Audio Software Buyer's Guide: Sound Editing

How many times have you heard this: If a video is technically poor, the audience might forgive it, but if the audio suffers, the audience will walk.

Audio is an extremely vital part of the final video product. Editing audio starts with verifying our sound file specifics and transcoding, if necessary, then cleaning up our SOT (Sound-On-Tape) and any V/O (Voice Over) work; after which we need to spot music and sound effects; followed by the final mixing of the whole composition. While some of these sound-editing processes overlap, each is unique. Having the software packages that suit your specific needs is very important to give you the tools and workflow that help you deliver quality products to your clients on time. And although all video-editing applications have the capability of performing audio editing internally, they are limited and can be bulky to work with in many situations.

This article is unable to cover every software package available, nor every unique audio mixing situation, so we'll cover a general overview of the process, and give the reader a good idea of what is on the market. The goal being to give readers who might be purchasing audio editing software a basis to make an intelligent decision and enjoy the rewards of having software that fits with their overall workflow. Please note that prices stated are approximations based on the market as of this writing (Summer 2011).

Video Editing Suites

Most all video editing applications have some built-in set of audio tools. Apple's Final Cut Pro X ($300), Avid's Media Composer ($2495), Adobe's Premiere Pro (Production Bundle $1699) and Sony Vegas Pro ($600) all have the ability to do basic audio edits, apply the common filters such as noise reduction, equalization, limiting and compression. They can also handle performing a final audio mix. You can keyframe level, pan and most filter parameters. For the most basic video and broadcast work, the built-in abilities will be enough. None of them provide the ease of use and power of dedicated audio editing software. The Suites, such as those in the CS5 family, include applications for working strictly with sound, like Adobe's Audition. Not only do you have much more power and flexibility in the tools offered for audio editing, but they provide the ability to access built-in and expandable libraries of sound effects, audio loops and completed music beds.

The first advantage is the ability to switch between multitrack projects and single audio file projects, access to powerful and easier-to-control filters, and greater ease in doing basic edits, as well as keyframing various parameters. Some of these, such as Soundtrack Pro, have voice over "multi-take" tools that make recording and compositing several takes into one very quick and easy. If you do need to record a lot of voice work you may want to look at multi-take recording/editing tools in the various packages. If you already own a video editing suite package, look into what you already have, take the necessary time to properly learn the basics and see if it will fulfill your needs, then decide what functions you'll need to purchase additional applications for. Let's look at where you would go from here to expand your studio's audio editing toolbox.

Transcoding and Repair

There are several smaller, very inexpensive audio applications available that do very basic work, such as Audacity (freeware), Amadeus Pro ($40), QuickTime Pro ($30) and others. These applications are great for doing the very basics of audio work. They can record individual voice and instrument tracks, clean up damaged audio and edit a file to be longer or shorter than it already is. They can also transcode between audio codecs such as AIFF, WAV, and MP3. For very quick, simple preparing of audio files, these types of applications can do the work quickly without the bulk and expense of larger, more heavy duty applications. Amadeus Pro also has a Batch function that can transcode many audio files at one time, and impressive audio repair tools. There is a hard limit to what these audio utility applications will do, but they can be handy for some workflows. These packages are so basic, you'll probably spend only a few minutes learning what you need to use them, so there is basically no time lost in that aspect.

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Terry
Logic, Logic Express, and Cubase are DAWs for Musicians and music studios. As such they contains hundreds if not thousands of options fairly useless and overly complex for someone wishing to do a simple sound to picture mix. I don't think they should be suggested over more dedicated DAWs such as Adobe Audition, Pro Tools and Soundtrack Pro, none of which are actually that hard to learn, and certainly not more difficult than DAWs which focus as much on MIDI and external interfaces as audio editing. Also, Pro Tools is not one single price or product, it comes in a range of flavours and a brief check on B&H shows you can get a Pro Tools SE system with Monitors, headphones and mic for less than $200. Your assertion than any audio that isn't 48K will cause problems is misleading as every video editor and DAW will deal with it differently. However in the DAW world all the major DAWs will correctly handle different sample rate files either on the fly or automatically convert to the correct rate during import. Your description of "bit rate" (more accurately called "bit depth") is also not that helpful. Bit depth (ie. 16 bit) is better explained as audio dynamic range, akin to the dynamic range of light a camera sensor can capture. Shadows to highlights, Quiet to Loud. 16 bit is a dynamic range of about 65,000 to 1, which means the loudest sound is 65K times louder than the quietest sound. This is nowhere near the dynamic range of the human ear (about a million to one). You need to go to about 20 bit to get to that, hence professional audio tools being designed to work at 24 bit. MP3s are completely fine for speech based material (it contains very little harmonic content compared to say a pop track or classical orchestra) but the more important issues are increased complexities around transcoding and sound to picture sync. MP3 is compressed audio, the same as all video us mortals deal with is compressed video. It can be good or bad and there are no absolutes.

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