Tripods On Trial: Tripod Buyer's Guide

In the market for a new tripod? Then you've turned to the right page. We've compiled a buyer's guide of the latest makes and models to aid you in the decision. But to make a good decision, you need more than just the facts. So we've put together some questions that should help you get a tripod tailored to your needs.
Tripods include or omit different features in order to accommodate various shooting situations. If you do a lot of eye-level shooting on flat surfaces like news-style interviews or weddings, you would want different qualities in a tripod than if you were, say, an outdoor wildlife videographer. Here are some things to consider.


Camcorder Size
Big or Small?

One of the most important aspects to consider when purchasing a tripod is if it can support the weight of your camcorder. This is especially true for people who own large-format models like full-size VHS, professional Mini DV or Betacam units. Correspondingly, the inverse of that rule works for small-size camcorders. It may be overkill to get a tripod capable of supporting 35 pounds if you own a 2-pound camera.

Camera Moves
Much Movement or Lots of Lock-downs?
For some, an absolutely smooth-move is essential. The slightest tremor or jiggle from an uncooperative tripod is disastrous. Others find that the money they save on a less-expensive and less-fluid model is worth the trade.
The main factor in determining how smoothly a tripod moves is its head. There are two categories of heads: fluid family and friction. If you want the smoothest pan and tilt movement possible, it's wise to look for a model with a fluid-style head. If you shoot a lot of locked-down shots, a fluid head may not be as important.

Legs & Feet
On the Level or Off the Beaten Path?
The locations where you do most of your shooting will help you determine some other necessary features on your tripod. Take, for example, a spreader, which keeps the tripod's legs equidistant from its center axis. It is great for fast set-up on a flat surface, but it could get in the way when trying to set up atop a large boulder. Rubber feet are great at inhibiting slippage on smooth surfaces, while spikes are ideal for the front lawn. Some manufacturers include both rubber and spike options on their models.
Another thing to consider when assessing your shooting situations is how high or low you want the tripod to position your camcorder. In order to get down for that macro shot of the beautiful Indian Paint Brush flower, it's important to get a low minimum height, while the opposite is desirable if you want to shoot over people's heads at a rock concert.

Weight
Lightweight or Heavy Duty?
If you're planning to strap your tripod to a backpack or carry it with you through a theme park, you will likely want to look for a lightweight model. If, on the other hand, you don't mind having some weight to your pod, you may want the added stability of a heavier unit. Heavier tripods tend to make smother moves, and are harder to accidentally knock over. They can withstand the abuse, bangs and dings that occur over time and during rigorous on-the-go shooting situations.

Price
Low Dollar or High Quality?
Last but not least is the price. Finding a tripod with the pertinent features that match your budget is often the most challenging part of all. By setting a price limit, you can narrow your selection down.
Many companies sell their tripod heads and legs separately. Some videographers will invest first in a high-quality set of legs and get a mediocre head, with the idea that they will upgrade the head later when they upgrade their camcorder or their budgets increase.
Whichever tripod you decide on, you will see a noticeable difference from your handheld shots. A steady image doesn't call attention to itself the way a shaky one does. A stable shot is a sign of professionalism and a quality all your viewers will definitely appreciate.