Test Bench: Manfrotto 754 MDeVe Carbon Fiber Tripod and 501 Fluid Head

D. Eric Franks
May 2004

The number one accessory that we would recommend for your camcorder is a decent tripod. If you budget is extremely tight, a cheapie from the MegaMart is better than nothing, but a good tripod with a true fluid head will never let you down. And your tripod will probably last you the rest of your life or at least longer than your current camcorder. As with most quality tripods, the Manfrotto system (distributed by Bogen in this country) we review here comes in two parts: the 754 tripod legs and the 501 Fluid head.

The 754 tripod legs are made of a high-tech carbon fiber material, which is both lightweight and strong. The weight of the tripod is not much less than an equivalent, high-quality, lightweight aluminum tripod and the manufacturer reported maximum load is not any higher either. We did not run any stress-to-failure tests on the legs, but the strong and flexible nature of the material make it unlikely that you could accidentally damage them. The tripod has a slight bounce to it with the legs fully deployed, although you will not experience this during actual use.

The legs telescope in two sections to a height of 56 inches using six (two each leg) standard flip-clamp locking latches. There is a spring-loaded pin at the top of each leg that restricts the angle that the legs spread in two stops. While an actual spreader would be preferable for quick setup, the locking pins are convenient, very light and very sturdy. The locking pins also allow the tripod to get very low to the ground. At the bottom of each leg is an unremarkable rubber cap.

The center column has an oiled ball joint on top of it with a mounting plate on top of that. This device, along with the inlaid bubble level, allows you to level the tripod no matter how the legs are configured or how rough the terrain. The actual mechanics of loosening and tightening the leveling ball system are a bit odd at first, but it isn't complex and it works.

As far as stability is concerned, heavier is better. The professional tripods in Videomaker's studio have cast iron mounting plates and thick aluminum spreaders. Clearly, weight is not an issue for a tripod that will remain in the studio. It is also not an issue on location when you are near a parking spot or on a shoot that has a full production crew that includes young, low-paid assistant camera operators. For most of us who can only afford one really good tripod, we need to literally balance stability against portability, heavy against light.

The 754 is definitely a light tripod to bring in your baggage to Bora Bora and beyond. It is unquestionably strong and will support any sub-$5,000 Mini DV camcorder. Like all lightweight tripods, once you get a substantial camcorder on top of it, with the legs extended to their full height (and with the center column up), the center of gravity of the entire contraption is rather high. This means that you need to be extra cautious about knocking your camera over. The carbon fiber legs are matte black and most of the hardware on the tripod is also black, so due caution is advised at dark (and drunk) wedding receptions, parties and events.

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