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Multicam Shooting

While the director has a lot to contend with, the shooter also has to keep some very important techniques in mind when taking part in a multicam shoot. In this feature, we will look at the role of the camera operator in a multicam shoot, with some do's and don'ts and some techniques that will make you a valuable member of the multicam crew.

There are two ways to do a multicam production: live switching or taping now to edit later. Each of these methods has its advantages and disadvantages, but that is a column for another day. We want to focus on the techniques unique to each of the multicam setups. However, before we get to the particulars of each, let's start with some basics to use with both.

When shooting a multicam production, it is important that you and the director speak the same language. Before the production, the director will give you your setup and shooting assignment, perhaps shooting cover shots of the action or closeups of the people involved. Whatever your assignment, make sure you understand what the director means by "cover shot." Does that mean getting everyone involved in the production in the shot or just the major players? At a wedding, does a cover shot include just the bride, groom and officiator, or does it also include all of the attendees and parents? In baseball, does a cover shot include the complete field and the dugouts or just the batter and players on the field? How close is the director's idea of a closeup? These are questions you have to ask the director. Make sure you know exactly what is expected. In the live multicam shoot, the director will be able to tell you if the shot you have is what's wanted, but if the production will be posted, you are on your own. If you are not clear what the director wants, the director may be a little upset in the editing suite to find that your ideas of a cover shot are totally differe…