RØDE VideoMic Pro Mini Shotgun Mic Review

On the road or on the go the RØDE VideoMic Pro has all the makings of a real hit with video producers of every skill level.

RØDE set out to create a small, compact microphone that wouldn't break your bank while providing the quality to match good high definition video. RØDE succeeded. Though this little RØDE VideoMic Pro is not limited to use with only HDSLR cameras, due to its 1/8-inch mini jack plug it is the ideal mate for the Canon 7D, 5D or any other still camera that produces high quality video. One huge challenge in the new emerging field of HDSLR cameras is audio capture. Built-in microphones don't match the high resolution and high quality these cameras are producing. Simply put, the RØDE VideoMic Pro is great for cameras lacking good audio quality.

Simple To Use

Simplicity at times can be invaluable. Straight out of the box this microphone is easy to use, with no confusing parts or complicated assembly. Pull it out, slide it onto the cold shoe mount it on your camera, connect one tiny cord with an 1/8-inch plug and flip on the power. A nine-volt battery is required, which is simple enough. An amazing expected battery life of 70+ hours makes for instant positive reviews. When setup speed is important, this microphone comes in handy. With only two switches on the entire microphone there is little room for confusion. The first switch has three positions, Off - On - High Pass Filter. The only other option on the microphone is its second switch giving you three volume control selections.

Variable Level Control

The RØDE VideoMic Pro's three volume setting switch lets you chose between -10dB, 0dB, +20dB options. Don't be confused by the decibel quantities, you don't have to be an audio expert to understand this concept; -10dB reduces the volume a bit in order to keep your volume from clipping, 0dB records volume at a constant "normal" level, and +20dB boosts the volume when your subject is quiet. The simplicity of this microphone makes it perfect for a number of uses, however its simplicity can also be limiting. Having only three volume selection options on a switch instead of a variable dial or knob hinders your ability to ride the levels. If your subject changes volume or your camera is in motion then volume adjustment is necessary. With just a switch to work with, you are unable to make smooth transitions between audio level selections. If your main intent is to capture content largely based on monologue or dialogue, additional sound recording gear may be necessary.

High Pass Filter

The High Pass Filter is a nice little feature that reduces low frequency noise. High Pass implies all High frequencies Pass and are recorded, while low frequencies don't pass and are therefore significantly reduced. In testing, this feature came in handy and performed nicely.

Shockingly Impressive

An immediate challenge with high quality microphones is the vibration the microphone picks up. A nice selling point of this RØDE VideoMic Pro is its built-in shock mount. The sleek and compact shock mount doesn't get in the way of performance, nor does it dominate the top of the camera. The shock mount does, however, do a great job of protecting the microphone from vibration that can cause audio blips, such as when the tripod is bumped accidentally.

Rate This Article

Rating: 1 (Poor) - 5 (Excellent)

1 2 3 4 5
How would you rate the author of this article?
How Would you rate the overall value of this article?
How would you rate the graphics?
How would you rate this article's method (i.e interview, tutorial, narrative) for explaining this topic?
How would you rate the depth and length of the article?

Comments

You must be logged in to comment. Click here to login
X

Please Login or Sign Up to Participate

  • -or-
Reynand
How is the bass? I have both the Videomic and the NTG2. The Videomic only seems to record treble while the NTG2 does well both treble and bass.
hauffen
likes, 1 dislikes
And also, Shockingly expensive!

Latest Videos

  • How to Block Shots How to Block Shots
    Before you start to roll camera, you and your team need to know what the actors will be doing and where they'll be positioned. This step is called blocking, and …
  • How to Organize a Shoot How to Organize a Shoot
    In this how-to training video we show you how and why to assemble a storyboard, organize your resources, and manage a production schedule. When film-making, tim …
  • How to Cast a Video Production How to Cast a Video Production
    Here we show you how to bring your characters to life by casting the best talent you can for your production. We show you where to look for actors, and walk you …

Connect with Videomaker

Facebook YouTube Twitter Newsletters Newsletters

Videomaker eNews

Videomaker eNews contains industry news and informative articles about video-related products, tips & techniques, special offers, events information and exclusive discounts. And now, sign up to receive Videomaker eNews and download Editing Dirty Little Tricks free! Learn the Band-Aid-type fix-it solutions the pros use.