Stealth Directing: Getting the Most out of Real People (page 2)
Call Talent Last
It's best if the set is fully prepared before the talent ever arrives. Stagger your call times, call the talent in as late as possible, and, by all means, do not over-rehearse your talent. Repeat your technical run-throughs separately until they are consistently on the mark. This is where the sneaky part starts: With the talent arriving fresh and full of anticipation, the director should focus all attention on the talent, perhaps assigning a production assistant specifically for the talent if possible. The whole crew should be welcoming and relaxed. This first impression cannot be over-estimated. Setting an inclusive stage makes every difference, so always provide the time for the talent to be fully introduced to the crew and the enviro…
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