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Video Editing: Welcome to Splitsville, Baby! (page 2)
Yes, split edits are that simple. Now that you understand the technique, you're ready to look at the transition between the clips in your timeline in a whole new way. Instead of thinking about a transition to incoming audio-video clips in one step, train yourself to look at it as having three distinct possibilities: (1) standard edit where the audio matches the video, (2) delaying the audio transition with respect to your video or (3) letting the audio from your incoming clip lead your audience into the incoming video.
The reason split edits are so effective is that they provide a higher density of change to the viewer. Instead of one edit where the audio and video cut at exactly the same point, the split edit gives the audience a chance to absorb a new juxtaposition of elements: established audio with new video following or established video with new audio fading in. These may seem like small distinctions, but, like adding a spoonful of sugar to a cold glass of iced tea, a split edit is another sure way to sweeten your communication with your audience.
Well, I guess it's time for me to split!
Contributing Editor Bill Davis owns and operates a video production company in Arizona.
Split edits have been around so long they even have their own hip edit jargon you can use to impress your peers. If you cut just the video track and replace the downstream pictures with other images leaving it's original audio in place, but allowing room for new video material, you've made a "J-cut." Allow the audio to come in before the video and you have an "L-cut." See the figure for a graphical representation of what we're talking about.
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