Camcorder Supports Buyer's Guide (page 2)

You automatically give your production a big-budget feel by gracefully moving the camera up, down and/or sideways. You make these types of shots by using a dolly, jib, crane or motion-stabilization device similar to Steadicam. Not long ago, most of these systems were too expensive for most of us to consider buying, but there have been many recent innovations that have made many affordable.

Dollies can be anything from a glorified skateboard with a camcorder plate to complete ride-on carts that use various kinds of track for creating smooth-as-glass motion. There are many parts to these systems that all need to have tight tolerances, so it's hard to single out any one for close scrutiny. If possible, this is one piece of equipment you definitely want to try before you buy. One inexpensive design simply adds three wheels to the bottom of your tripod. This may be a good solution for moving your camera from one place to another like in a gym, but don't count on it to provide the smoothest shots.

One person can operate smaller jibs and cranes, and many can be broken down and stuffed into a mid-sized vehicle. Most use weights to counter-balance the system, and some even allow you to control the pan and tilt from the operating end. Like tripods, the heavier systems tend to be more stable but also require more weight. Along with cost, setup and breakdown time should be a major factor in your decision.

Several manufacturers now make motion-stabilization devices that once were the exclusive domain of Steadicam. As with dollies, it is best to try before purchase, as they can vary so greatly in their feel and operation. Most use articulated support arms with a series of springs and tensioning devices attached to a vest. Unlike dollies, jibs and cranes, these devices require a lot of practice, and using one can be quite fatiguing. Be ready to invest several hours of practice to get consistently well-framed shots that are not only smooth but also in focus. But, after you get the hang of it, you may find that trusty old tripod spends more time in the truck than your dog.

Contributing editor Brian Peterson is a video production consultant, trainer and lecturer.

Even the best tripod designs become more stable with added weight. But lugging a heavy-duty tripod to a remote location can be backbreaking. There are a couple of solutions. The first is obvious: buy two tripods. If you"re in love with your head, then just get a second set of lightweight legs. The second solution is to buy a medium-weight tripod and hang either sandbags or water-filled weights on the spreaders. Just be careful not to hang too much on mid-level spreaders.

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