Home Video Hints: Shooting Steady

Steady your shots withh these handy tips.

Shooting steady video is perhaps one of the most fundamental skills of good video production. If your camera isn't steady, your shots will be difficult to watch (unless you provide a healthy dose of seasick pills). In this column we will take a look at various ways you can shoot good solid video every time, no matter the subject or the situation. We'll start out with the fundamentals of shooting handheld video and move towards more sophisticated electronically-aided methods for keeping your video smooth and steady.

Shooting Fundamentals

Shooting handheld video is perhaps the most difficult way to capture images on tape. No matter how steady you think you are, even your breathing can make the camera move and shake. If you find yourself in a situation where you must shoot handheld, there are a few things to keep in mind.

One of the most important things to remember about camcorders and their lenses is that zooming emphasizes movement. The closer you zoom, the more your movement is magnified. Because of this, when you are shooting handheld video, you should get as physically close to your subject as you possibly can and zoom out as far (wide) as the camcorder's lens will allow. This will give you the steadiest shot possible.

The second step towards good handheld shots is maintaining good posture. Keep your back straight; legs shoulder width apart; knees slightly bent and your elbows close to your body. If you are handholding a small camcorder with an LCD screen, hold the camera with both hands in front of your body, elbows tucked into your sides. If shooting from the shoulder, tuck your elbow into your side and use your right hand and arm for support, while your left hand controls the focus and iris.

If you have to move while actively shooting, do so slowly and as smoothly as possible, keeping your subject composed well in the shot and maintaining good solid posture throughout the entire move.

The World Around You

If you find yourself in a situation where you don't have a tripod, any solid surface can act as a camera platform. You can set your camera on a rock, fence post or parked car, or lean up against a tree or the edge of a building. Use a table or chair to steady your shot. If shooting on the beach, lay some plastic down and steady the camera on the sand, or set the camera up on the steps of the lifeguard tower.

When using a solid platform to shoot from, you will most likely have to tilt the camera to get the best shot. Once again, objects around you might be useful: credit cards, cardboard, newspapers, pencils, even gum wrappers can be used to stabilize your shot. Once you compose your shot, press the record button and take your hands away.

Tripods

Every videographer should own a good tripod. A tripod lets you shoot solid, steady video with little effort. There are, however some things you need to keep in mind when using a tripod. Always set your tripod and camera up so that one of the three legs is pointing towards your subject. This will create a space for you to stand in between the other two legs. If you know you are going to pan in one particular direction a lot, point the front leg of the tripod halfway between the farthest left and farthest right your subject will move so you won't have to walk around or step over one of the back legs.

When adjusting the height of your tripod, use your subject as your guide, instead of setting it at a level that makes you feel comfortable. Set your tripod up so that the camera, when completely horizontal, is pointing at the neck of your subject. Unfortunately, this might mean that you will find yourself in some uncomfortable shooting positions, but that's a small price to pay for better-looking video.

If you do not have to move the shot and the subject will not be moving, lock down the tripod, press the record button and let go. If you do need to move, position yourself with the camcorder so that you are as solid and comfortable as possible and slowly move in the direction you have planned. Always plan and rehearse camera movements before making them.

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SHEMINI
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Another important tip for handheld shooting is for a pan or panorama. Instead of beginning say on the left and gradually twisting to the right, it is better to twist to the left before begining the pan and then slowly "unwind" to the right. This removes all the tension from the pan.
jackwolcott
Great article. One of the best accessories I've found for hand-holding small consumer camcorders, in addition to a tripod or monopod, is an inexpensive pistol grip sold at Amazon.com for $14.50 http://www.amazon.com/BARSKA-Accu-Handheld-Tripod-System/dp/B001JJCI5Q/ref=sr_1_2?ie=UTF8&qid=1315333940&sr=8-2 It provides a rock solid grip on today's small cameras while leaving one hand free to provide additional stability or to operate the zoom toggle. To Shemini's helpful comment I'd add this: always begin your pan twisting as far away as possible from the point where you're going to land the shot, whether left or right, and this applies whether you're hand held or on a tripod. Achieving a really smooth pan on a tripod is one of the great challenges in shooting with a small camera: the camera is so light that there is almost always a perceptible "jerk" when the pan begins.

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