using the appropriate tempo to keep your audience interested and asking for more.

Edit Suite: Making a Video Album

by Jim Stinson
1998-08-01
Turn your home videos into family keepsakes.

Edit Suite: Master Editors

by Mike Loehr
1996-09-01
One of the best ways to learn when and where to edit is to imitate those who have done it brilliantly.

Edit Suite: Nonlinear Editing: 10 Tips for Success

by Jim Stinson
1999-03-01
Helpful advice for nonlinear project management.

Edit Suite: Once Upon a Time: The History of Videotape Editing

by Dr. Robert G. Nulph
1997-07-01
One look at where we've come from will make you appreciate how far we've come

Edit Suite: Pesky Edit Blemishes

by Jim Stinson
2000-05-01
Attention to detail pays off in the end.

Edit Suite: Plan for Better Editing

by Mike Loehr
1996-07-01
A stitch in time saves nine. An edit plan saves time.

Edit Suite: Play It Again!

by Jim Stinson
2000-06-01
Don't just use that shot once. Here are some sneaky reasons to recycle footage.

Edit Suite: Real is in the Eye of the Beholder

by Jim Stinson
2000-04-01
The creative editor can suggest impossible realities to a believing audience.

Edit Suite: Shaping Performance through Editing

by Jim Stinson
1998-11-01
Simple tricks for editing complicated dialogue.

Edit Suite: Switcher Magic

by Mark Bosko
1994-11-01

Edit Suite: TBC Trivia

by Mike Loehr
1996-03-01
Answers to common questions about one of video's least-understood tools.

Edit Suite: Test Your Monitor Knowledge

by Mike Loehr
1996-10-01
TVs, video monitors and computer monitors may look similar, but savvy videomakers know how they differ, and how to use them.

Edit Suite: The Direct Approach

by Jim Stinson
1998-12-01
Editing begins as soon as the camera rolls.

Edit Suite: The Heart of Your Edit Suite: Editing Decks

by Arthur Aiello
1997-12-01
Just what is it that sets an Edit Deck apart from just any old VCR?

Edit Suite: The Ins and Outs of Edit Controllers

by Dr. Robert G. Nulph
1997-08-01
Recording footage with your camcorder is one thing; turning it into a watchable video is another. Consider an edit controller.

Edit Suite: The Language of Transitions

by Jim Stinson
1999-07-01
The classical use of transitions, though not flashy, can be a powerful means to communicate.

Edit Suite: The Language of Video Editing

by Dave Welton
1997-09-01
The content of your video is important, but so is the way you put it together.

Edit Suite: The Mysteries of Screen Direction

by Jim Stinson
2000-01-01
The basic rules for screen direction are deceptively simple.

Edit Suite: The Power of Suggestion

by Jim Stinson
1998-09-01
How can you achieve a big-budget look for your video with a no-budget budget?

Edit Suite: The Power of the Cut

by Jim Stinson
1999-05-01
The simplest transition effect may also be the most powerful.

Edit Suite: Titles the Old-Fashioned Way

by Jim Stinson
2000-02-01
Titles don't have to be fancy to be effective.

Edit Suite: Transition Tricks

by Mike Loehr
1996-04-01
Here's how to put transitions to work in your video productions.

Edit Suite: Using Your Computer for Linear Editing

by Mike Loehr
1996-12-01
While nonlinear editing systems seem to be all the rage, computer-controlled linear editing is tried, true and affordable.

Edit Suite: Warp Speed: Conquering Space and Time

by Jim Stinson
1999-09-01
Through judicious editing, we exercise our omnipotence over the little worlds we create on screen.

Edit Suite: What Is Editing?

by Jim Stinson
1998-02-01
Create a video program by adding, sequencing and enhancing your camcorder footage.

Edit Suite: You're Entitled!

by Jim Stinson
1999-01-01
Creative titling is a fun and easy way to add spice and character to your videos.

Edit The Plan: Part 3 of Production Planning

by Jim Stinson
2005-06-01
Planning for post-production will re-focus your vision of the program you want and then help you create it with the material you've got.

Editing
Color Correction 101

by Morgan Paar
2008-08-01
A few simple steps can save an improperly-shot scene or improve one that is less than brilliant.

Editing
Color Correction 201

by Morgan Paar
2008-09-01
Ever want to enhance a washed-out sky or push the color on a less-than-vibrant hill of grass? How did they do that black-and-white/color effect in Sin City or Pleasantville?

Editing
Editing Dirty Little Tricks

by Morgan Paar
2008-12-01
Editors are dirty little tricksters. Yes, we pull all sorts of illusions behind our viewers' backs. Some people might even say all editing is a "trick."

Editing
Editing On The Set

by Morgan Paar
2008-11-01
As video producers transition into the 21st century, we have an opportunity that no other filmmakers or mediamakers have had in the past: we can edit on the set.

Editing
Scoping Out Your Video

by Morgan Paar
2008-10-01
Many editing software programs offer a variety of colorful scopes to help enhance the hue, color, and brilliance, among other editing tweaks. But how do they work?

Editing
Simple Compositing

by Morgan Paar
2009-01-01
Everyone loves to be awed by movie magic, and you can bedazzle your audience using our simple compositing tips that reveal the Secret of See Through Layers. Compositing is omnipresent. It would be nearly impossible to watch a Hollywood film or an hour of television….

Editing Digital Audio

by Bill Davis
2000-10-02
The secret ingredient that all the pros agree must be added to each of your video recipes if you want to cook up an outstanding program.

Editing:
Fix It in Post

by Morgan Paar
2008-07-01
If a director, cinematographer, producer or uncle of the movie studio mogul tells you, "no worries... we'll fix it in post," tell them, "well, sure, we can... but it'll cost you."

Editing: Audio for Video - Using Radio Edit Techniques

by Mark Montgomery
2009-07-01
One strategy for editing is to do a "radio" edit. Focusing you cuts and the assembly of your timeline on the dialog places the content of the story.

Editing: Best Media Storage Practices

by Mark Montgomery
2009-04-01
Do you remember that feeling of panic when a critical file became lost? With good media storage habits a potential tragedy is only a short delay.

Editing: Desktop Editing FAQ

by Bill Davis
2004-01-01
If video editing is anything, it's a fast-moving target.

Editing: Digital Spaghetti

by Bill Davis
2004-02-01
An edit bay that can live with the residents of your house.

Editing: Editing from Start to Finish, Part 1 of 4

by Bill Davis
2004-04-01
This is the first part of a planned 4-part introduction to video editing. Part 1: Prep, Log and Capture.

Editing: Editing from Start to Finish, Part 2 of 4

by Bill Davis
2004-05-01
A Four Part Videomaker Series. Part 2: Get Editing! Cut, Trim and Pace.

Editing: Editing from Start to Finish, Part 4 of 4

by Bill Davis
2004-07-01
A Four Part Videomaker Series. Part 4: Sweeten It!

Editing: Editing tips

by Morgan Paar
2008-01-01
The Dissolve: A Winning Edit

Editing: Fool Proof Collaboration for Online Video Producers

by Mark Montgomery
2009-08-01
Smart producers are using online video collaboration to get fast feedback from their clients and to make adjustments without needing to meet the client.

Editing: Get Organized!

by Stephen Muratore
2003-10-01
"Beauty from order springs."--William King, Art of Cookery

Editing: Intermediate Codec Transcoding

by Morgan Paar
2008-05-01
As CPUs get faster, machines are able to utilize more RAM and editing software gets more efficient, the need for intermediate codecs for editing HDV may fall away.

Editing: It's the Pace, Ace!

by Bill Davis
2004-03-01
Program pacing is a neglected art that may be more important than you think.

Editing: Layering Video

by Bill Davis
2003-09-01
Creating composite effects.

Editing: Making Moving Titles

by Bill Davis
2003-11-01
Create basic motion graphics with your editor's timeline.

Editing: Media Management

by Mark Montgomery
2009-03-01
A well-organized post-production workflow can help save you time and money. Media management, the process of keeping your media assets accounted for in a system that makes sense, is key in getting projects done on time. Editors each have their own preferences on how to...

Editing: Motivation

by Morgan Paar
2008-03-01
It's a bird... it's a plane... it's ... the motivated edit? It's a powerful editing technique, but to execute it well, you must consider the final edit when you plan the first shot.

Editing: Multicam Video Editing Tips

by Mark Montgomery
2009-05-01
To determine whether or not you need to use multicam video editing features, there are some considerations worth making.

Editing: Polished Work

by Morgan Paar
2008-04-01
From rough cut to finished product, you want to deliver the goods as cleanly as possible. Here are the Seven Steps to Creating an Excellent Polished Work.

Editing: Screen Capturing for Everyone

by Mark Montgomery
2009-09-01
Companies need promotional & instructional videos created for their software applications, web applications, web stores & other computer-platform products.

Editing: Sofa Film Schools

by Mark Montgomery
2009-06-01
How to turn your sofa into a film school. The best film school is as close as your living room. Watch the best filmmakers do what they do best-make films.

Editing: Use of Stills in Video

by Morgan Paar
2009-02-01
Dropping a still photo in your video isn't too hard, but making it flow well takes a special eye. Adding movement to stills is a technique that the masters have perfected. Movies, film, cinema, video - these are all, more or less, names for the same thing: motion pictures.

Editing: Using Stock Footage

by Bill Davis
2003-08-01
Stock footage can save you both time and money.

Editing: What Did You Say?

by Bill Davis
2003-12-01
Understanding the hidden meanings of transition effects.

Editor's Letter: Making video is a lot easier than it used to be

by Matthew York
1999-10-02
Sitting in front of a computer that is configured for video editing is a wonderful experience and now it’s easier than ever.

Editor's Letter: So you want to learn how to make video with your computer?

by Matthew York
2000-10-02
Making high quality video is easier than ever before.

Editor's View

by John Burkhart
2007-10-02
Looking for Gear? It's All in Here...

Fan Films

by Michael Gomez
2006-11-01
Star Wars Continues with Fan Film Fans

Fan Films on the Web

by James DeRuvo
2002-08-01
It doesn't cost millions of dollars to creat a blockbuster, only a camcorder and a desire to play Jedi.

Finding Talent for Videos

by Randal K. West
2002-11-01
A handy guide to finding, auditioning and hiring the best performers for your next production.

From Shot Lists to Storyboards

by Tad Rose
2004-06-01
Organizing your project before you shoot can save you time during the edit stage.

Getting Started: A New Perspective

by Lauryn Axelrod
1998-06-01
Use creative camera angles to improve your videos.

Getting Started: Altering Space and Time with Video

by Arthur Aiello
2000-09-01
The space-time continuum used to be the sole domain of science-fiction writers.Today it is the playground of the videographer.

Getting Started: Artistic Vision

by Lauryn Axelrod
1998-01-01
Ten simple camera techniques can give your videos an "artistic" look.

Getting Started: Audience Appreciation: Be Kind to Your Viewers

by Chuck Peters
1998-03-01
Four questions you should ask yourself before you hit that red record button.

Getting Started: Auto vs. Manual

by Jim Stinson
1996-03-01
If better-looking video is your goal, maybe it's time you took control.

Getting Started: Avoiding Common Camcorder Mistakes

by Arthur Aiello
1998-04-01
Five ways to keep from shooting yourself in the foot.

Getting Started: Camcorder Maintenance

by Arthur Aiello
2000-07-01
Common sense and TLC will keep your camcorder in tip-top shape at all times.

Getting Started: Camera Move Aesthetics

by Arthur Aiello
1999-12-01
Carefully chosen camera moves contribute immensely to the aesthetic quality of your video.

Getting Started: Cause and In-camera Effect

by Arthur Aiello
1999-03-01
In the right circumstances, a good in-camera effect is just what the doctor ordered.

Getting Started: Choosing Your Camcorder

by Jim Stinson
1997-03-01
What's the best camcorder you can buy? It depends on what you need, what you want, and how much you can spend.

Getting Started: Composition: A Work of Video Art

by Arthur Aiello
1999-06-01
Attention to framing will make any video more interesting.

Getting Started: Connecting Editing Equipment

by Jim Stinson
1996-11-01
Making the right connections isn't just smart, it's a neccessity.

Getting Started: Copy Stand Shooting

by Arthur Aiello
1999-02-01
It's the best way to shoot art, photos and small objects in extreme closeup.

Getting Started: Creative Camcorder Supports

by Arthur Aiello
2000-03-01
There's no excuse for shaky shots.

Getting Started: Creative Camcorder Work

by Arthur Aiello
1999-07-01
By creatively positioning your camcorder, you can elicit a wide range of emotional responses from your audience.

Getting Started: Do You Copy?

by Jim Stinson
1996-06-01
Transferring photos to video is easy with the right tools and a little know-how.

Getting Started: Don't Get Fooled Again: The Power of Manual Control

by Dave Welton
1998-02-01
Put yourself in control of your camcorder's automatic features.

Getting Started: Easy Editing the Two-Finger Way

by Arthur Aiello
1999-05-01
Edit your footage with a camcorder, a TV and a VCR.

Getting Started: Focal Techniques

by Arthur Aiello
2000-08-01
Making focus work to your advantage is a key part of producing good video.

Getting Started: Handheld Camera Techniques

by Arthur Aiello
1998-09-01
Steady camera shots without a tripod can be easy if you practice these simple tips.

Getting Started: High Concept, Low Sweat

by Jim Stinson
1997-01-01
Organization can mean the difference between a confusing series of clips and a compelling, satisfying video. All it takes is a little forethought and a little planning.

Getting Started: How to Avoid Common Camcorder Mistakes

by Arthur Aiello
2000-02-01
By avoiding the most common camcorder mistakes, you can come closer to video perfection.

Getting Started: In-Camera Edit Control

by Jim Stinson
1997-12-01
Put an edit controller inside a camcorder and what do you have? A video Swiss Army knife.

Getting Started: In-Camera Editing

by Arthur Aiello
1999-09-01
In-camera editing is video production without the safety net.

Getting Started: Keep on Trucking

by Arthur Aiello
1998-10-01
Camera moves that will help you make better videos.

Getting Started: Lens Techniques

by Arthur Aiello
1999-11-01
Your camcorder's eye - the lens - can create come interesting focal effects.

Getting Started: Lenses: Long and Short, Wide and Tight

by Jim Stinson
1996-05-01
Harness the power of the zoom lens for maximum visual impact.

Getting Started: Manual Controls

by Arthur Aiello
1999-08-01
Sometimes it pays to be a control freak

Getting Started: No Respect

by Jim Stinson
1994-10-01

Getting Started: Saving Family Classics: Film-to-Video Transfer

by Arthur Aiello
1999-01-01
Do-it-yourself film-to-video is easy and allows you to add a personal touch to your classic footage.

Getting Started: Shooting for the Holidays

by Jim Stinson
1994-11-01

Getting Started: Shooting on Sunny Days

by Arthur Aiello
2000-04-01
When shooting outdoors, you should maintain control of the most important video component: light.

Getting Started: Shooting to Edit vs. Editing In-Camera

by Arthur Aiello
2000-05-01
The difference between shooting to edit and editing in-camera is like shooting with a safety net or flying by the seat of your pants.

Getting Started: Sideline Video: Shooting Sports

by Jim Stinson
1996-12-01
Videotaping sports events can be just as challenging as the games themselves. Here's a few hints to help you hit a home run with your viewers.

Getting Started: Slide to Video Transfer Tips

by Arthur Aiello
1999-04-01
Transferring slides to video can be a very simple process.

Getting Started: Space, Time and Videotape

by Arthur Aiello
1998-11-01
The camcorder allows you to warp time to your advantage.

Getting Started: The Boring Parts Cut Out

by Jim Stinson
1996-07-01
When you show your videos, does your audience cry "Mercy, mercy! Or "More, more!"? Some simple editing could make the difference.

Getting Started: The Case of the Missing Controls

by Jim Stinson
1997-06-01
Automatic point-and-shoot camcorders are convenient, but manual control of certain functions can do your videos a world of good.

Getting Started: The Great Balloon Video-A Case Study

by Jim Stinson
1997-07-01
If you're short on video equipment and expertise, go long on planning. It'll help your video take off.

Getting Started: The Joy of Sets

by Jim Stinson
1996-10-01
With your imagination, a few inexpensive props and some clever framing, you can defy reality

Getting Started: The Seven Deadly Camera Sins

by Jim Stinson
1997-04-01
Follow these easy guidelines for video you'll be proud of.

Getting Started: The Top 10 Reasons Nobody Likes to Watch Your Videos

by Arthur Aiello
1998-12-01
Keeping your audience awake for the final credits is easy when you avoid these basic video hazards.

Getting Started: The [Record] Head of Class

by Jim Stinson
1997-02-01
How to select the best video equipment for your school's production needs without breaking your budget, and how to use it wthout straining your skills.

Getting Started: Tripod Techniques

by Arthur Aiello
1999-10-01
Take a closer look at that most indispensible of video tools - the tripod.

Getting Started: Using Light

by Jim Stinson
1996-09-01
Light is the most essential element in videomaking. Here's how to make the best use of it.

Getting Started: Video Composition

by Arthur Aiello
2000-06-01
Good shot composition is at the heart of attractive video.

Getting Started: Video Time Travel

by Jim Stinson
1997-08-01
Video is a time machine. Learn to control it, and you can really have some fun.

Getting Started: Videotape Storage

by Dr. Robert G. Nulph
1998-05-01
Take care of your videotapes and they'll reward you.

Getting Started: Visual Composition

by Jim Stinson
1996-08-01
You don't have to be George Gershwin to be a great composer. Just carefully arrange your video scenes, and you'll achieve visual harmony.

Getting Started: What's Holding Things Up?

by Jim Stinson
1997-09-01
Tripods are simple but essential videomaking tools. Unfortunately, they're often overlooked.

Getting Started: Writing Video Letters

by Jim Stinson
1997-05-01
If you have trouble using written words to relate a story or to describe an experience, try using your camcorder.

Getting Started: Your Camcorder's Buttons

by Arthur Aiello
2000-01-01
What do all those buttons do, anyway?

Getting Started: ZOOM!!

by Jim Stinson
1997-11-01
Used skillfully, your camcorder’s zoom lens can set you apart as a savvy shooter.

Glossary of Editing Terms

by Chuck Peters
1999-10-01

Green Screen Lighting

by Jim Stinson
2005-10-01
Virtual green screen sets are no longer just for the privileged Hollywood bigwigs.

Hangin' with the Oscar Nominees

by Jennifer O'Rourke
2007-05-01
A Videomaker Special Report

Holiday Gift Guide: Four Tips for Stuffing Video Stockings

by Stephen Muratore
1999-12-01
Don’t know what to give? Here are some gift ideas that every videographer will love.

Hollywood's Secrets Revealed: Special Effects in the Movies

by Scott Anderson
1998-10-01
Look inside the creation of some of special effects in the movies.

Home Video Hints

by Arthur Aiello
2000-11-01
Move It! Camera Move Aesthetics. Pan and tilt are common camera moves.

Home Video Hints: A Videographer's Family Vacation

by Jim Stinson
2002-06-01
Make sure you have all the mobile video equipment you need when you head out on the road.

Home Video Hints: Baby, It's Cold Outside!

by Arthur Aiello
2000-12-01
Keep your camcorder safe in cold, wet winter weather.

Home Video Hints: Camcorder Battery Care

by Joe McCleskey
2004-10-01
Take Charge! Don’t miss your best shot of the day to a dead battery.

Home Video Hints: Camera Moves

by Jim Stinson
2002-10-01
Pivots, pans, tilts and zooms--learn to generate camera moves that work for you.

Home Video Hints: Camera Sinners, Repent!

by Jim Stinson
2002-09-01
An in-depth look at seven suspect shots you should avoid when shooting your footage.

Home Video Hints: Common Camcorder Mistakes

by Arthur Aiello
2001-02-01
Learn to avoid some of the most common mistakes made by camcorder users.

Home Video Hints: Common Shooting Mistakes

by William Ronat
2004-02-01
Avoid these 10 mistakes to shoot like a pro.

Home Video Hints: Composing Your Shots

by Dr. Robert G. Nulph
2003-04-01
Shooting great looking video can be as simple as solving a few problems with composition.

Home Video Hints: Composition the Easy Way

by Jim Stinson
2002-07-01
Good composition requires more than just a high-quality camcorder and some nice scenery. There are rules.

Home Video Hints: Digital Editing for Free

by Jim Stinson
2001-07-01
You may already have everything you need to start editing. Here's an easy, three-step guide on how to start.

Home Video Hints: Easy-to-make Labels

by Dr. Robert G. Nulph
2003-12-01
Simple labels for your videos and DVDs.

Home Video Hints: Editing 101: School's in Session

by Morgan Paar
2004-03-01
For novice and intermediate editors, here are some tips to consider as you move towards editing perfection.

Home Video Hints: Editing for Absolute Beginners

by Jim Stinson
2001-05-01
Your TV and VCR are all that you need to start editing.

Home Video Hints: Four Essential Audio Elements

by Chuck Peters
2003-10-01
What you hear is as important as what you see.

Home Video Hints: Get Those Tapes in Shape

by Jim Stinson
2002-03-01
Limbering up your tapes by blacking, fast forwarding and pre-labeling them can save you headaches.

Home Video Hints: Holiday Videos that Rock!

by Jim Stinson
2004-12-01
A quick and easy recipe for capturing family memories.

Home Video Hints: Home Video Distribution

by Joe McCleskey
2003-09-01
There are more options for getting your video seen than ever before.

Home Video Hints: How to Use Available Light

by Garret C. Maynard
2004-09-01
Available light can be all you need if you patiently think through your options and wisely exploit the location.

Home Video Hints: I've Got This Great Footage...

by Jim Martin
2004-04-01
You have dozens of tapes and hundreds of scenes and shots. Organization isn't just nice, it's a necessity.

Home Video Hints: In-Camera Effects

by Michael Fitzer
2004-01-01
Shoot and edit your own transition effects.

Home Video Hints: Let it Snow, Let it Snow!

by Jim Stinson
2002-12-01
Nasty winter weather is no reason to put your camcorder into hibernation.

Home Video Hints: Make Your Move

by Michael Hammond
2003-06-01
Put the

Home Video Hints: New Rules for Video Vacations

by Bud Elliott
2004-07-01
How to travel safe in the New World Order.

Home Video Hints: Plan for Success

by Jim Stinson
2002-05-01
A little planning goes a long way in making a successful video project.

Home Video Hints: Planning Production: Part I

by Jim Stinson
2003-01-01
Even productions for the home hobbyist can benefit from pre-production planning.

Home Video Hints: Production Planning: Taking Your Act on the Road

by Jim Stinson
2003-02-01
Cover the essentials for smooth shooting.

Home Video Hints: Pushing the Right Buttons

by Jim Stinson
2002-08-01
The presence and location of manual camcorder settings play an important role in video production.

Home Video Hints: Pushing Your Buttons

by Arthur Aiello
2001-01-01
Don't let your new camcorder be overwhelming. Learn the button basics.

Home Video Hints: Ready or Not!

by Jim Stinson
2001-03-01
Camcorder users, like good Scouts, should always be prepared.

Home Video Hints: Sharp Shootin'

by Jim Stinson
2001-04-01
Suggestions to help you record better-looking video every time you shoot.

Home Video Hints: Shoot to Show

by Michael Fitzer
2004-06-01
Tips for in-camera editing.

Home Video Hints: Shoot Video With the Editor In Mind

by Jim Stinson
2001-08-01
Make the editing job easier by keeping the editing process in mind when shooting your video.

Home Video Hints: Shooting Steady

by Dr. Robert G. Nulph
2003-05-01
Steady your shots withh these handy tips.

Home Video Hints: Shooting to Edit - 5 Tips for Success

by Mark Bosko
2000-10-02
Learn to shoot video with the mind of an editor and your editing will be faster, easier and a lot more fun.

Home Video Hints: Shooting Under Cover

by Jim Stinson
2002-04-01
Admit it. There are plenty of times you want to shoot inconspicuously. Here's how.

Home Video Hints: Simple Steps for Camcorder Care

by Jim Stinson
2001-10-01
Keeping your video equipment in tip-top shape can save you big bucks down the road.

Home Video Hints: Steady as She Goes!

by Jim Stinson
2002-01-01
Practical advice to help you shoot smooth, steady footage with or without a stabilizing device.

Home Video Hints: Telling a Simple Story

by Jim Stinson
2001-09-01
Making a story movie is easy, as long as you follow a few simple guidelines.

Home Video Hints: Ten Tips for Great Travel Video

by Jim Stinson
2001-06-01
Be prepared: how to take inventory of your home before disaster strikes.

Home Video Hints: The Seven Golden Composition Rules

by Jim Stinson
2001-11-01
Good video composition doesn't require years of artistic training. Fluency in some basic axioms will suffice.

Home Video Hints: The Three C's of Shooting to Edit

by Jim Stinson
2002-11-01
While shooting video, consider the edit that lies ahead. Keep coverage, continuity and cutability in mind.

Home Video Hints: Thinking Like an Editor

by Garret C. Maynard
2004-08-01
In order to call yourself a professional videographer you need equipment, clients and a good reputation.

Home Video Hints: Titling Tips

by Pat Bailey
2003-08-01
Identifying and resolving basic problems behind ineffective video titles.

Home Video Hints: Using a Built-in Camera Light

by James DeRuvo
2004-05-01
Small, portable and battery powered, a video light can save your shots in more ways than you may know.

Home Video Hints: Video for the Ho-Ho-Holidays

by Jim Stinson
2001-12-01
We have some tips and ideas to improve your inevitable assortment of holiday video clips.

Home Video Hints: Video on CD -- You Can Do it Too!

by Greg Askins
2003-11-01
Follow a reader through the process of creating a VCD

Home Video Hints: Videotaping Children

by Jim Stinson
2002-02-01
Make compelling home videos, not just boring, uninspired raw footage.

Home Video Hints: Watch Your Language!

by Brian Peterson
2003-07-01
The world of transitions speaks a language we all understand--whether you realize it or not.

Home Video Hints: What's Your Angle?

by Arthur Aiello
2000-10-01
Creative camera angles can improve the look of your home videos.

Homemade Sound Effects With Big-Budget Impact

by Loren Alldrin
1998-01-01
Don't buy sound effects, make your own! We'll show you how to create realistic sound effects using Hollywood style tricks to fool the ear.

Homemade Sound Effects: You Won't Believe Your Ears

by Gene Bjerke
2001-04-01
Bring the sound of Hollywood to your videos with tips and tricks of the Foley trade.

How Many Cameras?

by Gene Bjerke
1998-04-01
How can a videographer who only has one camcorder and no control room hope to produce a slick and professional-looking video? Find out how in this article about clever editing techniquesfor making one camera look like many.

How to Edit Videos Like the Pros: Beyond the Basics.

by Bill Davis
2006-08-01
How to Edit Videos Part 2: What makes the difference between basic editing and actual professional editing?

How to Make a Documentary - Part 1

by Randal K. West
2006-04-01
Few other communication forms have the power to reveal a unique perspective, capture imagination and even motivate change. In this 3-part series on how to make a documentary, you'll discover how you can move your story from dream to distribution.

How to Make a Documentary Part II

by Randal K. West
2006-05-01
Considered an art form by many, documentary video production has its own special challenges and rewards. In this second of three parts on how to make a documentary, we'll explore how to plan your approach, find your subject and begin the process of bringing your vision to fruition.

How to Make a Movie: Low Budget, Big Bang

by Kyle Cassidy
2007-09-01
One of the most exciting things that has happened to moviemaking lately is that consumer products have approached the level of professional gear.

How to Make a Storyboard and Shot List

by Jim Stinson
2002-04-01
A bit of pre-planning can save you time and money.

How to Transfer 8mm, 16mm, 35mm or 65mm Film to Video Tape or DVD

by Garret C. Maynard
2004-11-01
A look at do it your self and professional options to transfer your classic 16mm film (or any other type of film) to video or DVD.

How to Use a Camcorder: Buttons and Contols

by Dr. Robert G. Nulph
2003-03-01
Learn how to use the common camera buttons and controls on camcorders.

How to Use a Camcorder: Keeping Your Image Steady

by Jim Stinson
1996-04-01
Ways to steady your camcorder. Use an external viewfinder to keep your hard forehead from touching the camera.

Illuminations: One-Light to Cover them All

by
2005-11-01

Illuminations: Applying 3-Point Lighting

by Dr. Robert G. Nulph
2006-11-01
Some folks consider it a tired cliche, but it's important to know how to set 3-point lighting, so you can work within or without this classic lighting style.

Illuminations: Casting Shadows

by Robert G. Nulph, Ph.D.
2007-07-01
When you think about lighting, you probably think about your lights and where to place them. But what about the shadows?

Illuminations: Color Temperature Strategies

by Jim Stinson
2005-07-01
Coloring your video world with light is more than just turning on a few lamps and setting a good white balance - light is often a mixed bag.

Illuminations: Controlling the Color of Light

by Dr. Robert G. Nulph
2006-09-01
From yellow to blue, soft to harsh, indoor or out, the "color" of the scene changes with your light setup, and can influence the mood of your video.

Illuminations: Diffusion for Contrast Control

by Jim Stinson
2005-02-01
Instead of filling outdoor shadows with reflectors, try controlling highlights by diffusing them.

Illuminations: Get Creative with Cookies!

by Jim Stinson
2005-03-01
It's time to get interactive with Videomaker and make your own cookies. No baking necessary, and the only "ingredient" is your imagination.

Illuminations: In the Mood

by Jim Stinson
2006-03-01
In lighting, the most important aesthetic quality is mood: the feeling communicated by the lighting design.

Illuminations: Lighting Safety

by Dr. Robert G. Nulph
2007-11-01
Setting up, working with and tearing down studio lighting equipment can be some of the most dangerous tasks of your video production.

Illuminations: Lights for Different Jobs

by Jim Stinson
2005-06-01
You can't tell the players without a scorecard, so here's the roster for video lights and what they do.

Illuminations: Lights in Motion

by Jim Stinson
2006-01-01
Natural lights sparkle, shimmer, flutter, flare, glimmer, gleam, revolve, reflect and radiate. Here's some tips to dazzle your viewers with lively photoplays.

Illuminations: Mopping up Spills

by Jim Stinson
2005-04-01
Excluding light where you don't want it is as important as painting it where you do.

Illuminations: Moving Targets

by Jim Stinson
2005-05-01
In lighting a subject in motion, focus on the important points in the movement path.

Illuminations: On-Camera Lighting

by Jim Stinson
2005-08-01
Lights mounted on camcorders are fairly crude and often frustrating; but there are times when you just gotta have 'em.

Illuminations: One Light Wonder

by Robert G. Nulph, Ph.D.
2007-05-01
Sometimes you only have one available light. Other times, you chose to use one light for effect. It's not what, but how you use it that makes your video shine.

Illuminations: One-Light to Cover them All

by Jim Stinson
2005-11-01
Budget and creative lighting are just a couple reasons why you'd want to shoot with only one lighting instrument.

Illuminations: Pulling the Plug

by Jim Stinson
2005-09-01
In order to light that night scene in the field a mile from your house, you'll need a couple hundred 50-foot extension cords, or some other AC power alternatives.

Illuminations: Reflecting on Reflectors

by Dr. Robert G. Nulph
2006-07-01
No money for more lights? No problem! Here are sure-fire, no-power solutions to making your subject shine.

Illuminations: Specialty Lighting

by Robert G Nulph, Ph.D.
2007-09-01
Lighting can make or break the mood of your video. If you wish to evoke suspense, tension or romance, then traditional three-point lighting isn't enough.

Illuminations: Tabletop Lighting

by Robert G. Nulph, Ph.D.
2007-03-01
Whether you're shooting a documentary, creating a scrapbook or shooting an object for a commercial - you will find a need for tabletop lighting techniques.

Illuminations: Why Three-Point Lighting?

by Jim Stinson
2005-01-01
Conventional three-instrument lighting makes more sense when you understand the reasons behind this classic method.

Impress the Judges: How to Succeed in Video Contests

by Mark Levy
2003-10-01
Helpful hints for contest hopefuls.

Instant Script Kit - The Basics of Scriptwriting for Video

by Gene Bjerke
2000-03-01
Learn how to tell a great story with these scriptwriting building blocks.

Intro to Genres

by Morgan Paar
2005-09-01
If you see visions of your first Indie Film, or you're just having fun with the kids, making movies can be fun. Whether it's a Thriller, a Western, a Comedy or a Romance, they all have one thing in common: they follow a specific Genre.

It's All in the Approach: Creative Approaches for Video Productions

by Jim Stinson
2001-03-01
There are a variety of ways to format your videos. Documentary, interview, expert presenter and full script are some options to consider for your next production.

Jargon

by The Editors
2007-09-01
Computer Video Editing Terms

Jargon: Audio Acquisition Terms

by Chuck Peters
2004-07-01
Audio Acquisition Terms

Jargon: Camcorder Glossary

by the Editors
2007-06-01
Camcorder Glossary

Jargon: Camcorder Terms

by Chuck Peters
2003-10-01
Camcorder Terms

Jargon: Computer Video Editing Terms

by Charles Fulton
2004-06-01
Computer Video Editing Terms

Jargon: Glossary of Audio Terms

by Jon Vosovic
2001-04-01
Glossary of Audio Terms

Jargon: Glossary of Audio Terms

by Chuck Peters
2002-12-01
Glossary of Audio Terms

Jargon: Glossary of Camcorder Terms

by Jon Vosovic
2000-12-01
Glossary of Camcorder Terms

Jargon: Glossary of Editing Terms

by Wendy Nichols
2000-10-01
Glossary of Editing Terms

Jargon: Glossary of Microphone Terms

by Charles Fulton
2001-10-01
Glossary of Microphone Terms

Jargon: Glossary of Shooting Terms

by Jon Vosovic
2001-02-01
Glossary of Shooting Terms

Jargon: Glossary of Video Production Terms

by Charles Fulton
2002-10-01
Glossary of Video Production Terms

Jargon: Lighting Terms

by Videomaker Editors
2007-02-01
Lighting Terms

Jargon: Shooting Terms

by Charles Fulton
2005-02-01
Shooting Terms

Jargon: Video Acronyms and Abbreviations

by Chuck Peters
2002-04-01
Video Acronyms and Abbreviations

Jargon: Video Editing Terms

by Chuck Peters
2004-01-01
Essential video vocabulary terms.

Jargon: Web Terms

by Jennifer O'Rourke
2006-02-01
Web Terms

Jargon: Web Video Glossary

by Charles Fulton
2001-06-01
Web Video Glossary

Jargon: Web Video Glossary

by Chuck Peters
2003-06-01
Web Video Glossary

Laptop Prompters

by Jim Stinson
2001-09-01
Learn how to prepare your laptop computer to perform as a script-prompter.

Leased Access / Public Access

by Mark Bosko
1999-07-01
How to find the right people to be in your next video.

Light Source: A Dose of Reality

by Dr. Robert G. Nulph
2000-06-01
Lighting, like sound, can be used to create a false reality for your audience.

Light Source: Accessorize Your Lighting Kit

by Dr. Robert G. Nulph
2001-12-01
Assemble your lighting kit smartly and concisely, and you'll be ready for unforseen on-location light glitches.

Light Source: Advanced Techniques for Lighting Faces

by Jim Stinson
2000-08-01
Light placement can have a dramatic impact on the faces you light.

Light Source: Build Your Own Lighting Kit

by Jim Stinson
2003-11-01
Assemble a three-light kit for $100; a complete outfit for less than $200.

Light Source: Color Correcting with Gels

by Dr. Robert G. Nulph
2000-02-01
How to use color-correcting gels to fine tune your lighting.

Light Source: Controlling Light

by Dr. Robert G. Nulph
2002-05-01
Seize control over your lighting with accessories such as flags, barndoors and snoots.

Light Source: Crafting the Key Light

by Dr. Robert G. Nulph
1999-01-01
Good lighting begins with a single lamp.

Light Source: Creating Mood with a Single Light

by Dr. Robert G. Nulph
2003-02-01
You don't need a whole light kit to give a single character their mood.

Light Source: Guerrilla Lighting: Professional Tools from Builders Depot

by Jim Stinson
2004-12-01
Assemble your own lighting kit--at one-fifth the cost.

Light Source: Hang 'Em High! Location Rigging

by Jim Stinson
2004-06-01
Supporting lights on location takes patience, ingenuity, and gaffer tape.

Light Source: Hard Light, Soft Light

by Jim Stinson
2003-09-01
Through spots or soft lights can be used to create theatrical or natural lighting styles, they're often most effective when employed together.

Light Source: In the Mood? Creating Mood with Light

by Dr. Robert G. Nulph
2000-12-01
One scene, many moods. Let the lighting do the work.

Light Source: Is it Real or Just Good Lighting?

by Dr. Robert G. Nulph
2001-06-01
With these techniques you can light scenes so they look as natural as the real world.

Light Source: Lassoing Light

by Dr. Robert G. Nulph
2001-02-01
Learn how to use gels and filters to get great light quality in every situation.

Light Source: Light Choice

by Dr. Robert G. Nulph
2002-07-01
There are many different types of lights, each with its own advantages and disadvantages.

Light Source: Lighting Backgrounds

by Dr. Robert G. Nulph
1999-10-01
Well-lit backgrounds don't just support your talent; they send subtle yet powerful messages to your audience.

Light Source: Lighting Faces

by Dr. Robert G. Nulph
1999-06-01
Faces present a special kind of lighting challenge to the videographer.

Light Source: Lighting Faces

by Dr. Robert G. Nulph
2001-08-01
Basic three-point lighting techniques provide practical solutions to common lighting challenges.

Light Source: Lighting for Chromakey

by Dr. Robert G. Nulph
2002-04-01
Lighting is one of the most important aspects of bringing realism to your chromakey scene.

Light Source: Lighting for Compositing

by Jim Stinson
2003-07-01
Good lighting is the key to chromakey.

Light Source: Lighting for Mood

by Jim Stinson
2004-07-01
Lighting to achieve a certain mood is easy if you work with three basic elements: key, contrast and color.

Light Source: Lighting for the Internet

by Jim Stinson
2004-05-01
Simple lighting makes cleaner, more natural images, while reducing production hassles.

Light Source: Lighting Moving Targets

by Jim Stinson
2003-12-01
A few lights can cover a lot of action -- if you know how to use them.

Light Source: Lighting Multiple Subjects

by Jim Stinson
2004-04-01
It's easy to light two people at once, whether with one light or eight.

Light Source: Lighting Portraits

by Jim Stinson
2003-03-01
As with still photography, the goal of a video portrait is to make your subject look as good as possible.

Light Source: Lighting with Hardware Store Tools

by Dr. Robert G. Nulph
2002-10-01
Your local hardware store is a valuable source for video lighting tools and accessories.

Light Source: Lighting Women/Lighting Men

by Jim Stinson
2004-08-01
The rugged and the glam.

Light Source: Lighting Your Backgrounds

by Dr. Robert G. Nulph
2002-11-01
Always keep your backgrounds in mind when you set up your video shots.

Light Source: Mop Up That Spill!

by Jim Stinson
2003-08-01
There's no need to cry over spilled light, just follow this simple advice.

Light Source: News-style Lighting

by Dr. Robert G. Nulph
2000-10-01
Tips to help you create great lighting for your news set. Strategies for anchors, sports and the weather.

Light Source: On Location with Gaffer Tom

by Jim Stinson
2004-02-01
FROM: gaffertom@barndoor.com
TO: goldilocks@beanbagstate.edu
SUBJECT: Is

Light Source: One Location, Five Different Looks

by Dr. Robert G. Nulph
2002-09-01
Even in a small office studio, you can attain a variety of looks and moods for your video.

Light Source: Reflecting Light

by Dr. Robert G. Nulph
1999-04-01
Reflectors are perhaps the most versatile, inexpensive and widely-used lighting instruments.

Light Source: Reflecting Light

by Dr. Robert G. Nulph
1999-08-01
Dramatic lighting can make the difference between an ordinary production and a great production.

Light Source: Reflecting Light

by Dr. Robert G. Nulph
2002-02-01
Don't let imposing lighting conditions get you down, reflect that light to your advantage.

Light Source: Sound and Light Shows

by Jim Stinson
2003-04-01
With lighting, you can create spectacular elements with little or no budget.

Light Source: The Color of Light

by Dr. Robert G. Nulph
2002-08-01
Knowing the physical differences between outdoor, indoor and mixed lighting conditions will help your videos.

Light Source: The Illusion of Diffusion

by Dr. Robert G. Nulph
2002-06-01
Diffusion is a technique that every videographer should know.

Light Source: The Key to Changing Moods

by Dr. Robert G. Nulph
2001-10-01
As important as set design and costumes, light positioning and intensity are integral scene setters.

Light Source: The Power of the Sun

by Dr. Robert G. Nulph
1998-12-01
Tap into free and available solar energy to cast a new and dramatic light on your productions.

Light Source: The Power of Three-point Lighting

by Dr. Robert G. Nulph
1999-02-01
Use three-point lighting to set the mood, time of day and dramatic intensity of your productions.

Light Source: The Wedding (Not) in the Woods: Part 2

by Jim Stinson
2004-10-01
FROM: gaffertom@barndoor.com
TO: goldilocks@beanbagstate.edu
SUBJECT: Flower children wedding plan B

Light Source: The Wedding in the Woods - Part 1

by Jim Stinson
2004-09-01
The best-laid plans of mice and men gang aft agley.

Light Source: Three-Point Lighting Designs

by Jim Stinson
2004-01-01
For individual subjects, nothing beats the tried-and-true combo of key, fill and back lights. Classic three-point lighting (key, fill and back light) is sometimes dismissed as "yearbook lighting." True, it can look hokey in story videos, but whenever you have a narrator, a spokesperson, an interviewee or anyone who stays in one place and talks, three-point lighting is bullet proof.

Light Source: Three-point Lighting for Multiple Talent

by Dr. Robert G. Nulph
2000-04-01
Make your light kit do double duty for your next interview.

Light Source: Three-Point Lighting in the Real World

by Dr. Robert G. Nulph
2003-01-01
It's not just a theory: check out these pragmatic three-point lighting tips in action.

Light Source: Using a Camera-Mounted Light

by Dr. Robert G. Nulph
2002-03-01
The on-camera light can be a great tool, if you know how to use it.

Light Source: Using Diffusion

by Jim Stinson
2004-11-01
Diffusion is invaluable for softening harsh light and creating natural-looking lighting designs.

Light Source: Using Reflectors Like a Pro

by Jim Stinson
2003-05-01
Reflectors are cheap and easy -- just how we like 'em.

Light Source: Working with Mixed Lighting

by Jim Stinson
2003-10-01
Mixed lighting isn't necessarily a disaster. Here are some pragmatic solutions for your next location shoot.

Lighting
Lighting Greenscreens

by Robert G. Nulph, Ph.D.
2009-01-01
Many editing software programs now have easy-to-execute chromakey effects, but, to get your scene looking good, you need to plan first and light it right. You have the greenscreen, the right editing software, and a great idea... but how do you make your subject look real?

Lighting
Lighting Gels

by Robert G. Nulph, Ph.D.
2008-07-01
You're ready with 3-point lighting or a soft-light and mood setting. But ... hum... what's missing? How about some red and blue on that dull white scene?

Lighting
Lighting Technology

by Robert G. Nulph, Ph.D.
2008-09-01
Since the introduction of the tungsten-halogen bulb in the early 60s, lighting technology has changed little except in the fixture styles that use the quartz lamp.

Lighting Buyer's Guide

by Randy Hansen
2007-01-01
...and there was light.

Lighting Car Interiors

by Robert G. Nulph, Ph.D.
2008-01-01
Did you ever notice that in the movies we never have a problem seeing a person's features while he's driving down the road? Even at night?

Lighting Terms

by Jennifer O'Rourke
2005-07-01
Glossary of lighting terms used by videographers.

Lighting Your Video: Back to the Hardware Store?

by Jim Stinson
2005-12-01
Lighting accessories can be as easy to make as a trip to the local hardware store.

Lighting: Lighting Products for Video Ads

by Terry O'Rourke
2009-07-01
Learning to light products for video starts with learning how to "see" light and how it reacts to subjects. Light is to photography as paint is to an artist.

Lighting: Making Video In Low Light Conditions

by Jeff Sengstack
2009-09-01
Steps you can take to ensure your video quality is as good as it can be when faced with the challenge of making digital video in low light conditions.

Lighting: Night Lighting

by Robert G. Nulph, Ph.D.
2008-03-01
Winter is waning, the snows are beginning to melt in the northern states and the sun is sticking around a little longer. However, the night still rules!

Lighting: Outdoor Cinematography

by Jeanne Rawlings
2009-05-01
There is nothing quite like lovely, outdoor cinematography. Bringing it to the screen requires that you to retool your perfect vision to serve the eye of the camera.

Lighting: The Eye Light

by Robert G. Nulph, Ph.D.
2009-03-01
With a twinkle in his eye, your actor can win the damsel and convince the audience of his good intentions. Creating that twinkle is all in the art of lighting. Twinkle, twinkle little star. With the crisp winter air, we can see the stars brightly shining in the heavens.

Lighting: Using Practicals

by Robert G. Nulph, Ph.D
2008-05-01
Lighting a scene using everyday lamps realistically is a skill that earns Hollywood gaffers top dollars. Here are some tips to using practicals in your next video.

Lighting
Lighting Film Noir Style

by Robert G. Nulph, Ph.D.
2008-11-01
November. The days are getting shorter, the air is crisp and the mood is dark and forlorn. These are the perfect ingredients for film noir shooting.

Make-up for Video

by Sofia Davis
2002-05-01
Practical make-up tips that you can apply in 10 minutes or less.

Makeup and Wardrobe

by Bill Davis
2001-02-01
Practical tips and basic guidelines to follow that will help your talent look their best on tape.

Making Cents

by Bill Berg-Hillinger
2006-08-01
Turn time and tape into treasure.

Making Documentary Videos: The Interview

by Dr. Robert G. Nulph
2006-04-01
How to use Cinéma Vérité techniques to make compelling documentaries

Marketing & Distributing Your Video

by Mark Bosko
2007-10-01
Part 1 - Letting the World Know

Marketing & Distributing Your Video Part 2 - Finding Buyers & Making Money

by Mark Steven Bosko
2007-11-01
With more opportunities than ever for videos to achieve true distribution, independent producers are able to find audiences and revenues for their projects that were not available as recently as a year ago.

Master Video Storytelling With The Hollywood Look

by David W. Scott
1998-03-01
Anyone can achieve the Hollywood Look using subtle techniques. With this article, you'll learn what these techniques are and how to use them to create video classics.

Movie and Video Production Planning Part 2

by Jim Stinson
2005-05-01
Part 2 of a 3 part series on movie and video production planning.

Moving Performances

by Jim Stinson
2007-02-01
Learn how to set the stage so that your subjects behave naturally in front of the camera.

New Titles

by Morgan Paar
2006-08-01
  • Indie Film/Video Legal Documents, 2nd Edition
  • Total Training for What's New in Adobe Premiere Pro 2
  • Final Cut Pro Advanced Techniques

New Titles

by Morgan Paar
2007-07-01

New Titles

by Morgan Paar
2007-11-01
reviews

Nine No-plan Video Ideas

by Gyakyi Bonsu-Anane
1999-11-01
You’ve got your gear, you’re ready to shoot but out of ideas. Don’t panic, here are nine sure-fire video productions that you can shoot right now.

Old New Borrowed Blue: Excuses to Use Your Camcorder

by Margaret Clair
1998-06-01
Can't find inspiration? These no-plan video ideas are guaranteed to put the zing back into your zoom. Choose an idea or subject that interests you - and go shoot it!

On Ramp: Access Your Community

by Arthur Aiello
1995-11-01
Access Your Community

On Ramp: Broadcast Television

by Mark Bosko
1996-01-01
Broadcast Television

On Ramp: Compressing Video for Streaming

by TBD TBD
1996-12-01

On Ramp: Digital Video Discs

by Mark Bosko
1995-09-01
Digital Video Discs

On Ramp: Exploring Cable Opportunities

by Mark Bosko
1996-03-01
Don't forget cable TV as a legitimate outlet for your video wares.

On Ramp: Low-power Television

by Mark Bosko
1995-06-01
Low-power Television

On Ramp: New Technologies, New Outlets

by Crissy Follmann
1996-04-01
Emerging technolgies promise new distribution outlets for videomakers.

On Ramp: Opportunities on Satellite

by Mark Bosko
1995-07-01
Opportunities on Satellite

On Ramp: Put MPEGs on your Home Page

by Joe McCleskey
1996-06-01
Got a web page? Got a camcorder? Here's how to put your video clips on the Web.

On Ramp: Shooting Video for Streaming

by TBD TBD
1996-12-01

On Ramp: Streaming Video: The Whole World Is Watching

by Roger Wyatt
1999-05-01
Streaming Video is cheaper and easier to produce than you may expect.

On Ramp: The Internet and the MBONE

by Karl Jacob
1995-04-01
The Internet and the MBONE

On Ramp: The Internet and the MBONE

by TBD TBD
1996-12-01

On Ramp: VHS Distribution

by Mark Bosko
1995-12-01
VHS Distribution

On Ramp: What Separates One Streaming Package from Another?

by TBD TBD
1996-12-01

Pause: A Plea for the First

by Stephen Muratore
1995-10-01
A Plea for the First

Pause: Art Science

by Stephen Muratore
1994-06-01
Is video an art or a science?

Pause: Bards and the Anti-bard

by Stephen Muratore
1995-12-01
Bards and the Anti-bard

Pause: Battery Memory, Battery Laziness

by Stephen Muratore
1996-06-01
Got a sleepy NiCd battery? Join the club.

Pause: Ben and Sheila Got Married

by Stephen Muratore
1997-12-01
When you come to consider the impact video has on life -- it gives you pause.

Pause: Beyond Those Ugly Video Moments

by Stephen Muratore
1995-09-01
Beyond Those Ugly Video Moments

Pause: Bored on the 4th of July?

by Stephen Muratore
1997-07-01
It's the little things in life that make video worth shooting.

Pause: Deconstructing AE

by Stephen Muratore
1997-01-01
Deconstructing AE

Pause: Dream Cam

by Stephen Muratore
1994-07-01

Pause: Eye, Mouth, Hand

by Stephen Muratore
1995-02-01
Eye, Mouth, Hand

Pause: Flames, Nazis and You

by Stephen Muratore
1994-10-01

Pause: Frequently Asked Questions

by Stephen Muratore
1995-05-01
Frequently Asked Questions

Pause: Future Schlock

by Stephen Muratore
1996-10-01
Your battery's memory may be better than your own.

Pause: George and Harry, Bill and Sadie

by Stephen Muratore
1996-12-01
The secret of a good marriage is communication, especially for videographers.

Pause: Getting Digital

by Stephen Muratore
1996-07-01
Converting a computer system for nonlinear editing is not for the faint of heart.

Pause: Getting There First

by Stephen Muratore
1994-08-01

Pause: Getting Under the Skin

by Stephen Muratore
1997-05-01
Beauty is only skin deep. Can video go deeper?

Pause: Hail to Thee Blithe Amateur

by Stephen Muratore
1997-08-01
One man's insult is another man's praise.

Pause: High Phi

by Stephen Muratore
1996-02-01
High Phi

Pause: Inside Out

by Stephen Muratore
1996-01-01
Inside Out

Pause: It's Your Life

by Stephen Muratore
1996-08-01
Some of the best stories are the small stories we live every day.

Pause: Least Favorite Video Things

by Stephen Muratore
1996-03-01
Great hobby or not, videomaking has its share of irritating aspects.

Pause: LIP Service

by Stephen Muratore
1994-01-01
Pause: possibilities of live broadcasting

Pause: Music to Our Eyes

by Stephen Muratore
1997-04-01
We're not talking music videos here; we're talking visual music.

Pause: Other People II

by Stephen Muratore
1995-11-01
Other People II

Pause: Overcoming CAS

by Stephen Muratore
1997-03-01
Overcoming CAS

Pause: Play Video

by Stephen Muratore
1997-11-01
As a colored board is a focus for Monopoly [TM], a camcorder can be a focus for party games.

Pause: Press Principles

by Stephen Muratore
1995-06-01
Press Principles

Pause: Propaganda

by Stephen Muratore
1994-03-01
Propaganda: do you make it? Should you?

Pause: Show Me a Story

by Stephen Muratore
1994-09-01

Pause: Snow

by Stephen Muratore
1994-12-01
Snow

Pause: That's Video with a "You"

by Stephen Muratore
1997-02-01
When you show your videos, you're revealing a part of yourself to your audience. Don't let selfish videos threaten a good relationship.

Pause: The Long Distance Video Guy

by Stephen Muratore
1995-03-01
The Long Distance Video Guy

Pause: The Video You Don't Shoot Could be Your Own

by Stephen Muratore
1997-06-01
You don't need original footage to make a video--just some simple editing equipment and an active imagination.

Pause: To Read or to Watch

by Stephen Muratore
1996-04-01
The pen may be mightier than the sword, but it's no match for the lens.

Pause: To See Ourselves

by Stephen Muratore
1995-04-01
To See Ourselves

Pause: Video Brain Drain

by Stephen Muratore
1994-11-01

Pause: Video Democracy or Rosy Glasses?

by Stephen Muratore
1994-02-01
Do we want video democracy or only to replace one video totalitarianism with another?

Pause: Video is Other People

by Stephen Muratore
1995-07-01
Video is Other People

Pause: Video Voyeurism

by Stephen Muratore
1994-04-01
Let's sneak a look at video voyeurs.

Pause: Vince Needs Friends

by Stephen Muratore
1997-09-01
Vince Codac, an unlucky, would-be nonlinear editor, needs your help.

Pause: Vince Saves It

by Stephen Muratore
1996-11-01
There are two ways to find a house. The first is to carry the house with you...

Pause: Vince's Way Home

by Stephen Muratore
1996-09-01
The further misadventures of a would-be nonlinear editor.

Pause: Watch the Ads, Watch Video

by Stephen Muratore
1995-08-01
Watch the Ads, Watch Video

Pause: What You Want

by Stephen Muratore
1994-05-01
Results of a Videomaker opinion poll.

PBS & ITVS: Fertile Soil for Independent Videographers

by Alessia Cowee
2003-08-01
From Production to Programming, PBS and ITVS offer unique opportunities for videographers. Learn how to create, format and submit video for PBS and ITVS.

Peer To Peer File Sharing

by Kyle Cassidy
2005-03-01
Peer to Peer Could be the answer to your Video Distribution Questions.

Personal Video Distribution

by Mark Bosko
1996-02-01
Uncle Al's Ab Workout, Mike Jones' Kickin' Karate and The Beach Babe Experiment are just three of the hundreds of successfully marketed low-budget videos available on the market today.

Plan the Shoot: Part 1 of Production Planning

by Jim Stinson
2005-04-01
Meticulous planning will enable you to shoot the program you developed and then edit the show you shot.

Post Production Video Editing Tips

by Hal Robertson
2009-08-01
Tips on how to use fix problems in post production with editing software, plugins and a little time. So you can say -Don't worry, well fix it in post.

Prevent Video Equipment Theft

by Brian Peterson
2007-01-01
How not to be a target for people stealing your gear.

Producer Profile
behind the lens

by Peter Biesterfeld
2008-12-01
Christion Schnobb - Dolly Grip, Screenwriter, Independent Producer

Producer PROFILE: behind the lens

by Andrew Burke
2009-02-01
Sandymontana: A newbie company in the land of giants. Meet Sandymontana, a youthful media production company with lots of hearth... ahem... heart. This Portland, Oregon-based group is getting cozy with their newest addition: a vintage fireplace complete with fake logs...

Producer Profile: Behind the Lens

by Mike VanHelder
2008-02-01
Viral Video Phenomenon: Kip Kay

Producer PROFILE: behind the lens

by Brian Alves
2009-05-01
How to use video to sell Real Estate Profitably. According to the National Association of Realtors, more than 82% of home buyers begin their search...

Producer Profile
Danny Sayson - Wedding Videographer

by Mike VanHelder
2008-08-01
An award-winning wedding producer shares some tips on making wedding videos.

Producer Update
Kip Kay Hits the Six-Figure Mark!

by Jennifer O'Rourke
2008-08-01
An update on how a web producer became Metacafe's top earner in just 16 months.

Producing Your Own Vidcast for Video Sharing
Part One - Planning

by Brian Peterson
2007-03-01
Video Sharing with the World. A guide to posting your video online.

Producing Your Own Vidcast for Video Sharing
Part Two - Production

by Brian Peterson
2007-04-01
Podcasting, vidcasting, vodcasting or whatever you call it, the Internet

Producing Your Own Vidcast for Video Sharing
Part 3: Editing and Distribution

by Brian Peterson
2007-05-01
In the last two issues we told you how to set up and shoot your vidcast. In part three, we're looking at how to edit and get that vidcast to the masses.

Production Power

by Paul Esterle
2000-09-01
Learn how to use Microsoft Office to improve your productions.

Profile: Campus Research 101

by Mark Eaton
1998-08-01
College tours on video help students choose the right school.

Profile: Chief Kanim Video Club: No Kidding Around

by Mark Bosko
1997-09-01
Organizing and running a video club at school is no easy task, but it can be a great benefit to the students and the community.

Profile: Gabriel Campisi and

by Stephen Jacobs
1994-12-01
Gabriel Campisi and

Profile: Gary Lico and Cable Ready Corp.

by Brett Skogen
1994-10-01

Profile: George Aguilar and Video Poetry

by Stephen Jacobs
1994-11-01

Profile: Hank Austin and Flightline

by John Waters
1995-02-01
Hank Austin and Flightline

Profile: Kathryn Stroomer's Video Career

by John Waters
1995-05-01
Kathryn Stroomer's Video Career

Profile: Look! Up in the Sky: It's Video Man!

by Alyssa Skye Rivera
1998-04-01
A hobbyist merges freefall and video into a thrilling career.

Profile: Rusty Paul and the Guitar Greats

by John Waters
1995-01-01
Rusty Paul and the Guitar Greats

Profile: Sara Pellegrino and the Superior Seniors

by Julie DeForest
1998-06-01
There's no such thing as "over the hill" when it comes to making video.

Profitmaker: A Client in Need is a Client Indeed

by William Ronat
1997-10-01
A videographer's guide to the care and feeding of clients.

Profitmaker: Budget for Profit

by William Ronat
1997-07-01
Estimating the cost of a video for a client is a tricky but necessary part of doing business. Here's how to do it right.

Profitmaker: Give Yourself a Promotion

by William Ronat
1997-06-01
If your business develops a good reputation, spread it around. You can use it to help your business grow.

Profitmaker: Hire Learning

by William Ronat
1997-04-01
Take care when selecting an employee to be sure you get the best person for your business.

Profitmaker: Howdy, Partner

by William Ronat
1997-03-01
You're judged by the company you keep. And in business, your success or failure could depend on it.

Profitmaker: Making History

by William Ronat
1996-03-01
Family or company history videos may be a lucrative, untapped market in your area.

Profitmaker: Marketing Your Video

by William Ronat
1996-10-01
To sell directly, or to distribute? That is the question.

Profitmaker: Money From Your Brain

by William Ronat
1997-02-01
You can turn your ideas into money. But if you don't protect your ideas with copyrights, so can anyone else.

Profitmaker: Moving Forward

by Mark Bosko
1996-05-01
There are only two directions your video business can go - forward or backward.

Profitmaker: Oh, Grow Up.

by William Ronat
1996-11-01
If your video business is growing, it's healthy. But prepare yourself for some growing pains.

Profitmaker: Planning Your Advertising

by Mark Bosko
1996-06-01
Advertising isn't optional for the growing video business--it's a must. Here's how to plan an effective ad strategy.

Profitmaker: Portrait of a Family

by William Ronat
1996-04-01
Say goodbye to

Profitmaker: Risky Business

by William Ronat
1997-01-01
Owning a business is like walking a tightrope. It can be scary, but it's easier to do if you've got a safety net below you.

Profitmaker: Shooting on Location

by William Ronat
1996-09-01
Wherever you go, there you are. But are you prepared?

Profitmaker: Sponsor Point

by William Ronat
1997-05-01
This episode of

Profitmaker: Target Practice

by William Ronat
1996-12-01
You create the best videos around. But how do you sell your services? By zeroing in on your target market.

Profitmaker: Videotaping Depositions

by Eric Rudolph
1996-07-01
With the right gear and the right attitude, you can tap into the lucrative deposition videomaking market.

Projected Titles: Creative Tips for Video Titling

by Randall Redmond
2001-05-01
Creating unique and interesting title effects for your video doesn't have to be difficult or expensive.

Projects That Pay: Making Memories: Video Yearbooks for Fun and Profit

by Lauryn Axelrod
1997-12-01
Whether for fun or profit, capturing school events on video can be rewarding.

Projects That Pay: Memorial Videos: Gone but Not Forgotten

by Randal K. West
1998-09-01
Memories on video can be treasures for future generations.

Projects That Pay: Personal Histories: Video for Future Generations

by Don Doman
1998-02-01
Video histories can be a unique and profitable way to record life's precious moments.

Projects That Pay: Spare-Time Shooting: Making Hobbies Pay Off

by Lauryn Axelrod
1998-05-01
Make some spare change shooting leisure-time activities.

Projects That Pay: Video Resumes

by Joe McCleskey
1998-11-01
Help your clients rise above the rest.

Public Access/Cable TV

by Mark Bosko
2000-07-01
Getting access to public access.

Public Access: Produce Your Own TV Show

by Sofia Davis
2002-12-01
How to get started producing a public access television show.

Putting a Camcorder in the Hands of Children

by Stephen Muratore
1995-01-01
Get your children out from in front of a TV and behind a camcorder.

Reader Profile: Henry Tenby

by Videomaker
2009-09-01
"I hail from Vancouver, Canada, and have been an avid airline fan since my childhood. I started as a hobby taking Kodachrome slides of airliners in the 80s..."

Real-time Sound Effects: The Foley Way

by Jim Stinson
1999-07-01
Match homemade sound effects to screen image using these time-tested Foley techniques.

Recruiting Talent

by Tad Rose
2004-05-01
Quality talent means more than just a quality performance. It may mean the difference between a one-hour shoot and a four-hour marathon.

Rewind

by Joe McCleskey
2001-06-01
A Decade and a Half in the Making: Videomaker's Fifteenth Anniversary

Rewind: 10 Years Ago in Videomaker

by Joe McCleskey
1998-01-01
Check out these video "antiques" to appreciate what's available now.

Rewind: Four From the Videomaker Vault

by Joe McCleskey
1998-04-01
They seemed like good ideas at the time

Save As:
15 Quick Tips to Videotaping Fireworks

by Jennifer O'Rourke
2008-07-01
Shooting great firework footage is more than pointing the camera into the sky. The less light you have, the harder it is to focus or capture an image that isn't underexposed or overly grainy. Throw in a fireworks scene that changes from dark to light within nanoseconds, and your camera will need a lot of help from its human counterpart. Let's start with the gear, then go to the technical, setup and finally the techniques.

Save As: MPEG-2 Encoding Tips for DVD Authors

by Charles Fulton
2006-11-01
MPEG-2 Encoding Tips for DVD Authors

Secrets of Video Training: We Betray the Instructional Designer's Guild

by Jim Stinson
2003-07-01
Developing a training video is a straightforward process--if you know the techniques of professional instructional designers.

Serverless Streaming: The Best of Both Worlds

by John Davis
2001-04-01
Find out about new technology that will do away with the streaming server software that Web video is dependent on today.

Shaping Actor Performances

by Jim Stinson
2002-09-01
Many actors, like pieces of clay, need to be molded and prodded into perfect form. Your job as director is to recognize actor shortcomings and decide what kind of intervention is necessary.

Share the Dream: Documentary Distribution and Sales --Part III

by Randal K. West
2006-06-01
Part 3 of a three part series on how to fund, make, and promote your documentary.

Shooting for the (very) Small Screen

by Brian Schaller
2004-06-01
How to make and put videos on your PDA.

Six Streaming Video Questions with Mark Cuban of Broadcast.com

by Larry Lemm
1999-11-01
Your video on the Internet. Just how realistic is it? Find out what this industry insider predicts.

Sound Advice

by Hal Robertson
2007-01-01
Learning to Listen

Sound Advice: Mics for All Occasions

by Hal Robertson
2007-10-01
All mics are NOT created equal; you have do your research to find which mic best suits your needs. Let's take a look at a few needs to mic people, places and things.

Sound Advice: 10 Tips for Better Audio Gathering

by Hal Robertson
2003-09-01
Make your list and check it twice.

Sound Advice: A Listening Ear

by Hal Robertson
2004-01-01
Finding and buying the perfect pair of headphones.

Sound Advice: A Little Balance

by Hal Robertson
2005-08-01
A quick overview of the differences between balanced and unbalanced audio, along with the benefits of using balanced audio.

Sound Advice: AGC Coping Skills

by Hal Robertson
2004-06-01
Learning to live with built-in audio controls.

Sound Advice: Announcing... You?

by Hal Robertson
2006-08-01
Commercials, movie trailers, product and training videos all have one thing in common -- they often need a voiceover.

Sound Advice: Audio - Get it Right From the Start

by Hal Robertson
2001-08-01
10 tools and strategies you can use to caputer great sound on every shot.

Sound Advice: Audio for Interviews

by Jim Stinson
2001-02-01
Good interviews require good audio. Here are some practical tips to help you get great sound.

Sound Advice: Audio for Video - Post Production

by Hal Robertson
2001-09-01
Consider these 10 audio editing tips to supplement your videos with excellent sound.

Sound Advice: Audio Illusions

by Bill Harrington
2000-11-01
Who says seeing is believing? With sound effects, hearing is believing.

Sound Advice: Audio in the Digital World

by Hal Robertson
2002-06-01
Today's video editing software provides all the audio post-production tools you need--let it work for you.

Sound Advice: Audio Isolation

by Hal Robertson
2005-01-01
In order to ensure the quality of your audio, grab a pair of headphones and put them to good use. Better audio awaits you.

Sound Advice: Audio Mixing: The Perfect Blend

by Hal Robertson
2003-01-01
Find the perfect mix of audio elements for your video.

Sound Advice: Audio on an Even Keel

by Hal Robertson
2002-08-01
A guide to keeping your audio levels consistent throughout your videos.

Sound Advice: Auditorium Audio

by Hal Robertson
2002-04-01
Learn how to tackle the challenge of recording audio in a large room.

Sound Advice: Bits and Bytes

by Hal Robertson
2004-09-01
Understanding the language of digital audio.

Sound Advice: Bump it Up a Notch

by Hal Robertson
2006-01-01
Using segues and bumper music will give your productions a professional touch.

Sound Advice: Can You Hear Me Now?

by Hal Robertson
2005-04-01
A few simple tricks to find the best way to record and edit your narrator.

Sound Advice: Captured in Time

by Hal Robertson
2002-09-01
Getting audio cleanly from the camcorder to the computer is key to your production.

Sound Advice: Cut the Cord

by Hal Robertson
2007-04-01
A good wired microphone is perfect for reliable high quality audio, but sometimes the wires get in the way.

Sound Advice: Digital Audio Effects

by Hal Robertson
2002-11-01
Spice up your audio soundtrack with some nifty special effects.

Sound Advice: Digital Audio Secrets Revealed!

by Hal Robertson
2006-10-01
When it comes to audio in our videos, most of us just plug in a microphone and hit the record button.

Sound Advice: Doin' the Bump

by Hal Robertson
2005-03-01
Using bumper music and segues in your productions.

Sound Advice: Editing Audio for Video

by Hal Robertson
2002-07-01
Use a variety of editing techniques to maximize the quality of your video sound.

Sound Advice: Editing Narration

by Hal Robertson
2003-08-01
Digital audio editing for perfect voiceovers.

Sound Advice: EQ Demystified

by Hal Robertson
2006-03-01
Have you ever wished the dialog in your video were a little less muddy? How about that music track that needs a smidgen more zing to make it cut through the mix?

Sound Advice: Gaining Control of Your Volume

by Hal Robertson
2002-01-01
Once upon a time, a rookie videographer decided to strike out on his own. Here's his story.

Sound Advice: Going for a Loop with Music

by Don Collins
2001-05-01
Music creation software is a simple and affordable way to create completely customized royalty-free music.

Sound Advice: Headphones for the Videographer

by Hal Robertson
2002-12-01
A good pair of headphones are a great addition to your video toolkit.

Sound Advice: Hiding Microphones

by Hal Robertson
2003-05-01
Sometimes microphones should be heard and not seen.

Sound Advice: Hooking Up

by Hal Robertson
2005-05-01
The best microphones and mixers in the world aren’t much use if you can’t get the pristine audio into your camera.

Sound Advice: Internet Audio Bargains

by Hal Robertson
2007-11-01
When it comes to upping the quality of your audio, what's a cash-strapped producer to do? The entry point for any audio hardware or software seems to be around $400.

Sound Advice: Interview Audio

by Hal Robertson
2003-03-01
Tools and techniques to create high quality audio for your interviews.

Sound Advice: It's All in the Mix

by Hal Robertson
2007-06-01

Sound Advice: Kissing Tape Goodbye

by Hal Robertson
2004-02-01
Recording production audio in your computer.

Sound Advice: Live-performance Audio

by Larry Lemm
2001-06-01
Achieving crisp, high-quality sound to compliment your live concert video merely takes a little planning.

Sound Advice: Living a Balanced Life

by Hal Robertson
2003-12-01
Making the most of balanced audio cables and connections.

Sound Advice: Make Your Own Sound Effects

by Hal Robertson
2002-10-01
Use video tools to record and edit your own unique sound effects.

Sound Advice: Makin' Music

by Hal Robertson
2003-06-01
Custom soundtracks for your video projects.

Sound Advice: Managing Digital Music

by Jim Stinson
2000-12-01
How to select, time, process and transition music in your videos.

Sound Advice: Matchmaker

by Hal Robertson
2006-11-01
The audio world is full of connectors. Big, small, short and long, these essential items have vexed video producers for years.

Sound Advice: Microphone Matrix

by Hal Robertson
2004-11-01
Mixing multiple audio sources for live video.

Sound Advice: Mix it Right

by Hal Robertson
2006-07-01
Mixing audio correctly is a true art form, as well as a necessary skill to have in your video production toolbox. After all, sound is half the experience of a video production.

Sound Advice: Mix it Up!

by Hal Robertson
2003-11-01
Using multiple microphones in your video production.

Sound Advice: Mixing Multiple Mikes

by Randal K. West
2001-10-01
Combine our tips and your own initiative to make great multi-mike recordings.

Sound Advice: Natural Sound to the Rescue

by Hal Robertson
2006-05-01
Two minutes of extra work on the set or in the field can save you hours of headache in the edit bay. You just need to remember to do it.

Sound Advice: Ninja Sound

by Hal Robertson
2004-08-01
Choosing the best microphone for your next video shoot.

Sound Advice: Outdoor Audio

by Hal Robertson
2003-04-01
Learning to deal with the elements as you shoot video.

Sound Advice: Phased & Confused

by Hal Robertson
2006-02-01
After countless hours of careful acquisition and editing, you go to play your finished work on a television set and part of your audio is gone. What happened?

Sound Advice: Quiet on the Set

by Bruce Coykendall
2002-02-01
Keeping the unwanted

Sound Advice: Random Noises

by Hal Robertson
2004-10-01
Creating and editing your own foley sounds.

Sound Advice: Recording and Editing Narration

by Don Collins
2001-07-01
High-quality narration can be an invaluable asset to your video projects.

Sound Advice: Recording Performances

by Hal Robertson
2003-07-01
Conquering the unique challenges of recording performance audio.

Sound Advice: Recording Sound Effects

by Hal Robertson
2007-03-01
Movies with true organic sounds, imagined futuristic electronic audio, and even the everyday noises around us, aren't complete without good sound effects.

Sound Advice: Rip It Good

by Hal Robertson
2005-11-01
When a good song comes along, you must rip it... A guide to extracting tracks from your audio CDs (of material that you're entitled to use) for your video projects.

Sound Advice: Room Without a View

by Hal Robertson
2007-02-01
Anyone who has ever struggled to record a clean voice over appreciates the importance of a dedicated recording space.

Sound Advice: Seeing Sounds

by Hal Robertson
2006-06-01
Think back to high school science for a moment. Remember how we were taught that sound waves were invisible and could only be heard and felt?

Sound Advice: Setting the Mood

by Hal Robertson
2006-09-01
Producers have a myriad of choices to manipulate the viewer via the ear. Style, ability to alter the score and your budget will dictate which option or options work best for your project.

Sound Advice: Slick Tricks

by Hal Robertson
2007-05-01
Don't just edit it, improve it - with slick sound editing tricks to make your audio come alive.

Sound Advice: Sound All Around

by Hal Robertson
2004-05-01
Adding surround sound to your videos with Dolby Digital.

Sound Advice: Soundboards Needed

by Larry Lemm
2000-10-01
An audio mixer is an essential tool for live multi-mike productions and linear edit bays.

Sound Advice: Sounding it Out(doors)

by Arthur Aiello
2001-03-01
Helpful solutions to common outdoor audio problems.

Sound Advice: Speaking Tips

by Joe McCleskey
2004-03-01
Twelve tips for recording the spoken word.

Sound Advice: Spice It Up A Notch

by Hal Robertson
2004-12-01
Essential post-production audio tricks.

Sound Advice: Stereo Mix-O-Phonic Sound

by Hal Robertson
2004-04-01
Planning and creating stereo sound for your productions.

Sound Advice: Stereo Recording Techniques

by Hal Robertson
2001-11-01
If superior sound is what you're after, several stereo audio plans of attack exist for your video project.

Sound Advice: Surround on the Cheap - Part 1

by Hal Robertson
2005-09-01
There are many techniques to creating proper surround sound projects, but you don't have to invest your mortgage on a full-blown surround system to achieve them.

Sound Advice: Surround on the Cheap - Part 2

by Hal Robertson
2005-10-01
Last month, we made the pitch for upgrading to surround sound. This month, we'll take raw materials and craft them into a complete DVD sound environment

Sound Advice: The Art of the Remix

by Hal Robertson
2007-12-01
DJs aren't the only people who want to blend the music from song to song for the dance floor; anyone can enhance a song with just a little bit of remixing knowledge.

Sound Advice: The Microphone of Choice

by Hal Robertson
2007-07-01
From handheld to boom, wired to wireless, and battery operated to phantom powered, there's a plethora of mics available, how do you know which mic is the right mic for you?

Sound Advice: The Music Chopping Block

by Hal Robertson
2007-08-01
Cutting out the bad and combining the best ingredients to create a meal go far beyond the flavors of the individual elements. In audio and video, we call this editing.

Sound Advice: The Natural Approach

by Hal Robertson
2005-06-01
Waves crashing, seagulls screaming, kids laughing... all elements of natural sound that enhances every story and boosts the impact of your video.

Sound Advice: The Sounds of the Holidays

by Hal Robertson
2005-12-01
From festive feasts to memorable moments, sound matters on holiday videos! These audio tips can help you make the most of the magiv of your cherished celebrations.

Sound Advice: The Sweet Spot

by Hal Robertson
2001-12-01
Get the most out of your microphones by identifying and taking advantage of their best potential performance.

Sound Advice: Tune your Room

by Hal Robertson
2007-09-01
Tune your Room

Sound Advice: Unconventional Audio

by Hal Robertson
2004-07-01
Recording the few and far between.

Sound Advice: Understanding Acoustics

by John Davis
2001-01-01
There's a world of difference between what your ears hear and what your microphone picks up.

Sound Advice: Understanding Acoustics

by Hal Robertson
2003-02-01
Room acoustics affect the sound of your recordings--both good and bad.

Sound Advice: Voiceover Techniques

by Hal Robertson
2002-05-01
There are many tricks of the trade you can use to perfect your video voiceovers.

Sound Advice: We'll Fix It in Post

by Bruce Coykendall
2002-03-01
In audio post-production, you can conquer most audio dilemmas that may come your way.

Sound Advice: Working the Room

by Hal Robertson
2005-02-01
Getting a handle on acoustics during your shoot.

Sound Reasoning: All About Audiotape Recorders

by David Brott
1995-12-01
All About Audiotape Recorders

Sound Reasoning: Audio Tracks and Editing

by Doug Polk
1995-05-01
Audio Tracks and Editing

Sound Reasoning: Balancing Art

by David Brott
1996-02-01
Balancing Art

Sound Reasoning: Better Audio from Your Built-in Mike

by Doug Polk
1995-07-01
Better Audio from Your Built-in Mike

Sound Reasoning: Copyright Counts

by Doug Polk
1994-10-01

Sound Reasoning: Equally Important: The Equalizer

by David Brott
1995-11-01
Equally Important: The Equalizer

Sound Reasoning: Headphone Lessons

by Mike Loehr
1995-03-01
Headphone Lessons

Sound Reasoning: Interview Audio

by Mike Loehr
1995-02-01
Interview Audio

Sound Reasoning: Lavalier Lessons

by Gary Pillon
1996-01-01
Lavalier Lessons

Sound Reasoning: Making Connections

by Doug Polk
1995-04-01
Making Connections

Sound Reasoning: Recording Stereo Sound

by Doug Polk
1995-06-01
Recording Stereo Sound

Sound Reasoning: Sweet Sound of Matrimony

by Doug Polk
1994-12-01
Sweet Sound of Matrimony

Sound Reasoning: Techniques to Improve Your Audio

by Doug Polk
1995-09-01
Techniques to Improve Your Audio

Sound Reasoning: The Great Outdoors

by Doug Polk
1995-01-01
The Great Outdoors

Sound Reasoning: The Mixer Method

by Doug Polk
1995-08-01
The Mixer Method

Sound Reasoning: Working with Acoustics

by Doug Polk
1995-10-01
Working with Acoustics

Sound Track: "I Do"

by Loren Alldrin
1996-08-01
Here are answers to 10 common questions about capturing clean, clear audio at weddings.

Sound Track: 10 Tips for Better Sound

by Loren Alldrin
1998-07-01
10 easy ways to improve the sound of your next video.

Sound Track: 10 Tips for Nonlinear Sound

by Loren Alldrin
1999-04-01
Better results from your digital audio editor.

Sound Track: A Dozen Audio Post-production Tips

by Loren Alldrin
1997-10-01
Twelve ways to improve your audio after you shoot.

Sound Track: A Perfect Connection

by Loren Alldrin
1997-05-01
Like water flowing through proper plumbing, your audio signals need good cables and connections to carry them from place to place.

Sound Track: An Introduction to Microphonicus Videus

by Loren Alldrin
1998-09-01
A brief discourse on the behavioral patterns of the common video microphone.

Sound Track: Audio Dubbing

by Loren Alldrin
1996-11-01
Thanks to the modern miracle of audio dubbing, you can make changes or add new sound to your videotape.

Sound Track: Audio Mixers

by Loren Alldrin
1997-09-01
More than just a box with knobs and pretty lights, a mixer is the heart of any audio-for-video system.

Sound Track: Audio-torium

by Loren Alldrin
1998-06-01
How to get good audio from auditoriums, gyms and other sound-hostile environments.

Sound Track: Big Mikes

by Loren Alldrin
1999-12-01
Get professional-quality audio with a studio microphone.

Sound Track: Building a Better Soundtrack

by Loren Alldrin
1999-05-01
It's easy to build-up your soundtrack with music and special effects.

Sound Track: Digital Sources for Superior Sound Tracks

by Joe McCleskey
2000-05-01
Improve your video's audio with new digital sources.

Sound Track: Do-it-yourself Music

by Loren Alldrin
2000-03-01
Need original music? Make your own!

Sound Track: Ear Monitors

by Loren Alldrin
1997-04-01
Don't think much about audio monitoring during shooting or editing? Maybe it's time to listen up.

Sound Track: External Miking

by Loren Alldrin
1999-07-01
How a mobile mike can make your audio come alive.

Sound Track: Hearing is Believing

by Loren Alldrin
1999-10-01
What your viewers hear can be just as real as what they see.

Sound Track: Interview Audio

by Loren Alldrin
1997-03-01
There's more to recording good interviews than meets the ear.

Sound Track: Interview Audio

by Loren Alldrin
2000-01-01
When it comes to video interviews, audio is king.

Sound Track: Location Audio Preparedness

by Loren Alldrin
1999-06-01
Location audio - indoors and out - has its own set of problems to prepare for.

Sound Track: Makin' Tracks

by Loren Alldrin
1997-06-01
When it comes to audio and video dubbing, where - and how - a format stores its audio tracks makes a world of difference.

Sound Track: Microphone Types

by Dr. Robert G. Nulph
2000-08-01
Everything you need to know to choose the right mike for any shooting situation.

Sound Track: Miking Basics

by Loren Alldrin
1996-09-01
There's more to choosing and using microphones than meets the ear. Here are some basic principles of miking for video.

Sound Track: Mix it Up

by Loren Alldrin
1998-12-01
Combine multiple sound sources for a more powerful soundtrack.

Sound Track: Mood Music

by Loren Alldrin
1999-11-01
How to use music to mold your viewers' emotions.

Sound Track: Multi-track Audio for Video

by Jerry Whaley
1996-05-01
A multi-track recorder may be the key to more professional-sounding videos.

Sound Track: Narration Sensation

by Loren Alldrin
1999-01-01
Make your videos sit up and speak with crisp, intelligible narration.

Sound Track: Old-fashioned Audio

by Loren Alldrin
1999-03-01
You don't need a nonlinear editing system to turn out great-sounding videos.

Sound Track: Out There

by Loren Alldrin
1997-02-01
Recording clean audio outside has its challenges. With these questions answered, however, you'll learn there's nothing to fear out there.

Sound Track: Pull the Plug

by Loren Alldrin
1997-01-01
How to unplug those mike cables and get the most from your wireless microphone system.

Sound Track: Putting Your Audio on the Right Track

by Bill Harrington
2000-06-01
Make the most of your editing software's audio tracks.

Sound Track: Seven Studies in Superlative Sound

by Loren Alldrin
1998-08-01
Simple tips for better sound from common shooting situations.

Sound Track: Smooth Talker

by Loren Alldrin
1999-02-01
Thirteen tips for smooth, professional-sounding narration.

Sound Track: Sound Bounces

by Loren Alldrin
1997-11-01
When sound bounces uncontrolled in an enclosed space, it can come back to haunt you. Here’s how to control it.

Sound Track: Sounds of the Wild

by Loren Alldrin
2000-02-01
How to get crisp, clean audio from the biggest sound-stage of all - the great outdoors.

Sound Track: Speaking of Specs

by Jerry Whaley
1996-07-01
Specifications capture the essence of equipment performance. Understanding them will make you a savvy shopper.

Sound Track: Stereo Miking

by Loren Alldrin
1997-07-01
How two mikes and a little know-how can open up a whole new panorama of sound in your videos.

Sound Track: Stereo Miking

by Dr. Robert G. Nulph
2000-07-01
Looking for ways to enhance your sound track? Consider adding depth and richness with stereo miking techniques.

Sound Track: Studio Sound

by Loren Alldrin
1999-08-01
Be it back bedroom or empty warehouse, your studio can sound as good as it looks.

Sound Track: Ten Common Audio Mistakes

by Jerry Whaley
1996-06-01
We've identified ten audio foibles that keep most video productions from sounding as good as they could.

Sound Track: Ten Wireless Tips

by Loren Alldrin
1999-09-01
Ten simple tips for maximizing wireless mike performance.

Sound Track: The Audio Mixer: It's No Contest

by Loren Alldrin
1998-03-01
The story of one man, one woman and an audio mixer.

Sound Track: The Auto-gain Migraine

by Loren Alldrin
1998-10-01
Is your camcorder's auto-gain circuit giving you headaches? Here are someremedies.

Sound Track: The Balancing Act

by Loren Alldrin
1998-02-01
A balanced signal is the cleanest way to get audio from point A to point B. Any questions?

Sound Track: The Built-in Mike

by Loren Alldrin
1997-08-01
Answers to some common questions about the built-in mike.

Sound Track: The Copyright Riddle

by Loren Alldrin
1996-12-01
There's a whole lot of confusion surrounding copyrights and the use of music in videos. Here are straight answers to the most common questions.

Sound Track: The Direct Connection

by Jerry Whaley
1996-03-01
Tapping into an existing audio mixer often results in a clearer audio track.

Sound Track: The Equalizer

by Loren Alldrin
1997-12-01
EQ: two letters that can mean a lot to the sound of your videos.

Sound Track: The External Advantage

by Doug Polk
1994-11-01

Sound Track: The Invisible Mike

by Loren Alldrin
1998-01-01
Sometimes, mikes should be heard and not seen.

Sound Track: The Whole Truth

by Loren Alldrin
1998-11-01
When it comes to monitoring your video's soundtrack during editing, you want speakers that tell you the whole truth.

Sound Track: To Wire or Not to Wire?

by Bill Harrington
2000-09-01
Knowing when to cut the cord is not always easy.

Sound Track: Top 10 Audio Crimes

by Loren Alldrin
1998-05-01
Keep your recording clean by avoiding these common audio crimes.

Sound Track: Use Your Head(phones)

by Bill Harrington
2000-04-01
The best way to avoid audio disaster is to listen while you record.

Special Effects: 7 Sizzling Cool Camera FXs!

by Kyle Cassidy
2007-02-01
Low cost camera tricks to create amazing illusions for your viewers.

Special Effects: Looking Through the Eyes of a Hit Man

by Chuck Peters
1998-12-01
How to give viewers the impression they are looking through binoculars, telescope, or the sights of a stalker.

Special Effects: The Fox Network Look

by Chuck Peters
1999-01-01
How to use the Fox Network editing techniques to captivate your viewers.

Special Effects: The Invisible Man

by Chuck Peters
1999-07-01
Whether you realize it or not, you are familiar with chromakey technology. It's what TV news channels use to place weather people in front of a variety of computer-generated weather maps.

Special F/X: (Don't) Burn, Baby, Burn

by Chuck Peters
1999-05-01
Make your video sizzle without sending it up in smoke.

Special F/X: (Sort of) Via Satellite

by Chuck Peters
1998-05-01
The secret to staging remote interviews without a network television budget.

Special F/X: Gravity Schmavity

by Chuck Peters
1998-11-01
A video illusion that will have you climbing the walls.

Special F/X: In Your Face!

by Chuck Peters
1998-07-01
All you need to create this drippy, gooey lens effect is a pane of clear glass or plastic.

Special F/X: Rain Drops Keep Fallin …

by Chuck Peters
1998-09-01
You can turn any day into a rainy day with this easy effect.

Special F/X: Smoke Screen

by Bernard Wilkie
1994-08-01

Special F/X: The Fast-mo/Slo-mo Combo

by Chuck Peters
2000-05-01
Spice up your video with this quick and easy TV-style time-warping effect.

Special F/X: Two's A Crowd

by Chuck Peters
1998-02-01
Turn any room into a crowded restaurant.

Squish: Shooting for Streaming

by Bill Davis
2001-11-01
How to make compression-friendly videos.

Standing Sets for (Practically) Nothing

by Jim Stinson
1999-10-01
Do-it-yourself blueprints to build four low-tech, low-effort and low-cost video sets.

Starting a Video Production Business

by William Ronat
1996-08-01
Advice on how to go from Amateur to Pro

State of Imaging

by Heath McKnight
2007-08-01
Imaging sensors, the heart of any camera, have evolved quite a bit in recent years.

Stealth Directing: Getting the Most out of Real People

by Michael Joseph Kelley
2003-06-01
When directing amateurs, you use different techniques than when working with pros.

Streaming FAQ: How do I Compress Video for Streaming?

by Larry Lemm
2000-01-01

Streaming FAQ: How do I shoot video for streaming?

by Larry Lemm
2000-01-01

Streaming FAQ: What are Some of the Uses for Streaming Video?

by Larry Lemm
1996-12-01

Streaming FAQ: What is "thin streaming", and where can I see some examples?

by Larry Lemm
2000-01-01

Streaming FAQ: What is Streaming Video?

by Larry Lemm
1996-12-01

Streaming FAQ: What is the Potential of Streaming Video?

by Larry Lemm
1996-12-01

Streaming FAQ: What resources are available to get my video on the Internet?

by Larry Lemm
2000-01-01

Streaming FAQ: Where are some examples of video streaming?

by Larry Lemm
2000-01-01

Streaming FAQ: Why and How Would I Get a Streaming Server?

by Larry Lemm
1996-12-01

Streaming Slideshows for the Net

by Roger Wyatt
2001-02-01
Sharing images with friends, family and even strangers around the world is cheap and easy on the World Wide Web.

Streaming Video

by Matthew York
1999-08-01
Streaming video is a real-time Internet video distribution solution.

Take 5

by Jennifer O'Rourke
2007-10-01
Having Fun with Swish Pans

Take 5: 5 Considerations for Event Video

by Chuck Peters
2003-05-01
5 Considerations for Event Video

Take 5: 5 Steps to More Profit from Video

by Brian Peterson
2006-05-01
Make your time behind the camcorder more profitable.

Take 5: 5 Tips for Travelling with your Gear

by Brian Peterson
2006-09-01
On business or on vacation, here's how to ensure your gear makes the roundtrip.

Take 5: Class in Session
5 Tips for Videotaping in Schools

by Jennifer O'Rourke
2008-09-01
It's that time of year when students return to the classroom with fresh shiny faces, new schedules and a plethora of activities to fill their calendars from now until June. Here's a few tips to get you ready to hit the books, too.

Take 5: Five Essential Items for Your Camera Bag

by Chuck Peters
2002-01-01
Five Essential Items for Your Camera Bag

Take 5: Five Quick-n-Dirty Composite Effects

by Chuck Peters
2003-01-01
Use transitions to create these easy effects on almost any editing system.

Take 5: Five Steps to Smoother Skin

by Brian Peterson
2006-01-01
Make your on-camera talent look their best by following these five simple steps.

Take 5: Five Tips for Better Bluescreens

by Chuck Peters
2001-09-01
Five Tips for Better Bluescreens

Take 5: Five Tips for Better Interviews

by Chuck Peters
2001-05-01
Five Tips for Better Interviews

Take 5: Five Tips for Creative Camcorder Techniques

by Chuck Peters
2002-11-01
Don't just point and shoot. Add interest to your shots with these creative camera ideas.

Take 5: Five Tips for In-Camera Transitions

by Chuck Peters
2001-01-01
Five Tips for In-Camera Transitions

Take 5: Five Tips for Shooting to Edit

by Chuck Peters
2001-07-01
Five Tips for Shooting to Edit

Take 5: Five Tips for Streaming Video

by Randall Redmond
2001-03-01
Five Tips for Streaming Video

Take 5: Five Tips for Tape Storage

by Charles Bloodworth
2003-09-01
How do you preserve your videos over the long haul? Here are five tips.

Take 5: Five Tips to a Simple Film Effect

by Chuck Peters
2003-11-01
Five tips to a simple film effect.

Take 5: Five Video No-No's

by Chuck Peters
2002-05-01
A short list of things to leave out of your videos.

Take 5: Super-Human Editing Tips

by Chuck Peters
2004-01-01
Super-Human Editing Tips

Take 5: Tips for Titling

by Chuck Peters
2000-11-01
Tips for Titling

Take Five: Five Tips for "Borrowing" Video

by Chuck Peters
1999-11-01
Pump up your home video with Hollywood's help.

Take Five: Five Tips for Handheld Camerawork

by Chuck Peters
2000-03-01
The best way to shoot steady shots is to use a tripod. Perhaps you don't have a tripod. Maybe you have one, but left it at home. Maybe your subject matter simply doesn't lend itself to shooting from a stationary position. Whatever the case, these five tips will help...

Take Five: Five Tips for Wonderful Wildlife Video

by Chuck Peters
1999-09-01
Tips on shooting videos in the wild.

Take Five: Tips for Tape Care

by Chuck Peters
2000-08-01
Five tips for storing videotapes and preserving your precious footage.

Ten Rules for Great Hi8

by Janis Lonnquist
1997-10-01
Get the most from this video format by working around its limitations. Follow these basic tips for editing, tape transportation and storage, and you'll get top mileage from Hi8.

The Kindness of Strangers: Working with Amateur Cast & Crew

by Jim Stinson
2001-05-01
Practical strategies for keeping your paid and unpaid volunteers happy under a rigorous schedule.

The Origins of Streaming Video

by Matthew York
2000-01-01
How the railroad led to the creation of streaming video.

The Right Place at the Right Time

by James Williams
2007-06-01

The Secret to Set Success? Location, Location, Location!

by Jim Stinson
2001-04-01
Create realistic sets in the real world using these six tips.

The Web: Little Screen, Big Opportunities, Part II

by Carolyn Miller
2001-03-01
The Web may be your ticket to the big time. Explore the opportunities that wait for you on the Web.

The Year's Video Products in Review

by Stephen Muratore
2002-10-02
The magazine in your hands is a tool to help you make sound buying decisions.

Tilt! Using the Frame for Special Effects

by Jim Stinson
2002-02-01
By creatively using the edge of the frame, you can produce all sorts of trick video photography.

Time Remapping

by Morgan Paar
2008-02-01
Changing the speed of a shot is easy... but, unless you're looking for a Keystone Cops effect, to control that shot takes more than just accelerating or slowing it down.

Timeline: Archiving Bliss

by Morgan Paar
2007-10-01
If you make a video you're proud of, you will undoubtedly need it again someday in the future. Take our word on this.

Timeline: Cookin' with Keyframes

by Morgan Paar
2007-09-01
Cookin' with Keyframes

Timeline: Ripple-n-Roll, Slip-n-Slide

by Morgan Paar
2007-12-01
The basic editing tools are sometimes the most difficult to understand... here's a look at four of the most powerful techniques in your editing software's toolkit.

Timeline: The Reel Deal

by Morgan Paar
2007-11-01
Landing that dream job may come down to less than three minutes - or even thirty seconds - of what you put together in the ever-so-important demo reel.

Timeline: Time Control

by Morgan Paar
2007-04-01
As editors, we are in control of the time universe. We can stretch it, shorten it, and even change Fate by manipulatiing time.

Timeline: Uncommon Exports

by Morgan Paar
2007-08-01
From YouTube on the Internet to iPods and cell phones, you can find video everywhere. But getting it TO these devices can be tricky.

Titling for Under a Buck

by Patrick Lang
1998-08-01
You don't need to shell out major dollars on expensive character generators to achieve those desired titles. We'll show you three cheap titles you can make in minutes, without breaking the bank.

Tutorial
Rotoscoping: fix goofs, change virtual sets, or make your hero fly

by Paul Del Vecchio
2009-01-01
How to fix on-set goofs, change virtual sets, or make your action heroes fly through the air amidst gunfire, snowflakes, or magic dust. Rotoscoping is one of my favorite things in Visual FX. I know that sounds crazy, but the results of rotoscoping can be so rewarding.

Tutorial: Transitioning Naturally

by Peter John Ross
2008-03-01
Every blockbuster movie has hundreds or even thousands of edits, yet the viewer often is unaware of the cut. Why? In many cases, the change is very subtle, using a technique which is often known as a Natural Transition.

Tweaks

by Charles Fulton
2006-12-01
The next version of Windows promises to use all of the capabilities that your hardware can provide.

Tweaks - Performance Tips

by Charles Fulton
2007-04-01
Performance Tips

Tweaks: Performance tips

by Charles Fulton
2007-08-01

Tweaks: performance tips

by Charles Fulton
2007-11-01
Do you remember the last time you defragmented your hard drives? If you're running Windows, you should... if you haven't defragged in a while, read on.

Up The Creek Without A Filter

by Roy Sallows
1999-07-01
Transform common household items into perfect camcorder lens filters.

Video 2 Go

by Morgan Paar
2006-03-01
With more than 1 million videos being sold on iTunes in less than 20 days after its video launch, video industries prepare for a probable revolution similar to the one that rocked the music world five years ago.

Video Alters Space and Time

by Arthur Aiello
2001-10-01
Whether you know it or not, you have the power to shape time and space when you make video.

Video Bag Essentials

by Jon Vosovic
2000-11-01
Indispensable accessories for the camera bag of a well-equipped videographer.

Video Business Ideas: The Local Fashion Show

by Matthew York
1995-08-01
Make money by advertising local merchants on local ad networks.

Video Distribution: Special Delivery

by Matthew York
1995-01-01
Ways to get your video seen. Special interest video producers sell their tapes to mail order companies who then mail the tape to the viewers.

Video Editing : A Titillating Tickler on Titling

by Morgan Paar
2007-02-01
Quick, open your titler, choose a trendy font and color, then type some words and position it on the screen; done. But there is more, much more, to titles than this.

Video Editing : Better Composites in 8 Layers

by Bill Davis
2006-01-01
Though more of an art than a science, there are a handful of tried and true techniques in compositing that can help convey your message.

Video Editing : Color Me Perfect

by Morgan Paar
2006-12-01
To celebrate 100 years of color imaging, from hand painted frames to video formats, let's take a closer look at what color means to video producers in post.

Video Editing : Coloring for Style

by Morgan Paar
2007-03-01
Think of your fondest memories: the orange setting sun on your vacation, the green cactus and red earth on your last desert hike, the blue of a loved one's eyes.

Video Editing : DVD Menu Authoring

by Bill Davis
2005-04-01
How to keep that freshly burned DVD from moonlighting as a coffee-table coaster.

Video Editing : Family Time: Cutting the Album

by Bill Davis
2005-05-01
Leave the emotions at the door, and let the long shots fall to the edit room floor, and you'll create a family album masterpiece that even strangers will admire.

Video Editing : Feel the Power!

by Bill Davis
2005-01-01
Make your PowerPoint-style meeting slideshows sing, by creating presentations that include video elements.

Video Editing : HDV Editing Dos and Don'ts

by Bill Davis
2006-05-01
Is HDV really the next big thing? In potential for greatness, perhaps. In

Video Editing : HDV Editing!

by Bill Davis
2005-03-01
Feel the video world shaking? The first rumblings of the HDV shake-up are going to change the footings under the video production industry in the coming years.

Video Editing : Logging Software, Evolved

by Bill Davis
2005-10-01
A critical part of the process is having some kind of timecode linked to all of the frames that are captured by your camera.

Video Editing : Make Room for Data

by Bill Davis
2005-08-01
How to sequence files, audio files, graphics, and all manner of other digital work files populating your virtual folders or scattered around your desktop.

Video Editing : Making the Most from Outtakes

by Bill Davis
2006-02-01
(gales of laughter erupt on the set.) CUT! Somebody PLEASE help Jimmy untangle the rope from his foot, re-stack all those bottles of motor oil and, somebody wash off the cat... again.

Video Editing : Manipulating Time

by Bill Davis
2005-09-01
Tempis Fugit. If you're not up on conversational Latin, that's

Video Editing : MPEG-4 Mysteries Revealed

by Morgan Paar
2006-11-01
Is your head drowning in acronyms such as MPEG-4, MPEG-2, H.264, 3GPP and the like? Well, we're going to throw you an MPEG-4 life ring and see if we can get you back in the boat.

Video Editing : Multicam Editing

by Bill Davis
2005-06-01
The Golden Age of live TV mastered the multi-cam technique, but for many of us, editing a multi can be a nightmare. Not anymore!

Video Editing : Plan A: B-roll

by Morgan Paar
2007-06-01

Video Editing : Saving Time: Editing Tapeless

by Bill Davis
2006-03-01
It's about Time... The

Video Editing : The 3-Ring 3D Title Circus!

by Bill Davis
2005-12-01
And in the center ring: the amazing, the gigantic, the most impressive typography known to mankind... Ladies and Gentlemen! Feast your eyes on 3D titles!

Video Editing : The Ghosts of Edits yet to Be

by Bill Davis
2006-10-01
Time to dim the lights and tell ghost stories. Our Editorial Department demonstrates some techniques on putting some spook into your videos.

Video Editing : The Kindest Cut of All

by Bill Davis
2005-11-01
In the beginning, there was the cut. The usual editing conventions dictate that most of your transitions should be cuts. Let's step away from the transitions palette for a while.

Video Editing : The Last Piece of the Puzzle

by Bill Davis
2006-09-01
Even if you're blissfully happy with the features in your current editing software, sooner or later you're going to find yourself wishing that it did--well, just a little bit more.

Video Editing : The Right Caliber

by Morgan Paar
2007-05-01
You know you have needed one for some time. Well, the time has come. You've gone long enough without that necessary tool for serious content creation: the production monitor.

Video Editing : Tips for Editing Montages

by Bill Davis
2005-02-01
When random pictures come together to create a single compelling collection.

Video Editing : To DVD or not to DVD?

by Bill Davis
2006-04-01
Okay, we're now officially smack dab in the middle of the era of the

Video Editing : To Page Curl or to Cut?

by Bill Davis
2006-06-01
Sure, your editing program has 999 transitions--but nowhere in the licensing agreement did you oblige yourself to use each and every one of them.

Video Editing : Using Still Photos in Video

by Bill Davis
2005-07-01
The Civil War not only changed American history forever, but it changed the future world of video editing.

Video Editing from Start to Finish, Part 3 of 4

by Bill Davis
2004-06-01
A Four Part Videomaker Series. Part 3: Graphic It! Making the effects that are oh so cool!

Video Editing Tutorial

by Mark Bosko
1995-04-01
Editing aesthetics are tough to describe. They involve using a little bit of everything at your disposal to create a believable viewing experience.

Video Editing Vs. Film Editing

by Matthew York
1998-01-01
Advantages of video editing over film editing.

Video Editing Without Software

by Jim Stinson
1998-07-01
Do your video editing directly, tape to tape, without the use of a computer.

Video Editing: Bright Ideas

by Bill Davis
2004-10-01
Controlling video brightness in your editing system.

Video Editing: Composites: The Key to Success

by Joe McCleskey
2004-09-01
The best way to create effective video composites is to understand video effects.

Video Editing: Fear and Logging in Your Editor

by Bill Davis
2004-12-01
Log your shots today to save edit time tomorrow and your well-organized project will thank you in the end.

Video Editing: Go with the Flow

by Bill Davis
2002-07-01
Ever been hypnotized? A well-edited movie does exactly that, and it's not a bad thing. It captures the imagination in a way that virtually takes over the brain.

Video Editing: Inserting Movie Credits

by Mike Loehr
1996-11-01
How to use a titler to insert cool movie credits into your video.

Video Editing: Put Your Best Signal Forward

by Mike Loehr
1997-04-01
Simple tweaking of the video signal can make a big difference in the quality of your video image

Video Editing: Superb Superimpositions

by Jim Stinson
1999-02-01
Combining and manipulating multiple pictures, titles or special effects into a single, composite image.

Video Editing: Welcome to Splitsville, Baby!

by Bill Davis
2004-11-01
The split edit is one of the simplest and most powerful edits you should have in your toolbox.

Video Editing: What is Multicam Editing?

by Morgan Paar
2007-07-01
Shooting performances or group discussions is difficult using one video camera, but it can be a nightmare with several cameras and without good planning.

Video Editing: What Makes DVDs Go 'Round

by Marshal Rosenthal
2004-08-01
Tips for authoring DVD menus.

Video Editing: Why Moms Don't Edit

by Stephen Muratore
1997-10-01
Dealing with the frustrations of hooking up editing equipment.

Video Entrepreneur: A Modest Proposal

by William Ronat
1995-10-01
A Modest Proposal

Video Entrepreneur: A Word From Your Sponsor

by William Ronat
1995-11-01
A Word From Your Sponsor

Video Entrepreneur: Ad-vice

by William Ronat
1995-02-01
Ad-vice

Video Entrepreneur: All About Inventory

by William Ronat
1994-11-01

Video Entrepreneur: Any Portfolio in a Storm

by William Ronat
1995-12-01
Any Portfolio in a Storm

Video Entrepreneur: Data's All, Folks

by William Ronat
1995-01-01
Data's All, Folks

Video Entrepreneur: Find Your Financing

by William Ronat
1995-03-01
Find Your Financing

Video Entrepreneur: Keeping Customers Happy

by Mark Bosko
1996-02-01
Keeping Customers Happy

Video Entrepreneur: News Opportunities

by William Ronat
1995-09-01
News Opportunities

Video Entrepreneur: Programs to the People

by William Ronat
1995-06-01
Programs to the People

Video Entrepreneur: The Care of Feeding of Clients

by William Ronat
1994-12-01
The Care of Feeding of Clients

Video Entrepreneur: Video Franchises

by William Ronat
1995-05-01
Video Franchises

Video Entrepreneurs: Video Accounting

by Mark Bosko
1994-10-01

Video Equipment Reviews

by Doug Polk
1995-10-01
News and reviews of video equipment and software.

Video For Beginners: What Comes Before "Video For Dummies" ?

by Matthew York
2009-08-01
Here at Videomaker, we have been publishing articles and teaching video for beginners since 1986. Many people are time-deficient, so they must learn quickly.

Video for Educators

by Dr. Robert G. Nulph
2007-11-01
Teaching in today's world is more than the three R's... or computer use, for that fact. Video is now used for school newscasts, to interest kids about history or inspire budding video producers.

Video Genres

by Jim Stinson
2002-06-01
Program types and why they matter.

Video Lighting

by Dr. Robert G. Nulph
2002-12-01
Working with moving subjects and multiple cams.

Video Lighting: 3 Point Lighting: A Handyman's Guide

by Dr. Robert G. Nulph
2001-04-01
Special tips to make your lighting projects safer and more effective.

Video Lighting: Guerilla Lighting

by Dr. Robert G. Nulph
1999-12-01
A quick visit to the hardware store will provide most of your guerrilla lighting needs.

Video Lighting: High Definition Lighting

by Dr. Robert G. Nulph
2006-05-01
We are entering a new era of video production. Our hard work will show in all its HD glory and our sloppy mistakes will glare in HD horror. But light can help us.

Video Magic on the Rostrum and Tabletop

by Jim Stinson
2001-07-01
Learn how to capture small, stationary objects on tabletop sets.

Video on CD-R

by Kyle Cassidy
2004-09-01
DVD may be all the rage, but there is a nearly universal distribution path that has been around for quite a while now.

Video Out: Creating Video on CDs

by Don Collins
2001-09-01
Creating video for compact discs is an easy and useful way to distribute your videos.

Video Out: Eleven Easy Steps to Streaming

by Charles Mohnike
2001-01-01
Experience the thrill of publishing your video on the Web.

Video Out: Make Your Own CD-ROM Videos

by Joe McCleskey
2000-01-01
Making video CDs is easier than you might think.

Video Out: MPEG-2s for Me and You

by Larry Lemm
2000-09-01
DVD authoring is easier to get into than ever before.

Video Out: Read Me My Rights!

by John Davis
2001-11-01
Learn how to protect your intellectual property with this do-it-yourself Web video copyright guide.

Video Out: Search Engines

by John Davis
2002-01-01
Getting your Web site listed on search engines could be your key to Web-video success.

Video Out: Serve it Up: A Guide to Streaming Video Servers

by Joe McCleskey
1999-07-01
Interested in mass distribution of your videos? Check out your alternatives for getting your videos up and streaming over the Internet.

Video Out: Take a Look at Leased Access Cable

by Sheldon Altfeld
2001-07-01
A unique opportunity to produce and broadcast your own cable TV show for love or for money.

Video Out: The Low-down on Download-and-play

by John Davis
2001-03-01
The "old-fashioned" way may still be the best way for Internet video distribution.

Video Out: The WebCam Phenomenon

by Joe McCleskey
1999-09-01
WebCams are the rage on the Internet. Learn what they are and how to set up your own live WebCam show.

Video Out: The Wonderful World of WebCams

by John Davis
2001-05-01
Check out these five easy steps to rigging your own live WebCam and connect yourself to the world.

Video Out: VHS: Still the King of the Hill

by Larry Lemm
2000-03-01
While Internet video and DVDs are sexy and new, most people still rely on VHS when it is time to deliver a video.

Video Out: Video E-mail: Not Just for Geeks Anymore

by Joe McCleskey
1999-11-01
E-mailing video clips is easier than you might think.

Video Out: Virtual Video Festivals and Contests

by John Davis
2000-11-01
Want people to see your work? Online contests may be exactly what you never knew you've always wanted.

Video Production in the Field: Five tips for Wet Weather

by Chuck Peters
2001-11-01
Five Tips for Wet Weather Shooting

Video Production Services: Advice for Startups

by Mark Bosko
1996-01-01
Video Production Services Startup Advice

Video Production Tips

by Jim Stinson
2005-10-01
Many of the little things that you learn from from a lifetime of planning, directing, editing and producing videos can easily be applied to life as a whole.

Video Production: Take a Hike

by Jim Stinson
1997-10-01
Step one is to decide whether you' re building your program in the camera as you go or whether you're creating raw material for editing later.

Video Screenings for Fun and Fame

by Jim Stinson
2003-06-01
Five steps to hosting your own mini-festival.

Video Terms: Camcorder Glossary

by Chuck Peters
2001-12-01
Common terms used by video professionals

Video Warm-ups

by Stephen Muratore
2000-02-01
Practice makes perfect. Try these simple exercises that all videographers can use to improve their shooting skills.

Videocraft: Dollys and Trucks and Pans, Oh My!

by Chuck Peters
1999-08-01
Every camcorder user should have a dolly. No, not Raggedy Ann, the kind that lets you wheel things around.

Videocraft: I've Been Framed (Properly)!

by Chuck Peters
1999-06-01
This handy template will help you compose shots with greater impact.

Videocrafts: Don't Knock It (Over)

by Chuck Peters
1998-06-01
Solve a lightweight light problem with homemade heavyweights.

Videocrafts: Get Ready, Get Set

by Chuck Peters
1998-08-01
Make your own studio-style backdrop in less than one hour.

Videocrafts: Homemade Shade

by Perry Jenkins
1998-03-01
Improve your outdoor lighting for less than $10.

Videocrafts: It's a Grand Old Flag

by Chuck Peters
1999-02-01
It's a Grand Old Flag

Videocrafts: Spread a Little Light

by Chuck Peters
1998-10-01
Make this useful light umbrella with tape and tinfoil.

Videocrafts: The Shadow Meets the Green (or Blue) Lantern

by Chuck Peters
1999-04-01
Spice up backgrounds with this easy-to-make shadow-shaping template.

Videography 101: Videotaping Live Events.

by Chuck Peters
2003-03-01
Switch to a second camera set on a safe shot with a standalone switcher.

Videography Business: Making Money With Video

by William Ronat
1995-08-01
How to move from video hobbyist to video professional

Videotaping Sporting Events

by Kyle Cassidy
2007-05-01
Football, baseball, hockey, tennis. Swimming, cycling, running and lacrosse. Sports shooting is an art unto itself, and every sport has shooting hurdles to jump.

Viewfinder

by Matthew York
2006-09-01
Video or Text?

Viewfinder

by Matthew York
2006-12-01
Why Are You Compelled To Create?

Viewfinder

by Matthew York
2008-04-01
How May We Best Serve You?

Viewfinder

by Matthew York
2007-02-01
Micro Short Videos

Viewfinder

by Matthew York
2007-01-01
Excessive Handiness

Viewfinder

by Matthew York
2007-03-01
How Are We Different?

Viewfinder

by Matthew York
2007-04-01
Why are Docs so Compelling?

Viewfinder

by Matthew York
2007-11-01
Video Sharing Surprise - The explosion of video sharing on the Internet has taken everyone by surprise. In comScore's May 2007 Video Metrix report, the research company revealed that nearly 75 percent of U.S. Internet users watched an average of 158 minutes of online video...

Viewfinder

by Matthew York
2007-12-01
Join Us!

Viewfinder

by Matthew York
2008-02-01
Schadenfreude Redux

Viewfinder

by Matthew York
2008-03-01
A Humble Honor

Viewfinder

by Matthew York
2008-05-01
The Word Film

Viewfinder

by Matthew York
2008-06-01
How Easy Can It Get?

Viewfinder

by Matthew York
2008-07-01
Footage

Viewfinder
A Few Years Down the Road

by Matthew York
2008-12-01
The world of video is moving swiftly through two unprecedented changes. The first change is our encoding system. Most people are not familiar with encoding systems, but they have been viewing an encoded analog video signal whenever they've watched TV, a videotape or often a DVD.

Viewfinder
Camcorders Galore

by Matthew York
2008-08-01

Viewfinder
Long-Form Sharing

by Matthew York
2008-10-01
Long-form video sharing + network attached storage = a new TV channel. Veoh.com was the first video-sharing site to feature long-form videos (>10 minutes), but when YouTube embraced long-form video, it was big news for people making video. Another development has been happening slowly, so it hardly appears as a blip on the news radar. It's about couches and TV sets.

Viewfinder
Stories

by Matthew York
2008-09-01
When we create video, we are telling stories, and this is the essence of the craft. With all of the complexities of video production, it is easy for the focus to shift away from storytelling. We often pay too much attention to equipment, technique or crewmembers, while neglecting the story.

Viewfinder
The Line Between Editorial and Advertising

by Matthew York
2008-11-01
Between Editorial and Advertising: Magazine publishing is an abstract business. The subscription price is less than the print and delivery costs. Profits from single-copy sales are offset by the fact that most of the magazines in newsstands and bookstores go unsold and are shredded.

Viewfinder
Tiny Camcorders

by Matthew York
2009-01-01
The size of camcorders has been shrinking since their inception. The first camcorders were typically shoulder-mounted and much heavier and larger than today's units. People tend to hold heavy things with their arms to their sides, using both hands under the load….

Viewfinder: 15 Years in the Making!

by Matthew York
2001-06-01
15 Years in the Making!

Viewfinder: 20 Years

by Matthew York
2006-06-01
20 Years

Viewfinder: A Lost Opportunity

by Matthew York
2001-02-01
A Lost Opportunity

Viewfinder: A New Path

by Matthew York
2005-12-01
A New Path

Viewfinder: A New Use for WebCams

by Matthew York
2001-03-01
A New Use for WebCams

Viewfinder: A New Videomaker

by Matthew York
2008-01-01
A New Videomaker

Viewfinder: A New Way

by Matthew York
2005-10-01
A New Way

Viewfinder: A New Way to Share Video

by Matthew York
2002-01-01
A New Way to Share Video

Viewfinder: A Peek at the Future

by Matthew York
2003-03-01
A Peek at the Future

Viewfinder: A PMP, Pico Projector, and Speakers Can Send A Teacher Anywhere.

by Matthew York
2009-07-01
How a portable media player, pico projector, and speakers can be used to send great teachers to classrooms in impoverished areas with no electricity.

Viewfinder: Access Counts

by Matthew York
1994-08-01
Congress created regulations requiring cable operators to provide access to "all comers."

Viewfinder: Are We There Yet?

by Matthew York
2000-04-01
Knowing when to say "when" is an important skill in video production.

Viewfinder: AVCHD

by Matthew York
2006-11-01
AVCHD

Viewfinder: Becoming Smart Explorers

by Matthew York
1997-08-01
Like Renaissance explorers, Information-Age explorers need a tool to navigate TV's treacherous waters. That tool is Smart TV.

Viewfinder: Beyond Weddings

by Matthew York
1994-07-01
In truth, we stand now at the brink of a video revolution.

Viewfinder: Camcording the Sport

by Matthew York
1995-11-01
Camcording the Sport

Viewfinder: Caught "In-between"

by Matthew York
1999-01-01
It's time to get off the fence and make some video.

Viewfinder: Creativity

by Matthew York
2000-11-01
Creativity

Viewfinder: Delivery

by Matthew York
2003-09-01
Delivery

Viewfinder: Deriving More Value from Your Video Gear

by Matthew York
2003-06-01
Deriving More Value from Your Video Gear

Viewfinder: Disappointed

by Matthew York
2007-07-01
Disappointed

Viewfinder: Do You Know Who You Are?

by Matthew York
2004-02-01
Do You Know Who You Are?

Viewfinder: Documentary Observations

by Matthew York
2002-08-01
Documentary Observations

Viewfinder: DVD is Here, or Is It?

by Matthew York
2001-11-01
DVD is Here, or Is It?

Viewfinder: DVD: More than a Vehicle for Video

by Matthew York
2004-05-01
DVD: More than a Vehicle for Video

Viewfinder: Editing: Everybody's Doing It

by Matthew York
2001-04-01
Editing: Everybody's Doing It

Viewfinder: Express Yourself

by Matthew York
1998-03-01
Camcorders may be easy to use but making good video requires skill and discipline.

Viewfinder: Get in the Game

by Matthew York
2004-03-01
Get in the Game

Viewfinder: Getting Your Video onto a DVD

by Matthew York
2002-04-01
Getting Your Video onto a DVD

Viewfinder: Getting Your Video Onto a DVD

by Matthew York
2003-05-01
Getting Your Video Onto a DVD

Viewfinder: Give Narrating a Try

by Matthew York
2005-02-01
Give Narrating a Try

Viewfinder: Giving Credit

by Matt York
2007-06-01
Giving Credit

Viewfinder: Giving the World Better Video

by Matthew York
2006-04-01
Giving the World Better Video

Viewfinder: HDTV

by Matthew York
2005-06-01
HDTV

Viewfinder: HDV - So What Should I Do?

by Matthew York
2006-05-01
HDV - So What Should I Do?

Viewfinder: Help Wanted: Video Volunteers

by Matthew York
1998-10-01
Make an investment in the future - teach video.

Viewfinder: Hidden Video Cameras

by Matthew York
2002-03-01
Hidden Video Cameras

Viewfinder: High-Definition Video Production is a Real Choice

by Matthew York
2004-12-01
High-Definition Video Production is a Real Choice

Viewfinder: How are TV and Video Different?

by Matthew York
2006-02-01
How are TV and Video Different?

Viewfinder: How Committed is Your Audience?

by Matthew York
2006-01-01
How Committed is Your Audience?

Viewfinder: How do You Feel about Making Video?

by Matthew York
2005-08-01
How do You Feel about Making Video?

Viewfinder: How Long Before the DVD Becomes Obsolete?

by Matthew York
2004-06-01
How Long Before the DVD Becomes Obsolete?

Viewfinder: How Video Hobbyists Are Born

by Matthew York
1998-11-01
Video is a perfect accompaniment to many other hobbies.

Viewfinder: How Well Do Digital Still Cameras Capture Video?

by Matthew York
2009-04-01
Using digital still cameras with a video capture feature... I don't know many camcorder users who don't own a digital still camera...

Viewfinder: I Like Nomenclature

by Matthew York
2000-05-01
Nonlinear editing is now the norm. It's time for new nomenclature.

Viewfinder: If you are new to making video: Welcome!

by Matthew York
2003-02-01
If you are new to making video: Welcome!

Viewfinder: Index Vexed

by Matthew York
1998-02-01
Why is it such a chore to log videotape?

Viewfinder: Iraq Needs More Video Producers

by Matthew York
2003-08-01
Iraq Needs More Video Producers

Viewfinder: It's Getting Better All the Time

by Matthew York
1998-12-01
Editing video at home is easier than ever.

Viewfinder: Joy and Pain

by Matthew York
2007-08-01
Joy and Pain

Viewfinder: Just Do It

by Matthew York
1994-12-01
Just Do It

Viewfinder: Keeping it Pure

by Matthew York
2001-10-01
Keeping it Pure

Viewfinder: Making it Big Time

by Matthew York
2007-05-01
Making it Big Time

Viewfinder: Making Money on Video Investments

by Matthew York
2006-03-01
Making Money on Video Investments

Viewfinder: Making Video Alone

by Matthew York
1999-11-01
Wouldn't it be nice if making video presented an opportunity to socialize.

Viewfinder: Making Video in an Economic Downturn

by Matthew York
2009-05-01
During the Great Depression a higher percentage of the population went to the movies on a weekly basis, compared to times of great prosperity.

Viewfinder: May I Suggest a New Acronym, the VRC?

by Matthew York
1999-07-01
Move over TV and VCR, an important and popular piece of technology gets its own acronym.

Viewfinder: Media Diversity and You

by Matthew York
2003-04-01
Media Diversity and You

Viewfinder: Message to a Competent Person that Wants to use Video

by Matthew York
2004-09-01
Video is a powerful communications tool that requires more discipline than meets the eye.

Viewfinder: Missing Pieces and Parts

by Matthew York
1995-02-01
Missing Pieces and Parts

Viewfinder: Networking with Other Videographers

by Matthew York
2002-07-01
Networking with Other Videographers

Viewfinder: New Beginnings: a New Look for a New Year.

by Matthew York
2005-01-01
New Beginnings: a New Look for a New Year.

Viewfinder: Newt, John and You

by Matthew York
1995-04-01
Newt, John and You

Viewfinder: Now You Know

by Matthew York
2004-07-01
Now You Know

Viewfinder: On the Air--or Not

by Matthew York
1994-09-01
On the Air--or Not

Viewfinder: On the Brink

by Matthew York
1999-05-01
Something wonderful is going to happen in the home computer market this year.

Viewfinder: On-Camera Talent

by Matthew York
2003-01-01
On-Camera Talent

Viewfinder: One-minute Video

by Matthew York
1997-12-01
New technology could spur a revival of an old-fashioned genre.

Viewfinder: Open Access

by Matthew York
1996-01-01
Open Access

Viewfinder: Our Hope for You

by Matthew York
2003-12-01
Our Hope for You

Viewfinder: Painting the Electronic Canvas

by Matthew York
2000-09-01
The combination of video and the Web is creating a medium like none we've seen before.

Viewfinder: Palm-top Video

by Matthew York
2001-07-01
Palm-top Video

Viewfinder: Paper vs. Electrons

by Matthew York
2009-03-01
If you are reading this in 2009, you are most likely reading these words as ink on paper, as 60,000 other Videomaker magazine subscribers do. You might be reading this on a web page, as have 300,000 Videomaker.com visitors in a typical month in the last year or so.

Viewfinder: Pay Attention to the Right Things

by Matthew York
2000-03-01
Video may be the ultimate means of self-expression.

Viewfinder: Power to the (Video) People

by Matthew York
2000-12-01
Power to the (Video) People

Viewfinder: Privacy Expectations

by Matthew York
2006-07-01
Privacy Expectations

Viewfinder: Producing More Enjoyable Video

by Matthew York
2005-03-01
Producing More Enjoyable Video

Viewfinder: Producing Video: A Voice of Freedom

by Matthew York
2002-10-01
Producing Video: A Voice of Freedom

Viewfinder: Reaching Larger Audiences

by Matthew York
2005-04-01
Reaching Larger Audiences

Viewfinder: Reflections

by Matthew York
2002-12-01
Reflections

Viewfinder: Review of Video Technology Predictions in 1995

by Matthew York
2009-09-01
A reflection upon predictions regarding the futrue of video technology in the May 1995 issue of Videomaker Magazine entitled "Views of the Future".

Viewfinder: Satisfaction Guaranteed

by Matthew York
2003-11-01
Satisfaction Guaranteed

Viewfinder: Sharing Video Clips

by Matthew York
2000-07-01
Got clips you'd care to share? Videomaker.com might be the place to share them.

Viewfinder: Shoot with a Happy Face

by Matthew York
2002-05-01
Shoot with a Happy Face

Viewfinder: Short Wonderings

by Matthew York
2009-02-01
Humans have always speculated with curiosity on the stars, ocean tides, plants and seasons. Curiosity is not limited to humans. Those of us with pets know how inquisitive cats and dogs can be. Humans have the distinct benefit of recording our observations for future generations.

Viewfinder: Silicon or Paper?

by Matthew York
1997-11-01
Don’t turn your back on the old technology yet--it still offers many advantages that digital technology can’t provide.

Viewfinder: Slide Shows

by Matthew York
2003-10-01
Slide Shows

Viewfinder: So You're New At This

by Matthew York
1995-10-01
So You're New At This

Viewfinder: Solving Global Problems with Video

by Matthew York
2000-06-01
Together, you and your camcorder can change the world.

Viewfinder: Study the Masters

by Matthew York
1999-02-01
Learn the language of video from those who came before.

Viewfinder: Style

by Matthew York
2005-09-01
Style

Viewfinder: Summertime Blues

by Matthew York
1997-06-01
Summer is a great time to use your camcorder, but there are several important things to consider when shooting during this sultry season.

Viewfinder: Sundance Visions

by Matthew York
2005-07-01
Sundance Visions

Viewfinder: Technology for Good and for Evil

by Matthew York
2004-01-01
Technology for Good and for Evil

Viewfinder: Thank You Steve Jobs

by Matthew York
2000-08-01
Apple's marketing efforts have made video editing part of the mainstream.

Viewfinder: The Confusion Solution

by Matthew York
1994-11-01
Videomaker will make you a better videomaker.

Viewfinder: The Disciplines of a Storyteller

by Matthew York
1998-06-01
Spinning a good tale is as important to video as having good gear.

Viewfinder: The Easiest Way to Edit Video

by Matthew York
1999-10-01
Nonlinear editing the fun and easy way.

Viewfinder: The Future: Boredom-Free Home Video

by Matthew York
2002-02-01
The Future: Boredom-Free Home Video

Viewfinder: The Goal--Communicate or Tweak?

by Matthew York
1997-04-01
Some videographers are good equipment operators; some are good communicators. To make good video, you’ve got to be both.

Viewfinder: The History of the Image

by Matthew York
2003-07-01
The History of the Image

Viewfinder: The Magic TV Window: Anything, Anytime

by Matthew York
2002-06-01
The Magic TV Window: Anything, Anytime

Viewfinder: The Making of...

by Matthew York
1997-07-01
Sometimes it's not the destination that's important, but the act of traveling. -- Pubilius Syrus

Viewfinder: The Montage of Emotions

by Matthew York
1999-09-01
Use music to move your viewers' emotions.

Viewfinder: The Next Killer Ap

by Matthew York
2001-05-01
The Next Killer Ap

Viewfinder: The Seven Keys to Success in Video

by Matthew York
2001-01-01
The Seven Keys to Success in Video

Viewfinder: Those Who Can, Do

by Matthew York
1994-10-01
Producing a TV show has broadened both our perspective and our areas of expertise.

Viewfinder: Time to Upgrade Your Gear

by Matthew York
2002-09-01
Time to Upgrade Your Gear

Viewfinder: TV Today: What Would the Founders Think?

by Matthew York
2001-08-01
TV Today: What Would the Founders Think?

Viewfinder: TV: Your Personal Technique Tutor

by Matthew York
2001-09-01
TV: Your Personal Technique Tutor

Viewfinder: Two Product Concepts

by Matthew York
1995-09-01
Two Product Concepts

Viewfinder: Two-finger Editing

by Matthew York
1997-03-01
Editing videotape in the old days was a crude affair, but the same two-finger editing is just as valid today.

Viewfinder: Unexpected Problem

by Matthew York
2006-10-01
Unexpected Problem

Viewfinder: VHS: A Successful Format

by Matthew York
1998-05-01
The resilient videotape persists beyond expectations.

Viewfinder: Vidcasting

by Matthew York
2005-11-01
Vidcasting

Viewfinder: Video and Time

by Matthew York
1998-08-01
Time management vs. quality control, a true balancing act.

Viewfinder: Video Creators Get Into Politics

by Matthew York
2004-04-01
Ways in which videos can be used to make a political point.

Viewfinder: Video Helps the World's Poor

by Matthew York
2007-10-01
Video Helps the World's Poor

Viewfinder: Video in June

by Matthew York
1999-06-01
The first month of summer is an exciting time for video enthusiasts.

Viewfinder: Video Newsletters

by Matthew York
1999-12-01
You may soon get video with your newspaper.

Viewfinder: Video Questions to Ponder

by Matthew York
2002-11-01
Video Questions to Ponder

Viewfinder: Videomaker's Vision

by Matthew York
1998-04-01
"The rights of the whole can be no more than the sum of the rights of the individuals." - Thomas Jefferson

Viewfinder: Views of the Future

by Matthew York
1995-05-01
Views of the Future

Viewfinder: We have a new look!

by Matthew York
2000-10-01
We have a new look!

Viewfinder: We're On the Web

by Matthew York
1995-07-01
We're On the Web

Viewfinder: Webcams

by Matthew York
2009-06-01
There are many positive uses a webcams. The Flip Video Spotlight Program aims to distribute 5 million webcams to nonprofit organizations by 2012.

Viewfinder: Webmasters Becoming Videomasters

by Matthew York
2000-02-01
We welcome a new breed of video producer, Webmasters.

Viewfinder: What Happens when Someone Watches Your Video?

by Matthew York
2004-11-01
What Happens when Someone Watches Your Video?

Viewfinder: What has never been covered with video?

by Matthew York
2006-08-01
What has never been covered with video?

Viewfinder: When Text and Images are Not Enough

by Matthew York
2001-12-01
When Text and Images are Not Enough

Viewfinder: Where Do Ideas Come From?

by Matthew York
1997-10-01
Cogito, ergo sum…cogito. (I think, therefore I am... I think.)

Viewfinder: While They are Watching

by Matthew York
1997-05-01
The next time you screen one of your videos, turn your chair around and watch the watchers.

Viewfinder: Who Will Make the Video?

by Matthew York
1995-03-01
Who Will Make the Video?

Viewfinder: Why Did You Buy Your Camcorder?

by Matthew York
1998-07-01
The camcorder as therapist.

Viewfinder: Why Did You Buy Your Camcorder?

by Matthew York
1995-06-01
Why Did You Buy Your Camcorder?

Viewfinder: Why do People Like Stories?

by Matthew York
2005-05-01
Why do People Like Stories?

Viewfinder: Why More People Should Make Video

by Matthew York
1999-03-01
If video production is such a wonderful thing, why aren't more people involved in it?

Viewfinder: Why We Like Making Video

by Matthew York
1999-04-01
Video provides a feeling of accomplishment that's unparalleled by any other medium.

Viewfinder: Why?

by Matthew York
1995-12-01
Why?

Viewfinder: WITNESS

by Matthew York
2007-09-01
WITNESS

Viewfinder: You Can Make Better Video

by Matthew York
1998-09-01
A five step plan for better productions.

Wardrobe & Make-Up

by Bud Elliott
2005-09-01
Looking Good: Tips for the Director

Web Based Marketing for Videographers

by Roger Wyatt
2007-02-01

Web Hosting

by Chris Raley
2000-10-02
Check out these free Web sites that specialize in hosting your streaming videos.

Wedding Videos: 8 Tips for Success

by Melinda Thibodaux
2002-10-01
Before you say

What Separates One Streaming Package from Another?

by Larry Lemm
2000-01-01

What Streaming Software Packages Are Available?

by Larry Lemm
2000-01-01

What's Legal

by Mark Levy
2007-01-01
As video producers, we're often gifted with an intimate look at people, places and events in the world around us... but we're surrounded by legal time-bombs waiting to blow our video apart.

What's Legal: Can You Copyright A Name?

by Mark Levy
2009-07-01
The Copyright Act states that names, titles, short phrases and expressions cannot be registered in the U.S. Copyright Office. But Wait! Trademark law can cover names!

What's Legal: Producer's Rights

by Mark Levy
2008-01-01
Musical Copyright Tips to navigate murky shark-filled waters

What's Legal: producer's rights

by Mark Levy
2008-04-01
How Fair Is Fair? Copyright Law and Fair Use

What's Legal: producer's rights

by John Weir and Mark Levy
2009-04-01
You've Been Pirated! How to take down Copyright Infringers with a Copyright Takedown Notice. Your copyrighted work shows up online, but you didn't put it there.

What's Legal: Producers Rights.

by Mark Levy and Gina Gullace
2008-06-01
Private Lives: Who is protected... the producer or the citizen? It depends.

What's Legal
producer's rights

by Mark Levy and Gina Gullace
2008-10-01

What's Legal
producer's rights

by Mark Levy
2009-01-01
The Public Domain - Unraveling the Confusion of when Copyright claims dissolve. When our country's Founding Fathers adopted the U.S. Constitution, they wanted to make sure that, unlike in England, no person could have an unlimited monopoly over property….

You TV: Every Person is a Broadcaster in Broadband Land

by Kyle Cassidy
2005-11-01
From home movies to Hollywood blockbusters, your broadband Internet connection is prepared to deliver video.